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Euphoria Season 3 Episode 4

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00:00:09are we gonna find any drugs in your vehicle no sir people love to argue about the truth
00:00:20some say it's just the facts
00:00:26others say it's what's right
00:00:32some even claim there's no real truth at all just opinions
00:00:39the funny thing is
00:00:44what we may disagree about what the truth is
00:00:55we all know when we're telling a lie
00:01:18this is all the canine unit fun
00:01:24you seem surprised nope not at all i told you guys i wasn't lying so where are you coming from
00:01:30and
00:01:30where are you going you know it's uh it's funny i was actually headed to a wedding at 10 pm
00:01:36yeah well
00:01:37i was i was headed back what do you mean back yeah i was at the wedding earlier why did
00:01:41you leave
00:01:43as a friend it's like an emergency thing what kind of emergency
00:01:47she wasn't invited to the wedding you know so it's like the whole thing and i don't really want to
00:01:52get into the details but yeah what is your relationship with laurie
00:02:02um is that the uh the monotone lady the monotone lady yeah she like talks like this so you do
00:02:09know her
00:02:09i mean like not like that nowhere kind of so you and laurie don't call each other no oh god
00:02:17no
00:02:18have you been to mexico
00:02:24nope nope never been
00:02:29is it nice
00:02:32some parts so if i had a photo of you in mexico would you say it wasn't you
00:02:40me in mexico you say never been you have a photo of me so it's not you in mexico yes
00:02:46i'd have to see
00:02:47the photo then no i don't have it so it's a hypothetical scenario well i can tell you with
00:02:51absolute certainty that i have never been to the moon have you been to the moon i've never been to
00:02:55the moon are you sure positive well somebody comes and saying they have a photo of you in the moon
00:02:59it
00:02:59wasn't me why not because i've never been to the moon makes sense so far so if i had a
00:03:06photo of you
00:03:06in mexico what would you say like we're in mexico so you've been to mexico i mean i'm like i've
00:03:15been
00:03:15to the border i drive for uber and lyft oh but you've never driven into mexico i mean i may
00:03:21have
00:03:21gotten lost or turned around or some you know like i used to be an addict it gets fuzzy sometimes
00:03:26but you will remember if you drove 20 or 30 minutes into mexico absolutely
00:03:36they said you didn't have a photo i lie do you remember meeting this guy
00:03:44i mean i don't he's a cartel member his name is uno he operates a club 20 minutes from the
00:03:49border
00:03:50i don't know what this is but post statement to a federal agent 18 usc 1001 five years in federal
00:03:56prison so you guys can lie to me but i can't lie to you correct that seems up apparently we
00:04:03have
00:04:03different definitions of what constitutes fucked up
00:04:29we also lied to you when we say we didn't find any drugs in your car
00:04:33you recognize this
00:04:42yeah this is 20 years in federal prison and federal inmates don't get parole we know who you work for
00:04:47what you've been doing we know the family you've trafficked has killed people for each death we can
00:04:52link to you it's an additional 20 years you may never see the light of day again look at me
00:05:00i can see it deep down that you're a good kid in a bad situation our job is to take
00:05:06the drugs
00:05:06off the streets because too many lives have been destroyed wouldn't you agree
00:05:14yeah so this can go two ways we can either take you into federal custody or you become a confidential
00:05:21source and help us take these people down oh fuck fuck is accurate if you want to turn her cursing
00:05:30to a blessing i will say this is your opportunity
00:05:41and that is how i became a snitch
00:05:48they swapped out the drugs for sugar pills and laxatives
00:05:54they told me to stay cool and i'd be in touch
00:06:07give me a little twirl kitty kitty kitty what do you think of that booty it's all right
00:06:14could be a bit juicier huh we don't want to scare off the whites though
00:06:17you know in my mind i'm picturing a tasteful tush you know commercial classy ass
00:06:24mm-hmm bitch you look like
00:06:30me ain't nobody else in here looking like
00:06:33oh sorry i was just a little hung over that's all
00:06:38i'm gonna need you to smile
00:06:41not you you oh me again sorry are you hung over or
00:06:46fucking retarded i'm just confused smile
00:06:49bitch oh yeah
00:06:53let me see those pearly whites
00:07:06you know why you're fucking smiling no sir because i gave that bitch lori
00:07:14a taste of her own medicine
00:07:20no i got a feeling that's the last fucking pickup you'll ever do
00:07:25then who are we uh buying from them you think there's a shortage of dealers in l.a
00:07:30not in this l.a partner
00:07:34right
00:07:37so i'm in the mood to celebrate yeah luckily i got me a newfound friend kitty
00:07:45come on over here baby look at that
00:07:53and kitty likes to dance
00:07:58who's going to do a lot of that money when you start me
00:08:03the beach can dance you can kansas cut us some slaty
00:08:24you look like death warmed up
00:08:29yeah i think it's just like it's a tummy thing
00:08:38okay
00:08:38okay so what happens when they find out the drugs are fake
00:08:47no i assume they will call laurie and ask her to correct the mistake
00:08:51okay but aren't they just gonna blame me why would you swap out the drugs it's not like you're a
00:08:56snitch
00:09:05they also installed an app on my phone
00:09:12we added a new number under your mom's contact tap it and the ball goes hot
00:09:18can i just keep it in my pocket
00:09:20it can get muffled it's better in the open
00:09:24isn't that suspicious sometimes sometimes not
00:09:33you guys are gonna give me a heart attack
00:09:36you guys are gonna give me a heart attack
00:09:50i can uh pack it
00:09:52no need starter
00:09:53Let's go.
00:10:28The toe is a metaphor.
00:10:32What?
00:10:33The toe.
00:10:35It's a metaphor.
00:10:37You know, I thought that I'd lost it forever.
00:10:41But we were smart.
00:10:42And we put it on ice.
00:10:44And we took it to the hospital.
00:10:46And they were able to put it back on.
00:10:48What's the metaphor?
00:10:50When you break something, you gotta pick up the pieces.
00:10:52Right? You gotta be real careful with it.
00:10:55And you gotta glue it back together.
00:11:02So the toe is us?
00:11:06In a way.
00:11:07The toe's never gonna be the same.
00:11:10How do you know?
00:11:13Because the doctor said so.
00:11:15He said the toe will never feel the same.
00:11:17I think you're misinterpreting the metaphor.
00:11:19No, the metaphor doesn't mean what you want it to mean.
00:11:23You can look at a scar as a sign of weakness.
00:11:26Or you can look at it as a strength.
00:11:28Okay, so now you're changing the metaphor.
00:11:30No, I'm not.
00:11:32First you said that we're the toe.
00:11:33And now you're saying we're the scar.
00:11:35Are you an English teacher?
00:11:36I'm talking about our relationship.
00:11:39When I look at my toe, it motivates me to build back better.
00:11:43Everything you built is built on a lie.
00:11:46Not everything.
00:11:47Some things, yeah.
00:11:50Well, just our relationship, this house, our finances, your business.
00:11:59You didn't say our love.
00:12:07How much do you owe this guy?
00:12:09Somewhere between a little and a lot.
00:12:12What's the number?
00:12:13You know, it depends on the interest.
00:12:16You know, how quickly we can pay this guy.
00:12:17What's the number, Nate?
00:12:17You know, a million-ish.
00:12:28I feel sick.
00:12:29I am going to fix this.
00:12:32You have to keep faith.
00:12:33In what?
00:12:34Me.
00:12:35Us.
00:12:37Our life.
00:12:42The fairytale's over.
00:12:53What's that even mean?
00:12:57Cassie called the one person who could actually help her.
00:13:19Where are you going?
00:13:25To work.
00:13:47Thanks.
00:13:48This is something about your look.
00:13:52Okay.
00:14:08She just mad, my man's fine.
00:14:11It's not my fault.
00:14:12I get along well.
00:14:15Hi.
00:14:16Hey, what are you doing?
00:14:18Uh, just working.
00:14:21Nice.
00:14:21Okay, well, I have a really cool opportunity
00:14:24that I think you might be good for.
00:14:27You interested?
00:14:28Really?
00:14:29At an art show, maybe 200 to 300 people will see your work,
00:14:33but LA Nights averages 7 million a week.
00:14:35What?
00:14:36That would be life-changing.
00:14:39I mean, thanks for getting it done today, by the way.
00:14:41Thank you so much for thinking of me.
00:14:43It's just right up here.
00:14:45The character Oceana is inspired by George Seurat,
00:14:48so we were thinking sort of a Sunday in the park picnic.
00:14:51That kind of feel.
00:14:52Okay.
00:14:53Yeah, like the woman with umbrellas thing?
00:14:56Well, you don't need to copy anything.
00:14:58Like, it should feel distinct.
00:15:00Okay.
00:15:01Yeah.
00:15:02Sure.
00:15:02Basically, do whatever you feel.
00:15:04It'll be great.
00:15:05I have to go.
00:15:06Bye.
00:15:13Bye.
00:15:18This is Cassie.
00:15:20Hi.
00:15:22The goal is to take her from the suburbs to the city.
00:15:26Cool.
00:15:28Cool.
00:15:39I don't know.
00:16:08I don't know.
00:16:28I don't know.
00:16:34Hey, Harry.
00:16:36Right here on the wall.
00:16:39Good center, please.
00:16:46Yeah.
00:16:47We have an emergency.
00:16:49What kind?
00:16:50It's hard to explain.
00:17:04Has your friend lost their mind?
00:17:06I don't know.
00:17:06It's insane.
00:17:08It's not like there's one penis.
00:17:09There's 14.
00:17:10What were you thinking?
00:17:12I told her to paint a picnic.
00:17:14Does this look like a picnic?
00:17:15I don't know what happened.
00:17:16I don't think my character would paint something like this.
00:17:19I agree completely.
00:17:21Did you say George Soros?
00:17:22Yes.
00:17:23Women with umbrellas?
00:17:24Yes.
00:17:24Children sailing boats?
00:17:25Yes.
00:17:26Is she trying to sabotage the show?
00:17:27No, of course not.
00:17:28Who in their right mind would paint something like this?
00:17:30It's insane.
00:17:31Well, she's...
00:17:32What?
00:17:33Trans.
00:17:34Jesus Christ, Lexi.
00:17:36We're going to have to handle this delicately.
00:17:41Hey, I think I'm outside.
00:17:43Yeah, we're on set.
00:17:44Just come in.
00:17:44Okay.
00:18:01So nice to meet you.
00:18:03Nice to meet you, too.
00:18:03Yes, thank you so much.
00:18:05Thanks for having me.
00:18:07Very talented.
00:18:10So, I don't know if Lexi told you, but this is a network show, which means that we have to
00:18:16answer to standards and practices.
00:18:18Ugh, and they are like the censors.
00:18:20Okay.
00:18:21Uh-huh.
00:18:23The penises are too much.
00:18:27How many peni do you want me to get rid of?
00:18:29Let's say all of them.
00:18:31Like paint clothes over them?
00:18:33That could work.
00:18:34Or you could make them into bread loaves.
00:18:36Bread loaves.
00:18:37To stay in theme with the picnic.
00:18:41And, uh, I'm just, like, struggling with how many limitations there are?
00:18:46The only limitation is we have to get rid of the penises.
00:18:49Okay.
00:18:50But the breasts are okay.
00:18:54Let's just get rid of the nudity in general.
00:18:56Put some clothes on them.
00:18:58Blankets.
00:18:59You know, I'll leave that to the interpretation of the artist.
00:19:03How long do you think that'll take you?
00:19:05Like a couple hours.
00:19:07Just punt the scene.
00:19:08We'll move it till next week.
00:19:10Thanks.
00:19:25I'm, you know.
00:19:33We'll move it.
00:19:40I'm so sorry. I feel horrible.
00:19:45Well, that makes sense. Mistakes happen.
00:19:49Some are just more expensive than others.
00:19:53I know.
00:19:55Do you? Because I'm not sure that you do.
00:19:58We lost an hour and a half of shooting.
00:20:01$56,000.
00:20:05I have to hold Stage 9 for another week.
00:20:08That's Grips Electric Rentals.
00:20:11Your failure to communicate.
00:20:15What do you think that costs us?
00:20:19$56,000?
00:20:21No. It's $191,000.
00:20:33Don't be a net negative, Lexi.
00:20:36I won't.
00:20:38Okay.
00:20:41No, thank you.
00:20:45Sorry.
00:20:46Close the door.
00:20:49Come back.
00:20:51Come back.
00:20:57I won't.
00:20:59Come back.
00:21:12I don't know.
00:21:50I'm so sorry.
00:21:52Am I a perfect little guy?
00:22:00I'm so sorry.
00:22:01How do you want to deal with this?
00:22:04I don't want to kill them all.
00:22:06But I don't know if that's painful enough.
00:22:19The reason you're walking free is so you can set up a buy.
00:22:23What the fuck do you want me to do?
00:22:24He killed her bird.
00:22:25They're never going to do business together again.
00:22:27Then we got no use for you.
00:22:29We might as well put you ass in prison.
00:22:32Listen, what if I can set up a buy with a different dealer?
00:22:36What dealer?
00:22:42Luxie had agreed to let Cassie stay at her place for a while.
00:22:45Yeah, put your chin up.
00:22:47Put your ass up.
00:22:48I need a smile.
00:22:49Come on.
00:22:50You're happy to be here.
00:22:52You're here.
00:22:54Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
00:22:56Can you turn that back on?
00:22:58I don't know why it went off.
00:23:00Well, just turn it back on.
00:23:01What a great idea.
00:23:03Wait, hold that pose.
00:23:04When she gets the ball working, I'll pose.
00:23:06I just feel like you're worth more than your body.
00:23:09My body's worth a lot.
00:23:11Man, these girls are out here making millions.
00:23:13Who?
00:23:14Like Bad Baby.
00:23:16Bad Baby?
00:23:17Yeah.
00:23:18She was on Dr. Phil.
00:23:19She cussed him out and got super famous.
00:23:21Then when she turned 18, she made an OnlyFans
00:23:24and made like 53 million in a year.
00:23:2753 million?
00:23:28We're not making this up, Lexie.
00:23:30This is the business world of today.
00:23:32I mean, if I do this...
00:23:46I need to get some drugs.
00:23:48You relapsed?
00:23:49No, no, it's not for me.
00:23:50Don't worry.
00:23:51Is this blower ever going to fucking work?
00:23:53I don't know.
00:23:54I'm not a gardener.
00:23:55Wait, I thought you were clean.
00:23:57I am.
00:23:57It's not for me.
00:23:58It's for my boss.
00:23:59Okay, well, what kind of drugs do you need?
00:24:01Coke, Molly, heroin.
00:24:03Heroin?
00:24:04For your boss?
00:24:05Or for you?
00:24:06No, not for me.
00:24:07And I don't have time to explain this shit.
00:24:08Is this machine really important?
00:24:10Yes.
00:24:10I need hair movement.
00:24:12It brings energy to the shot.
00:24:13Listen, Maddie, you can just give me the contact
00:24:14and I'll do rest.
00:24:15Well, I don't feel comfortable helping you get drugs.
00:24:18Okay, but it's not for me.
00:24:18My hair is not with cells, okay?
00:24:20It's my body.
00:24:21And my body doesn't need wind.
00:24:23It needs a photographer.
00:24:24Do you guys hear yourselves right now?
00:24:27Like, what is wrong with you people?
00:24:30You're looking for drugs.
00:24:32You're selling your body on your porn site.
00:24:35And you're like some internet pimp.
00:24:41It's sad.
00:24:42And it's pathetic.
00:24:43And it's really disturbing, honestly.
00:24:46Oh, Jesus.
00:24:47Who would have thought we would have come here?
00:24:49Did he shut that fucking thing off?
00:24:51What?
00:24:51Oh, I'm crying.
00:24:52Yeah, yeah, yeah, yeah.
00:24:56Yeah, yeah, yeah.
00:25:22Nathanael Jacobs, son Suttler's Corp.
00:25:27Nate knew this was definitely his last chance.
00:25:38I believe everything happens for a reason.
00:25:43The discovery of these endangered flowers on my land happened for a reason.
00:25:51It was a sign.
00:25:54And in all my excitement and passion for the elderly, I had overlooked the greater meaning of the Sun Settler
00:26:02mission.
00:26:04God said to Adam, for dust you are, and to dust you shall return.
00:26:12This is a fundamental human truth known all too well by our senior citizens.
00:26:16So I'd like to propose a new design for Sun Settlers.
00:26:21Imagine our hospice wing, where families can gather in the final days of their loved ones' lives and look out
00:26:27at a beautiful garden of white fritillaries.
00:26:30These flowers should not be dug up and moved.
00:26:33No.
00:26:35No, we should move around them.
00:26:39With an elegant curve design done by our A-plus architecture team.
00:26:44Motion denied.
00:26:46When the environmental studies come back, we can discuss.
00:26:50Motion denied for now.
00:26:55I have put my entire life on the line for this.
00:26:58Emotions denied.
00:26:59Every penny I have.
00:27:03My marriage is in shambles because of you.
00:27:07Sorry, is this a personal thing, Bill?
00:27:10Do you have a personal problem with me, Bill?
00:27:13Is that what this is?
00:27:14I don't.
00:27:15Are you trying to ruin my life?
00:27:17What do you want from me, Bill?
00:27:20Well, tell me, what do you want from me?
00:27:22You want me on my hands and knees begging you to give me my life?
00:27:27Is that what you want?
00:27:29Sir, your time is out.
00:27:30I'll do it.
00:27:33We have other people waiting.
00:27:45Here it is.
00:27:50I'm begging you, Bill.
00:27:52I want my hands and knees.
00:27:54I'm begging you.
00:27:55I'm trying to do a good thing.
00:27:58This is a good thing, Bill.
00:27:59This is a good thing.
00:28:00This is good.
00:28:01Okay, that's enough.
00:28:02This is good for the world.
00:28:04Mr. Jacobs.
00:28:06Please just let me see this through.
00:28:08I can't be bad.
00:28:09Mr. Jacobs.
00:28:09This is a good thing.
00:28:10I'm trying to do a good thing, Bill.
00:28:15For the last time, motion denied.
00:28:21Sir, just get your things together and pack them up.
00:28:25You can go.
00:28:28Let's take a five-minute recess.
00:28:41Cassie had pawned her wedding ring, took the cash, and invested it in herself.
00:28:54As Nate would always say, it takes money to make money.
00:29:01Do you accept cash?
00:29:05Just so happened, her new place was across the pool from Lexi.
00:29:19I raised a dollar, and that's a hundred dollars.
00:29:22You didn't hear from Lori yet, did you?
00:29:24Not a little bull peep.
00:29:26I ain't on a scale to one to ten.
00:29:28How sad you think that bitch Lori is?
00:29:30I feel like an eleven.
00:29:31Well, like a hundred and eleven.
00:29:33He was a beautiful bird.
00:29:35Maybe you said that like he didn't kill his ass.
00:29:38I didn't want to, but I was told to.
00:29:40This nigga looking at me like he looked at a damn parrot.
00:29:45Call.
00:29:46Call.
00:29:47Oh, shit, we got a three-hander!
00:29:52Nice.
00:29:53So, uh, when we run low at the club, where am I supposed to pick up from?
00:29:57Goodbye with you, little lady.
00:29:59I'm focused on this hand right here.
00:30:09I was just, uh, I was just thinking, because, you know, I still have my connects in, in Mexico.
00:30:15And, uh, I could always, like, do a pick up and then sell at the club.
00:30:20Bet 175.
00:30:22I mean, we could make a lot of money.
00:30:24You-you could make a lot of money.
00:30:26Y'all just a little too fucking rich for my blood.
00:30:35Call.
00:30:36Didn't you say you wanted to get out of that world?
00:30:39Now your ass want to get back in?
00:30:43Let's see the time.
00:30:44I-I was just thinking that.
00:30:46That's all.
00:30:53You know, something don't add up.
00:30:57Bet 200.
00:30:59Why in the fuck would you ask me something so catastrophically dumb?
00:31:05I don't know.
00:31:05I don't know.
00:31:06Nah, see?
00:31:08You didn't just think it.
00:31:09You thought to say it.
00:31:11And then you said it.
00:31:13So I'ma need a much better explanation than a motherfucking I don't know.
00:31:19I'm sorry.
00:31:20I-I shouldn't have overstepped.
00:31:22Nah, that don't cut it.
00:31:29I just figured, like, at the club, the more people that do drugs, the more money they spend.
00:31:34You know?
00:31:35Are you gonna call?
00:31:37Or not?
00:31:38Nah.
00:31:40See you hiding or something.
00:31:43No.
00:31:45Why the fuck are you sweating?
00:31:48I just know I have a good hand, that's all.
00:31:52Call.
00:31:54I've seen that look before.
00:31:57See, you've got that look in your eye.
00:32:00Like a motherfucking rat.
00:32:03Trying to figure out where it's gonna go next.
00:32:10Where you gonna go next?
00:32:19Let's see the river.
00:32:20Shut the fuck up, nigga.
00:32:26You've been using again, ain't you?
00:32:43You had a slip-up.
00:33:02Check.
00:33:05All in.
00:33:08Oh, shit got real.
00:33:10Call.
00:33:17Oh, fuck.
00:33:19You've been setting that shit up the whole time.
00:33:21Let me make one fucking thing clear to you.
00:33:25You fuck with hard drugs.
00:33:29They're likely to wind up killing your black ass.
00:33:35Got it.
00:33:36What'll happen again?
00:33:39Damn, Bishop.
00:33:41Well, you got BTA.
00:33:42I ain't belt to motherfucking ass.
00:34:00Andrel's not coming back?
00:34:03No, it doesn't at all.
00:34:05She ran away from rehab.
00:34:07Disappear.
00:34:08Damn.
00:34:12It's, uh...
00:34:14The life goes on.
00:34:22Last night I was dreaming
00:34:24I dreamed about the H-bomb
00:34:28Where the bomb went off
00:34:30And I was caught
00:34:32I was the only girl on the ground
00:34:41There were thirteen men and me
00:34:43The only girl in town
00:34:47There were thirteen men and me
00:34:50The only girl in town
00:34:53And as funny as it may be
00:34:56The one and only girl in town was me
00:35:00A thirteen men and me
00:35:02A thirteen men and me
00:35:02The only girl in town
00:35:06I'd lay for two men and every morning
00:35:09I'd seein' that I was well fed up
00:35:12I ain't believein' you
00:35:30I wish everyone would soon forget
00:35:52Maddie told Cassie to put on her best outfit
00:35:55She was gonna introduce her to some friends
00:36:03The stash was running low
00:36:05And I was running out of time
00:36:16You look good, bitch
00:36:22Sir, let's go
00:36:45This is Brandon Fontaine's house
00:36:48He's got twenty million followers
00:36:50Whoa
00:36:50The goal is simple
00:36:52Get him to post a video of you
00:36:54Look at him
00:37:16And who knows if the DEA would even protect me
00:37:42All he cares about is pussy
00:37:44All he cares about is pussy
00:37:45You're gonna tempt him with pussy
00:37:47You're not gonna give him pussy
00:37:48The moment you do
00:37:49He'll never speak to you again
00:37:52Don't trust these girls
00:37:53These bitches are dogs
00:37:54Stray dogs
00:37:56And they're looking at you like a fucking Pomeranian
00:37:59The cute new bitch
00:38:00So stay sharp
00:38:02Stay focused
00:38:03Let's fucking win
00:38:06It feels like we're going to war
00:38:10Come on
00:38:15I'm going to grieve
00:38:18Shush力
00:38:19cook
00:38:20a look I'm
00:38:26going to wake you at Anything I'm
00:38:27going
00:38:27up little bit One
00:38:29nextšel
00:38:29I love you I love
00:38:30you Just love
00:38:30you I love
00:38:31you Sust
00:38:32friends Especially tiempo
00:38:32But not you
00:38:32I love
00:38:32you They forever
00:38:35débibe I love you
00:38:37I
00:38:39love youeza
00:38:40To the nextšel
00:38:53So what would you like?
00:39:15So what would you like?
00:40:07So what would you like?
00:40:11So what would you like?
00:40:49So what would you like?
00:41:05So what would you like?
00:41:14So what would you like?
00:41:43So what would you like?
00:41:50So what would you like?
00:41:58So what would you like?
00:42:20So what would you like?
00:42:20So what would you like?
00:42:50So what would you like?
00:43:18So what would you like?
00:43:41So what would you like?
00:43:43So what would you like?
00:43:45So what would you like?
00:44:13So what would you like?
00:44:17So what would you like?
00:44:25So what would you like?
00:44:27So what would you like?
00:44:50So what would you like?
00:44:58So what would you like?
00:45:28So what would you like?
00:45:32I can't open the door.
00:45:33I need to get in there.
00:45:37I think it's my turn.
00:45:41Oh, no, I got it.
00:45:45You're a fucking crazy bitch, aren't you?
00:45:47Fucking wild.
00:45:49You're no good.
00:45:50I'm no good.
00:45:54I'm dealing with a locked door here.
00:45:56Oh, fuck.
00:45:59Oh, fuck.
00:46:07Oh, fuck.
00:46:11I have to go viral.
00:46:19I need to get some water.
00:46:21Okay.
00:46:22Good?
00:46:25Oh, no.
00:46:29She's sick.
00:46:30She's faking.
00:46:31She's faking.
00:46:34Oh, fuck.
00:46:38I want to fucking raise up.
00:46:41Really?
00:46:42Really.
00:46:42Really.
00:46:43Right now?
00:46:44Right now.
00:46:50Hey, Brandon.
00:46:51Who's your new friend?
00:46:52Yo, yo, yo, yo, yo.
00:46:54It's just me, Cassie, and that's my handle.
00:47:10Hey.
00:47:19Hey.
00:47:20I'll help you.
00:47:25Do you have any more kids?
00:47:26What do you mean?
00:47:29You doing okay?
00:47:32Okay.
00:47:35Those guys, did I...
00:47:39Did they hurt you?
00:47:56Um, you know, I saw what happened.
00:48:02Are you sure you want to be doing this?
00:48:06It's like, are you being forced?
00:48:14I like to dance.
00:48:42No.
00:48:43Hey.
00:48:58It's so happy that I'm going to die.
00:49:01This is totally different from my head.
00:49:02You can't wait.
00:49:04It's the specifics.
00:49:04It's all right.
00:49:07You can't wait.
00:49:08You can't wait.
00:49:23You good?
00:49:25Yeah.
00:49:27Just, uh, making a phone call.
00:49:34Fuck.
00:49:53Speak English.
00:49:55She asked if someone was forcing her to work here.
00:50:02I don't trust this bitch.
00:50:04I don't trust this bitch.
00:50:45I don't trust this bitch.
00:50:52Hey.
00:50:57I, um, I just forgot my phone.
00:51:09I'll let you break one of my rules.
00:51:17Nobody enters my office alone.
00:51:32I don't know why she's calling.
00:51:34Must be important.
00:51:40Do you mind if I...
00:51:52Mom?
00:51:53Listen very carefully. Pretend I'm your mom.
00:51:56Ask me about grandma.
00:51:58Wait, what did you say about grandma?
00:52:00You're compromised. The girl in there just told your boss that she thinks that you're a snitch.
00:52:05You gotta find a way to discredit her.
00:52:13Okay.
00:52:22Well, I'm glad she's okay.
00:52:25Love you too.
00:52:29Close the door. We need to talk.
00:52:46You got their attention. Now you gotta keep it.
00:52:54No, I think it's very clear what the fuck is happening here.
00:52:57Because this Spanish hood rat is jealous of you.
00:53:00What are you talking about? Hood rat? What a hell of a bitch.
00:53:02Hood rat. Hood rat. That's what you are.
00:53:04You're lying.
00:53:05You're lying.
00:53:06You're lying.
00:53:07You're lying.
00:53:07You're lying.
00:53:08You're lying.
00:53:09You're lying.
00:53:10I don't know what you're saying.
00:53:11I don't know what she's saying.
00:53:23In here.
00:53:26No, no.
00:53:32Hey, we're lying here.
00:53:39Pull out the red carpet, motherfucker!
00:53:40Which is my job is it not look after the girls right bullshit look if you want to believe this
00:53:46fucking drug addict, that's up to you
00:53:56I didn't steal a fucking truck
00:54:00Because I know what the fuck I saw
00:54:03One of you bitches is lying
00:54:10I'm the one who's lying, that's hilarious
00:54:12I don't
00:54:15Whoa, whoa, whoa, I wouldn't do that motherfucker
00:54:17Take a seat
00:54:17Hands, hands, hands where I can see them
00:54:22Now I imagine you got a safe in there
00:54:25You have any fucking idea who you robbing?
00:54:28Well that's the exciting part
00:54:31I open that safe I'm dead
00:54:32You die here or you die later don't seem like a fucking tough decision to me boy
00:54:37You kill me you never get that shit open
00:54:43And shoot the girls
00:54:48Come here
00:54:56Oh look, two birds one stone
00:55:00You got five seconds boy
00:55:02Five
00:55:03Four
00:55:04Three
00:55:06Keep praying baby
00:55:07Two
00:55:08Two
00:55:09You a cold motherfucker
00:55:11One
00:55:13One
00:55:14Move
00:55:37Did you hear that?
00:55:38What?
00:55:43A big bang?
00:55:45No.
00:55:57What have we got to do to convince you to open the safe?
00:56:03How about we blow off that donkey dick?
00:56:08How about we blow that thing off?
00:56:14It's either your balls or the motherfucking safe, man.
00:56:18What's it gonna be, Doc?
00:56:21Huh?
00:56:23Behind the painting.
00:56:24What's that?
00:56:28Behind the painting.
00:56:29That wasn't so hard now, was it?
00:56:32Open it.
00:56:34It's all I'm getting.
00:56:34It's all right.
00:56:41Don.
00:57:01Proceed.
00:57:03Looks like you shit your drawers.
00:57:26How are we looking?
00:57:29Jackpot.
00:57:33Door! Door! Door! Door!
00:57:37Oh shit!
00:57:39Fuckin' up now.
00:57:42Motherfucker!
00:57:50Yo, Bishop, I think we need to get him in the hospital, man.
00:57:52He can wait. Rewind the footage.
00:57:55Hey.
00:58:00Dana, pick up truck.
00:58:02Zoom in on the plates.
00:58:06Hey, yo, man. Come on. Come on. Stay up, bro.
00:58:12There are no plates.
00:58:14Can you see anyone's face?
00:58:17They're masked up.
00:58:19Even the driver?
00:58:27I think I got it.
00:58:28What do you see?
00:58:31It's a woman.
00:58:35She has gigantic lips.
00:58:43You know her?
00:58:47It's a girl named Faye.
00:58:51She works for Lori.
00:58:52Jump.
00:58:57You are sick.
00:59:02You're cold and like.
00:59:05Yes.
00:59:08Oh, shit.
00:59:11You're cold and like.
00:59:13Yeah.
00:59:14You're willing to save the kann.
00:59:17You're cold and like.
00:59:32I like to welcome motherfuckers to the back of the minor beer
00:59:36See I'm for real
00:59:37We're delivering these M.O.P. tactics
00:59:40I'll bury you bastards
00:59:42I custom make cash
00:59:44It's the B.G.
00:59:45The Y.G.
00:59:47Even the O.G.
00:59:49I told you nigga
00:59:50I may come with my gun in my hand
00:59:52To make sure you motherfuckers understand
00:59:54Pardon me
00:59:55How the fuck you gonna start with me
00:59:58I'm a heavyweight in this game
00:59:59You just small with me
01:00:01You get laced down from your face down
01:00:03Drop this shit
01:00:04Niggas throw them on peace down for mopping shit
01:00:06Dump, dump, dump
01:00:07Get it twisted
01:00:08I told you that we top of the line
01:00:10Design realistic
01:00:11For instance
01:00:12Mess out what I say
01:00:14What come through and clear your ass out
01:00:16Dump and in your ass out
01:00:17Jump, we cold
01:00:18You're as cold as ice
01:00:20Just work
01:00:21You're willing to sacrifice
01:00:22Yo
01:00:23You're as cold as ice
01:00:26Yeah
01:00:26You're willing to sacrifice
01:00:28Come on
01:00:29You're as cold as ice
01:00:31You're willing to sacrifice
01:00:35You're as cold as ice
01:00:37You're willing to sacrifice
01:00:39A predicate gun buster
01:00:41I'm past all classes
01:00:43One of the fastest that blasted flashes
01:00:45You seen my work?
01:00:47You know my stees?
01:00:49It's a slip chance that I'ma hesitate to squeeze please
01:00:51Money never made me
01:00:53Money never played me
01:00:54And money bet not make me
01:00:56Rack his ass, subtract his ass when I step through his hood
01:00:59Fuck dropping you, I'm into stopping you for good
01:01:02Stop him if you could
01:01:04And you'll be stiff as a log in a suit
01:01:09Stop him if you could
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