- 7 months ago
Three bizarre horror stories, all of which star Karen Black in four different roles playing four tormented women.
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Short filmTranscript
00:00:00Oh, some wool dress.
00:00:15Hi.
00:00:16What are you doing?
00:00:17Math class, huh?
00:00:19Oh, there you go.
00:00:20Oh, your coat's terrific.
00:00:21The whole thing's terrific.
00:00:27God, have you ever seen so many dogs in one place?
00:00:29Uh, the trouble with you, Chad, is you're just spoiled.
00:00:33Yeah, I know.
00:00:38Good morning.
00:00:42Now, that's ugly.
00:00:47I just got the weirdest idea.
00:00:49You know what?
00:00:50I wonder what she looks like under all those clothes.
00:00:55Who? Eldridge?
00:00:59Are you kidding?
00:01:02No.
00:01:03I'm not kidding.
00:01:05It's kind of like the idea just jumped into my head.
00:01:07I'm not kidding.
00:01:08No.
00:01:08I'm not kidding.
00:01:08I'm not kidding.
00:01:10BASIC LITERARY TRIANGLE
00:01:38Can anyone tell me why Fitzgerald's name is on the bottom?
00:01:43Mr. Foster.
00:01:45Because Fitzgerald's liberated work of the 20s, beginning with this side of paradise,
00:01:51formed the base for the extended realism of both Hemingway and Faulkner.
00:01:55Quite correct.
00:01:57I would like to amplify this aspect of the discussion,
00:02:00but I see by the clock that our time is up.
00:02:05Your assignment due for tomorrow's class will be the final chapter of For Whom the Bell Tolls.
00:02:12You are to summarize this chapter with special emphasis on the protagonist's time continuum thought processes
00:02:19relating to his father's death and his own impending death in Spain.
00:02:23Class is dismissed.
00:02:25...
00:02:27...
00:02:31...
00:02:47Thank you, Chad.
00:03:01You're welcome.
00:03:03You sure carry a lot of books.
00:03:05Yes.
00:03:08Miss Eldridge, you go to the movies much?
00:03:10Sometimes, not often.
00:03:12No? I do. A lot.
00:03:15But then I tend to think in pictures.
00:03:18Oh.
00:03:19Yeah, you see, my hobby is photography.
00:03:22Well, that's very interesting.
00:03:23I thought that maybe we could...
00:03:25It's very nice talking with you, Chad, but I do have another class.
00:03:28Yeah.
00:03:29See you.
00:03:32You're really serious about that, aren't you?
00:03:35Well, you've got any funny ideas, you better forget it.
00:03:38Don't go messing around with teachers.
00:03:40Oh, really?
00:03:42Gee, I didn't know that.
00:03:45Going out tonight?
00:03:55No, I have too much to do.
00:03:58You know, for the kind of money they pay, you put it in an awful lot of hours.
00:04:02That's true.
00:04:06Julie, Steve has a friend.
00:04:10He's a very nice guy.
00:04:13But you can't just stay home all the time.
00:04:15You've got to go out sometimes.
00:04:19I'm all right, Ann.
00:04:20Don't worry about me.
00:04:21The problem with you is, you don't give yourself half a chance.
00:04:28If you'd work at it just a little, you'd really be attractive.
00:04:35Ann, have a nice time tonight.
00:04:42Okay.
00:04:42Good night.
00:05:12Oh, my God.
00:05:42Oh, my God.
00:06:12That scene in Sanctuary where Faulkner has his character Popeye raped the girl.
00:06:22I prefer Fitzgerald. He only suggests violence.
00:06:25Faulkner was just telling it like it is. I guess some people enjoy violence, lead perverted lives.
00:06:30And speaking of perversion, there's a wonderful old vampire pic playing down at the village drive-in this Friday.
00:06:39It's all in French with English subtitles. It's a real classic.
00:06:43How about going to see it with me for reasons of cultural expansion?
00:06:46Well, I thank you, Chad, but you know, teachers aren't allowed to date students. Or didn't you know that?
00:06:56So who will find out?
00:06:57My lips are sealed. I won't tell.
00:07:03You have your pick of all these lovely koas, Chad. Why would you want to date me?
00:07:07Because I prefer maturity in a woman. All those others? They're just a bunch of kids.
00:07:14You look like you could use a drink.
00:07:42Yes, I guess I could. It's ridiculous, but these kind of things always upset me.
00:07:49Do you want popcorn, too?
00:07:51Oh, no. I couldn't eat anything. But a drink would be fine, Chad. Thank you.
00:07:54Oh, all right.
00:08:05What'll it be?
00:08:06Two large root beers.
00:08:08Easy on the ice.
00:08:10Two large root beers. Easy on the ice.
00:08:11How much is there?
00:08:12Dollar.
00:08:19There you go.
00:08:41Here's your drink.
00:09:05Tastes bitter.
00:09:20Yeah, mine too. I guess they're not putting enough syrup in them.
00:09:25What's the matter? Don't you like the movie, Chad?
00:09:37I don't like the movie. It's just that I like you better.
00:09:42It's just that I like you better.
00:09:57What's wrong?
00:09:59I don't know.
00:10:00I don't know.
00:10:04Do y'all wanna get out and get some air?
00:10:30Can I do something for you?
00:10:51Yeah, I need a room for the night, me and my wife.
00:10:54The name's Harker, Mr. and Mrs. Jonathan Harker.
00:10:57You got any baggage?
00:10:58Yeah, I got baggage.
00:11:01You need $15 in advance.
00:11:05All right.
00:11:10Okay, fill out the card.
00:11:15Yeah.
00:11:28You're welcome.
00:11:33Yes.
00:11:37Yeah, it's fun.
00:11:40Yeah.
00:11:43Yeah.
00:11:44What time is it?
00:12:08It's late.
00:12:10We're home.
00:12:14Boy, you must have really been tired.
00:12:19How could I?
00:12:21Did I really fall asleep?
00:12:24Mm-hmm.
00:12:27I'm sorry.
00:12:29I mean, this has never happened to me before.
00:12:33I'm just sorry that I took you to such a boring picture.
00:12:39Well, I...
00:12:40I warned you, at least.
00:12:43But I told you I wouldn't be a very exciting date.
00:12:46Forget it.
00:12:47I decided to let you sleep.
00:12:50I figured with all the work you do, you needed the rest.
00:12:55Still, I'm afraid I've spoiled your evening.
00:12:58No.
00:12:59I had a fine time.
00:13:00Well, I'm really sorry.
00:13:10Hey, I thought we agreed to forget about that.
00:13:14Yes, we did.
00:13:16I had a very good time.
00:13:20Can I call you tomorrow?
00:13:23I don't think so, Chad.
00:13:24Why not?
00:13:26Because it was foolish of us to go out tonight.
00:13:29I could lose my job and you could be expelled.
00:13:31No board of trustees tells me who to see or who not to see.
00:13:35I do what I want.
00:13:37Now, Chad...
00:13:39No, I really must be firm about this.
00:13:42We can't go out again.
00:13:43We'll see.
00:13:51Good night, Julie.
00:13:52Good night, Julie.
00:14:13It's me, Chad.
00:14:35Chad, it's not even 8 o'clock.
00:14:38I want to see you.
00:14:39I told you last night that I don't think we should...
00:14:45Listen, you get dressed because I'm coming over there right now.
00:14:49You and I are taking a little drive together.
00:14:51Absolutely not.
00:14:54Now, what's the matter with you?
00:14:58I don't find this at all amusing.
00:15:00It's not meant to be.
00:15:01Are you ready to tell me why you're behaving this way?
00:15:26Okay.
00:15:31Well, didn't I tell you?
00:15:47My hobby's photography.
00:15:49You drugged me last night, didn't you?
00:16:04How could you do something?
00:16:05This is sick.
00:16:07Well, I think they came out rather well, don't you?
00:16:09Oh, and you can keep these, because you see, I have the negatives.
00:16:24I'll call a police check.
00:16:25Oh, you won't.
00:16:26First of all, you have no proof that I drugged you.
00:16:29I'll deny it and offer these photos as proof.
00:16:32Tell them you seduced me.
00:16:37But you've got a thing for students.
00:16:44Now, I'm sure you don't want the police or anyone else to see these.
00:16:57All right, Chad.
00:16:58What do you want from me?
00:17:11The realism of Faulkner, Steinbeck, Hemingway, and even Hammett opened the doors to a new
00:17:22kind of literary expression, indigenous to the new American frontier experience.
00:17:28Here was a raw, muscled prose, which completely transformed the period and formed a direct
00:17:42bridge, linking us all the way from the aesthetic realism.
00:17:58Of a dreiser, to the rather disheveled.
00:18:07Class is dismissed.
00:18:11Class is dismissed.
00:18:28What are you doing up?
00:18:42Do you know what time it is?
00:18:43What are you doing up?
00:18:47Do you know what time it is?
00:18:50Julie.
00:18:53Will you please tell me what's going on?
00:18:57Nothing.
00:18:58I didn't stay up all night to get that kind of an answer.
00:19:02I'm worried about you.
00:19:05It's been like this for a month now.
00:19:08I know, but...
00:19:09Julie, this isn't like you.
00:19:12Please tell me what's happening.
00:19:14I really can't talk about it, Ann.
00:19:23Go to bed.
00:19:41Hey, I want that on.
00:20:06I want it off.
00:20:09Since when does what you want count?
00:20:12Since now.
00:20:13Tonight.
00:20:14This second.
00:20:17It's all over, Chad.
00:20:19It's over.
00:20:20Nothing is over until I say it is.
00:20:24I don't think so.
00:20:26You see, I'm bored.
00:20:28And when I'm bored,
00:20:30the game is over.
00:20:34Bored?
00:20:36Mm-hmm.
00:20:39Not terrified.
00:20:40Not shocked.
00:20:41Just plain bored.
00:20:45Whose idea did you think this whole thing was?
00:20:49What are you talking about?
00:20:50What I am talking about, Chad,
00:20:52is that you are a singularly,
00:20:54unimaginative young man.
00:20:57Did you really think
00:21:01that that dull little mind of yours
00:21:03could possibly have conceived
00:21:06any of the rather dramatic experiences
00:21:08we've shared?
00:21:13Do you remember the day
00:21:15you watched me walk off the steps?
00:21:16Since that moment,
00:21:19your mind
00:21:20has not been your own.
00:21:24Why do you think
00:21:25you suddenly had
00:21:26the overwhelming desire
00:21:27to see what I looked like
00:21:29under all those clothes?
00:21:38Don't feel bad.
00:21:40I always get bored after a while.
00:21:42although there was one boy
00:21:48in Denver
00:21:48who did keep me amused
00:21:51for almost nine weeks.
00:21:54But then he was wonderfully creative.
00:21:56First, you'll experience dizziness,
00:22:14then mild paralysis,
00:22:16and then total cardiac arrest.
00:22:20Cut me.
00:22:21You've drugged me.
00:22:23No, dear.
00:22:24I've killed you.
00:22:28No!
00:22:28No!
00:22:54I told you about
00:22:55those chemicals, Chad.
00:22:57How dangerous
00:22:58they could be.
00:23:19He was one of your best students,
00:23:21wasn't he?
00:23:21Yes, he was
00:23:30wonderfully bright
00:23:33and spirited boy.
00:23:41You know,
00:23:42I warned him about
00:23:43those chemicals,
00:23:46how dangerous
00:23:47they could be.
00:23:48are you sure
00:23:51you're okay?
00:23:53Surely I can skip work
00:23:55and stay here with you.
00:23:58No, you go on.
00:24:01I'll be fine.
00:24:04Are you sure?
00:24:08Yes, Ed.
00:24:09You're welcome.
00:24:31Aw, you look good.
00:24:36Bye-bye.
00:24:37Oh, my God.
00:25:07Miss Eldridge?
00:25:10Yes.
00:25:11I'm Arthur Moore. I saw your notice on the board.
00:25:15And you need help.
00:25:17Yeah. I, uh, my lick grades are lousy.
00:25:21Do you have time for me, Miss Eldridge?
00:25:23Of course I do, Arthur. In fact, if you like, we can start right now.
00:25:26Oh, that'd be great. I like that a lot.
00:25:29Good.
00:25:37I think we're going to be friends, Arthur.
00:25:42Very good friends.
00:26:07The funeral is over.
00:26:28And I am alone in the house.
00:26:32Therese is out cavorting with one of her men.
00:26:34On this night when father is barely cold in his casket.
00:26:41I ran some old family films to remind myself of when it began.
00:26:46Even then, at twelve, she was already using her wiles on him.
00:26:51Poor mother.
00:26:52So weak. So innocent.
00:26:56Never suspecting the depth of evil in Therese.
00:27:00My spoiled sister.
00:27:02Her sweet little face never fooled me for an instant.
00:27:06I knew the darkness behind it.
00:27:09I knew the fermenting ugliness in her soul.
00:27:23Mr. Anmar.
00:27:24Yes?
00:27:25Please come in.
00:27:26Come in.
00:27:26Come in.
00:27:26Come in.
00:27:26Come in.
00:27:28Come in.
00:27:30I know what you're thinking.
00:27:34You're wondering how sisters can look so unalike.
00:27:38I have never found it necessary to affect the ways of Therese.
00:27:44Please sit down.
00:27:47Is she here?
00:27:49Oh, no.
00:27:49She's gone to a party.
00:27:53A party?
00:27:55This afternoon at the funeral, she seems so distraught.
00:28:00My sister is an unusual girl, Mr. Anmar.
00:28:05I doubt that you truly understand her.
00:28:09Which is why I've called you here.
00:28:11What do you mean?
00:28:20I want you to look at something.
00:28:24Here's Therese and father.
00:28:29She was 15 then.
00:28:31I want you to notice the way she's pressing herself against him.
00:28:34I don't understand.
00:28:39Why are you telling me this?
00:28:44My sister is evil, Mr. Anmar.
00:28:49I think you should know that.
00:28:51Even as a child, she was vicious and cunning.
00:29:02But father worshipped her and she him.
00:29:07When she was 16, she seduced him.
00:29:11Now, look.
00:29:12I don't know what you're trying to do, but I don't want to hear any more of this.
00:29:15It was not long after that, that mother died.
00:29:22The doctor said it was an accident.
00:29:27That she had taken an overdose of sleeping pills.
00:29:33But it was no accident, Mr. Anmar.
00:29:37It was Therese.
00:29:39She had put those extra pills in her milk.
00:29:42Look, if this is true,
00:29:47how could you live in the same house while they...
00:29:50Well, you see, I had no place else to go.
00:29:55I had no money
00:29:56and no way to earn any...
00:30:02no escape.
00:30:08So...
00:30:08I kept to myself.
00:30:12as much as possible.
00:30:15Try to avoid Therese.
00:30:19To ignore...
00:30:22what was happening in this house.
00:30:28You don't believe me, do you?
00:30:33Miss Lorimon.
00:30:34I don't know what to say.
00:30:40These books show what she is.
00:30:44Demonology.
00:30:46Pornography.
00:30:47Satanism.
00:30:48Voodoo.
00:30:49Witchcraft.
00:30:50These books aren't just relics, Mr. Anmar.
00:30:52She uses them to capture the souls of others.
00:30:55By her own admission,
00:30:59Satan guides her.
00:31:02You don't really expect me to believe this, do you?
00:31:04But you must believe me,
00:31:07Mr. Anmar.
00:31:09You see...
00:31:11Therese's soul is damned.
00:31:13And I cannot help her.
00:31:21But I can help you.
00:31:25Miss Lorimon.
00:31:27I'm afraid you're the one that really needs help.
00:31:31I can help you.
00:31:36How naive you are.
00:31:38Do you really think she cares for you?
00:31:40She lies to you.
00:31:42She laughs at you.
00:31:43Sorry, but I really must be going now.
00:31:47I know all about that night at Morley
00:31:49and what happened there.
00:31:58She...
00:31:59told you about that?
00:32:00Yes.
00:32:03She told me everything.
00:32:06Gloated.
00:32:08Ragged about how she was able to corrupt you.
00:32:13My sister enjoys inflicting pain, Mr. Anmar.
00:32:19And apparently she somehow persuaded you
00:32:23to share that perversion.
00:32:30Now, do you believe me?
00:32:36Now, you are saved, Mr. Anmar.
00:32:40Now, I have freed you from evil.
00:32:43This afternoon, while I was out shopping,
00:32:49Therese violated my room in an insane act of revenge.
00:32:53And upon my return, raged at me,
00:32:55using foul and obscene language,
00:32:57cursing me for having dared to reveal the truth to Mr. Anmar.
00:33:00Her behavior was truly bestial.
00:33:04She's becoming more violent by the day.
00:33:07It's as if Father's death has released the demons within her.
00:33:12And I actually feared for my life.
00:33:15And I actually feared for my life.
00:33:15Hello?
00:33:27Dr. Ramsey, it's Millie.
00:33:30It's about Therese.
00:33:31She's much worse.
00:33:32Now, I thought we'd settle that matter.
00:33:36You were going to see about Therese.
00:33:38But you can't imagine the things she's been saying about me.
00:33:42About us.
00:33:43Us?
00:33:44She's jealous of our relationship.
00:33:45She twists it into something lewd and something sordid.
00:33:49Look, Millie,
00:33:50I have a hospital call to make in your area tomorrow.
00:33:53I'll drop by and we'll talk about this.
00:33:56Thank you, Doctor.
00:33:56Thank you, Doctor.
00:34:26Hiya, Doc.
00:34:32Come on in.
00:34:34I've been expecting you.
00:34:53You want a drink?
00:34:54No, thanks.
00:34:57No.
00:34:59Of course not.
00:35:02I suppose you're here on your usual mission.
00:35:06I know all about what dear little Millicent told you on the phone.
00:35:11I was listening on the extension in my room, you see.
00:35:15I see.
00:35:15So, I guess it's just a wasted visit, Doctor.
00:35:29Because I know Millicent won't talk about me when I'm in the house.
00:35:35And here, I am.
00:35:41Did you destroy her room?
00:35:42Yes, I destroyed her room.
00:35:45Why shouldn't I?
00:35:48She deserved it.
00:35:49I mean, where does that little twit get off thinking she's got the right to stick her nose into my affairs?
00:35:54Don't worry, Doc.
00:35:57I'm sure she's got it all straightened up by now in her proper little housekeeper's manner.
00:36:08Therese, this hatred has got to stop.
00:36:15You'll destroy yourself.
00:36:17Oh, I don't think so, Doc.
00:36:20Besides, it's really all Millicent has.
00:36:24Her hatred of me is the only passion in her lonely, pathetic little existence.
00:36:35You know, you're really a very handsome man, Doctor.
00:36:47If you just loosen up a little.
00:36:51Oh, did that bother you?
00:36:59Do I make you nervous, Doctor?
00:37:03I don't think we need to carry this any further.
00:37:11What's the matter, Doc?
00:37:13You're still a virgin?
00:37:15Or, uh, is it that you just don't like girls?
00:37:24I'll call again soon.
00:37:26We don't need you anymore, Ramsey.
00:37:28Ramsey, just get the hell out of our lives.
00:37:31Don't phone us and don't call on us.
00:37:33Well, leave!
00:37:35And I'll never come back here!
00:37:36Hey!
00:37:58Gone!
00:37:58Dr. Ramsey's gone, Nelson. He won't be back.
00:38:05What do you mean of that, dear little sister?
00:38:10Answer me, you creep!
00:38:14But I wouldn't answer her, nor would I allow her to enter.
00:38:19I remained locked in my room, silent, while she raged and swore at me.
00:38:24Finally, she staggered back into her own room and fell into a drunken sleep.
00:38:31How I loathe her.
00:38:33I can no longer bear to live in this house and watch evil prevail.
00:38:38Something must be done.
00:38:41Yes, Therese must die.
00:38:54Tracy, what's wrong? What's the matter?
00:39:15My doll is broken.
00:39:17Oh, let me look at it.
00:39:19Oh, my.
00:39:24How did this happen, dear?
00:39:25Your sister broke it.
00:39:27Therese? Therese did this? But why? Why did she do it?
00:39:31I was just playing with my dolly when all of a sudden your sister came running out of the house and yelled at me.
00:39:38She said I was making too much noise.
00:39:40Then she grabbed my dolly and threw it on the ground and broke its head.
00:39:44I hate her, Miss Milton. I hate her.
00:39:47You poor thing. Next time, I'm in town. I'm going to buy you a brand new dolly.
00:39:55You will?
00:39:56That make you feel better?
00:39:57Thank you, Miss Millicent.
00:40:02When I returned to the house, I was still thinking of Tracy's broken doll.
00:40:07And it was then that the solution suddenly became quite clear.
00:40:11At last, I had found the ideal way.
00:40:16How ironic. I would use Therese's own books to destroy her.
00:40:22I began to collect the necessary items.
00:40:26Pairings from Therese's long, painted nails.
00:40:30Strands from her lovely blonde hair.
00:40:32The rhinestone buttons from her most lewdly, seductive dress.
00:40:39And then, at last,
00:40:41I had all that was required.
00:40:45Therese's life held literally within my hands.
00:40:48Hello?
00:41:02Hello, Dr. Ramsey. It's Millie.
00:41:04I've been trying to reach you since yesterday.
00:41:06Millie, I'm terribly worried. We must talk.
00:41:08I appreciate your concern, Doctor,
00:41:10but I no longer feel there is any need to talk.
00:41:13You see, things are different now.
00:41:17I've found a way to deal with Therese.
00:41:20I insist that we talk.
00:41:22That is all I have to say to you, Dr. Ramsey.
00:41:25Your advice is no longer required.
00:41:28Goodbye.
00:41:29Goodbye.
00:41:43Goodbye.
00:41:44Goodbye.
00:41:45Goodbye.
00:41:46Goodbye.
00:41:47Goodbye.
00:41:48Goodbye.
00:41:49Goodbye.
00:41:50Goodbye.
00:41:51Goodbye.
00:41:52Goodbye.
00:41:53Goodbye.
00:41:54Goodbye.
00:41:55Goodbye.
00:41:56Goodbye.
00:41:57Goodbye.
00:41:58Goodbye.
00:41:59Goodbye.
00:42:00Goodbye.
00:42:01Goodbye.
00:42:02Goodbye.
00:42:03Goodbye.
00:42:04Goodbye.
00:42:05Goodbye.
00:42:06Goodbye.
00:42:07Goodbye.
00:42:08Goodbye.
00:42:09Goodbye.
00:42:10Goodbye.
00:42:11Goodbye.
00:42:12Goodbye.
00:42:13PHONE RINGS
00:42:17PHONE RINGS
00:42:21PHONE RINGS
00:42:25PHONE RINGS
00:42:43PHONE RINGS
00:43:01Millicent? Millie?
00:43:11Millie, you in here?
00:43:13Millie, you in here?
00:43:20Millie, you in here?
00:43:22Millie, you in here.
00:43:43PIANO PLAYS
00:44:13PIANO PLAYS
00:44:23This is Dr. Chester Ramsey, 470 Statton Place.
00:44:30I want to report a death.
00:44:33Female, age 26, cause of death.
00:44:43The cause of death unknown.
00:45:04Just a moment.
00:45:06Before you take her away.
00:45:15I was the family physician.
00:45:18I knew her quite well.
00:45:22Her name was Therese Lillicent Larrimore.
00:45:25The most advanced case of dual personality I have ever seen.
00:45:43The Richard Ramsey.
00:45:51The Richard Ramsey.
00:46:59He who kills.
00:47:03Boy, are you ugly.
00:47:07That face, even your mother wouldn't love you.
00:47:18It's very sharp.
00:47:32Abby's gonna love it.
00:47:46Well, better get it over with.
00:47:57Hi, Mom.
00:48:10I couldn't call earlier. I just got home.
00:48:15Mother! Mother, it's about tonight.
00:48:18I know we always spend Friday night together, but I thought, no, I feel all right.
00:48:23It's not that.
00:48:26Mother, I'm not sick!
00:48:32Mother! There's a man. His name is Arthur Breslow. He's a teacher at City College.
00:48:38It's his birthday. And, um, well, I sort of promised him that we spend the night, uh, the evening together.
00:48:53Mother, it has nothing to do with preferring.
00:48:59When do I break my word to you?
00:49:02What do you mean, when? You give me a when and when do I break my promises?
00:49:08Well, of course I love you.
00:49:12Yes, I do. Yes, I do, dear.
00:49:16Mother. Mother, I'm not being cruel.
00:49:33It's just, it's his birthday, that's all.
00:49:39I see you two or three nights a week.
00:49:46Mother, please stop treating me like a child. I'm grown up. I'm not yelling.
00:49:53Because I like it here. It's only a sublease. They'll be, they'll be back in six months.
00:49:59I like having it for my own. I like, I like being alone.
00:50:05I didn't mean it that way. I'm sorry.
00:50:16About a month.
00:50:20I, I meant to tell you before.
00:50:24Um, he's a very nice man. He's kind and gentle. We like him.
00:50:31It didn't happen that way. I, I met him after I rented the apartment.
00:50:50Mother, you should see what I'm getting for his birthday.
00:50:52It's a, a genuine Zuni fetish doll. I found it in a curio shop on Third Avenue.
00:50:58Arthur teaches anthropology. That's why I got it for him.
00:51:03It's a Zuni hunting fetish.
00:51:06It, it's really interesting. There's supposed to be some Zuni hunter's spirit inside of it.
00:51:12And, um, there's a golden chain wrapped around it to keep the spirit from making the doll come to life.
00:51:17Come to life.
00:51:19Come to life.
00:51:21It says, should the chain be removed, spirit and doll become one living.
00:51:29Well, that's what it says.
00:51:32On the scroll.
00:51:34The scroll.
00:51:36It, it, it comes with a doll inside the box.
00:51:38You should see his face, Mom.
00:51:44Mom?
00:51:53Why is it always like this?
00:51:55I will not get a headache.
00:52:10I will not get a headache.
00:52:12I am going to take a bath.
00:52:15And that I'm going to meet my fella.
00:52:22And we're going to have a lovely time.
00:52:27A lovely time.
00:52:36Mom?
00:52:45Mom?
00:52:46Mom?
00:52:48I am.
00:52:51I am.
00:52:53Mom?
00:52:55Mom?
00:52:59Mom?
00:53:08Mom?
00:53:09Hello, Arthur. Hi.
00:53:32Well, I, uh...
00:53:36You know me too well, don't you?
00:53:40It is our one night on the town.
00:53:42You know, every Friday night, well...
00:53:45You know, I've told you before.
00:53:48I just don't want to hurt her feelings.
00:53:51My moving out was hard enough on her.
00:53:54She...
00:53:55Well, I know I had every right to move out.
00:54:00That's not the point.
00:54:05Yeah, I realize we'd planned to spend the evening together,
00:54:08but...
00:54:10Arthur.
00:54:15It's only one day.
00:54:17Couldn't we celebrate your birthday tomorrow night?
00:54:22I just don't want to hurt her feelings.
00:54:26She is my mother, after all.
00:54:28All right.
00:54:37Bye.
00:54:38Hooray for Friday night.
00:54:47Hooray for Friday night.
00:54:47Hooray for Friday night.
00:54:50Hooray for Friday night.
00:54:58What?
00:54:59Bye.
00:54:59All right.
00:55:29What did you do, fall off the table?
00:55:59Where'd you go?
00:56:12Oh, Lord, where are you?
00:56:24Oh, well, I guess I found you.
00:56:38At least the tip of your spear.
00:56:39How do you got that far back?
00:56:43Come out, come out, wherever you are.
00:56:58Is that you, little man?
00:57:07He's got to be there.
00:57:19What's going on?
00:57:29Okay.
00:57:30Okay.
00:57:32Okay.
00:57:34Okay.
00:57:35Okay.
00:57:36Okay.
00:57:37Okay.
00:57:39Come on, Amelia.
00:57:46Come on, Amelia.
00:58:07Come on, Amelia.
00:58:08Come on, Amelia.
00:58:09Come on, Amelia.
00:58:13Come.
00:58:14Come on.
00:58:15Come on, Amelia.
00:58:18Come on.
00:58:19Come on.
00:58:20Come on, Amelia.
00:58:22Come on, Amelia.
00:58:23I don't get spooky on me, Amelia.
00:58:53I don't get spooky on me.
00:59:23I don't get spooky on me.
00:59:30Wooden dolls do not move about.
00:59:42That ball probably just burned out, that's all.
00:59:49I don't get spooky on me.
00:59:56I don't get spooky on me.
01:00:03I don't get spooky on me.
01:00:05I don't get spooky on me.
01:00:12I don't get spooky on me.
01:00:19I don't get spooky on me.
01:00:26I don't get spooky on me.
01:00:33I don't get spooky on me.
01:00:35I don't get spooky on me.
01:00:42I don't get spooky on me.
01:00:44I don't get spooky on me.
01:00:45I don't get spooky on me.
01:00:46I'm the police.
01:00:47I don't get spooky on me.
01:00:48I don't get spooky on me.
01:00:50I don't know where I'm located.
01:00:51I don't know where I'm located.
01:00:52Just get the police!
01:00:53I can't do not.
01:00:54There's an emergency! There's a... There's a... Just give me the police, please!
01:01:24No!
01:01:28No!
01:01:54This can't be happening.
01:01:58This can't be happening.
01:02:24Ah!
01:02:27Ah!
01:02:28Ah!
01:02:30What the hell is going on?
01:02:33Ah!
01:02:33Ah!
01:02:36Ah!
01:02:39Ah!
01:02:40Ah!
01:02:42Ah!
01:02:43Ah!
01:02:44Ah!
01:02:45Ah!
01:02:46Ah!
01:02:47Ah!
01:02:48Ah!
01:02:49Ah!
01:02:50Ah!
01:02:52Ah!
01:02:53No!
01:03:23No!
01:03:53No!
01:04:23No!
01:04:53No!
01:05:23No!
01:05:53No!
01:05:55Help!
01:05:57Help!
01:05:59Help!
01:06:01Help!
01:06:03Help!
01:06:05Please!
01:06:11Help!
01:06:13Help!
01:06:15Help!
01:06:17Help!
01:06:19Help!
01:06:25Help!
01:06:27Help!
01:06:37Help!
01:06:39Oh, my God.
01:07:09Oh, my God.
01:07:39Oh, my God.
01:08:09Oh, my God.
01:08:39Why don't you come by my place, and we'll go from here.
01:08:48No, I'm all right.
01:08:50Good.
01:08:56I'll be waiting for you.
01:08:57I'll be waiting for you.
01:09:05I'll be waiting for you.
01:09:14I'll be waiting for you.
01:09:23I'll be waiting for you.
01:09:33I'll be waiting for you.
01:09:42I'll be waiting for you.
01:09:44I'll be waiting for you.
01:09:54I'll be waiting for you.
01:10:03I'll be waiting for you.
01:10:12I'll be waiting for you.
01:10:22I'll be waiting for you.
01:10:31I'll be waiting for you.
01:10:40I'll be waiting for you.
01:10:50I'll be waiting for you.
01:10:59I'll be waiting for you.
01:11:08I'll be waiting for you.
01:11:10I'll be waiting for you.
01:11:20I'll be waiting for you.
01:11:22I'll be waiting for you.
01:11:31I'll be waiting for you.
01:12:01I'll be waiting for you.
01:12:10I'll be waiting for you.
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