- 1 day ago
centers on themes of female-centric terror, psychological obsession, and supernatural violence, best known for the killer Zuni doll segment
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Short filmTranscript
00:00:12Oh, some wool dress.
00:00:14Hi.
00:00:15What are you doing?
00:00:17Math class, huh?
00:00:18Oh, there you go.
00:00:19Oh, your coat's terrific.
00:00:21The whole thing's terrific.
00:00:23Ha-ha.
00:00:27God, have you ever seen so many dogs in one place?
00:00:29Uh, the trouble with you, Chad, is you're just spoiled.
00:00:32Yeah, I know.
00:00:38Morning.
00:00:42Now, that's ugly.
00:00:47I just got the weirdest idea.
00:00:49You know what?
00:00:50I wonder what she looks like under all those clothes.
00:00:55Oh, Eldridge?
00:00:58Are you kidding?
00:01:01No.
00:01:02I'm not kidding.
00:01:05It's kind of like the idea that you just jumped into my head.
00:01:33I'm not kidding.
00:01:36basic literary triangle
00:01:37can anyone tell me why Fitzgerald's name is on the bottom
00:01:43Mr. Foster
00:01:44because Fitzgerald's liberated work of the 20s beginning with
00:01:49this side of paradise
00:01:50formed the base for the extended realism of both Hemingway and Faulkner
00:01:55quite correct
00:01:57I would like to amplify this aspect of the discussion
00:02:00but I see by the clock that our time is up
00:02:04your assignment due for tomorrow's class
00:02:07will be the final chapter of For Whom the Bell Tolls
00:02:11you are to summarize this chapter with special emphasis on the protagonist's
00:02:15time continuum thought processes
00:02:18relating to his father's death and his own impending death in Spain
00:02:23class is dismissed
00:02:47you're welcome
00:02:58you're welcome
00:03:03you sure carry a lot of books
00:03:05yes
00:03:07Miss Eldridge, you go to the movies much?
00:03:10sometimes, not often
00:03:11no, I do
00:03:14a lot
00:03:15but then I tend to think in pictures
00:03:18oh
00:03:19yeah, you see my hobby is photography
00:03:22well that's very interesting
00:03:23I thought that maybe we could
00:03:24it's very nice talking with you Chad
00:03:26but I do have another class
00:03:27yeah
00:03:29see you
00:03:32you're really serious about that, aren't you?
00:03:35well, you've got any funny ideas, you better forget it
00:03:37don't go messing around with teachers
00:03:40oh really?
00:03:41gee, I didn't know that
00:03:52going out tonight?
00:03:54no, I have too much to do
00:03:58you know, for the kind of money they pay
00:04:00you put it in an awful lot of hours
00:04:03that's true
00:04:05Julie
00:04:08Steve has a friend
00:04:10he's a very nice guy
00:04:13but you can't just stay home all the time
00:04:15you've got to go out sometimes
00:04:19I'm alright, Ann
00:04:20don't worry about me
00:04:23the problem with you is
00:04:25you don't give yourself half a chance
00:04:28if you'd work at it just a little
00:04:29you'd really be attractive
00:04:34Ann
00:04:37have a nice time tonight
00:04:41okay
00:04:46good night
00:04:47good night
00:04:48you
00:04:49good night
00:04:52good night
00:06:39It's all in French with English subtitles. It's a real classic. How about going to see it with me?
00:06:44For reasons of cultural expansion.
00:06:48Well, I thank you, Chad, but you know, teachers aren't allowed to date students. Or didn't you know that?
00:06:55So who will find out?
00:06:58My lips are sealed. I won't tell.
00:07:03Well, you have your pick of all these lovely coads, Chad. Why would you want to date me?
00:07:07Because I prefer maturity in a woman. All those others? They're just a bunch of kids.
00:07:41You look like you could use a drink.
00:07:44Yes, I guess I could. It's ridiculous, but these kind of things always upset me.
00:07:49Do you want popcorn, too?
00:07:50Oh, no, I couldn't eat anything. But a drink will be fine, Chad. Thank you.
00:08:05What'll it be?
00:08:06Two large root beers.
00:08:08Easy on the ice.
00:08:09Two large root beers. Easy on the ice.
00:08:11How much is there?
00:08:12Dollar.
00:08:19There you go.
00:09:03Here's your drink.
00:09:19Tastes bitter.
00:09:21Yeah, mine too.
00:09:23I guess they're not putting enough syrup in them.
00:09:26Mm-hmm.
00:09:35What's the matter? Don't you like the movie, Jack?
00:09:38I like the movie.
00:09:40It's just that I like you better.
00:09:56What's wrong?
00:09:59I don't know.
00:10:04Do you want to get out and get some air?
00:10:11Mm-hmm.
00:10:12Oh, yes.
00:10:14Oh, yes.
00:10:14Ah.
00:10:41Mm-hmm.
00:10:50can i do something for you yeah i need a room for the night me and my wife
00:10:54the name is harker mr and mrs jonathan harker you got any baggage yeah i got baggage
00:11:01you need fifteen dollars in advance all right
00:11:10okay fill out the card
00:11:14thank you yeah
00:11:35so
00:11:41so
00:11:42so
00:11:43so
00:11:43so
00:12:05What time is it?
00:12:07It's late.
00:12:09We're home.
00:12:14Boy, you must have really been tired.
00:12:17How could I?
00:12:20Did I really fall asleep?
00:12:23Mm-hmm.
00:12:25I'm sorry.
00:12:27I mean, this has never happened to me before.
00:12:32I'm just sorry that I took you to such a boring picture.
00:12:38Well, I...
00:12:40I warned you, at least.
00:12:42I told you I wouldn't be a very exciting date.
00:12:45Forget it.
00:12:46I decided to let you sleep.
00:12:48I figured with all the work you do, you needed the rest.
00:12:54Still, I'm afraid I've spoiled your evening.
00:12:56No.
00:12:58I had a fine time.
00:13:07Well, I'm really sorry.
00:13:09Hey, I thought we agreed to forget about that.
00:13:12Yes, we did.
00:13:15I had a very good time.
00:13:19Can I call you tomorrow?
00:13:21I don't think so, Chad.
00:13:24Why not?
00:13:25Because it was foolish of us to go out tonight.
00:13:28I could lose my job and you could be expelled.
00:13:30No board of trustees tells me who to see or who not to see.
00:13:34I do what I want.
00:13:36Now, Chad...
00:13:38No, I really must be firm about this.
00:13:40We can't go out again.
00:13:46We'll see.
00:13:50Good night, Julie.
00:13:53Good night.
00:13:53Good night.
00:14:26Hello?
00:14:29Hello?
00:14:29It's me, Chad.
00:14:34Chad, it's not even 8 o'clock.
00:14:37I want to see you.
00:14:41I told you last night that I don't think we should.
00:14:44Listen, you get dressed, because I'm coming over there right now.
00:14:47You and I are taking a little drive together.
00:14:50Absolutely not.
00:14:53Now, what's the matter with you?
00:14:56I don't find this at all amusing.
00:14:59It's not meant to be.
00:15:22Are you ready to tell me why you're behaving this way?
00:15:45Oh, didn't I tell you?
00:15:46My hobby's photography.
00:15:53You drugged me last night, didn't you?
00:16:03How could you do something?
00:16:04This is sick.
00:16:06Well, I think they came out rather well, don't you?
00:16:11Oh, and you can keep these.
00:16:13Because you see, I have the negatives.
00:16:22I'll call a police check.
00:16:24No, you won't.
00:16:25First of all, you have no proof that I drugged you.
00:16:28I'll deny it and offer these photos as proof.
00:16:32Tell them you seduced me.
00:16:35You see, that you've got a thing for students.
00:16:43Now, I'm sure you don't want the police or anyone else to see these.
00:16:56All right, Chad.
00:17:00What do you want from me?
00:17:09The realism of Faulkner, Steinbeck, Hemingway, and even Hammett opened the doors to a new
00:17:20kind of literary expression, indigenous to the new American frontier experience.
00:17:32Here was a raw muscled prose, which completely transformed the period and formed a direct
00:17:41bridge, linking us all the way from from the aesthetic realism of a Dreiser to the rather
00:18:01disheveled, class is dismissed.
00:18:09Class is dismissed.
00:18:44What are you doing up?
00:18:46Do you know what time it is?
00:18:48Julie.
00:18:52Will you please tell me what's going on?
00:18:55Nothing.
00:18:56I didn't stay up all night to get that kind of an answer.
00:19:00I'm worried about you.
00:19:03It's been like this for a month now.
00:19:06I know, but...
00:19:08Julie, this isn't like you.
00:19:10Please tell me what's happening.
00:19:13I really can't talk about it, Anne.
00:19:21Go to bed.
00:19:34Go to bed.
00:19:41Go to bed.
00:20:03hey i want that on i want it off since when does what you want count
00:20:10since now tonight this second
00:20:16it's all over chad it's over nothing is over until i say it is i don't think so you see
00:20:25i'm bored
00:20:27and when i'm bored the game is over
00:20:33bored
00:20:37not terrified not shocked just plain bored
00:20:44whose idea did you think this whole thing was
00:20:47what are you talking about what i am talking about chad is that you are a singularly
00:20:54unimaginative young man
00:20:58did you really think that that dull little mind of yours
00:21:02could possibly have conceived any of the rather dramatic experiences we've shared
00:21:12do you remember the day you watched me walk off the steps
00:21:16since that moment your mind has not been your own
00:21:23why do you think you suddenly had the overwhelming desire
00:21:26to see what i looked like
00:21:29under all those clothes
00:21:36don't feel bad
00:21:39i always get bored after a while
00:21:44although
00:21:45there was one boy in denver
00:21:48who did keep me amused for almost nine weeks
00:21:53but then he was wonderfully creative
00:22:10first you'll experience dizziness
00:22:12then mild paralysis
00:22:15and then
00:22:15total cardiac arrest
00:22:19you've drugged me
00:22:21no dear
00:22:23i've killed you
00:22:50i told you about
00:22:53those chemicals chat
00:22:55how dangerous they could be
00:23:17he was one of your best students wasn't he
00:23:27yes he was
00:23:28yes he was
00:23:30wonderfully bright
00:23:32and spirited boy
00:23:39you know i warned him about
00:23:42those chemicals
00:23:45how dangerous they could be
00:23:49are you sure
00:23:50are you sure you're okay
00:23:52surely i can skip work and stay here with you
00:23:57no you go on
00:24:00i'll be fine
00:24:03are you sure
00:24:32yes
00:25:02PHONE RINGS
00:25:08Miss Eldridge?
00:25:09Yes.
00:25:10I'm Arthur Moore. I saw your notice on the board.
00:25:13And you need help.
00:25:15Yeah, I, uh, my lick grades are lousy.
00:25:19Do you have time for me, Miss Eldridge?
00:25:21Of course I do, Arthur. In fact, if you like, we can start right now.
00:25:25Oh, that'd be great. I like that a lot.
00:25:27Good.
00:25:35I think we're going to be friends, Arthur.
00:25:41Very good friends.
00:26:23The funeral is over, and I am alone in the house.
00:26:30Therese is out cavorting with one of her men on this night when father is barely cold in his casket.
00:26:38I ran some old family films to remind myself of when it began.
00:26:44Even then, at twelve, she was already using her wiles on him.
00:26:48Poor mother. So weak. So innocent.
00:26:53Never suspecting the depth of evil in Therese.
00:26:57My spoiled sister.
00:27:00Her sweet little face never fooled me for an instant.
00:27:03I knew the darkness behind it.
00:27:06I knew the fermenting ugliness in her soul.
00:27:20Mr. Anmar?
00:27:22Yes?
00:27:23Please come in.
00:27:29I know what you're thinking.
00:27:32You're wondering how sisters can look so unalike.
00:27:36I have never found it necessary to affect the ways of Therese.
00:27:42Please sit down.
00:27:44Is she here?
00:27:46Oh, no.
00:27:49She's gone to a party.
00:27:51A party?
00:27:53This afternoon at the funeral, she seems so distraught.
00:27:57My sister is an unusual girl, Mr. Anmar.
00:28:02I doubt that you truly understand her.
00:28:07Which is why I've called you here.
00:28:11What do you mean?
00:28:17I want you to look at something.
00:28:21Here's Therese and father.
00:28:26She was 15 then.
00:28:28I want you to notice the way she's pressing herself against him.
00:28:35I don't understand.
00:28:40Why are you telling me this?
00:28:42My sister is evil, Mr. Anmar.
00:28:46I think you should know that.
00:28:53Even as a child, she was vicious and cunning.
00:28:59But father worshipped her.
00:29:02And she him.
00:29:05When she was 16, she seduced him.
00:29:08Now, look.
00:29:09I don't know what you're trying to do, but I don't want to hear any more of this.
00:29:15It was not long after that, that mother died.
00:29:19The doctor said it was an accident.
00:29:25That she had taken an overdose of sleeping pills.
00:29:30But it was no accident, Mr. Anmar.
00:29:35It was Therese.
00:29:37She had put those extra pills in her milk.
00:29:42If this is true,
00:29:45how could you live in the same house while they...
00:29:48Well, you see, I had no place else to go.
00:29:52I had no money.
00:29:55And no way to earn any...
00:30:00No escape.
00:30:04So...
00:30:06I kept to myself
00:30:08as much as possible
00:30:12to try to avoid Therese.
00:30:16To ignore
00:30:19what was happening in this house.
00:30:24You don't believe me, do you?
00:30:30Miss Lorimer.
00:30:34I don't know what to say.
00:30:37These books show what she is.
00:30:41Demonology.
00:30:43Pornography.
00:30:44Satanism.
00:30:45Voodoo.
00:30:46Witchcraft.
00:30:47These books aren't just relics, Mr. Anmar.
00:30:50She uses them to capture the souls of others.
00:30:55By her own admission,
00:30:57Satan guides her.
00:30:59You don't really expect me to believe this, do you?
00:31:02But you must believe me,
00:31:04Mr. Anmar.
00:31:05Mr. Anmar.
00:31:06You see...
00:31:08To his soul is damned.
00:31:13And I cannot help her.
00:31:18But I can help you.
00:31:23Miss Lorimer.
00:31:25I'm afraid
00:31:26you're the one
00:31:27that really needs help.
00:31:34How naive you are.
00:31:36Do you really think
00:31:37she cares for you?
00:31:38She lies to you.
00:31:39She laughs at you.
00:31:41Sorry,
00:31:41but I really must be going now.
00:31:45I know all about that night
00:31:47at Morley
00:31:47and what happened there.
00:31:56She told you about that?
00:31:58Yes.
00:32:00She told me everything.
00:32:03Gloated.
00:32:05Bragged about how
00:32:06she was able to corrupt you.
00:32:11My sister enjoys
00:32:13inflicting pain,
00:32:15Mr. Anmar.
00:32:16And apparently
00:32:18she somehow
00:32:19persuaded you
00:32:20to share
00:32:22that perversion.
00:32:27Now do you believe me?
00:32:33That you are saved,
00:32:37Mr. Anmar.
00:32:38I have freed you
00:32:40from evil.
00:32:44This afternoon
00:32:45while I was out shopping,
00:32:46Therese violated my room
00:32:48in an insane act of revenge.
00:32:50And upon my return
00:32:51raged at me
00:32:52using foul
00:32:53and obscene language
00:32:55cursing me
00:32:56for having dared
00:32:56to reveal the truth
00:32:57to Mr. Anmar.
00:32:59Her behavior
00:33:00was truly bestial.
00:33:02She's becoming
00:33:03more violent
00:33:04by the day.
00:33:06It's as if
00:33:07father's death
00:33:08has released
00:33:08the demons within her
00:33:09and I actually
00:33:11fear for my life.
00:33:23Hello?
00:33:24Dr. Ramsey,
00:33:26it's Millie.
00:33:27It's about Therese.
00:33:29She's much worse.
00:33:31Now,
00:33:32I thought we'd settle
00:33:33that matter.
00:33:34You were going to see
00:33:35about Therese.
00:33:36But you can't imagine
00:33:37the things she's been
00:33:37saying about me.
00:33:39About us.
00:33:41Us?
00:33:42She's jealous
00:33:42of our relationship.
00:33:43She twists it
00:33:44into something lewd
00:33:45and something sordid.
00:33:46Look, Millie,
00:33:48I have a hospital
00:33:49call to make
00:33:50in your area tomorrow.
00:33:51I'll drop by
00:33:52and we'll talk
00:33:52about this.
00:33:53Thank you, Doctor.
00:34:17Thank you, Doctor.
00:34:28Hiya, Doc.
00:34:30Come on in.
00:34:31I've been expecting you.
00:34:51You want a drink?
00:34:53No, thanks.
00:34:54No.
00:34:56Of course not.
00:34:59I suppose you're here
00:35:00on your usual mission.
00:35:03I know all about
00:35:05what dear little Millicent
00:35:06told you on the phone.
00:35:09I was listening
00:35:10on the extension
00:35:10in my room, you see.
00:35:12I see.
00:35:24So, I guess it's just
00:35:25a wasted visit, Doctor.
00:35:29Because I know Millicent
00:35:30won't talk about me
00:35:31when I'm in the house.
00:35:33And here
00:35:35I am.
00:35:39Did you destroy her room?
00:35:41Yes, I destroyed her room.
00:35:44Why shouldn't I?
00:35:45She deserved it.
00:35:47I mean, where does that
00:35:48little twit get off
00:35:49thinking she's got the right
00:35:50to stick her nose
00:35:51into my affairs?
00:35:57Don't worry, Doc.
00:35:59I'm sure she's got it
00:36:01all straightened up
00:36:02by now
00:36:03in her proper
00:36:04little housekeeper's
00:36:05manner.
00:36:09Therese,
00:36:10this hatred
00:36:11has got to stop.
00:36:13You'll destroy yourself.
00:36:14Oh, I don't think so, Doc.
00:36:18Besides,
00:36:20it's really all
00:36:21Millicent has.
00:36:23Her hatred of me
00:36:25is the only passion
00:36:26in her lonely,
00:36:28pathetic little existence.
00:36:32You know,
00:36:35you're really
00:36:36a very handsome man,
00:36:40Doctor.
00:36:45If you just
00:36:47loosen up a little.
00:36:50Oh,
00:36:51did that bother you?
00:36:57Do I make you nervous,
00:36:59Doctor?
00:37:01I don't think we need
00:37:02carried this any further.
00:37:08What's the matter, Doc?
00:37:11You're still a virgin?
00:37:15Or, uh,
00:37:18is it that
00:37:18you just don't like girls?
00:37:21I'll call again soon.
00:37:23We don't need you
00:37:24anymore, Ramsey.
00:37:26Ramsey,
00:37:27just get the hell
00:37:27out of our lives.
00:37:28Don't phone us
00:37:29and don't call on us.
00:37:31Well, leave!
00:37:32And I'll never
00:37:33come back here!
00:37:55Go on!
00:37:58Dr. Ramsey's gone,
00:37:59Millicent!
00:38:00He won't be back!
00:38:02What do you mean
00:38:03to that,
00:38:04dear little sister?
00:38:07Answer me,
00:38:08you creep!
00:38:11But I wouldn't
00:38:12answer her,
00:38:13nor would I
00:38:14allow her to enter.
00:38:17I remained
00:38:18locked in my room,
00:38:19silent,
00:38:19while she raged
00:38:21and swore at me.
00:38:24Finally,
00:38:24she staggered back
00:38:25into her own room
00:38:26and fell into
00:38:26a drunken sleep.
00:38:28How I loathe her!
00:38:30I can no longer
00:38:32bear to live
00:38:32in this house
00:38:33and watch evil prevail.
00:38:36Something must be done.
00:38:38yes,
00:38:42Therese must die.
00:39:09Tracy, what's wrong?
00:39:11What's the matter?
00:39:11My doll is broken.
00:39:14Oh, let me look at it.
00:39:19Oh, my.
00:39:20How did this happen, dear?
00:39:22Your sister broke it.
00:39:24Therese?
00:39:25Therese did this?
00:39:26But why?
00:39:27Why did she do it?
00:39:27I was just playing with my dolly when all of a sudden your sister came running out of
00:39:32the house and yelled at me.
00:39:34She said I was making too much noise.
00:39:37Then she grabbed my dolly and threw it on the ground and broke its head.
00:39:41I hate her, Miss Millicent.
00:39:43I hate her.
00:39:44You poor thing.
00:39:46Next time I'm in town, I'm going to buy you a brand new dolly.
00:39:52You will?
00:39:53Did that make you feel better?
00:39:54Thank you, Miss Millicent.
00:39:59When I returned to the house, I was still thinking of Tracy's broken doll.
00:40:04And it was then that the solution suddenly became quite clear.
00:40:09At last, I had found the ideal way.
00:40:13How ironic.
00:40:15I would use Therese's own books to destroy her.
00:40:18I began to collect the necessary items.
00:40:22Pairings from Therese's long, painted nails.
00:40:27Strands from her lovely blonde hair.
00:40:30The rhinestone buttons from her most lewdly, seductive dress.
00:40:36And then, at last, I had all that was required.
00:40:41Therese's life held literally within my hands.
00:40:55Therese's life held literally within my hands.
00:40:58Hello?
00:40:59Hello, Dr. Ramsey.
00:41:00It's Millie.
00:41:00I've been trying to reach you since yesterday.
00:41:03Millie, I'm terribly worried.
00:41:04We must talk.
00:41:05I appreciate your concern, Doctor, but I no longer feel there is any need to talk.
00:41:11You see, things are different now.
00:41:14I've found a way to deal with Therese.
00:41:17I insist that we talk.
00:41:19That is all I have to say to you, Dr. Ramsey.
00:41:22Your advice is no longer required.
00:41:25Goodbye.
00:41:44Bye.
00:41:46Bye.
00:41:49Bye.
00:41:56Bye.
00:41:58Oh, my God.
00:42:30Oh, my God.
00:42:59Millicent? Millie?
00:43:08Millie, you in here?
00:43:17Millicent?
00:43:18Millicent?
00:43:22Millicent?
00:43:31No way.
00:43:34Millicent?
00:43:48ORGAN PLAYS
00:44:24ORGAN PLAYS
00:44:38ORGAN PLAYS
00:44:39ORGAN PLAYS
00:44:41or FEMALE
00:44:42ORGAN PLAYS
00:44:42ORGAN PLAYS
00:44:53ORGAN PLAYS
00:45:02Just a moment
00:45:05Before you take her away
00:45:11I was the family physician
00:45:15I knew her quite well
00:45:18Her name was Therese
00:45:21Millicent Larrimore
00:45:36The most advanced case of dual personality I have ever seen
00:46:24I had no coffee
00:46:24Because YouTube only might have needed
00:46:26I don't know.
00:46:58He who kills.
00:47:01Boy, are you ugly.
00:47:05That face.
00:47:10Even your mother wouldn't love you.
00:47:23It's very sharp.
00:47:33I think she's going to love it.
00:47:45Well, better get it over with.
00:47:54I think she's going to love you.
00:48:03Hi, Mom.
00:48:04Mom, I couldn't call earlier.
00:48:08I just got home.
00:48:12Mother.
00:48:14Mother, it's about tonight.
00:48:15I know we always spend Friday night together, but I thought, no, I feel all right.
00:48:20It's not that.
00:48:23Mother, I'm not sick.
00:48:30Mother, there's a man.
00:48:32His name is Arthur Breslow.
00:48:33He's a teacher at City College.
00:48:35It's his birthday.
00:48:38And, um...
00:48:40Well, I sort of promised him that we'd spend the night, uh, the evening together.
00:48:51Mother, it has nothing to do with preferring.
00:48:56When do I break my word to you?
00:48:59What do you mean, when?
00:49:01You give me a when, and when do I break my promises?
00:49:06Well, of course I love you.
00:49:10Yes, I do.
00:49:11Yes, I do, dear.
00:49:22Mother.
00:49:26Mother, I'm not being cruel.
00:49:30It's just...
00:49:31It's his birthday, that's all.
00:49:36I see you two or three nights a week.
00:49:44Mother, please stop treating me like a child.
00:49:46I'm grown up.
00:49:47I'm not yelling.
00:49:50Because I like it here.
00:49:51It's only a sublease.
00:49:52They'll be back in six months.
00:49:56I like having it for my own.
00:49:59I like being alone.
00:50:02I didn't mean it that way.
00:50:04I'm sorry.
00:50:12About a month.
00:50:17I...
00:50:17I meant to tell you before.
00:50:23He's a very nice man.
00:50:25He's kind and gentle.
00:50:27You'd like him.
00:50:31It didn't happen that way.
00:50:33I...
00:50:34I met him after I rented the apartment.
00:50:46Mother, you should see what I'm getting it for his birthday.
00:50:49It's a genuine Zuni fetish doll.
00:50:52I found it in a curio shop on Third Avenue.
00:50:56Arthur teaches anthropology.
00:50:57That's why I got it for him.
00:51:00It's a Zuni hunting fetish.
00:51:03It's really interesting.
00:51:04There's supposed to be some Zuni hunter's spirit inside of it.
00:51:08And there's a golden chain wrapped around it to keep the spirit from making the doll come to life.
00:51:18It says, should the chain be removed, spirit and doll become one living...
00:51:26Well, that's what it says on the scroll.
00:51:31The scroll.
00:51:32It comes with a doll inside the box.
00:51:35You should see his face, Mom.
00:51:40Mom?
00:51:50Why is it always like this?
00:51:52Why is it always like this?
00:52:01I will not get a headache.
00:52:06I will not get a headache.
00:52:10I am going to take a bath.
00:52:15And then I'm going to meet my fella.
00:52:19And we're going to have a lovely time.
00:52:23A lovely time.
00:52:31Mom?
00:53:23Hello, Arthur.
00:53:25Hi.
00:53:29Well, I, um...
00:53:33You know me too well, don't you?
00:53:36It is our one night on the town.
00:53:38You know, every Friday night.
00:53:39Well, you know, I've told you before.
00:53:45I just don't want to hurt her feelings.
00:53:47My moving out was hard enough on her.
00:53:52She...
00:53:54Well, I know I had every right to move out.
00:53:56That's not the point.
00:54:01Yeah, I realize we'd plan to spend the evening together.
00:54:05But, Arthur, it's only one day.
00:54:13Couldn't we celebrate your birthday tomorrow night?
00:54:18I just don't want to hurt her feelings.
00:54:22She is my mother, after all.
00:54:31All right.
00:54:33Bye.
00:54:42Hooray for Friday night.
00:55:14Hooray for Friday night.
00:55:38Hooray for Friday night.
00:55:53What'd you do, fall off the table?
00:56:08Where'd you go?
00:56:18Oh, Lord, where are you?
00:56:31Well, I guess I found you.
00:56:33At least the tip of your spear.
00:56:37How you got that far back?
00:56:39Come on.
00:56:47We're getting warm.
00:56:51Come out, come out, wherever you are.
00:57:02Is that you, little man?
00:57:14He's gotta be there.
00:57:23What's going on?
00:57:47What's going on?
00:58:02Come on, Amelia.
00:58:13What's going on?
00:58:19What's going on?
00:58:20What's going on?
00:58:22What's going on?
00:58:45I don't get spooky on me, Amelia.
00:58:48Yeah.
00:59:26Wooden dolls do not move about.
00:59:41That ball probably just burned out, that's all.
00:59:44I'd never even get the beat.
00:59:46No!
00:59:52Oh!
00:59:53Oh!
00:59:56Oh!
00:59:58Oh!
01:00:06Oh!
01:00:09Oh!
01:00:10Oh!
01:00:10Oh!
01:00:11Oh!
01:00:12Oh!
01:00:12Oh!
01:00:26Oh, God.
01:00:37Oh, God.
01:00:38Operator, operator, please get the police.
01:00:44I don't know where I'm located.
01:00:46Just get the police.
01:00:49It's an emergency.
01:00:51There's a, there's a, just get me the police, please.
01:01:23No!
01:01:31No!
01:01:35No!
01:01:36No!
01:01:38No!
01:01:39No!
01:01:40No!
01:01:45No!
01:01:48No!
01:01:48No!
01:01:49No!
01:01:51No!
01:01:52No!
01:01:54No!
01:01:54No!
01:01:57No!
01:02:07This can't be happening!
01:02:23No!
01:02:24No!
01:02:26No!
01:02:27No!
01:02:28No!
01:02:28No!
01:02:29No!
01:02:47Oh, my God.
01:03:02Oh, my God.
01:03:29Oh, my God.
01:03:37Oh, my God.
01:03:51Oh, my God.
01:03:52Oh, my God.
01:04:02Oh, my God.
01:04:05Oh, my God.
01:04:16Oh, my God.
01:04:18Oh, my God.
01:04:30Oh, my God.
01:04:34Oh, my God.
01:04:36Oh, my God.
01:04:38Oh, my God.
01:04:40Oh, my God.
01:04:44Oh, my God.
01:04:45Oh, my God.
01:04:46Oh, my God.
01:04:47Oh, my God.
01:05:24Oh, my God.
01:05:39Oh, my God.
01:05:47Oh, my God.
01:05:49Oh, my God.
01:06:00Oh, my God.
01:06:08Oh, my God.
01:06:12Oh, my God.
01:06:19Oh, my God.
01:06:32Oh, my God.
01:07:02Oh, my God.
01:07:46Oh, my God.
01:07:50Oh, my God.
01:08:40Oh, my God.
01:08:42Oh, my God.
01:08:48Oh, my God.
01:09:16Oh, my God.
01:09:42Oh, my God.
01:10:22Oh, my God.
01:10:54Oh, my God.
01:11:13Oh, my God.
01:11:44Oh, my God.
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