- 12 hours ago
مسلسل The Narrow Road to the Deep North مترجم - Episode 1
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00:28Transcribed by ESO, translated by —
00:50Transcribed by ESO, translated by —
01:28Transcribed by ESO, translated by —
01:49Transcribed by ESO, translated by —
01:50What have you got? Have you got something for me?
01:55Thanks, mate. Thanks.
01:57Yeah, I... I do have one favour to ask.
02:00What's that?
02:01Her chest.
02:03Oh, you want...
02:05Yeah. Big?
02:06Big breasts, yeah.
02:07How big?
02:08You know.
02:10You a gambling man?
02:13Occasionally, yeah.
02:15See, I'm running a book on when I'll die.
02:18Wanna throw on a shilling?
02:20All the boys are in.
02:21Guy who guesses the day claims all the winnings.
02:26Off you Christmas, eh?
02:27I got 10.30, mate.
02:28Yeah, yeah, number nine.
02:32Well, you put me down for ten shillings, eh?
02:35Ten?
02:36Ten shillings, you make it through the entire year alive, eh?
02:42For that, I'll give you some 20 to 1 odds.
02:47Best sardines in the country.
02:54Boris!
02:55Go get the boy.
02:57Okay.
02:59I've got a serious question.
03:01What's that, mate?
03:02Why do they call you tiny?
03:05Is it just the width of your shoulders or is there something else?
03:08No, he's up.
03:08Hold on, mate.
03:10I guess you'll have to find out for yourself, eh?
03:11Well, show us then.
03:12Go on, Tony.
03:13Go on, Tony.
03:13Go on, Tony.
03:14Go on, Tony.
03:15Go on, Tony.
03:24Go on, Tony.
03:26Go on, Tony.
03:31Go on, Tony.
03:33Go on, Tony.
03:33There's the smile I'm looking for.
03:34Rabbit, your pad isn't big enough to draw it, mate.
03:48We're suddenly too few.
03:49Don't look out.
03:50.
03:51P상era.
03:52Stop the man, Danny.
03:54She lived in a estos-
03:55No in action.
03:55Yeah.
03:56She's out of therophe.
03:56It's there.
03:58We got to!
03:58What's not not the way of you travelling around the road?
04:01Oh my god!
04:41Where's he, kid?
04:43Where's he, kid?
05:02Where's he, kid?
05:34I spoke to his father.
05:36He didn't know anything, thought she'd be.
05:48Hello?
05:52Hello?
05:54Hello, Ella.
05:56I'm Amy, kid's wife.
05:59Kate and I were concerned about Dorigo.
06:02We'd read that there'd been a surrender.
06:03We're wondering if...
06:04I haven't heard from him in the weeks.
06:06And where was he then?
06:08Somewhere in the Pacific.
06:11That must be really hard.
06:15I have to go.
06:17I know, I'm sorry.
06:22I know that Dorigo's gonna call you soon.
06:26He will.
06:28And...
06:30Why didn't Keith phone?
06:33Yeah, he was so concerned about his nephew.
06:35Why didn't he call himself?
06:40Good day, Miss Mulvaney.
07:07Mr. Evans.
07:08Mr. Evans.
07:09Mr. Evans, welcome.
07:10Hello.
07:10Please come through.
07:11Have a seat.
07:13Dorigo, you served in both the Middle East and Asia, before the surrender.
07:17Tell me, how did it feel going from a soldier into a prisoner of war?
07:22Feelings weren't as fashionable as they are now.
07:25They did what we were told.
07:28It must have been scary, though.
07:30You're humiliating than anything.
07:33Letting yourself be incarcerated when others are fighting is hard for a soldier's spirit to accept.
07:40What got you through?
07:41I don't know.
07:43Luck, I suppose.
07:46Often luck is the only reason.
07:49What do you recall most of that time?
07:52The time as a prisoner?
07:56The strange, terrible, never-endingness of human beings.
08:02Though, in truth, our enemies were more monsters than men.
08:07But what about us?
08:10Hiroshima and Nagasaki are those not monstrous arcs.
08:13We were forced to extreme measures.
08:15Atomic bombs are beyond extreme, wouldn't you say, Mr. Evans?
08:18I've been to Japan.
08:19I've spoken to survivors who've lost everything.
08:22You've been to Japan, have you?
08:25But I've been some great insight.
08:29Believe me, Young Gravy, you have no comprehension of war.
08:33Because I'm a woman?
08:35No, because you weren't there.
08:39It's not that you know nothing about war.
08:42It is that you know one thing.
08:46War is many things.
08:48Well, what are those things?
08:50You don't want to fucking know.
09:02I've just had a call with the producer and they've agreed not to air any of the footage
09:06if you agree to meet with their journalist again.
09:10When?
09:10I've suggested tomorrow.
09:13The sooner the better.
09:14The really necessary.
09:16Mm-hmm.
09:17It's to promote the book launch.
09:19It'll help with the sales.
09:22Very well.
09:23Good.
09:24And maybe this time you can do it without the profanity.
09:27No, I didn't ask for you to do it.
09:28Yes, well, it's not about you, is it?
09:30You have a role to play.
09:32Yeah, I didn't ask for that either.
09:37That's very disrespectful.
09:41She's a young woman.
10:04She's a young woman.
10:54When did the book arrive, Anna?
10:57This afternoon.
11:00It's beautiful.
11:03It is.
11:28Hi.
11:29Ready to be fed to the wolves?
11:32Let's go.
11:36Do you want a drink?
11:43Yeah.
11:44Okay, I'm going to introduce you to mother and father.
11:52Mother, this is the gentleman that I was telling you about, Dargo.
11:56Oh, really?
11:58Darling, darling, father.
12:00This is Ella's friend.
12:02Pleasure to meet you.
12:03Sorry?
12:04You're back in Melbourne on late?
12:05Yes, sir.
12:06My apologies for not wearing black tie.
12:09I don't own a tuxedo.
12:11Nonsense.
12:11You look dashing.
12:12I wanted to bring you both a gift.
12:15Oh, isn't that charming?
12:18What is it?
12:19Books, sir.
12:20Yes, Dargo, he's an avid reader.
12:22Oh, you know, most people bring flowers, sir.
12:26What about that one?
12:27Well, this is my catalyst, a, uh, Roman poet.
12:34Well, thank you for the books.
12:35You, um, you enjoy yourself.
12:40Pleasure.
12:40I love you, too.
12:42Oh, and that is my grandfather.
12:44He helped write our constitution.
12:46I know.
12:47I see the results.
12:49It's different.
13:09Mother and father are gonna be home soon.
13:11You're gonna get dressed.
13:17I told my students about you.
13:21What did you say?
13:23I told them that you're a soldier preparing to defend our country at war.
13:31What did they say?
13:35First they asked me if you were scared, and then one asked if I were.
13:43Are you?
13:55I'm a medical officer.
13:57I'm not a machine gunner.
13:59I'll be safe.
14:02Promise me.
14:04Yeah, I promise.
14:10Father's birthday next weekend.
14:11Do you have leave?
14:13Yeah.
14:14But I told my uncle I'd visit him.
14:21Snake.
14:26Please?
14:56Excuse me.
14:57I'm looking for a Keith Mulvaney.
15:01I'm Keith's nephew.
15:08You must be the clever young doctor that everyone keeps talking about.
15:12You're Keith's far too young wife.
15:14Is that what your family are calling me?
15:19Keith sent me a postcard asking me to stop by while I'm stationed near here.
15:26Right, well, Keith's not here right now, so I can pour you a drink.
15:33You're welcome to wait.
15:34No, I don't have long.
15:37I just came to say hello.
15:40Hello.
15:51You're Dory guy, right?
15:53Amy.
15:54Amy Mulvaney.
15:59Why don't you let Keith know I step by, okay?
16:01Sure will.
16:24Why don't you let Keith know I step by, okay?
16:45What were you doing?
16:47I was just going with a drink.
16:48You're right?
16:50You're right?
16:50I'm not a man who can position me.
16:52All you did was watch.
16:53No, I couldn't hear what he was saying.
16:55Oh yeah?
16:56Yeah.
16:57Do you think it would matter?
16:59Would a dance be allowed?
17:01Hmm?
17:01Maybe a kiss?
17:02Is that what you wanted?
17:03At first, yeah.
17:06I told him I was escorted here by another meeting.
17:08It's just that we meet tomorrow.
17:10He's not departing.
17:11No, no.
17:12Which means pilot's here.
17:13You know, I'm going to war, Ella.
17:15Maybe you should take him on place with me.
17:17You don't mean that.
17:20Nah.
17:22You deserve someone who's gonna be with you.
17:24You will be with me.
17:26You promised.
17:31No, no, no, no, no, no.
17:33I'm not going to war.
17:35No, no, no, no, no.
17:37No, you're not.
17:39I was going to kill her.
17:40No, you don't.
17:41Seriously.
17:49Come here.
17:50Everyone's getting married, darling.
17:53Everyone's getting married.
17:54Everyone?
17:54Mm-hmm.
17:55Everyone's getting married.
17:56Mm-hmm.
17:56Who's everyone?
17:57Joan?
17:58Ellie?
18:02Where's my ring?
18:03Where is it?
18:04Are you hiding it?
18:05There's no ring under here.
18:07Oh, come on.
18:10Who's there?
18:10Oh, come on.
18:11Oh, come on.
18:13What is in that head of yours?
18:23Marry me?
18:29Do you mean it?
18:36Yes.
18:56We know no mithradatum of despair as drunks.
18:59The angry penguins of the night straddling the cobbles of the square tying a shoelace
19:06by fogged lamplight.
19:08We know no astringent pain, no flecking of thoughts, dull eternal sea and garret image.
19:15Of Spain and love, and our love's parody.
19:21See, chaos spark, struck from flint and the plunging distemper, flare in the dawn's dull
19:28and seep of milk cart horse, morning horse, chaos horse, walking at three to the doors
19:33of sleep with the cream and poison, convulsion.
19:43Hello again.
19:47Hello.
19:48You didn't stay downstairs for very long?
19:51No.
19:53Did a word of it make sense to you?
19:57Penguins.
20:00I liked creamy poison.
20:12Nice flower.
20:14I stole it.
20:16It was well worth the last thing.
20:17You're not going to turn me in, are you?
20:20I'm not so brave.
20:24Catalyst.
20:26So who's he?
20:28It's a Roman poet.
20:30Did you read me some?
20:32No.
20:34Why not?
20:34I'm sure you could do a better job than the bloke downstairs.
20:39Come on.
20:43Let us live and love, and though the sages sought our deeds reprove, let us not weigh them.
20:50Heaven's great lamps to dive into their west and straight again revive.
20:56I think poetry readings are more the domain of your friends, mate.
20:59Oh, you're doing great.
21:04Do you have a favorite poet?
21:08I have a favorite poem.
21:11Should I find it?
21:18They've got it.
21:28Steady.
21:36Do you like it?
21:40Very much.
21:43Stop.
21:44What are you doing?
21:46What happened to your mate?
21:47He's shit out.
21:48He's not.
21:49He's excellent.
21:50You're just Neanderthal.
21:52Come on, Amy, let's go.
21:53The race is on.
21:54All right.
21:56Care to try?
21:56Perhaps an old time.
22:03Yeah.
22:05It's for good luck.
22:13Come on.
22:15Come on.
22:39How's the speech going for the book launch?
22:41Slowly.
22:47As I turn the pages of Guy's book,
22:49I am reminded that we all left part of ourselves
22:52in that mart in that jungle.
22:55However, as accurate as a book is, it is just a book,
22:59horror can be contained within a book.
23:01But in life, horror has no more form than it does men.
23:07It just is.
23:09Okay, pen.
23:11Todd.
23:13Okay.
23:14Now we just put that there.
23:16I think that's good.
23:18You know, and start with a quote,
23:19because people like that.
23:20It's, you know, it captures their attention.
23:25Have you eaten?
23:26No.
23:28Okay.
23:29Okay.
23:49Have you seen the name?
23:56Bye-bye.
24:01Bye-bye.
24:05Bye.
24:11Let's go.
24:48You okay, Frank?
24:51A little better, sir.
24:56Mom's cooking.
25:00She's making apple pudding.
25:05A bit of salt, cinnamon, flour, a few apples, a dash of milk, some brown sugar.
25:16A few minutes, it'll be ready, sir.
25:20Bing.
25:25Yours is up first, sir.
25:28I don't know, sir.
25:30Yeah, I'm on.
25:32That?
25:36Good cook, your lamb.
25:38Stop it, sir.
25:40You'll have that.
26:04You'll have that.
26:10Get into the next door.
26:13Get in the next door.
26:16Get in the next door.
26:48Oh
26:49Oh
27:06My name is major Nakamura you are here for a great mission for great calls
27:13To serve the Emperor to build a railway
27:19This is an honorable mission
27:23One you should feel proud to be part of
27:26Being prisoners brings much shame
27:31Great shame you redeem your honor by building railway
27:37Him we are
27:41Okay
27:59Oh
27:59Oh
27:59Oh
27:59Oh
27:59Oh
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31:01Oh
31:05Oh
31:24If there's anyone in this house
31:27who can really show us what it means to be a man of significance.
31:32Maybe it's a man with a giant dick!
31:37Giant! Giant! Giant! Giant! Giant! Giant! Giant! Giant! Giant!
31:48Got it here!
31:52We're doing it, boys. We're doing it one time.
31:58We're doing it!
32:01We're doing it!
32:02You're doing it!
32:06We're doing it!
32:09We're doing it!
32:19Sean!
32:19You know, he's a boy.
32:33I don't know.
33:16Mate, I'm glad you finally came to visit me.
33:18How's your old man?
33:19He's good, I think.
33:20Yeah, I like your dad.
33:21He's a good fella.
33:22Only one of your family that gave me the time of that.
33:24Even after I remarried, he still calls me time to time to say g'day.
33:30How is your wife?
33:31Amy?
33:32Oh, she's great, mate.
33:33You're sure to love her.
33:35So, is Amy expecting more?
33:36Oh, yeah, mate.
33:36She's very much looking forward to you coming.
33:39We don't get too many handsome doctors in the King of Cornwall.
33:43Do we, Miss Beatrice?
33:45No, we don't.
33:47You shipping out soon?
33:49They don't really tell us much.
33:51Well, I think with London being bombed, it'll be sooner rather than later.
33:56No point all you boys stay in here.
33:58No one's blitzing Adelaide.
33:59Do you reckon anyone would notice if they did?
34:02I would.
34:04In any case, you best be sure to enjoy your weekend, mate.
34:07What's mine is yours, Dorigo.
34:10Good food, cold beer.
34:12King of Cornwall's known for both.
34:37All right.
34:38Good going, boys.
34:39How are you going?
34:39This is my nephew, Dorigo.
34:41How are you going?
34:42Rex, Jim.
34:42Guitar key.
34:46Hardest front bar in Australia.
34:48Congratulations.
34:52Amy?
34:58Yes, I'm coming.
35:00Amy, this is my nephew, Dorigo.
35:04How's the height on him, eh?
35:06Yeah, he's tall.
35:09Pleasure.
35:10Hi.
35:11I've got to be, uh, well, truth be told, I've got to take her to get my home.
35:15She's a piece.
35:16He's been dragging her ass around all over the place.
35:18Um, but Amy is going to look after her.
35:20Hope you don't mind.
35:21No problem.
35:22Isn't there some movie playing?
35:23Yeah, there's a few movies.
35:24You seen Waterloo Bridge?
35:26Yes.
35:26Oh.
35:27See it again.
35:34Want to see your room?
35:37Sure.
35:39Beatrice, you stay here.
35:42She listens well.
35:43She's not allowed upstairs.
35:45Stay.
36:02Make it two martinis.
36:04Dirty.
36:04Sure.
36:05Hi.
36:09Did you like it?
36:12It's very nice.
36:13It's a nice place, right?
36:15Mm-hmm.
36:17Well.
36:23Mm-hmm.
36:29So where are you from?
36:30Cleveland.
36:32Tasmania.
36:33Oh, so you're poor.
36:34I live in Melbourne.
36:36Oh, so you're rich.
36:37Yeah, I studied there and I met Ella.
36:40So Ella's rich?
36:41Her family is, yeah.
36:43Okay.
36:45She's...
36:46daughter of a doctor, lawyer.
36:49Mm-hmm.
36:50Mom comes from old money.
36:51Grandfather wrote the constitution, yeah.
36:54You're kidding.
37:03She's very worried about you going to war.
37:05We don't talk about it that much.
37:09I think that's the only good thing about Keith being old.
37:12He can't go.
37:14How'd the two of you meet?
37:16I thought you already knew.
37:19What?
37:19I know the talk of your whole family.
37:22They sang.
37:24You waited until my arm was dead before sinking your claws and...
37:29Gosh, that's not very nice, is it?
37:31No.
37:31I'm not sure.
37:34I never met your aunt.
37:37I started working at the King a few months after she'd passed.
37:42Then a few months after that...
37:45I was wooed.
37:50How did you chew me?
37:53I didn't dance.
37:56Ella loves to dance.
37:59Oh, you dance, do you?
38:31I wish on the moon to throw me a beam or two.
38:39I wish on the moon for something I never knew.
38:46A sweet robe.
38:51A soft disguise.
38:56And every day.
38:59To dance away.
39:06Sorry.
39:09What are you thinking?
39:12Playing football in my hallway.
39:14Alright.
39:18You sit there.
39:19Mhm.
39:20I've got something that I want you to hear.
39:32Do you know about Leslie Hutchinson?
39:35No.
39:40He's very good.
39:42I'll be charging these to your room.
39:46I thought it was on the house.
39:48No.
39:52So Leslie Hutchinson.
39:55Some say.
39:58That he's very familiar.
40:01With the royal friend.
40:03How familiar?
40:04Very familiar.
40:05Yeah.
40:12I love this.
40:26Exactly.
40:28Right.
40:32Right.
40:34Do you think that you and I are friends?
40:38Friends?
40:40You know Amy means friend.
40:42My mum told me that.
40:45She called me Amy.
40:47Ami.
40:50Amor.
41:01I should probably die.
41:23Not at all.
41:24We're in.
41:30No.
41:36We're in.
41:41No.
41:43No.
41:44No.
41:45No.
41:45No.
41:46No.
41:47No.
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