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00:24This is the show where a celebrity comes through that door and faces some
00:29cold hard truths, dished up of course with love from me and tonight my co-host Lawrence
00:34Mooney. Thank you very much. Thank you Mick. I hope you've taken your meds. I have, I've
00:43doubled the dose. That should get us through the first half hour at least. So before we
00:49get to our celebrity tonight, there's a few other people, places and things that need a
00:53good heart intervention. Shall I begin? Let's get intervening. Let's do it. The Governor
00:58General. Finally. What a dickhead. What kind of job is that by the way? You just sit around
01:04on your ass in a big house all day avoiding calls from Prince Andrew. How hard could it
01:10be? If I had that job, it would be a reign of terror. I'd take eight wives and bring back
01:16the guillotine. Let's go. You're all copping it. Right, time for an intervention into algorithms.
01:23I'll tell you what, for the most part the algorithm gets it right for me Mick. Sure. I love dog
01:26videos. I love seeing fat people slip over. But, stop telling me there's lonely women
01:32in my area. Okay. I just haven't got time for you all. Plus, I've got seven wives from
01:38Ukraine waiting. It's all banged up. I've got one for you. The movie Marty Supreme.
01:44Oh, come on. Seriously. Is that what the world needs right now? A really gritty story about
01:51the intense nature of table tennis? It's called ping pong. Want to know how to win at ping pong?
01:56Get there early and get the good back. The good back. That's all you need to know. What
02:01about stranger things? Come on. Come on, kids. It was cute riding those bikes when you were
02:0712, but now it just looks like me and Moon Man driving around. Hurry up, Moon Man. Vectors
02:14come in. Come on. Elvis. Yeah, the king died in 1977, backing one out on the throne, and
02:21he's never gone away. There's the movie, the documentary, the musical. We've had enough
02:27of you, Elvis. The impersonators. Uh-huh. Got no way out of that. Just an intervention
02:33against Elvis. I thought that was you backing one out on the throne. Uh-huh. And it's time
02:41for hotel rooms. I can't sleep. Hotel rooms? I can't sleep in a room that's got a bar in it,
02:46Mick. I can... I hear you. I can hear that bottle of wine speaking to me in the middle
02:53of the night. I'm a Cabernet Laurent. I'm here. I only cost $17.50 at Liquorland, but for
03:00you, $163. Blug, blug, blug, Laurent. Well said. All right. Are you ready to get into
03:08it? Yeah! Let's do it. Let's do it. Now, as we know, Glenn is not here. He is out chasing
03:15down our celebrity for tonight's intervention, and he is out there, and his job is to bring
03:20that celebrity back to this studio under false pretenses. Oh. Using what I describe as a canny
03:25roose. I love a canny roose. To trick them into coming back, because they don't know they're
03:29going to face the music. So let's cross out to Glenn and see exactly where he is. Over
03:35there is Sam Pang. Let's see how we go. Sam! Penny! How are you? What's happening? What
03:45do you want? You know, just by myself. Fantastic. Mind if I join you? Of course not. Great.
03:52You brought your own cue. Oh, yeah. The Excalibur. Oh, yeah. This little baby, when she goes
03:58off, she goes off. Oh, nice shot. Do you mind if I have a go? Put the ball over here.
04:04Of course not, mate. Yeah, yeah, yeah. That's great. Watch this little baby go just like this.
04:09Oh. That's the worst shot I've ever seen. Well, is it? Yeah. Have a look at the shot
04:15I left you, my friend. Eleven ball, corner pocket, impossible. Eleven ball, corner pocket,
04:23goes in, pants down, two laps from me. I will not be dropping my pants. Pants down.
04:34Ball went in. Pants down. Can you take me home? Seriously. I know I've got to get my pants,
04:42but I don't feel good. Oh. No, no, no. I've got to go home. Do you say home or the
04:48home?
04:49Because after four, you'll have missed dinner. Oh, no. It's Sam Payne. Sam Payne.
04:56Sam Payne. He's got to pop an intervention right here in the room. Now, it might take them
05:02a while to get back here, of course, because, well, Glenn's got a waddle to the car. Yeah.
05:06And I think the tunnel's chockers, but hang on. I'm here. They're here now. Who knew?
05:10Thank you. Thank you. Welcome to Sam Payne. I am...
05:14Wow. Wow.
05:18He's got his pants down already.
05:21Well, hello, Sam. Hello, Michael. Nice to see you, buddy.
05:24Hello, buddy. Hello.
05:28Sorry. Sorry to do that to you. How are you feeling?
05:32I am very, very excited, but there's also, I'm not going to lie, a mild sense of peril.
05:38No. It's going to be fine. All you have to remember is we're here for you. Yeah.
05:42And we love you. And this is harder on us than it is on you. So everything that comes
05:48your way tonight comes with love and affection and...
05:51But this has been a long time coming, hasn't it?
05:53The hope that you can make yourself a better person, because right now, this is...
05:59It's a bit of a mess. Anything you'd like to say on your mind?
06:01I'd like to say, so, you know, I love this man. I love this man. The idea that...
06:06Oh, what? Nothing for me?
06:06What? Nothing for me? See, you're passive-aggressive already.
06:10The idea that it feels as though an intervention is based on you caring about someone more than
06:16yourself. So therefore, if it's you, I reject the whole premise of this issue today.
06:20And this is exactly what we're talking about.
06:22This is what we're talking about. See? He's lashing out already.
06:25I know. I'm sorry.
06:26This is what we've got to get across. Let's get straight into it. There's a lot of ground
06:30to cover tonight. But let's start with one that's fairly obvious. You're a shithouse
06:35actor.
06:36You are.
06:37No, you are.
06:38You are.
06:38And you know you are. And there's no getting around. You're okay at other things.
06:42But acting itself...
06:43Yeah.
06:44And someone who hired you for a role that was supposed to be ongoing, but only lasted one
06:49episode, was your very good friend who hired you in Fisk. Kitty Flanigan, she couldn't
06:57be here tonight, but she did leave you this message.
07:00Yeah, I know I'm on record as having trashed Sam Pang's acting, but I think I have to take
07:04some responsibility. I was a first-time director and I would do things differently now. I would
07:09definitely use a filter just to try and get some life back into those dead eyes.
07:15And the editor called me and she said, God, this is like being in a fish market. I said,
07:21why, because of the stink coming off the screen? And she said, no, it's just these cold, dead
07:26eyes just staring at me from the screen. I would maybe shoot him just from the neck down.
07:31I think we'd alleviate a lot of the problems. And always seat it. Don't get him to walk.
07:38That is a recipe for disaster. You can't walk properly. But yeah, my fault. We asked him
07:44to do too much. We asked him to walk and talk. Look, at the same time, just separately, but
07:47even that was too much.
07:49Wow.
07:51That hurts. That's got to hurt.
07:54How do you feel when you see Kitty?
07:57Firstly, it's not a massive surprise that Kitty's not here tonight. I mean, obviously,
08:01that RSL in Wagga's not going to fill itself with him.
08:06You're lashing out again. You're lashing out again.
08:09I'm just defending myself. It's fine for Kitty to say that, but now I suppose I've got the
08:13right of reply. And she was a terrible director.
08:16Well, you're blaming her for your wooden performance.
08:18Well, not just her, the script, which she wrote.
08:24But yeah, no, look.
08:26Why don't we take a look at one of the scenes?
08:28I think that's a good idea.
08:30Still not interesting.
08:34And I requested a quiet ride.
08:36One star.
08:38What do you make of that?
08:40I believed it. I believed it.
08:42Have you ever gotten out of a car before?
08:46Because it looks like you've got a spinal fusion there.
08:50That was your big scene.
08:51That took about 12 takes.
08:54It took a long time.
08:55I'm not surprised, but also I'm concerned with your range.
08:58We've had a look at some of your acting, and it seems you'd go for the same thing every
09:02time. Let's have a look, because here you are happy, and this is you grieving, excited,
09:09and ecstatic.
09:15I'll defend myself.
09:17I think I've got more range than you think.
09:19All right, you ready?
09:20I'm going to do some acting.
09:21Are you ready for this?
09:22Camera one?
09:23You ready?
09:23Okay, watch this.
09:27Happy?
09:28Do you know what that is?
09:28No.
09:29That's me acting like I'm having a good time.
09:33And you know what?
09:33I believed that.
09:34I know, thank you.
09:34That's the first bit of acting you've ever done.
09:35Well, also, acting is a wonderful actor.
09:39Lawrence, an underrated actor who should be used more.
09:41Have you seen Cracker Jack lately?
09:44What do you mean?
09:44Because I saw it recently.
09:46It's a most loved Australian classic.
09:47Without dispute, but your performance in that.
09:49You got out-acted by a couple of lawn bobs.
09:53Well.
09:53I am lashing out now.
09:55I'm so sorry.
09:56No, it's all part of it.
09:56It's all part of it.
09:57Now, Glenn was in the same series, and Glenn's character was only supposed to go one episode,
10:02but they saw what he was doing and went, we need more of that.
10:06Yeah, I had to play a guy who did paintings with his penis, and look, you can laugh, but as
10:15a fellow actor, Lawrence,
10:17you would know that is a hell of a challenge, to be able to capture a character like that.
10:22I love this piece of acting so much, I'd love to have a look at it, actually.
10:27Please.
10:28Keep your eyes.
10:31And tell me, Dean, what medium are you working in?
10:34I prefer acrylics.
10:35Oh, yes, of course.
10:37You don't want me rinsing that brush of yours in turpentine, I do.
10:41Just going to do your eyes now.
10:44Look at me.
10:45One.
10:48And two.
10:49Wow.
10:50Wow.
10:52I just, I want to say, Glenn, the juxtaposition of the archetype, I mean, it's oblique and yet naive,
11:00but a word of warning, never get Glenn to do your face paintings.
11:04Wow.
11:06I don't want to see you do the roof of the Sistine Chapel either, if you don't mind.
11:11Now, why don't we watch you in an earlier piece, working with the master.
11:15The two of you, very early on, did a scene together in what was the...
11:19Cane and Disabled, it was called.
11:21It was actually for the 2012 Paralympic Games.
11:24It was a way to demystify disability, and we did a comedy about it.
11:28It was ten short episodes.
11:29There's just no way it would be commissioned today.
11:31No, no, no, no, no, no.
11:33Not a chance.
11:34Every episode highlighted a Paralympian, and so they were a guest on the show, and they loved it.
11:39Let's take a look at the two of you in action.
11:41Purple.
11:44Hey.
11:45Poor girl.
11:50Mmm, purple.
11:53She wouldn't even be able to tell the purple ones.
11:55Oh, that is good acting.
11:57That is good acting.
12:00That is good acting.
12:03You've been out-acted by a jelly bean.
12:05That's all I'm going to say.
12:06You were brilliant.
12:07That was a tour de force.
12:08Bring on the flower.
12:09Well done.
12:10That was absolutely...
12:13Oh, look at this.
12:14Well done.
12:16There we go, man.
12:18You.
12:19Nothing.
12:20I'd like to thank Brian Katzenberg and everyone at the Academy.
12:24Oh, he's got the orchestra.
12:26We're going to a break.
12:28We'll come back with more Intervention with Sam Pang in just a moment, everyone.
12:44I think we'll get it somewhere.
12:46Welcome back to Gweta Mix Celebrity Intervention with Lawrence Moody.
12:50And Sam Pang, facing the music, answering some hard questions.
12:53How do you feel it's going?
12:54Well, I think it's going okay.
12:56I think, you know, we got through the first bit.
12:57Thank you for addressing some of the things that I was unaware of.
13:00Bad acting.
13:02Let's now address another elephant in the room.
13:04You're a giant nerd.
13:06You're a big nerd.
13:07No, you are.
13:08And not many people know about this.
13:10Tell us about your unhealthy relationship with dolls.
13:15In particular, wrestling dolls.
13:18We've got a few.
13:19See, look at that.
13:21You might have picked the wrong audience tonight.
13:23They're all in it.
13:24What's going on?
13:25Well, firstly...
13:26These are yours.
13:27Yeah, they are.
13:27And you still play with them.
13:28Firstly, they're not dolls.
13:29They're figurines.
13:31Some would say action figures.
13:32Depends how you play with them.
13:33But these...
13:35These...
13:35Can I grab...
13:36Can I...
13:36Yeah.
13:36These are just a selection.
13:37They are what I call the greatest contraception known to man.
13:41Yeah.
13:42Are you excited, girls?
13:44Seeing a grown man play with his wrestling dolls.
13:46Sam, Sam, point to wear on the doll women have never touched you.
13:55Please.
13:56These...
13:56These are...
13:57What have you got there?
13:57These are very different to the ones you have, Lawrence.
13:59These are not inflatable.
14:02So these are my...
14:04These are when I was a younger man.
14:05No, when I was a teenager.
14:06I used to...
14:07I used to like the wrestling.
14:09And I had this window from about 985 to 1990, where I was all in.
14:12And this was part of it.
14:13I mean, you get figurines.
14:14Who have you got there?
14:15I've got...
14:15This is my favourite ever wrestler.
14:17Here we go.
14:17This was the Magnificent Morocco.
14:19All right, have a look at him.
14:20He was from Sunset Beach, Hawaii.
14:22I know where they came from.
14:24So this...
14:24By the way, the Magnificent Morocco was managed by Mr Fuji.
14:28I really liked Mr Fuji because to help the Magnificent Morocco sometimes,
14:31he would throw salt in the opponent's eyes when the referee wasn't looking.
14:36And what really stood out to me...
14:38If you're just tuning in now, we are interviewing a very sad man.
14:44So, Mr Fuji, go on, I'm all ears.
14:48Not only did...
14:49It wasn't just...
14:50The salt that he would throw in his opponent's Magnificent Morocco's eyes wasn't just any salt.
14:54It was, according to the commentator, Asian salt.
14:58So that stood out for me.
15:00Of course.
15:01Chicken salt would surely work better.
15:03This is George the Animal Steel.
15:04Who's that bad boy?
15:05He was in...
15:06He was, like, crazy.
15:08And then this is my...
15:09This is my one-off.
15:10This is Jake the Snake Roberts, right?
15:12And he...
15:13Look, I actually got the snake.
15:15Careful, Glennie.
15:16Glennie, you'll start painting with this if you can dance on.
15:18Was the snake sold separately?
15:20Look at that.
15:21So he would...
15:22When he defeated his opponent with the DDT, which is a terrifying move,
15:26he would then put the snake, drape it over the opponent.
15:29And, yeah, that's why I was...
15:30The rest is history.
15:31That's why I was a virgin until 25.
15:35Well...
15:35Yeah, that's that consistent.
15:37Well, finally.
15:37I don't see the, uh...
15:38I don't see why that would be included in an intervention.
15:41Well, I'll tell you why it is,
15:42because when Jake the Snake heard we were doing this tonight,
15:45he wanted to be involved.
15:47He cares.
15:48He cares about you.
15:49And Jake...
15:49This is actually Jake the Snake.
15:50He had this message.
15:52Sam, it's come to this, brother.
15:55You're playing around with things you shouldn't be playing with,
15:58and you know what I'm talking about.
16:00I want to give you some hard truth here.
16:02And it's going to hurt me more than it's going to hurt you.
16:04We all love wrestling,
16:05but the time comes in a man's life
16:07when he has to give up his wrestling bigger rings.
16:10Give it to the honest, Sam.
16:12Wow.
16:13Wow.
16:13So there it is.
16:15Wow.
16:16And you move.
16:17Well, he's tearing up.
16:18He's tearing up.
16:18I am.
16:19Can I just say,
16:20Jake's taken time out from his own intervention.
16:22Did you?
16:25He hasn't aged well, has he?
16:26He's only 35 years old.
16:29But this is just the tip of the nerd-burgling iceberg.
16:32What?
16:33You also, you're into something...
16:35Oh, boy.
16:36...even worse.
16:36Oh, boy.
16:37This is a big one.
16:38And this is tough.
16:39Yeah.
16:39You're into calligraphy.
16:40Oh, fuck.
16:42I know.
16:43We're not making that up for fun.
16:44We're not making it up.
16:45It's true.
16:45You actually did a calligraphy course.
16:48Calm down, girls.
16:49Calm down.
16:51I could have pushed your virginity out to the early 30s.
16:54Um, yes, that is true.
16:57This actually makes that seem more sane.
17:01That's cool.
17:01And cool, yes.
17:02I don't say I've got great penmanship, but I enjoy writing.
17:06And to the point where I was so interested, a while ago,
17:11I enrolled in a six-week calligraphy course.
17:14And there was two types of, uh, kind of fonts that the teacher said
17:18that we're going to do over the next six weeks.
17:20True story.
17:22And it was a Gothic textura and italic.
17:24They were the two ones.
17:25And I read...
17:26This is what I remember.
17:27I remember sitting down doing it, and in the next building,
17:30with big windows so you could see out,
17:31in the next building, there was a pole dancing class.
17:35LAUGHTER
17:37Which was mildly distracting.
17:39LAUGHTER
17:40And I remember...
17:41They would have been safe as houses from the town,
17:43wouldn't you be?
17:45LAUGHTER
17:45I reckon.
17:46There's the weird guy with the dolls.
17:50And I remember, like I said, the first class,
17:53the teacher said,
17:54we're going to do the alphabet in this font.
17:56And because of the pole dancing class,
17:59it took me about three classes to write the letter A.
18:02It was very...
18:04I kept on looking over there and...
18:05That is sensational.
18:06We've got an example of your work.
18:07Yeah, let's have a look at it.
18:09It hasn't looked that good, really, does it?
18:11This is a very famous piece from Teddy Roosevelt.
18:13Tell us about this, Sam.
18:15Why don't you tell us about it, Lance?
18:18No, it's a famous quote, yeah,
18:20that he said a long time ago,
18:22and I think I just wrote it out once in a notebook,
18:24and there it is.
18:25Like I said, I don't think it's the greatest thing in the ship.
18:27All right, calm down.
18:27You're really starting to get upset.
18:29It's just something that I like to do still.
18:31Glenn, you did a bit of...
18:32By the way, what is your role on this show?
18:36What are you supposed to be doing?
18:42He lures you in.
18:44He lures you in with a catty look.
18:45Well, it's funny you should say that, Sam.
18:47It's funny you should say that, Sam.
18:48Your name's in the title.
18:49It's like I'm sitting next to a hologram.
18:51Can you do something?
18:52Glenn, you could do better calligraphy with your penis.
18:56No, I don't want to do it.
18:57No, you can.
18:58And you have done it.
18:59I don't want to sew him up.
19:00Come on, show us what you're doing.
19:02Oh, all right, I'll do something.
19:03I'll do something.
19:04I'll do something quickly.
19:06How about I do a portrait of Sam?
19:08Sam, do it.
19:08Yeah, absolutely.
19:09Okay, cool.
19:12Yeah, well, it's...
19:20Sam's got a...
19:21This is very quick, by the way.
19:23Sorry, I'm just getting rid of the dust.
19:26I'll just do your eyes.
19:29There you go.
19:31Look, I'm pretty happy with that, so have a look at that.
19:43This is not brushed with face.
19:47That's amazing.
19:48Thank you very much.
19:48Oh, no, well, it's just off the top of my head, but anyway.
19:55Wow.
19:57Now, we've also known some other...
19:59Hang on a sec, Nicky.
20:0025 minutes, and you've finally got one off.
20:01That's great.
20:03Unbelievable.
20:04Yeah, we've known some antisocial behaviour from you.
20:08Largely when we're away together, on something we like to do, and they're called golf trips.
20:12Yeah.
20:12Something that I noticed in our photos, there's something wrong with you, you don't like...
20:18Photos.
20:18Well, you don't like touching other people.
20:21Here's an example.
20:23What's this?
20:24Stiff arms, stiff arms, don't touch anybody.
20:26Let's go to the next one.
20:28Yeah.
20:29Can I just say, you look like a make-a-wish kid.
20:32You look like you've won some prize to hang out with normal people.
20:35When I am on a golf trip, often when we run into people, they do think that the other three
20:39have purchased the round of golf in an auction.
20:44And so I feel like I'm just giving them what they want.
20:47That's all.
20:48And you should be happy some of those courses allow you on the course.
20:53That is true, but luckily my uncle owns most of them, so that's true.
20:59Look, we have been on a couple of trips together.
21:01They're wonderful.
21:02I love them.
21:03I love them.
21:03We do exciting things.
21:04And sometimes we do things that are so memorable that you just go, that is incredible.
21:09I don't know whether you remember, but we organised a helicopter trip in New Zealand for Mick.
21:14It was bucket list stuff for me.
21:16We were excited.
21:17And were you excited?
21:19Yep.
21:19You were.
21:20Let's find out.
21:27It's so easy to nod off to the relaxing hum of the Chopper Blades, isn't it?
21:34Mate, you missed out.
21:38That's exactly how I watched Sam Pang tonight.
21:40It really is.
21:41It's just fantastic.
21:43We're going to take a break.
21:44You're doing well.
21:45You're doing really well.
21:46Back with more Sam Pang in just a moment.
21:50I feel better.
22:01Welcome back to Glenn and Nick's Celebrity Dimension with Laurence Mooney.
22:05Sam answering the hard questions.
22:06I think you're going well.
22:07Do you think he's going okay, everybody?
22:09Yeah!
22:11I think we're making a lot of headway.
22:13Someone who was keen to get involved, but she couldn't come here tonight because she's on the set of her
22:17latest show.
22:18Now, let's cross out to Ursula.
22:20Sam Pang.
22:21Is that even his real name?
22:22That just sounds like, oh, yeah, I'm a cool guy and I'll take all your jobs.
22:26And he does.
22:26He comes in.
22:27He takes all our jobs.
22:28He's not even qualified for them.
22:30Eurovision.
22:30He hates music.
22:31He's always on about music needs to be less, less tuney and stuff.
22:35He hates joy.
22:36And then he's on that quiz show.
22:38And he hates Tom.
22:39Meanwhile, the rest of us have to keep our day jobs.
22:42And we're fighting for our lives here.
22:44I'm fighting for other people's lives.
22:45So this bus...
22:46Andy to Ursula.
22:46Andy to Ursula.
22:47This is your sixth break this hour.
22:49Can you come back to Ursula, please?
22:51All right.
22:52Well, there's a bit to unpack there.
22:56So you mentioned a couple of things.
22:57Eurovision.
22:58What the hell were you doing hosting Eurovision on behalf of this nation?
23:02Well, I loved it.
23:04It was like 2009 to 2016 with Julia Zemiro.
23:08We were both sent over there for SBS to cover Eurovision,
23:12which is very, very popular back in Australia.
23:14Let's take a look at some of you, will it?
23:17Welcome to the 2013 Eurovision final from Malmur.
23:20I can hear them turning on the wind machines as we speak.
23:23Well, come on.
23:23Let's get to the commentary booth that's about to start.
23:25Happy Eurovision Australia.
23:27Here we go.
23:28I'm ready.
23:30Wow.
23:33Do we need to talk about your goatee?
23:36There was a definite goatee phase there.
23:38How did you smuggle that through customs?
23:40I was going to...
23:41I did have to declare it, but...
23:43What were your favourite countries?
23:44They were all great, Nick.
23:47I did realise...
23:48Whoever won, they get to host it.
23:51And I remember the first one in Russia,
23:53because we were in the commentary booth,
23:54but we'd also go backstage.
23:56Yes.
23:56And I remember it was really, really tense backstage,
23:58especially after the Russian contestant invaded
24:01the Ukraine's dressing room.
24:03It was...
24:04And then whoever won, yeah, whoever won,
24:07that's where they went.
24:08So, like, I ended up in, like, Azerbaijan
24:09and all these countries that I thought I would never go to.
24:13But there was a time when I...
24:15Because we were commentating,
24:16and then we would go backstage,
24:17which was kind of exciting,
24:18and talk to the contestants.
24:19But by about the fifth or sixth one,
24:21I was really...
24:23Bored shitless?
24:24No, I just think I'd had enough.
24:25And I think my last ever question backstage
24:27was to the contestant from Azerbaijan,
24:29where I asked her,
24:30how did she think that Azerbaijan
24:31had handled the transition to a market economy?
24:35LAUGHTER
24:35The minders came in,
24:37there was a panic,
24:38there was, like, a red dot on my head,
24:40and it was like, OK,
24:41that's when I know I'm done.
24:42All right.
24:43Now, we also mentioned quiz shows in there.
24:45Who ever thought that a quiz show based around history
24:48would ever be any good?
24:50No-one ever said.
24:51LAUGHTER
24:52You had a show called ADBC.
24:55It rolls off the tongue, doesn't it?
24:57Yep.
24:57Let's take a look at some of your work.
24:58Hi, I'm Sam Pang, and welcome to ADBC.
25:01Tonight, we'll be busting out the dance moves of history.
25:04H.G. Wells believed that history was a race
25:06between education and catastrophe.
25:08So let's kick the tyres and bust the juco.
25:10Tonight, I'll be guiding two teams
25:12through the tumultuous waters of the past.
25:14Oh, some of those shirts are...
25:16LAUGHTER
25:19Are you OK, Glenn?
25:20Yeah, sorry, those shirts are killing me.
25:22I was just going to drop some of my eyes.
25:23Look at that one!
25:24Oh.
25:25What do you remember about ADBC?
25:27ADBC was my first ever television show.
25:32I was on SBS.
25:33Your voice is quivering a little bit.
25:35LAUGHTER
25:36Well, it was a big moment
25:38because it was, like, my first time on television
25:40and it was, like...
25:41It was 26 episodes.
25:43It wasn't overly successful, but I, you know...
25:45Well said.
25:46One season.
25:47Well, one season.
25:49And it started on Thursday nights at 8.30.
25:52Prime time on SBS.
25:53Oh, yes.
25:53SBS One.
25:54Here you go.
25:55This is your big break.
25:56Then, very quickly, no-one was watching
25:58and then it moved to, like, Monday nights at about 10.
26:01Yeah.
26:01And then they started cutting it up into five-minute bits
26:05to kind of play here
26:06and then, you know, try to hopefully get people
26:09to go to the half-hour version.
26:11Very similar to what will happen to this show.
26:13LAUGHTER
26:14And we're going to finish up.
26:16It finished up, I remember, the last time I was on,
26:18it was at 3.55 in the morning.
26:21LAUGHTER
26:22Five minutes just before the Korean news.
26:25LAUGHTER
26:25And I have it on very good authority
26:27that the Korean news was not thrilled with their lead-in.
26:30LAUGHTER
26:31That was bound to happen.
26:32Time now to introduce someone else to the set,
26:35someone who's known you for a very long time
26:37and wanted to be here.
26:38Do you recognise this voice, Sam?
26:40I disagree, Sam.
26:41I think the goatee really suits you.
26:44Oh, no!
26:44Oh, who is it?
26:45It's your old pal, Santo Chalala!
26:48Yes, Santo!
26:50There he is.
26:54There he is.
26:57APPLAUSE
26:59Hello, mate.
27:00Hello.
27:01Please sit down.
27:02Great to see you.
27:03Thanks for coming by.
27:04Always a pleasure.
27:05It's great to see you.
27:05Always a pleasure.
27:07It's wonderful to see you.
27:09Well, you guys have known each other for a very long time.
27:12Is it true you discovered this guy?
27:14Our story goes back even before we met
27:17because Sam and I roamed the streets
27:19of the inner Melbourne suburb of Collingwood.
27:21He was in Keele Street and I was in Ballarat Street.
27:23Yeah.
27:24And obviously there's an age difference.
27:26There's a...
27:27A big age difference.
27:29LAUGHTER
27:30You don't even need to say that.
27:31So, but when we did meet,
27:33I became his mentor pretty much straight away.
27:35And it's great, after all these years,
27:37that he's become my carer.
27:38So, it's come full circle.
27:41Did you see ADBC?
27:42Did you see it?
27:43Mate, I was on it.
27:44Oh, you're on it.
27:44Yeah, but...
27:45Pardon me, I must have missed that episode.
27:47LAUGHTER
27:48I remember at the time,
27:49my working dog colleagues were doing the media rounds
27:52for something that we had written
27:53and I ended up with the community media outlet,
27:56so I ended up on a breakfast show that he was on.
27:58And I remember seeing him.
27:59He was a bright-eyed kid...
28:02LAUGHTER
28:03..with a...
28:03LAUGHTER
28:04..with a heart full of hope
28:06and a head full of dreams
28:08and so immediately, like all of us,
28:10I felt sorry for him.
28:11LAUGHTER
28:12So I just had a kid's deluded.
28:14Very eager.
28:15Very eager.
28:16He was like a puppy in a pet store, you know,
28:18please, please give me a home.
28:20I promise to be good.
28:22Yeah, the paws up on the window.
28:23Yeah, the paws up on the window.
28:24As time went on, you didn't quite give me a home,
28:26but you let me live in one of yours,
28:28so that was nice.
28:29Well, you did.
28:30You took him in.
28:30I mean, you guys famously had some very popular shows together.
28:34The sporting shows...
28:36Well, yeah...
28:36You don't know the name of them, do you?
28:38Sando Sam and Ed's...
28:39..footy show.
28:40Yeah, no, that was totally...
28:41That was Cup Fever.
28:43Cup Fever was the first one.
28:44So in 2010, Ed Cavalli and I wanted to do a World Cup show
28:47and Ed thought, I think we need a third person.
28:49And I said, well, look, I met this guy.
28:52He seems to be...
28:53He seems to be into sport.
28:55He's not working.
28:58He's at the pet store.
28:59I've got him at the pet store.
29:00He's at the pet store.
29:01Or the wet market.
29:06So you could get away with that stuff 20 years ago.
29:08I don't know about now.
29:10But so I said, well, look, you know, he knows his sport.
29:13And Ed goes, does he know anything about soccer?
29:16And I go, well, I think he does.
29:18He's a nut.
29:19So we...
29:20About as much as he knows about Eurovision.
29:23He's very first meeting.
29:24So, guys, is Brazil any good at soccer?
29:27It was like that.
29:27So we knew we had the right man.
29:29So Ed and I stuck to all the heavy-hitting...
29:32All the heavy-lifting stuff.
29:34You know, the interviews, all the analysis.
29:36What was his role?
29:37Sam did stuff kind of like this.
29:39Kim Jong-un, good evening, Mr President.
29:42Good evening.
29:48Good evening, good evening.
29:50Please, please, please, no need to call me Mr President.
29:54Oh, OK.
29:55We're friends.
29:56Yeah.
29:56You can call me Supreme Reader.
29:58Wow.
30:00Wow.
30:00Oh, let's go.
30:02I take it all back about the acting.
30:05What a chameleon.
30:06No, no, no, no.
30:06You don't, no, no.
30:07You think that he just does that part.
30:10He's so versatile.
30:12The next role that he did...
30:13Shall we show the next role?
30:15Yes.
30:15I got my cassio.
30:21I'm rocking on sunshine.
30:24Oh, oh, oh.
30:25I feel a rub.
30:26I feel the rub.
30:27I feel the rub.
30:28That's really real.
30:30I wrote that song.
30:31Who did you say the son and the father?
30:33The son and the father.
30:35That's right.
30:36They talk about range in my acting.
30:37Actually, that made your Fisk stuff look pretty good.
30:41It was a different time back then, by the way.
30:43Some would say a better time.
30:45I thought your show was flat chat racist.
30:47Do you reckon it was?
30:49That's a compliment.
30:49Well, you be the judge, and if I'm being harsh, you let me know.
30:53But take a look at this clip, and we'll discuss it immediately afterwards.
30:57You're Italian, aren't you?
30:58Yes, I am.
30:58I am.
30:59I need you to come over to the house to do some work.
31:02Can you bring your concrete mixer?
31:04Yes.
31:06You know, the one you use on your garden?
31:07Oh, wow.
31:08I was going to say, you're Asian, aren't you?
31:11Yeah.
31:11Can you please give me a lift after the show?
31:13I really need to get to my house very, very slowly.
31:18I wanted to just say, I just wanted to commend you on the closeness of your shave.
31:23Oh, thank you.
31:23Did you borrow your grandma's razor?
31:27Hang on.
31:28What?
31:28What are you two doing?
31:30It's racism, Ralph.
31:31It's not racism.
31:32It's not racism, Ralph.
31:35It's erase racism.
31:38No racism.
31:38No more racist jokes.
31:40Because I brought him his favourite hair product during the week, right?
31:42Are you saying I can't give it to him?
31:43No, no, no.
31:45Why not?
31:46It's racism, Ralph.
31:49I can't ask him to do my laundry.
31:51No.
31:52You can't.
31:52Really?
31:53You can't.
31:54No.
31:55Actually, I'm doing the line.
31:56You know, I went hunting during the week.
31:58Did you really?
31:59And I borrowed his gun.
32:00Yeah.
32:00Are you saying I can't return it?
32:05Well, I don't think you missed anything.
32:08That's some good stuff.
32:09What is going on?
32:11Good stuff.
32:11We thought it was racist.
32:14Santo.
32:15Yes, mate?
32:16You're too much in love with the guy.
32:17This is an intervention.
32:18You've got to dig deep.
32:20He's the only guy that I know who's into, quite seriously,
32:22he's got a passion for calligraphy and cockfighting.
32:25So, I mean, that's...
32:27It's truer than you think.
32:28He does.
32:30Did you introduce him along the way to anyone famous?
32:32Did he ever embarrass you in front of someone on that show?
32:36Well, I remember Ange Postacoglu.
32:37I knew Ange quite well.
32:39Sam had never met him.
32:40And during this time, he'd ingratiated himself at Melbourne Victory, right?
32:44So, Melbourne Victory had won the A League Grand Final.
32:46He ended up on the field at the end, right,
32:49with all the rest of the board members and everything like that.
32:52Sam had never met Ange.
32:53Ange had never met Sam.
32:55There's Ange hugging everybody.
32:56And Sam just happened to be there.
32:58And he's just gone.
33:04What is that?
33:05It is the only hug in history that was preceded by a formal introduction.
33:11I actually asked Ange, can I have a hug?
33:14And then you whispered something in his ear.
33:16Yeah, can I have a hug?
33:17That was it.
33:17It was just then I asked Ange, beautiful man, and he did it.
33:21All right, look, it's almost time for you to go.
33:22Thank you very much.
33:23You've helped us work for a few...
33:27You've done nothing.
33:28You haven't brought anything for an intervention.
33:30You've got to get stuck into the guy.
33:32Like I said, I like it.
33:32You've got to load up and deliver.
33:34What's your problem with him?
33:36Look, OK, the only thing I can think of,
33:37please make him stop thinking that he could be Italian.
33:42Because, Sam, I'm telling you, mate.
33:44I'm telling you, you can drink all the Negronis in the world, OK?
33:49You can read all the books about Dean Martin.
33:51You can try growing figs in the backyard.
33:54You can quote every single line from The Godfather.
33:56But, mate, you have never been Italian.
33:58You never will be Italian.
34:00You don't like him trying to cook Italian recipes, is that?
34:03Oh, mate, that's one of the things.
34:04He does love to cook.
34:05Look, I've been a guest at Sam's place many times
34:08and he's always cooking something Italian.
34:10What are you doing?
34:10What is this?
34:11What is this?
34:12It's like something Brooklyn Beckham would cook.
34:16This is my...
34:17I don't know where you got these.
34:19This is the process that I have when I cook a bolognese.
34:21We got them from the mushroom lady,
34:25who reckons they're pretty good recipes, by the way.
34:28Just stop it.
34:28Stay in your lane.
34:29You're not a cook.
34:30You're not an Italian cook.
34:32I'll tell you what.
34:32My two years working at the Spaghetti Tree in Melbourne
34:35and tell you differently, by the way.
34:36There was one attempt you made at cooking
34:38and I'm really embarrassed you went out on your own
34:41because I thought we had an agreement
34:42that we would start our own fast food franchise
34:45and then we did it and all of a sudden you...
34:52Thank you very much for coming in, Sam.
34:55You're a really good guy.
34:58You, Face the News in Sanjay Chalala, ladies and gentlemen.
35:02More of the intervention after this.
35:05Thank you, Sam.
35:14You're doing good.
35:15You wake up.
35:16Here we go.
35:18Welcome back to Glenn and the next celebrity intervention.
35:20Sam, take it like a champ tonight.
35:23I'm so proud of you.
35:24You've come so far.
35:26Still a long way to go, though.
35:27Yeah.
35:27You are, at the moment, experience a window of heat in your career.
35:32You seem to be at the top of your game.
35:34You're remaining vulnerable, which I like, Sam.
35:36And I touched on it earlier.
35:38You know, that's who I am.
35:39I've known you for a long time.
35:3920 years.
35:40And I thought I'd taught you better than this.
35:42There's more strings to your bow than just racial stereotyping.
35:46Constantly, Sam.
35:47And it keeps going and going and going.
35:49Let's have a look at a montage of your sad, sad work.
35:52Not a lot of people know this, but Ten actually gave me my first on-screen appearance when
35:57they cast me as drowning swimmer number three on Bondi Rescue.
36:00This is my third time hosting.
36:02So hopefully that's enough time for Kerri-Ann Kennelly to stop calling me Aunt Doe.
36:08You know, Emma and I have a lot in common, because, you know, Emma is the yellow member
36:11of her group, and I'm considered the...
36:14I like to consider myself the Asian Rove.
36:19Sandy, howl to your mum for me.
36:21If you and Sam were up there shaking hands, it would look pretty...
36:26There it is.
36:31Oh, great.
36:32And congratulations on becoming a host of the Logies here at the Seven Network.
36:36Sensational.
36:37And let's be honest.
36:38Probably deserved a round of applause, but whatever.
36:40Look, let's get...
36:40No!
36:41I don't think that's...
36:42This is what I'm talking about.
36:44He's muscling up his own round of applause.
36:47This is when you started to think you were the best in the biz, and it got away from you
36:51a bit, and you started doing a lot of publicity and taking yourself very seriously.
36:55This stellar shoot is a typical example.
36:57There you are.
36:58Oh, look out.
36:59I'm Sam Payne.
37:00I'm part of the Rat Pack.
37:01Look at me.
37:01I'm the coolest guy in town.
37:03Or so you'd think, until you opened the magazine.
37:05And then we see someone who's forgotten their piano accordion.
37:12Or where is the ventriloquist stolen this circus?
37:16You look like Mr Bojangles there.
37:18Yeah, but that's not...
37:19Oh, no, no.
37:20Talk me through this.
37:22So...
37:22This is meta.
37:23This is the most narcissistic photo I've ever seen.
37:26So you've hired a photographer to come and take a photo of you while you look at yourself
37:32in the mirror, and then put that picture in a magazine.
37:35Who came up with that idea?
37:37Well, an idiot came up with that idea.
37:38Yeah, and it's...
37:40I regret it deeply.
37:42Do you carry that mirror around with you?
37:44Is there that little thing that you...
37:45It's a wonderful example that you can and should say no sometimes.
37:50A lesson you've learnt many times, Lauren.
37:51So it started to get big on you.
37:54And even on our little show, The Front Bar, some nights, just arriving at the studio,
37:59you had a bit of swagger.
38:03I mean...
38:05That's beyond the pale.
38:06Yeah, but we did see you arrive a little later that night too, Mick.
38:13I've got to say, you look pretty good.
38:15Massively cool.
38:17You look great.
38:17Yeah, yeah.
38:17I'm fully justified.
38:18Yeah.
38:20That horse asked to be put down later, but it doesn't matter.
38:24It was supposed to be a Shetland, but who wouldn't let me sit on a Shetland?
38:28So then there was publicity.
38:30Now the world's your oyster.
38:32I'm happy to concede it's starting to get away from you.
38:33It's starting to get away from you.
38:35And then you used to get papped.
38:37And you used to come and complain about it.
38:39But somehow the paparazzi always knew where you were at the right time.
38:44Exhibit A.
38:47Tell us, Sam, what's going on here?
38:50Well, first, that's me arriving in the country.
38:59I think that's you arriving at Epstein Island.
39:05To be honest.
39:07And I've got to say, Sammy, it's not easy to suck your gut in on your knees.
39:12I know.
39:14That was a tough day, that one.
39:16Anyway, in hindsight, it was good.
39:17I've never been on an episode of Bondi Rescue, so that was good.
39:20Well, we're making some progress here, and I think it's time to take a quick break.
39:24We've seen you get high on your own success.
39:26We're going to come back and tackle one of the big ones before we wrap this thing up very soon.
39:31We're going to go back and tackle one of the big ones before we wrap this thing up very soon.
39:31Here we go.
39:43I can feel the heat.
39:44Welcome back to the great and big celebrity intervention, Sam Pang.
39:47Come in.
39:48I love you, mate.
39:49I really love you.
39:50And you're doing great.
39:51Lawrence Mooney's here.
39:53We're all part of the one big family on a journey of discovery together, hopefully heading to a happy place.
39:58I hope so.
39:59Well, I hope so, too.
40:00It's not looking good at the moment.
40:02Well, you wait.
40:03Do you feel the love, though?
40:05No.
40:06That's because it's tough love.
40:07It's tough love, and you'll like it.
40:09The other thing you bang on endlessly about is you often say if you hadn't gone into showbiz, you would
40:15have been an absolute superstar of the AFL.
40:17You always say it.
40:19Constantly say it.
40:19You bring it up all the time.
40:20I always say it, do I?
40:21The best junior footballer in Australia.
40:23Just to say if you're doing another intro, yes, that's fine.
40:27One of your early coaches at Paran, where you did play some reasonable football, was BT.
40:32He sent us this message.
40:34Howdy, Sam.
40:35Finally seeking treatment, mate.
40:37Congratulations.
40:38Well done.
40:39Hey, listen.
40:39I'm often asked as your former coach, you know, about you and what I remember of you, and the answer
40:45is not much.
40:48Do you want a response?
40:53Just for clarity, and so you know what we're talking about, here is Sam in action at a young age.
41:00Handball goes over to Pang, takes a snap.
41:03Let's have a look at the young Sam.
41:05Floater.
41:05Look at you.
41:06There he is.
41:07What happened to him?
41:07You look so good.
41:09What happened?
41:12I was wearing the black armband for my career.
41:15So who was that for?
41:16That was for Paran in the old VFA days.
41:18Like, it's a long time.
41:19You went on to play with the under-19 Collingwood team?
41:22No, that was before that.
41:23Oh, that was before that.
41:24So you're on the way down there.
41:27But that is significant.
41:28You played VFL under-19s for Collingwood.
41:32And is it true they let you go because they found out about the calligraphy?
41:37They wanted to keep me around just to do the banner.
41:41When did you...
41:41You had a nickname.
41:43What was your nickname when you played?
41:46My nickname for one of the clubs I played for was The Orchid.
41:50The Orchid?
41:51Why?
41:51Well, yes, because according to my teammates, I needed absolutely perfect conditions to thrive.
41:58So the Orchid...
41:59So they've got, like, The Terminator and The Dominator.
42:02The Terminator, The Dominator, or The Bulldog, or something.
42:04They're good nicknames.
42:06I had The Orchid.
42:07It's not...
42:09Yeah, my...
42:10And did you cop some sledging out there on the field?
42:12Yes, it was a bit...
42:14It was a different time back then.
42:17So, yes, I know I was...
42:17The simpler, more racist time?
42:19Absolutely.
42:20There weren't many other Chinese, you know, players playing in the competitions that I was playing.
42:27Explain it out, mate.
42:28Well, it's very emotional because it was a tough time.
42:31It was nowhere near as bad for others, but for me, there was one day when I remember
42:36going over near the boundary line and someone yelled out,
42:40Go back to Japan.
42:43I'm sorry about that, by the way.
42:47Go back to Japan.
42:49Well, I toned it down a bit, but it was like, basically, it was go back to Japan,
42:52which it's very confusing to be vilified in the wrong race.
43:01So, yeah, that was one, but it was a different time, and it was a great time.
43:07I wouldn't change anything.
43:08All right.
43:09Well, we're going to come back, and we've got a big surprise for you, and we're going
43:13to wrap this up, and we're going to...
43:14Is this the surprise that the show's finishing?
43:15Wrap it up!
43:17Because...
43:17Well, there's a bit going on.
43:19Okay.
43:19All right, so...
43:20Sticking around.
43:20Hang around.
43:21More with Sam in just a moment.
43:35I'm Bill.
43:35I'm Bill.
43:37Welcome back to Glennon and the celebrity intervention.
43:41Santo, welcome back.
43:42Lawrence, you're doing a great job.
43:44You are manning up, which is great to see.
43:46Hi, Glenn.
43:48How are you feeling?
43:51It's been confronting, but I'm glad that I did it in an atmosphere and an environment
43:56of love.
43:57Yeah.
43:57Before we wrap up, I'd like to debut a brand new segment of mine.
44:03Yes!
44:04Live from the studios of Channel 7, it's the Logie-nominated segment.
44:09With Nick, Glenn, and Lawrence.
44:15This is cool, James.
44:17And now...
44:19Here's Mick.
44:20Drip tray!
44:28Hi, guys.
44:30Hi, guys.
44:31Hi, guys.
44:31Hi, guys.
44:32Hi, guys.
44:33Oh, this is great.
44:38Hi, guys.
44:40Welcome to Mick's Drip Tray.
44:43This is a brand new concept.
44:45What is going on?
44:46Mick, Mick, don't forget.
44:48Oh, of course.
44:49Mick's Drip Tray.
44:49Oh, what?
44:50Drip Tray.
44:55So, this is a brand new segment of mine.
44:57Brand new?
44:57And what I do is I ask you some questions, and you don't have to answer them, you can
45:04pass.
45:05And they're simple.
45:06You just answer honestly, and if you don't like it...
45:09I cannot believe what is going on.
45:10What's your issue?
45:12Well, this is just blatant theft.
45:13You've often said that it's your segment, but I own it.
45:16Drip Tray, by the way, if you've never seen Front Bar, is a hit segment on a very underwhelming
45:23show.
45:24But anyway, I own the licence.
45:26The IP.
45:27The IP.
45:28The intellectual property.
45:29You don't even know what it's called.
45:32But this is going to be a new show on Channel 7.
45:35A show?
45:36In a half hour...
45:37It's not even a segment.
45:39It's a half hour format.
45:40But you know how it works?
45:41You know how it works?
45:43Hey, don't worry.
45:44It's almost over.
45:44You're going to make it.
45:46So, I'll just ask you a few questions, and you answer honestly.
45:50Yeah, I know how it works, all right.
45:53Unbelievable.
45:54Favourite vegetable?
45:58Well, if I had to choose, there's so many to choose from, Mick.
46:03Yeah?
46:03What would it be?
46:03Well, obviously bok choy.
46:05No.
46:06You're wrong.
46:07I'm wrong.
46:07It's a turnip.
46:08You can't be wrong.
46:10And that has been...
46:11It's a turnip.
46:15Mick's drip tray.
46:18That is weird.
46:20I want to...
46:21Just one thing.
46:22Yes, mate.
46:23For as long as I've been doing drip tray, you have made fun of it, and I've defended myself
46:28by saying, the drip tray looks easy, but in the wrong hands, it could be a career ender.
46:35Yeah.
46:35Is it...
46:36Exhibit A.
46:37Exactly.
46:38Sam.
46:38Sam, you said your favourite vegetable is bok choy.
46:40Wow.
46:41I thought that was your nickname.
46:43No, it's my safe word.
46:47In these sort of shows, they normally do something very sentimental.
46:51What do they do?
46:51Sam, your goatee that we saw throughout the show.
46:55Yeah.
46:56Have you heard from it?
46:57Have you seen it?
46:59When's the...
47:00I heard from it.
47:01Yeah.
47:02No, it's been a while.
47:03Yeah.
47:04Uh, well, Sam, we have your goatee.
47:07Really?
47:08Oh, wow.
47:08Yeah, if we could just bring it out.
47:10It's been...
47:10Yeah.
47:12It's been...
47:13It's been preserved and placed in a box.
47:16As you can see, it looks a lot like a merkin, but there you go.
47:20Would you like to touch it or anything?
47:23No.
47:24Where's it been, Glenn?
47:25From the smell of it, not in a good place.
47:28You can pop it on to do some painting a little later on, haven't you?
47:31It's beautiful.
47:32So, thank you, Sam.
47:34It's a pleasure.
47:34It's a pleasure.
47:35Thank you for coming on and helping out a friend in need.
47:37I don't even get presented with it.
47:38Oh, yeah, well, well.
47:39Yeah, there you go.
47:40There you go.
47:41Thank you very much.
47:41How's it feel?
47:42Better than it did when I was younger.
47:45So, are you happy?
47:46Do you feel a better person than you did when you arrived?
47:49I do.
47:50Oh, there you go.
47:51We've made some headway.
47:53We've had some people here tonight who obviously care about you
47:56and want to be with you.
47:57We've had some people send in their messages,
47:59but there's one person who wanted to be here and is here.
48:03And this is going to...
48:04Could be a bit emotional for you.
48:06Well, I can rule out my dad, then.
48:07We could be happier.
48:11No, it's not your dad, but it's close.
48:13Please welcome Kim Jong-un.
48:24Oh, there you go.
48:30Come around here, Kim.
48:31Come around here.
48:37Come around here.
48:39Here it goes.
48:40Kim Jong-un.
48:42The big guy.
48:43Would you like to come to North Korea for holiday?
48:46We have the best holiday camps.
48:47Firstly, I just want to say you're a very handsome man.
48:50Thank you, thank you, thank you.
48:52You're not bad looking.
48:53Would you like to meet my sister as well?
48:56Well, that took a turn.
48:57I think that's a different show.
48:58I think the only thing left to do is give him his new official title,
49:02which is...
49:03Supreme Host.
49:04Supreme Entertainer.
49:06Let's just call him Sam Pang Un.
49:08Yes!
49:09Thank you very much, ladies and gentlemen.
49:11We're a round of applause.
49:12We're a big celebrity intervention.
49:14We'll see you all soon.
49:15It was wonderful to have you.
49:17Wonderful to have you.
49:25That went really well.
49:26Yeah, I thought it went well too.
49:28I really enjoyed the deafening silence after your bits.
49:31They were great.
49:31Listen, next time you do the Logies,
49:33you want to do it as a two-hander?
49:37Look, I've had to think about it.
49:39And I think I'm good.
49:42Oh, that was a bit of banter.
49:43That's good.
49:44Yeah, you and me.
49:47Oh, that was a great day.
49:48Oh, that was a great day.
49:50Oh, that was a great day.
49:51Oh, that was a great day.
49:51Oh, that was a great day.
49:52Oh, that was a great day.
49:52Oh, that was a great day.
49:53Oh, that was a great day.
49:54Oh, that was a great day.
49:54You
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