Juliana, una esclava hija de la violencia, que se niega a ser tocada por hombres blancos. Su vida da un giro al conocer a Miguel, un viajero portugues que busca respuestas sobre su pasado, con quien vive un intenso amor prohibido. Juntos enfrentan poderosos enemigos y los prejuicios de una sociedad esclavista, incluyendo a Maria Isabel y al Comendador Almeida, mientras Juliana lucha por su libertad y por el futuro de su hija, Isaura.
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Encuentra todos los capitulos en https://sites.google.com/view/cyberhome-nicaragua
#TelenovelaLaEsclavaMadre #NovelaEscravaMae #NovelasBrasileñas
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TVTranscripción
00:02Oh, Tito, I always thought about marrying Juliana.
00:10To have a house just for us, with all our children.
00:14A bunch of little Julianitas and Zapeaus running around.
00:18And I even thought about our wedding day.
00:21Juliana was there.
00:23She was the prettiest bride of all.
00:27But being forced into marriage is different, isn't it?
00:30Even if we were forced to, I'm sure it would make Juliana happy.
00:35To keep her away from the problems of that Portuguese man who only makes her suffer.
00:40He was going to live alone.
00:43With my love.
00:44So why didn't you get married, Zappiau?
00:46Why did you make up that you were Juliana's brother?
00:48It's precisely because of the love I feel for her.
00:51It's not fair to force her into marriage.
00:53That was great, Zappiau.
00:55His heart belongs to someone else, Tito.
00:58You needed to see it.
01:00With that smile.
01:02Looking at the sky and thinking about him.
01:05If it were up to me, I'd get married right then and there.
01:07You are a strong man, Zappiau.
01:10Juliana really likes that Portuguese guy.
01:13And from what I can see, it's good love.
01:15I didn't want to take away her chance to be happy with Miguel, even if it's not me.
01:19If Juliana ever wants to be with me, it will be because she loves me.
01:26When that day comes, Tito, I will welcome her with open arms.
01:33Arms wide open.
01:44I confess that I am pleased to witness your attitude.
01:48You behaved as a wife should.
01:50In what way?
01:51Defending your husband from those minor accusations.
01:54Mild?
01:56I don't believe it.
01:58You know as well as I do that the accusation was accurate.
02:01Teresa.
02:02I'm not as naive as you think.
02:05I know that ship didn't sink by accident.
02:07Didn't you seem to think that when you confronted Guilherme?
02:11I couldn't allow him to continue accusing my mother in that way.
02:15I thought it was because I said you shouldn't have carried my child in your womb.
02:18That was difficult too.
02:21But you have spoken to me in a much more serious way.
02:24It's a shame you can't make me cum so well, isn't it?
02:28I'm the one who rules everything in this house.
02:32If you'll allow me to rest now,
02:35Or do you have any other requests for me as your wife?
02:38It's better.
02:40It's better for you, Teresa.
02:42Go get some rest.
02:43Well, the day has already been long and full of frustrations, and I don't deserve another one.
02:48Well, that's exactly what you are.
02:51Mainly under those sheets.
02:54A great frustration.
03:15Guilherme, where were you?
03:16You don't care.
03:19You were right.
03:21You were right all along.
03:23We should never have allied ourselves with the ingenuity of the sun.
03:26Too late for regrets.
03:28Has the ship sunk now?
03:30We never thought about a tragedy.
03:32We did...
03:33Will you excuse me?
03:35I need to rest a little.
03:40How can you rest easy knowing we're ruined?
03:43Our father is devastated, Guilherme.
03:45You reap what you sow.
03:48Can I rest now?
03:51Excuse me.
03:58Are you sure?
03:59Do you really want me to do that?
04:01If Mr. Almeida finds out, he won't forgive her, Miss Beatriz.
04:04I'm not worried about whether my son-in-law forgives me or not.
04:08What interests me is Quintilian's pardon.
04:10That's why you need to be very discreet to get the information I asked you for.
04:13Do you want to know how the transport was carried out and who inspected the merchandise at the port?
04:17And why was the biggest loss Dulces Campos?
04:20I want to know everything about that agreement between them.
04:22I want to be aware of any indication that might lead me to believe the ship was sabotaged.
04:26That's not going to be easy, sign.
04:27And it can take much longer than you imagine.
04:30It doesn't matter.
04:31I will wait as long as necessary.
04:33But I need you to dedicate yourself fully to finding that information.
04:38I will be the master of your duties, sign.
04:40I also want to know how much Quintilian lost with that shipment.
04:44Try to calculate the value without him noticing, Seleao.
04:48Yes, sign.
04:49I also want nobody to know about this.
04:52I have to do something to try to reverse this situation.
04:56Even though it may be too late.
05:02Colonel, I took the liberty of taking the key because I was worried.
05:08Someone help me! Get me out of here!
05:12Don't run!
05:24Colonel, speak to me, Colonel.
05:26Colonel, speak to me!
05:28What's happening?
05:29I fainted?
05:31Calm.
05:32Don't worry.
05:33None of the children have entered here.
05:34I am alone.
05:35I'm going to help you.
05:40I'm the one who's alone, that's it.
05:44Like I've never been in my life.
05:46You have your family.
05:47He has his slaves.
05:49Nobody is going to abandon him.
05:51Now Aguilerme will never be able to look me in the face again.
05:54I handed the device over to Almeida.
05:58There is nothing left, only a future of misery.
06:04My inheritance is a sunken ship with sacks and sacks and sacks.
06:12And they sank to the bottom of the sea.
06:15No.
06:16You are strong.
06:19He will overcome the difficulties.
06:43The manly girdle is already better.
06:45Because?
06:47No.
06:48I have an emptiness inside that won't go away.
06:52It's going round and round and round.
06:57So, you're not bloated because you ate too much and things fermented inside?
07:03No.
07:04It's nothing like that.
07:05So was it something that Doña Rosalinda said?
07:08No.
07:10Oh, I'm just filled with this emptiness of uncertainties.
07:18Oh, Zapiao, my dear.
07:21The worst thing that can exist for a human being is to live full of doubts.
07:27Just like me.
07:29Ah, you'll have to excuse me, Baroness.
07:31But I disagree.
07:33The worst thing is wanting something and knowing for sure that you'll never have it.
07:40That's really bad.
07:42Having no hope for anything.
07:46You're right.
07:48Where there is hope, there is a chance.
07:51Isn't that right?
07:53Then, I would seek the truth.
07:55That.
07:56Will you need your lackey?
07:58I want you to help me get out of here.
08:00I'm so exhausted.
08:01I want to go to bed.
08:03I'm very exhausted.
08:05And I don't have the strength to get up from here.
08:08How can we help him?
08:09Ah, getting up, go on.
08:13Runs.
08:14With both hands.
08:15Come on, come on.
08:17Runs.
08:18Strength, strength, strength.
08:20Runs.
08:22Oh, sir, this is really heavy.
08:27Strength, strength, strength.
08:28One, two, one, two, one, two.
08:30Oh, oh, oh, oh.
08:33Oh, oh, oh.
08:34Oh, oh, oh.
08:34That's right, sir.
08:36Teach.
08:36Sorry.
08:38I shouldn't forgive you.
08:41You should change.
08:43By two strongmen with acne.
08:47You are very weak.
08:50Again.
08:52Come on, go on.
08:53Come on, come on.
08:53One, two, one, two, one, two.
08:55One, two, one, two.
08:57Strength, strength, strength, strength.
08:59I was your age once, girl.
09:03I too loved someone too much.
09:07I know.
09:09He was Genesius's father, wasn't he?
09:11Yes, it was him.
09:13He was the only man in my life.
09:16He promised me that he would stay with me forever.
09:21And why wasn't it like that?
09:23We were separated.
09:24And I decided I would wait for him.
09:29I believed the kind words he told me.
09:33Despite appearances to the contrary.
09:36I always thought for many years
09:39that we would be together in our pain,
09:42in suffering,
09:44in difficulties.
09:46What happened?
09:49I thought we were physically separated.
09:55What happened was
09:56that when he returned
09:59I was with another woman
10:00who was carrying her child in her womb.
10:03And I thought it was best not to interfere in her life
10:07because it would cause a lot of suffering to everyone.
10:10But my story is going to be different.
10:13You'll see.
10:13It won't be any different, daughter.
10:17It's better to keep that love inside.
10:20Leave it here, still and put away.
10:22As?
10:24I would burn up inside.
10:27Daughter, but who plays with fire?
10:30It ends up burning.
10:32And the wounds hurt too much.
10:37But if I did something else, if I...
10:40Listen, daughter.
10:43Calm down.
10:44Leave your thoughts alone.
10:47And then you'll see that this old woman who loves you well
10:52She was absolutely right.
11:03Thank you.
11:06But the first moment my thoughts take flight,
11:10They go straight to meet Miguel.
11:37How is it going to be?
12:04Which has already been modified...
12:08My life...
12:12The reason for my peace...
12:15Already forgotten...
12:18I don't know if I like myself more...
12:22Or from you...
12:28Come...
12:29Come...
12:30That the desire to love you makes me feel better.
12:35I want to wake up on the ground.
12:42I need so much to make myself happy.
12:48Don Lucio.
12:51A pleasure.
12:56Good day, Mrs. Irani.
12:58Good day, Dr. Pacheco.
13:00Thank goodness we didn't have another night of bad weather.
13:03Isn't that true?
13:04Oh, I would be totally flattered if there was another one like it.
13:07Who would have thought it would all end in one night?
13:09Ah, things in this town tend to change very quickly.
13:13Don't you think so?
13:14When you least expect it, the wind changes direction.
13:17By the way...
13:19How is your wife?
13:21She is still in bed.
13:23It needs a lot of care.
13:25Good.
13:26He seems like a good husband, doesn't he?
13:28I do what I can.
13:29You look very different today.
13:33She has the most hopeful look, the most serene expression.
13:37It even seemed as if her husband had shown improvement.
13:41No.
13:42Unfortunately, things remain the same.
13:43The situation is sad and has demanded a lot from me.
13:46I'm emotionally exhausted.
13:48Well, if you'd like, I can talk to Nestor and ask his permission to help him take care of her.
13:53It is clear that your wife could not be in better hands, since you are the town doctor.
13:58But a woman's help can be invaluable, right?
14:02Doña Irani, I appreciate your concern, but I'm not so overwhelmed anymore.
14:10Good.
14:11I need to hurry, because I have a meeting in the chamber now.
14:14Excuse me.
14:16Forward.
14:19Emotionally exhausted.
14:21I know.
14:25Mr. Cough, give up on that madness.
14:29I cannot cancel the audition, Miss Velesiña.
14:32Mr. Nestor is already preparing.
14:34But my father can't join the group, he can't.
14:36If your father agreed to take the test, he's determined.
14:39The idea of the test was to make my father give up, but he is very stubborn.
14:42And his harlequin is dreadful.
14:44Oh yes, that's true.
14:45We'll see.
14:46I'm the one who decides.
14:47Mr. Cough, have mercy.
14:49If he joins us, he would never allow me to make a romantic scene.
14:53A kiss? Forget about it.
14:54How can I be a diva if I'm censored by my father's womb?
14:57Hey!
14:57Stop right there!
14:58It just so happens that there is already a diva in this group.
15:01And if someone has to be in that situation, is it someone like me?
15:05Dalia, I'm sorry to make you see reality.
15:09Let's see who can.
15:10And between the two of us, I win by a lot.
15:13Please stop fighting.
15:16They will all have their moment to shine.
15:18Even Mr. Nestor will have that right if it is approved.
15:25How awful!
15:28Don't be alarmed, dear friends.
15:31The harlequin arrived to bring art and humor.
15:36So, is this your harlequin?
15:41I confess I'm intrigued.
15:44Can I start the test?
15:46Ready?
15:48May God's will be done.
15:56I noticed there was movement in the village.
16:00I know that stormy nights always bring bad news, but...
16:03I was really quite surprised to learn that the production of sweet fields was lost in the shipwreck.
16:09But if you came to talk to Tomás, he was feeling a bit unwell, so he withdrew.
16:14He went to his room to rest.
16:15No, actually...
16:17I mean, also...
16:19I came to see you, Filipa.
16:23I wonder how you are.
16:24And above all, to clear up the misunderstanding from our last meeting.
16:27I think it's best to leave that matter for another time.
16:30The situation is already very delicate.
16:34I wouldn't like...
16:35But I just want you to know...
16:38You can count on me for anything.
16:42Differences of opinion are irrelevant at times like this.
16:46Of difficulties and suffering.
16:49Thank you so much.
16:53But I think it's best that we're just with family right now.
16:58You're right.
17:00You're right.
17:02Okay, then tell Tomás he can look for me...
17:05If there's anything I can do.
17:12Take care.
17:43Doña Beatriz.
17:45I need to talk to your father and I can't wait.
17:49Beatriz the girdle came out.
17:50You should know that it's not a good time to look for my sister.
17:54Here in the big house there is only discord.
17:56I can imagine.
17:58I found out everything that happened.
17:59It's all anyone is talking about in the village.
18:01Why is he surprised?
18:03If the last time you set foot here, the situation was no different.
18:06Actually, I came to talk to you.
18:09With me?
18:10Exactly.
18:11Could we go somewhere more private?
18:14Slaves must leave their duties to receive visitors.
18:17I promise I won't take up much of your time, but it is extremely important.
18:21Please, you have to listen to me.
18:26Esmeria, what are you doing here?
18:27Don't you know that it's forbidden for people from Ingenio del Sol to come here?
18:31That includes slaves.
18:33The thing is, my girlfriend is waiting for you at the ranch.
18:36Finally, Genesio will give you a reward.
18:39Are you listening to what I'm saying?
18:41She will pay you what she promised.
18:45She wants to know if you know anything more about Mr. Miguel's treasure map.
18:51I no longer trust your judgment.
18:53She now has more money than ever before.
18:56She inherited a fortune from her aunt who died.
18:57And she's desperate to catch Mr. Miguel.
19:02What do you mean, "catch"?
19:03She's setting some kind of trap for him.
19:05I don't know, that's none of our business.
19:08I just know that if we can pin something on her, the time is now.
19:14Even if you need to invent one thing or another for that.
19:25Send that woman out of here.
19:27I have nothing to talk about.
19:28Yes, there is.
19:29There's something we need to talk about.
19:31Excuse me, Colonel.
19:32She was coming in and...
19:38Speak quickly and leave.
19:41I understand your desperation.
19:44I understand your distrust.
19:45And I even understand the fact that you invaded my house armed.
19:48I don't need your understanding.
19:50Gustodio would have done the same.
19:52What I don't understand...
19:55It's how you might think...
19:57That I used you for something so low, so criminal.
20:01It seems very clear to me.
20:04I completely understand that your son judges me.
20:07But you could never believe that.
20:10Have you said everything you wanted to say?
20:13No.
20:15No.
20:18I sent Tito Pardo, a slave I trusted completely,
20:22to verify what happened and the extent of the damage.
20:28I'm willing to give you half the value
20:30to show that we're in this together,
20:32not only in good times, but in bad times as well.
20:36What do you say?
20:42I already told him what I know.
20:44Miguel left early today and didn't say where he was going.
20:46It's very strange.
20:49I'm worried.
20:54The thing is...
20:55I was waiting for Miguel for my dear aunt's funeral.
20:59It hurts me to talk about her.
21:02We were very close.
21:03Very sorry.
21:06And as if that suffering weren't enough,
21:09A real chaos ensued on the estate.
21:11Colonel Quintiliano entered armed
21:13and put my mother and sister at risk.
21:15Did anyone get hurt?
21:15No.
21:16Luckily, no.
21:19I can't even imagine what would have happened
21:21if one were to get hurt.
21:24I really don't know what would become of me.
21:26I would be desperate.
21:30Are you feeling okay?
21:31Yeah.
21:33Yeah.
21:34It will pass.
21:35I'll get a glass of water.
21:37Thank you.
21:51Thank you.
22:19What are you involved in, Miguel?
22:38I see.
22:40These documents appear to be valid and authentic.
22:43All the information is here.
22:45They owed their father enormous sums of money.
22:48Captain, tell me one thing.
22:49Do you know them?
22:50Could you tell me who those great gentlemen are?
22:52Yeah.
22:53Some have already passed away,
22:54But others are important people in the region.
23:03And this one here, for example?
23:05Yeah.
23:06It is Mr. Gaspar Almeida.
23:08Mr. Almeida's father.
23:10He owed his father a large sum of money.
23:12And tell me one thing, captain.
23:14This is within the legal framework.
23:15Yeah.
23:17Regardless of the business that generated the debt,
23:19whether it was legal or not,
23:21the promissory note guarantees it.
23:22He should exercise his right.
23:24What if Mr. Almeida refused to pay?
23:26Even so, he must bring this case to trial in the chamber.
23:29Mr. Miguel,
23:31It took him too long to resolve these issues.
23:34Do I hope to bring everyone together?
23:35Not exactly, Captain.
23:37To be honest, I was looking for clues about my father.
23:40And I think I found a surprise.
23:42These debts.
23:43And I believe many more are yet to come.
23:46Do you want to discuss any other issues?
23:47No no.
23:48Not for now.
23:49I'll do it in due time.
23:50Then be careful.
23:52Don't get mugged.
23:53The coming days look like they'll be intense.
23:56With the shipwreck that the production of sweet fields is experiencing,
23:59Many things are going to change.
24:01Yes, captain.
24:02You are absolutely right.
24:05It's time for many things to change in this region.
24:10Let me share the losses with you.
24:12I don't need your handouts.
24:15They are not handouts.
24:17Can we reverse this situation?
24:20Can...?
24:21Can?
24:22We can't do anything.
24:24There is no "us".
24:26I should never have trusted anyone in your family again.
24:35You can't imagine how much I regret ever meeting you.
24:40If I had fallen in love with you like this.
24:44But...
24:44It's not my fault.
24:47It's your fault, yes.
24:49You took the opportunity.
24:51I married a woman I didn't love and who didn't love me.
24:55That he deceived me.
24:57And it ruined me.
24:59And it transformed me into a terrible man.
25:03Why are you saying that now?
25:05Just so you know.
25:06I was never able to get over what I went through with Johanna.
25:12And you dare come to my house and give me hope?
25:17The hope of being happy, Beatriz?
25:20You are now my downfall.
25:23Total and absolute.
25:25Don't say anything.
25:27Nothing!
25:29If there was anything between us...
25:33He is dead.
25:36Buried.
25:38Forever.
25:40Beatriz, I never want to see you again.
25:43I never want to see you again.
25:46And please...
25:48I beg you.
25:51Never speak to me again.
25:55Anymore.
26:08What are you doing here?
26:10You were forbidden from leaving the estate.
26:12You are forbidden from approaching my boyfriend.
26:14I didn't know I'd be here.
26:15Ah.
26:16But I knew very well that something was wrong.
26:20I knew there was something behind Miguel's disappearance.
26:24You're playing with me, aren't you?
26:26No, absolutely not.
26:28What do I have to do to make you stay away from Miguel, Juliana?
26:30So you'll leave him alone?
26:33Huh?
26:35I'll send you to the punishment tree.
26:38And I will order that you be flogged.
26:42Speak that way only on your own property.
26:45This is my home, my workplace.
26:48I will not allow anyone to be mistreated.
26:50She's just a slave.
26:52An insolent slave who doesn't know her place.
26:54Juliana is welcome here.
26:56Unlike you.
26:59That's all I needed.
27:03Besides being my father's favorite,
27:05She's a slave who wants to take my boyfriend away from me.
27:09Here are the orders I needed
27:11and that I asked you to look in the warehouse.
27:14Take them to the Ingenio del Sol.
27:16Thank you.
27:19You're going to regret this disobedience, Juliana.
27:23Now we're going to the hacienda.
27:40And it was then that I said to the Lord,
27:43since I became so rich,
27:45You will be my servant.
27:48And who are you talking to?
27:49He's your boss.
27:55Bravo!
27:56Bravo!
27:57Awesome.
27:59Thank you, Mr. Tose.
28:01Did you like it?
28:02A lot, a lot!
28:03I can't stop laughing.
28:06Were you laughing out of nervousness, perhaps?
28:08Don't you think the performance was terrible and horrifying?
28:11No, no, no.
28:13Precisely that sinister touch
28:14that Mr. Nestor gave to his representation
28:17That's what made it interesting.
28:21Well, then I'll take that as a compliment.
28:24And it seemed like he accepted me into the group.
28:27I confess that there are few actors as unusual as you
28:29and that become fascinating.
28:33Therefore, I allow that...
28:34No, no, no, Mr. Cough.
28:36You must be crazy.
28:38My father cannot enter.
28:39What do you mean, no, Velesiña?
28:40Stop being unfair to your own flesh and blood.
28:42It would be unfair to allow you to interfere with my career.
28:44Do you want to participate in the piece just to ruin my blossoming as a diva?
28:47The ones that bloom are the flowers.
28:49And if I am a little flower, I will bloom.
28:51I'm the diva here.
28:53Dale.
28:56Excuse me.
28:58Am I interrupting?
28:59By no means.
29:01Welcome, my dear writer.
29:04I brought the manuscript of the work here.
29:07And what is it about?
29:09This is the story of a great lord of wit
29:12who is sold into slavery by his two ungrateful daughters.
29:16A witty man, two daughters.
29:20Yeah.
29:21The man of wit and two daughters.
29:25Perfect!
29:26We already have the main actors.
29:30So that means I'm approved for the group.
29:33Ah, absolutely approved, absolutely approved.
29:36And I'm certain this is going to be a lot of fun.
29:49Did something happen, Rosalinda?
29:50Why are you breathing like that?
29:54I didn't really want to tell anyone this.
29:57But it's something that's stuck right here.
29:59You can vent to someone.
30:01Here is your granddaughter.
30:02Stop, don't say that word.
30:04Granddaughter?
30:05Speak up!
30:07I actually received a statement
30:10in which they inform me that the pension income
30:12It's going to rise considerably next month.
30:15Can you believe something like that?
30:16Oh, how awful!
30:17And what is the reason for that increase?
30:19I don't know.
30:20This hasn't happened for years.
30:22There are always increases, but never this high.
30:25And I always try to pay everything on time.
30:28And often more than we agreed.
30:31Times are tough, Rosalinda.
30:32Many are going through hardships here in the village.
30:35But I shouldn't be the one to pay for the gentlemen's difficulties.
30:39There's something rotten about this story.
30:43And when things stink like this, you know where they're coming from.
30:47Are you talking about the Baroness of Barangay?
30:49And who else could it be?
30:52She and her partner.
30:54Petunia.
30:55If they think they're going to harm me, they're very wrong.
30:58Or not my name is Rosalinda Pavão.
31:03Teresa.
31:06Doña Urraca?
31:08Are you looking for your son?
31:09No, no, no.
31:10On the contrary.
31:11He can't know I'm here.
31:13That's why I came straight to your room.
31:15I need to talk to you.
31:17What do you want?
31:18The truth, my daughter.
31:20The truth.
31:21I barely slept last night.
31:24I'm immersed in so many doubts, but one of them, one of them, you can clarify it for me.
31:30Fernando, did he sink that ship or not?
31:33How would I know, Doña Urraca?
31:35Your son doesn't share anything with me.
31:36But he didn't, he didn't tell you about the attack on Quintilian.
31:39Didn't he share his plans with you?
31:41By no means.
31:43Teresa, please, I am a worried mother, immersed in so many uncertainties.
31:48Doña Urraca, I don't have that kind of alliance with Mr. Almeida.
31:52The only thing we have in common is the roof over our heads.
31:56But you don't suspect anything.
31:57If your husband participated in that plan that plunged Quintilian into poverty.
32:01I have no idea what goes through your son's head, Doña Urraca.
32:04Our marriage is a sham.
32:06In fact, he never loved me, he doesn't even desire me.
32:09We are two strangers inhabiting the same space.
32:11Oh, I understand now, daughter, I understand now.
32:14Oh, my son has this strange ability to push away the people closest to him.
32:21and transform them into complete strangers.
32:24What? A girl?
32:26A baby, according to what they said.
32:28They still don't know where the ship sank.
32:30The entire crew set sail in a boat.
32:32And among them was a baby.
32:34A baby? Where did that baby come from?
32:36I don't know what to tell you, boss.
32:37Was there no inspection of the shipment?
32:38You know that a little bit of everything always ends up on those ships.
32:42Slaves try to escape by hiding in other people's belongings.
32:45Someone must have left that girl there.
32:48How strange.
32:50Very strange.
32:53I don't know if I'll be able to help you with those matters you mentioned.
32:56Don't be so distrustful, okay?
32:59There are plenty of reasons.
33:00Well, first the countess visits the sugar mill saying that she wanted to buy slaves.
33:05He visited the rooms, saw everything he could.
33:07I swear to you that...
33:08And now he comes with these questions about how the colonel's business is, about buying slaves.
33:14What do you want to know?
33:15I want to know if the slaves were bought legally.
33:18My master was a good man.
33:21He wasn't doing anything wrong.
33:23I want to know...
33:24How did he acquire those workers?
33:27Well, in the way that all the clever gentlemen do it.
33:30Sometimes by auction.
33:32Sometimes they came from somewhere else already purchased.
33:37From estates that owed the lord.
33:40It is impossible to know exactly how we got here.
33:45I understand.
33:47Why are you so interested in knowing that?
33:51Because they separated me from someone very important to me.
33:55And that I never lost hope of finding it.
33:59It's an open wound.
34:03It cannot be forgotten.
34:06That's why I came to the village.
34:08And I summoned the slave girls for the meeting with the princess.
34:12Princess who kissed my hand.
34:15Acknowledging that I am a descendant of the queen.
34:25Please try to help me.
34:27But I don't know how.
34:29I don't know anything.
34:31And what if you, Countess, tell Mr. Miguel?
34:35Why does he say that?
34:37Who knows if the Portuguese understand more about these things, about buying and selling slaves?
34:43And is there anything important I might have to tell you?
34:46Zapiao, I think Doña Urraca can wait.
34:48The truth is, I'm here for another reason.
34:51We can talk.
34:53If it's about Juliana,
34:56It's good that you know that Sister Maria Isabel is doing everything to keep you away from her.
35:01Yesterday he even tried to marry us off.
35:03That?
35:04She had a father, a bouquet.
35:06She did that without speaking to either of them.
35:08It's the least that Mrs. Maria Isabel is capable of doing against Juliana.
35:12She was very upset by the lie we made up.
35:15Lie?
35:16What lie, Zapiao?
35:17I said we were siblings and they couldn't marry us off.
35:20Siblings?
35:20Yes, that could be true, given his past and his age.
35:25Well, it's precisely about that matter that I need to talk to you.
35:31We have nothing to talk about, I just came to see the terrace, that's all.
35:35That's a lie, I know you're up to something against me.
35:40Tell me what it is.
35:41Are you going to continue treating me like I'm your enemy, is that it?
35:46It will depend on your answer.
35:47It will depend on your question.
35:48Did you put the girl you were hiding, my supposed daughter with Petunia, on Dulces Campos' ship?
35:56Oh!
35:57Saying nothing is useless, Juliana! Nothing at all!
36:00It's hurting me!
36:01Do you no longer understand with words?
36:02Then you'll understand through the lash!
36:04Oh no! Please, ma'am, no!
36:05I already threatened you once, now I'm going to make good on it.
36:10But what I'll do is better.
36:15Let's see if Miguel is interested in a slave with a burned face.
36:19It won't do any good.
36:23He can even kill me, but he won't keep you.
36:29How dare you?
36:30He already knows everything, all her lies, that they never had anything, that the baby wasn't his.
36:36Shut your mouth!
36:37Slave, wretch.
36:38You manipulated Miguel, and now he has deceived you too.
36:42What are you saying?
36:43The farce ended without Isabel being called.
36:45It's time the truth came out.
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