- 4 months ago
Colleen Marie Applegate (nicknamed "Shauna Grant"), an 18-year-old Kansas cheerleader who moves to Los Angeles, becomes a successful but deeply troubled film actress, and commits suicide at age 20 due to drug addiction, exploitation, and guilt
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Short filmTranscript
00:00:28Transcription by CastingWords
00:00:42CastingWords
00:01:00CastingWords
00:01:03CastingWords
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00:01:08Pauline?
00:01:09You okay?
00:01:12Pauline?
00:01:13Pauline, you okay?
00:01:25Oh, my God.
00:01:50Pauline?
00:01:51Parker. Don't turn around. Where is he? Over your left shoulder. I can't believe you did
00:02:04that. He's huge. He's trouble. Need a lift? Ignore them. You're driving on the wrong side
00:02:19of the street. That's your fault. You should be walking on the right side. We've got to
00:02:26get a ticket. Not if you get in the car. Come on. We don't take lifts from strangers.
00:02:35Strangers? I'm Corey. He's Todd. You're Mary Lou. She's Pauline. Do you want me to tell
00:02:39you where you live and what your father does for a living? Let's go. No. It's only a ride
00:02:45home. I'd sooner walk. So. Where to? I thought you knew where I live. You want to go straight
00:03:04home? You got it. I'll call you later. Bye, Mary Lou.
00:03:33Thanks. Hardly worth getting in and out of the car, but was it? I think it was. Hey,
00:03:38Pauline. I'd like to see you again. I suppose you know my phone number. Bye. Sure, yeah.
00:03:56Bye.
00:04:21Nick. Nick. Uh, just a sec. I'm decent. Hi. The movie's about to start. You gonna come
00:04:35watch it with us? No, thanks. No. I made some, uh, popcorn. It's fattening. You could join
00:04:45us for the company. I got things to do. I wrote a new poem. You want to hear it? Sure.
00:04:59She dreams of mountains, majestic and high, but she awakens to flatness beneath the sky.
00:05:06She reaches for something she can't explain, but they make her come in when she stands in
00:05:11the rain. She has hopes and wishes. She asks, she tries, but when she's alone, she cries,
00:05:18she cries. She dreams of mountains she does not know. She needs to see them. She has to go.
00:05:29It's so sad. It's just a poem, Mom. My mom's whole family lives in California. It's such a neat
00:05:40place. I think the worst thing that happened to me my whole life is moving from there, especially
00:05:45to Bannon. You know, the Russians have a place like this. They call it Siberia. As soon as I
00:05:53hit 18, I'm gone from here. Gone from me? You can come with me. And give it my career.
00:06:00Hey, look, my first paycheck in the real world.
00:06:06But you can make more than this in California. Plus you got the sun and the ocean and the desert
00:06:12and the mountains. Weirdos, mass murderers, earthquakes. This is not boring.
00:06:21Too much for the fox to be boring. Look at you blush. Didn't anybody ever tell you you're
00:06:29a beautiful girl before? Oh, sure. My mom and my dad and my aunts and my uncles and my grandparents.
00:06:38Who believes that? Me.
00:07:03I don't like this boy. She doesn't think he's good enough for me. Well, why should I?
00:07:08You keep breaking your curfew because of him. 11 o'clock is a ridiculous curfew. I am 17
00:07:15years old. Pauline, Pauline, your schoolwork has been slipping. I haven't seen any of your
00:07:20old friends in so long. They're boring. When is the last time you went to a game or a school
00:07:26dance? These people you're hanging out with, they're going to make nothing of their lives.
00:07:31Maybe they won't, but I will. How? By marrying some person who makes $200 pounding steel plates?
00:07:40I am not interested in marrying Corey or anybody else.
00:07:48What's she doing?
00:07:50Growing up.
00:07:54He's growing away.
00:07:59No fair!
00:08:01Forget Pauline and Trish. They're going too late now. We better get going.
00:08:08Sharon.
00:08:13What?
00:08:20Mom, I wrote this poem for you, and I'd like you to keep it.
00:08:31What is beautiful?
00:08:35Winter.
00:08:36Winter.
00:08:37Walking home on a cold winter's night, the snow sparkling like a small fire's light.
00:08:44That is beautiful.
00:08:46Spring.
00:08:48The ice melting on a clear bubbling brook.
00:08:51That is beautiful.
00:08:54Summer.
00:08:55A cool, gentle breeze on a shady summer day.
00:09:00That is beautiful.
00:09:02Fall.
00:09:03Leaves of golden red and orange floating down like a million tiny fairies dancing in the sky.
00:09:11That is beautiful.
00:09:13But there is yet one more thing, more beautiful than all, and that...
00:09:20And that, my child, is a mother.
00:09:24I love you.
00:09:27I love you.
00:09:30How can I stay mad at her?
00:09:34I love you.
00:09:36Come on.
00:09:37I love you.
00:09:37Yeah, you're right.
00:09:38Oh, man.
00:09:41That, that, that, that, don't go hard.
00:09:43Stay, okay.
00:09:46Okay.
00:09:47Get ready.
00:09:48What'd you think?
00:09:49Do you think?
00:09:50Go, get.
00:09:53Callie!
00:09:53Yay!
00:09:56Congratulations.
00:09:57Thanks.
00:09:58You too.
00:10:00Did you hear Barney got accepted at Kansas State?
00:10:03Oh, that's terrific.
00:10:04And you?
00:10:05Arizona State at Tempe.
00:10:07Are you going to California?
00:10:09As fast as I can get there.
00:10:11You'll be working the graveyard shift.
00:10:13Come on.
00:10:14It's 11.30 at night till 7.30 in the morning.
00:10:17It's not too taxing that time of day.
00:10:20Not many people bother reporting their telephone malfunctions until the morning.
00:10:25But you will get an occasional pole being struck by lightning or knocked over in a car accident.
00:10:34This is Susan.
00:10:35She has the afternoon shift.
00:10:37And she will love you as long as you show up on time.
00:10:40You got it.
00:10:43Oh, I'm on hold again.
00:10:46I wanted to ask you if you would choke Pauline.
00:10:50I'll leave her to you.
00:10:52Oh, of course I'd be glad.
00:10:59Hi.
00:11:01Hi.
00:11:02I hear you're working for the phone company.
00:11:05Yeah.
00:11:06My dad got me the job.
00:11:07It's a graveyard shift.
00:11:08It sure cramps my social life.
00:11:10I thought you'd be long gone to California by now.
00:11:13As soon as I get the box.
00:11:15Yeah.
00:11:16Actually, I've been thinking about heading out there myself.
00:11:18Looks like the plant might go on strike and it could be a long one.
00:11:21It could be nice to spend in the winter lying on the beach.
00:11:27So you need a ride home?
00:11:29No, thanks.
00:11:30Um, I've got a lot of stuff to do.
00:11:40What are you doing?
00:11:46It'll wash off.
00:11:47Why aren't you at work?
00:11:49It's not even 11.
00:11:51It's 11.30.
00:11:53Oh, damn, this watch.
00:11:55Just don't swear and don't blame it on that watch.
00:11:58There is a clock sitting right on the table.
00:12:01I forgot to look.
00:12:03No, you didn't forget.
00:12:04You didn't want to look.
00:12:05This is the sixth time you have forgotten about work.
00:12:09And who's counting?
00:12:11Look, if you don't have any consideration for your father's situation,
00:12:16then why don't you think about poor Susan stuck up there waiting while you're playing around like a two-year
00:12:21-old?
00:12:22I'm going, okay?
00:12:24I mean, you're 18 years old.
00:12:29I mean, why do I have to be around to remind you of your responsibilities?
00:12:33Mom, did it ever dawn on you that maybe I hate this job?
00:12:38That maybe it bores the hell out of me?
00:12:40I said to stop swearing.
00:12:42Look, if it bores you this much, go out and find something else.
00:12:46But in the meantime, I expect you to pay attention to your responsibilities and to stay on the ball.
00:12:57Maybe you think because your father's a supervisor, you can do what you want.
00:13:01Well, I have been at this job for 14 years, and we're going to see who they're going to listen
00:13:04to.
00:13:06I'm talking to Mary about this.
00:13:11Oh, yeah.
00:13:18Come on.
00:13:44Hello?
00:13:45Corey, it's Pauline.
00:13:47Oh, Pauline, what time is it?
00:13:50Listen, did you mean what you said the other day about going to California?
00:13:54It's after midnight.
00:13:56Answer the question. Did you mean it?
00:14:00I guess so, yeah.
00:14:02I'm going. I need wheels.
00:14:05Mom, stop it. Say something to her.
00:14:08There's nothing to say. I'm 18 and I'm going.
00:14:13Where will you stay?
00:14:15I don't know.
00:14:17With, um, Corey.
00:14:21Gee, Mom, you actually spoke his name. That's a first.
00:14:28I'll call Aunt Vicki and stay with her.
00:14:31If you're bound and determined to go, I want you staying with family.
00:14:39What are you going to do out there? You got no qualifications.
00:14:42I'll find something.
00:14:45If you don't, you come right back here.
00:14:49I'll find something.
00:15:00She's going to let me in.
00:15:10Make me see where I've been.
00:15:14Make me see where I've been.
00:15:16Make me see where I've been.
00:15:31Never go back again.
00:15:43You don't want to hold me to this.
00:15:54Come down and see me again.
00:15:57Come down and see me again.
00:15:58Come down and see me again.
00:16:14Never go back again.
00:16:28Never go back again.
00:16:31Never go back again.
00:16:40This is making me crazy.
00:16:42Why don't you give it a rest?
00:16:44Everybody wants experience and references.
00:16:46How are you supposed to get experience and references?
00:16:49You don't get a job first.
00:16:51You can always waitress.
00:16:53I'm not going to work for minimum wage.
00:16:56I'm not.
00:16:57You make good tips.
00:16:59Good tips come with a good restaurant.
00:17:01Make a good job at a good restaurant.
00:17:03You need experience and references.
00:17:05Well, you can always try the phone company.
00:17:08No way.
00:17:12Hey, you think I could be a model?
00:17:14Damn right.
00:17:15I'm not too fat?
00:17:17Fat?
00:17:19You're a toothpick.
00:17:20You're blind.
00:17:40What time should I pick you up?
00:17:42An hour, I guess.
00:17:44Good luck with it.
00:18:01Good luck with it.
00:18:04Good luck with it.
00:18:47Hi, can I help you?
00:18:52Um, I've got an appointment with Mr. Selby.
00:18:57Well, you're late. He died about six years ago.
00:19:03I'm sorry, honey, just a bad joke.
00:19:06He's been dead for six years.
00:19:08You've got an appointment with the living owner, Lou Gates.
00:19:11I'm Maureen.
00:19:13Hi, I'm Pauline Anderson.
00:19:16Nice to meet you, Pauline.
00:19:20I'm heading out, Maureen.
00:19:22I'm going to go over to Janelle's set, and then I'm going to go over to Tim's.
00:19:27Hi.
00:19:27Hi.
00:19:28I'll see you tonight.
00:19:37They're beautiful.
00:19:38Where are you from, kid?
00:19:40Bannon, Kansas.
00:19:43Midwest.
00:19:44Nice people in the Midwest.
00:19:46I fought there in 1964.
00:19:50Topeka.
00:19:51You ever been there?
00:19:53I lost that fight.
00:19:57I lost that fight.
00:19:59Would you mind standing up?
00:20:08Turn around.
00:20:19Does this embarrass you?
00:20:21No.
00:20:25Look.
00:20:28I have a wife.
00:20:30Eighteen years.
00:20:31Three kids.
00:20:33Are you eighteen?
00:20:34Yes, sir.
00:20:35Call me Lou.
00:20:37Now, don't lie to me.
00:20:38Because if you're under eighteen, you're going to get me in an awful lot of trouble.
00:20:42Oh, no.
00:20:43I'm going to be nineteen at the end of this month.
00:20:45Good.
00:20:47Ever do any modeling before?
00:20:50You got a boyfriend with a jealousy streak.
00:20:53No.
00:20:54A boy who's a friend.
00:20:56All right.
00:20:57Let's talk straight.
00:20:58Like I said on the phone.
00:21:01We do nude here.
00:21:02You said nude and semi-nude.
00:21:06See the photos out there?
00:21:10Sit down.
00:21:21Yeah.
00:21:23Blondaire.
00:21:24Blue Eyes.
00:21:25Olsen.
00:21:27Hmm.
00:21:27I think we can do something.
00:21:39He liked me.
00:21:40He's going to take some pictures.
00:21:41But he really liked me.
00:21:43Can you believe it?
00:21:44I told you.
00:21:45I told you.
00:21:45The walls in there are covered with pictures of beautiful girls.
00:21:49And you know how much money I can make?
00:21:51Two hundred dollars a day?
00:21:53A day?
00:21:54Oh.
00:21:55Like what kind of modeling is it?
00:21:57Fashion.
00:21:58Magazines.
00:21:58Stuff like that.
00:21:59Two hundred dollars a day.
00:22:01Can you believe it?
00:22:02When I was working at the phone company.
00:22:03They were paying me a hundred and fifty dollars a week.
00:22:06Oh.
00:22:07Let's party.
00:22:08We have a terrible connection.
00:22:10You're going to have to talk up louder.
00:22:11I got a job modeling.
00:22:14A model?
00:22:16Did you hear that?
00:22:17Pauline got a job modeling.
00:22:18All right.
00:22:19Pauline.
00:22:20Yes.
00:22:20I think you hear that.
00:22:22Yes.
00:22:22I love everybody.
00:22:24All right.
00:22:25Is Aunt Vicki there?
00:22:26Yes.
00:22:27Give her my love.
00:22:29Okay.
00:22:30Love to everyone.
00:22:31I'll call you later.
00:22:32Bye-bye.
00:22:38Mom sends her love.
00:22:39This isn't one of those deals where you have to pay, is it?
00:22:42No.
00:22:43They're even going to pay me for the photo session.
00:22:46Okay.
00:22:48Just want to make sure you don't get hurt.
00:22:51Okay, Pauline.
00:22:52I'm ready.
00:23:00Come on.
00:23:02That's it.
00:23:03Hey, you look fantastic.
00:23:04Really.
00:23:05Really.
00:23:05Just nice.
00:23:07Well, I tell you what.
00:23:08Why don't you come over here and step in front of the railing for me?
00:23:10Okay?
00:23:11I don't want to hide you there.
00:23:12That's it.
00:23:12Nice.
00:23:14Okay.
00:23:14Okay.
00:23:16Now, I know this is your first session, but if you keep holding your arms up like that,
00:23:20we're all going to be late for dinner.
00:23:22Mr. Gates said I could do semi-nude.
00:23:25Well, sure.
00:23:26Sure.
00:23:26But right now, you're not worrying much less than they do on Rodeo Drive at high noon.
00:23:31Tell you what.
00:23:32Let me just, just nice and easy.
00:23:35This is just my job, Pauline.
00:23:38It's like a doctor.
00:23:38It's not personal.
00:23:40Okay?
00:23:41Here, Vic.
00:23:41Why don't you hold it there while I go and do this?
00:23:44Okay?
00:23:44Just hold it right there.
00:23:46Here we go.
00:23:48Okay, you're beautiful.
00:23:49You're going to do just great.
00:23:50Okay?
00:23:50Let's start out nice and simple.
00:23:52Nice and easy here.
00:23:54Start out with some real simple smiles.
00:23:56Okay?
00:23:57Oh, that's nice.
00:23:57Okay.
00:23:58Very nice.
00:23:58Very nice and sweet and simple.
00:24:00Okay, now, whenever you want to move, don't be afraid to move if you want to.
00:24:03Okay?
00:24:03That's nice.
00:24:04That's nice.
00:24:05Okay?
00:24:05You're loosening up just great.
00:24:07That's beautiful.
00:24:08Okay?
00:24:08I'm just going to move over here just a little bit.
00:24:10Okay?
00:24:11Don't be afraid to move that leg a little bit for me.
00:24:12Turn.
00:24:12Do some turns.
00:24:14Very nice.
00:24:15Okay?
00:24:17Okay.
00:24:17Beautiful, Pauline.
00:24:18That's just beautiful.
00:24:18Are you sure you haven't done this before?
00:24:19It's great.
00:24:20It's terrific.
00:24:21Okay.
00:24:22Okay, tell you what.
00:24:23Nice and easy now.
00:24:24Just take off your vest.
00:24:28Whoa!
00:24:29You're going to freeze my camera.
00:24:34All right, look.
00:24:34I'll tell you what.
00:24:36Why don't you just slip off the vest and you can hold it up in front of you.
00:24:39Cover yourself.
00:24:42Okay?
00:24:47That's it.
00:24:48In fact, we'll take a couple with you turned around like that, okay?
00:24:51Just turn your head.
00:24:52Just start out with the head.
00:24:53That's it.
00:24:55That's it.
00:24:56Great.
00:24:56Okay, okay.
00:24:57Now turn front just a little bit.
00:24:58A little bit more front.
00:24:59Okay.
00:25:01Okay.
00:25:01Oh, that's nice.
00:25:02Okay.
00:25:02A couple more like this.
00:25:03Just a couple more.
00:25:05Okay.
00:25:05Now, nice and easy.
00:25:06Why don't you just drop your vest on the floor?
00:25:14Trust me.
00:25:15God won't strike you dead.
00:25:17You're beautiful.
00:25:18Just, just go for it.
00:25:33That is nice, Pauline.
00:25:36That's nice and easy.
00:25:37Good.
00:25:38See?
00:25:38No problem.
00:25:39Just give me some smiles.
00:25:40Just like that.
00:25:42Okay.
00:25:43Beautiful.
00:25:43Yes, yes.
00:25:44A couple more like that.
00:25:45Good, good.
00:25:46Move a little bit if you want.
00:25:46Okay?
00:25:47Yeah.
00:25:48It's great.
00:25:49I can't believe it.
00:25:51Ha, ha, ha, ha.
00:26:06Here we go.
00:26:08Oh, oh, yeah.
00:26:09Oh, yeah.
00:26:10I like that.
00:26:10I like that.
00:26:10Let's go for it together.
00:26:14Oh, my goodness.
00:26:15Great stuff.
00:26:16I like that.
00:26:17No.
00:26:19Just perfect.
00:26:23Hi, Pauline.
00:26:24Hi.
00:26:26Hi.
00:26:28I saw your pictures are great.
00:26:31I'm Nora.
00:26:32Hi, Pauline Anderson.
00:26:34I saw you here a couple weeks ago.
00:26:36Yeah, well, I practically live here.
00:26:38Do you model?
00:26:40I used to.
00:26:41I also act, but I don't do that as much as I used to either.
00:26:44But I do great makeup, and I know I can improve your pictures.
00:26:48Great.
00:26:49Yeah, let me give you my phone number.
00:26:51Well, if you want some advice, you just want to talk, give me a call.
00:26:57Thanks a lot.
00:26:58I've got to go.
00:26:59I'll see y'all later.
00:27:00Bye.
00:27:03Bye, Evan.
00:27:05You can go in, Pauline.
00:27:09Hi, Lou.
00:27:10This is my friend, Corey.
00:27:12Hi, Corey.
00:27:13How are the pictures?
00:27:14Oh, you're going to love them.
00:27:16Sit down.
00:27:27Look at this one.
00:27:31I can hardly believe it's me.
00:27:34Here.
00:27:35This one gets the money.
00:27:37Wow.
00:27:40Great, huh?
00:27:51Hey!
00:27:52Are you mad at me?
00:27:57Why are you being like this?
00:27:59What in the hell do you think you're doing?
00:28:01Porno?
00:28:02You're doing porno?
00:28:03I'm doing modeling.
00:28:05Modeling?
00:28:06Modeling what?
00:28:07You were bare naked.
00:28:09Jeez, I thought you were modeling clothes for Sears.
00:28:10Something like that.
00:28:11I told you what I was doing.
00:28:13You never told me nude.
00:28:14I did so.
00:28:15I told you the first day.
00:28:18Just start the car.
00:28:19I can't want to go home.
00:28:20Yeah, you should go home.
00:28:21Right back in Kansas.
00:28:23Where in the hell do you think you're going?
00:28:25What are you doing?
00:28:25Let go of me.
00:28:27Don't draw it.
00:28:28You're just going to get sweet-talked out of your pants for every guy that comes along.
00:28:32Get out of here.
00:28:34Don't be stupid.
00:28:34Get in the car.
00:28:35Get out.
00:28:36Get out.
00:28:59I just talked to Vicki.
00:29:02She called Pauline's agency.
00:29:05They do nude modeling.
00:29:07Pauline?
00:29:08No way.
00:29:11Only nude modeling.
00:29:37If he gives you any trouble at all, call me.
00:29:39We've worked with him before you.
00:29:41We want to see the owner.
00:29:43Yes, well, I'm sorry.
00:29:44He isn't in right now.
00:29:45May I help you?
00:29:45What do you mean he isn't in?
00:29:47He's out on appointments for most of the day.
00:29:49He's out on appointments?
00:29:50I don't believe you.
00:29:51Well, honestly, he isn't here right now.
00:29:53What is his name?
00:29:54His name is Lou Gaves.
00:29:56He's not here.
00:29:57I don't care.
00:29:58My name is Marie.
00:30:00Yes, we are very upset.
00:30:02Pauline is here.
00:30:03I'd like to know what it is that Pauline does here.
00:30:06She works for the agency.
00:30:08She works for the agency.
00:30:09Yes, ma'am.
00:30:09And I'm busy.
00:30:11Look, these people that you are associating with are scum.
00:30:16Look, decent people are going to have nothing to do with you.
00:30:19There are decent people who don't think the way you do.
00:30:23Not everyone still lives in the dark ages.
00:30:25Don't you speak to your mother like that.
00:30:28Now, you're giving up this modeling thing right now,
00:30:30and you're coming back to Bannon with us.
00:30:31No!
00:30:34There are real photographers, professionals,
00:30:37who think that I'm beautiful.
00:30:39They're paying me $200 a day.
00:30:43You're coming home.
00:30:44No, I am not.
00:30:45You better have a place to live,
00:30:47because you're not living with Aunt Vicki anymore.
00:30:48Do you hear me?
00:30:49I'll find my own place to live.
00:30:53Young lady, you come right back here.
00:31:06Well, I guess I'm going to have to adopt you.
00:31:08I'm sorry.
00:31:10It's okay.
00:31:16Like I said,
00:31:19only house rules bring your own toothbrush.
00:31:25Cancel that.
00:31:27Other rules don't mess with each other's boyfriend.
00:31:30Without permission, of course.
00:31:32Bedroom's that way.
00:31:33You can take half a closet and some of the drawers.
00:31:51You want to do line?
00:31:54No.
00:31:54Thanks.
00:32:13We should never have given her an ultimatum.
00:32:19What could we do, Sharon?
00:32:22Browned her?
00:32:23We don't have that power anymore.
00:32:25God only knows where she is or what she's doing.
00:32:30She's all right.
00:32:32It's a phase.
00:32:34Oh, Lord, it's not a phase.
00:32:37She's not putting glitter on her fingernails
00:32:39and dyeing her hair green.
00:32:40She's taking her clothes off.
00:32:42You can't dismiss that.
00:32:44I'm not trying to dismiss it.
00:32:46I'm trying to be realistic.
00:32:48Realistic?
00:32:49Driving her away is no more realistic than walking away.
00:32:52I did what I thought was right.
00:32:55I know you did.
00:32:56Then why try and make me feel guilty about it?
00:33:00I'm sorry.
00:33:05I know Pauline.
00:33:08She'll get homesick real fast.
00:33:12You want to talk realistic.
00:33:16You want to talk realistic.
00:33:40And she can find all kinds of justifications,
00:33:43even if she has to manufacture them.
00:33:47And that scares me.
00:33:49And that's your reality.
00:34:19This place is incredible.
00:34:21Hold your mouth.
00:34:22You look like James.
00:34:23Here.
00:34:24Delight.
00:34:25Bottoms up!
00:34:35Well, there used to be a movie theater in Bannon,
00:34:37but that was before my time.
00:34:38They closed it down.
00:34:39So now everyone goes to the mall in Burnsville.
00:34:41See, they have eight movie theaters.
00:34:43And it's only about 12 miles out of Bannon.
00:34:46I can't even believe it.
00:34:47In L.A., there's like a movie theater in every single corner.
00:34:50And the first time I went to the Chinese,
00:34:51I almost dyed all the little footprints
00:34:52and I stick my feet into the little ones that were there.
00:34:55And, oh, wow.
00:34:57I mean, they have everybody there.
00:34:58And I really used to think I was ugly.
00:35:00I'm still not that crazy about myself.
00:35:01But this is really good makeup.
00:35:04And if you take it off, I'm still pretty plain.
00:35:07And I'm too fat in the hips.
00:35:08I don't like my legs at all.
00:35:09My teeth are okay, though.
00:35:11I've been looking all over you.
00:35:13This is my friend, Nora.
00:35:15Now, was I exaggerating when I said she was beautiful?
00:35:18Oh, come on.
00:35:18This is something I want you to meet.
00:35:19Okay.
00:35:20This is Heidi.
00:35:21And this is Jody.
00:35:22And their father makes commercials.
00:35:24Hi.
00:35:24Hi.
00:35:25Hi.
00:35:26I'll see you guys later.
00:35:30This guy is the best photographer in town.
00:35:34He shoots the Playboy Pant House.
00:35:37You shoot your finger on your way.
00:35:38He's the best.
00:35:40Yeah.
00:35:43Brad.
00:35:45Here she is.
00:35:47Brad Pullman.
00:35:48Pauline.
00:35:49Hi.
00:35:50Hi, Pauline.
00:35:53Texas.
00:35:55Kansas.
00:35:57Good photogenic stock.
00:36:00Brad.
00:36:02The car's ready.
00:36:03Everyone's waiting.
00:36:05I'm coming.
00:36:08How many sessions have you had?
00:36:11Six.
00:36:13Not much exposure.
00:36:19I'll call Lou.
00:36:22Bye.
00:36:23Bye.
00:36:25Take care, Laura.
00:36:26Bye, Brad.
00:36:28Do you think he liked me?
00:36:30Six sessions?
00:36:33You've done nine since you've been living with me.
00:36:36I didn't want him to think I was overexposed.
00:36:38Is anything wrong with that?
00:36:42There's a real fox living underneath all that hate seat, isn't there?
00:36:48It ain't gonna happen.
00:36:50He liked me.
00:36:52Did you talk to him?
00:36:53Did he look at my portfolio?
00:36:54You saw your portfolio and we talked.
00:36:56And what happened?
00:36:57It's no big deal.
00:36:59You're not his type right now.
00:37:00I was his type three days ago.
00:37:03All right.
00:37:03Can you take a tan?
00:37:04It's the pictures, wasn't it?
00:37:06They weren't any good and it turned him off.
00:37:08Pauline.
00:37:09He likes skinny girls.
00:37:11I'm too fat?
00:37:12For him.
00:37:13Forget about it.
00:37:15It's all a matter of taste.
00:37:16There are plenty of photographers that like you just the way you are.
00:37:19Are any of them doing penthouse and playboy?
00:37:25Watch out for the wardrobe, man.
00:37:27A real sleaze.
00:37:29Always manages to accidentally get his hands in up the wrong places.
00:37:34Best way to handle that is to step on his hand accidentally as soon as you get the chance.
00:37:40Chrissy, I need to lose weight.
00:37:42You got a good diet?
00:37:43Oh, the best.
00:37:46Burns off the calories, gives you energy, and gets you through all the sleazeballs.
00:38:00Murray, everybody wants everything yesterday.
00:38:02I can only go as fast as I can.
00:38:07You and I do this dance all the time together.
00:38:09You know what I always say to that?
00:38:12Yes, I always say, if you don't like it,
00:38:14get yourself another photographer.
00:38:17Bye, Murray.
00:38:20Hi.
00:38:22Hi.
00:38:25Neat place.
00:38:27Yeah.
00:38:28Nice.
00:38:32So, um,
00:38:33would you like to take my picture?
00:38:36Listen, I, uh,
00:38:39I talked to Lou, and, uh...
00:38:41That was three weeks ago.
00:38:42I've lost six pounds.
00:38:52What do you think?
00:39:02I think...
00:39:04I think...
00:39:09I think I'm going to take your picture.
00:39:35I think...
00:39:37I think...
00:39:37I think...
00:39:38I think...
00:39:40all stuffed up oh just must be allergies santa anna's you know everyone gets them
00:39:48how is everybody everybody's fine i'm waiting for you to come home don't start okay
00:39:57listen i'm doing great here i've got my own apartment with a maid service everything
00:40:04beautiful furniture including a huge water bed and and oh i've got a new photographer
00:40:09probably the best in the states if not the world all the top magazines use him pauline you can gussy
00:40:17uh all you want to but it is not going to make it any better um i didn't call the
00:40:22fight okay
00:40:23you want me to hang up oh oh happy you called happy you're all right i know your brother and
00:40:32sisters would like to talk to you why don't you call back later um i gotta go to work i
00:40:36can't be late
00:40:38sure mom i love you yeah i'll talk to you later
00:41:06let me see you
00:41:18these are great and wouldn't that make a great centerfold they're crazy if they don't
00:41:23uh what can i get you folks uh jimpses i'll have the same scotch is wrong i need to see
00:41:30some id please
00:41:38okay i'll be right back
00:41:41where'd you get this friend toby gave it to me isn't it great she's 21 and she looks just like
00:41:47what's she gonna do without her driver's license she must have figured it out she gave it to me
00:41:52so brad what's happening this week am i working for you or should i tell lou i'm available
00:41:58tell him you're available who's gonna do my makeup i am not shooting you next week sweetheart i shot
00:42:05you for the past two weeks until the pictures are published and somebody asked for you there's nothing
00:42:09to do look there's nothing personal against you all right you know it's all part of the business
00:42:14there are just so many photographers and so many magazines and they're all looking for fresh bodies
00:42:18you were fresh once now you're not that doesn't mean you won't work again you'll get your share i
00:42:23haven't worked in two weeks nora hasn't worked in two months why do you think she's doing makeup
00:42:29i don't do makeup kid you make good money when you work you gotta learn how to budget for the
00:42:36times
00:42:36you don't work i've got expenses now well put your money in the bank not up your nose i was
00:42:45only doing
00:42:45it to lose weight that's all please don't lose any more weight
00:42:54okay if you don't want me to i won't but i gotta eat
00:43:02all right i'll get you something don't worry can you tell me what a loop is
00:43:11well where'd that come from blue tall mac had earned 500 a day doing them
00:43:17didn't want to sound like a dumb jerk so i pretended i knew what he was talking about
00:43:21told him my thing about it think real hard five to ten minute hardcore sex films they use them in
00:43:28porn shops and slot machines hardcore sex it's sickos in porn shops shutting themselves into booths to
00:43:36watch two people go at it for quarters don't you think you're worth more than that so how come
00:43:42nobody pays me you've been at it for five months give it time five months is time
00:43:59all right chuck can we lower that light over there about eight inches yeah bring that twinny in here
00:44:03will you right right right there yeah that's good right there yeah how's that look okay
00:44:19okay what do we got here what's the problem i can't do it what do you mean you can't do
00:44:25it
00:44:28i've never done it before i hope you mean on screen wait look sweetheart every single actress who's
00:44:35ever appeared on film started out never having done it before they all had their first time this is
00:44:39yours i can't oh god that lou gates i'm gonna kill him what did he send me here you asked
00:44:46for fresh
00:44:46shut up look kid if you're trying to squeeze more dough out of me scared look i got a lot
00:44:52of money
00:44:52tied up in this shoot the house the lights the camera the crew you better have the bucks to reimburse
00:44:57me jerry you're only scarier more why don't uh you leave and let me talk to her
00:45:08on the set 10 minutes
00:45:16listen i know you're scared i was the first time too
00:45:23i feel nauseous
00:45:27you want to trust in this
00:45:34thanks
00:45:38okay let's make a movie
00:46:11did you enjoy it when you did it
00:46:13did you enjoy it when you did it
00:46:16i enjoy sex
00:46:24i don't much
00:46:28not even with brad or cory
00:46:49i
00:46:50i deserved
00:46:52every penny
00:46:54of that money
00:46:57good i like it i like it i like it don't move don't move good
00:47:01brad
00:47:05okay tiffany take 10
00:47:12i thought i tried to return my calls
00:47:14you don't have anything to talk about
00:47:17what do you think i wouldn't find out about the loops
00:47:25there's a boutique business in a small town pauline
00:47:29nothing gets done without it being out there for everybody to see
00:47:32i needed the money
00:47:33i needed the money
00:47:36okay enjoy it
00:47:41i thought you were too mature to be jealous
00:47:46jealous
00:47:49don't flatter yourself
00:47:52there's a difference between nudity and nakedness
00:47:56there's a difference between sexuality and sex
00:48:00and there's a difference between art and pornography
00:48:04i do art
00:48:06don't flatter yourself
00:48:20hey ty listen
00:48:21i need to talk to you give me a call later okay
00:48:23early
00:48:33the usual table mr calloway lovely
00:48:36your waiter will be with you in a moment thank you
00:48:41are there any stars here you
00:48:46you could be one you know you've got the looks what you need is management lou gates is all right
00:48:52when you're first starting out but lou gates is only an agent
00:48:55i plan careers
00:49:06may i bring you another bottle sir no thank you
00:49:13i um i saw your loops you can't do that stuff anymore it doesn't pay enough and you're going
00:49:19to get used up real fast i want to put you into adult films
00:49:25porno crap is porno i'm talking adult i'm talking written scripts full-length feature films for
00:49:35home video and theater hardcore you don't want to be a star
00:49:41only sickos and porn shops see loops
00:49:45on a movie screen
00:49:48i've got family back in kansas
00:49:51does your family go to adult films
00:49:55we can even lose the name pauline isn't box office anyway i've been thinking about it
00:50:00how about lara dawn
00:50:05you like it
00:50:09i'm talking
00:50:10i'm talking 1500 a day no commissions in your hand you like this restaurant this is the way you'll go
00:50:20first class travel first class shop on rodeo drive in a limo rub shoulders with the stars because i'll
00:50:27tell you something in this town it doesn't matter what kind of films you make as long as they make
00:50:32money
00:50:33you can do that and it won't even be you doing the work it'll be lara dawn
00:50:51i'm sorry mr winslow but i'm not that kind of girl again
00:50:57i'm sorry mr winslow i'm not that kind of girl but i'm not that i'm sorry mr
00:51:04winslow wardrobe but i'm not that kind of girl
00:51:13pauline you're wanted on the set coming
00:51:22action
00:51:27don't overdo it not too much fear he's standing there naked i don't want to rape i want a seduction
00:51:39that's a girl pauline pull him in pull him in good
00:52:01merry christmas hey everybody she's here
00:52:07oh you look great oh so do you you're so big
00:52:11you took a taxi out of the way from to pizza it's about a fortune
00:52:15i'll help with the luggage hi pauline oh lisa
00:52:18hey gifts
00:52:22hi mom
00:52:26well you better rot your appetite you're a skinny as a male
00:52:40you look different with makeup isn't it great my friend nora does it for me what happens when
00:52:46she's not around i go back to being ugly
00:52:52i don't think you've changed have you i don't feel like i've changed
00:53:04i saw your pictures
00:53:07what pictures in a magazine
00:53:15they were circulating all over school
00:53:18i handled it okay i guess but lisa and ann had a rough time they got mad and that made
00:53:24it worse
00:53:25but you didn't get mad i didn't show it but you were of course i was wouldn't you be mad
00:53:33if a bunch
00:53:33of guys were doing obscene things to pictures of me
00:53:59thanks a lot
00:54:00thanks a lot
00:54:03You look like a princess in that.
00:54:11Can you be organized?
00:54:13Thanks.
00:54:14Is he live?
00:54:15Oh, no, it's too fast.
00:54:17Holy moose.
00:54:26Merry Christmas.
00:54:27Christmas, this is my very, very favorite.
00:54:31I love lace.
00:54:33They had this custom made for me, this outfit.
00:54:40Probably one of the best photographers around took this picture.
00:54:44He's very famous.
00:54:45They built these beautiful sets.
00:54:47It's been a fortune to do it, and the clothes.
00:54:50They're the best you can buy, the best money you can buy.
00:54:55Put that away.
00:54:57Put it away.
00:55:00These are pictures of me.
00:55:02I don't want to see them, and I don't want them to see them.
00:55:06There's nothing sinful about my body.
00:55:12Nothing ever changes around here.
00:55:19You better get used to me being naked,
00:55:21because I'm going to be in the January issue of Penthouse.
00:55:32I don't want to see them.
00:55:36I don't want to see them.
00:55:38But I'm going to see them.
00:55:43I mean, I don't want to see them.
00:55:44I don't want to see them in the back.
00:55:45I don't want to see them in the back.
00:55:49There's nothing against me.
00:55:49It's a great place.
00:55:52I don't want to see them out.
00:55:53A very special friend of mine.
00:55:56Hi, Lara.
00:55:58That's Lara.
00:55:59I'm Pauline.
00:56:01See?
00:56:04I'm Mel.
00:56:05I'm Mel.
00:56:06We are looking at my yearbook.
00:56:09Bannon High, class of 81.
00:56:12Now, this guy, Paul Crumrine, he once drank 17 beers in a row.
00:56:18Chug-a-lucked.
00:56:19And he ended up passing out in the maid's linen closet
00:56:22because he could not find his hotel room.
00:56:24Yeah, it is. Looks good on you.
00:56:26That's what I saw.
00:56:28Maybe I think we should put a little more liner.
00:56:31I think this is okay.
00:56:34Oh, wow.
00:56:35Oh, wow.
00:56:37Oh, God, those are beautiful.
00:56:44Roses for Rose.
00:56:46Mel Ehrman.
00:56:49Who's Mel Ehrman?
00:56:50I probably met him at Danny's party.
00:56:54Mel, Mel.
00:56:55Yeah, kind of old guy.
00:56:57Not real old.
00:56:59Forties.
00:57:00Nice smile.
00:57:01Quiet.
00:57:03Yeah.
00:57:04What does he do?
00:57:06He's a Coke dealer.
00:57:08Get out of town!
00:57:09No.
00:57:10I've known Mel for years.
00:57:12He's a nice guy.
00:57:14But that's what he does for a living.
00:57:30Showtime.
00:57:34Showtime.
00:57:40Fast forward.
00:57:40Get to the acting.
00:57:41Get to my scene.
00:57:43Is Danny seen this yet?
00:57:45Yeah, it's a start with Roy.
00:57:47Stop, there I am.
00:57:48There I am.
00:57:49I need to talk to you.
00:57:53I have very special needs.
00:57:56So I need a very special maid.
00:58:00Have you ever taken care of special needs before?
00:58:03Yes, sir.
00:58:04My last employer had three sons.
00:58:06And I had to take care of every single one of them.
00:58:11That's terrible.
00:58:14You're right.
00:58:15Fast forward.
00:58:20Vince is terrible, too.
00:58:21Well, yeah, we don't hire Vince for his acting.
00:58:25Oh, God.
00:58:26Sex stuff.
00:58:27Oh.
00:58:27This is...
00:58:31Oh, that's not me.
00:58:33That's probably not me.
00:58:52This...
00:59:06Okay, thank you very much.
00:59:10Hey, how's it going?
00:59:11Oh, pretty good.
00:59:13Good.
00:59:16So how do you like it, huh?
00:59:17It's great.
00:59:19Hey.
00:59:20Laura Dawn.
00:59:21Where?
00:59:22Can I get your autograph?
00:59:23Look, look, it's her.
00:59:24Laura Dawn.
00:59:25Oh, look at her.
00:59:27I've read everything about you.
00:59:28Come here, come here, look.
00:59:31Say hi.
00:59:32Just try to get my mom back.
00:59:34How do you think you're laughing?
00:59:35Oh, they're your fans, honey.
00:59:36They love you.
00:59:37But it's not you.
00:59:38Remember, it's Laura Dawn.
00:59:40It is me.
00:59:42It was me out there, and it's me and those belts.
01:00:14Hello?
01:00:16Hello?
01:00:17Pauline, Mel.
01:00:19Mel.
01:00:20Hello?
01:00:21Mel Ehrman.
01:00:22From Danny's party?
01:00:24Yeah, yeah.
01:00:26Hi, Mel.
01:00:27I remember you.
01:00:28Danny said you might want to cool out for a while.
01:00:30I got a place in the Springs.
01:00:40Maybe I'm wrong, but I used to say what it's right.
01:00:48I need somebody to help me through the night.
01:00:56Oh, turn it.
01:00:59Oh, turn it.
01:01:00Oh, turn it.
01:01:00I got to get my feet back on the ground.
01:01:03Oh, turn it.
01:01:08Everybody's got me down.
01:01:14Turn it.
01:01:17But it's got me down
01:01:19World turning
01:01:24Everybody's got me down
01:01:28World turning
01:01:37This is a hot tub
01:01:42Look how tiny this is
01:01:44A tiny gun
01:01:50Why do you have a gun?
01:01:53Oh, protection
01:01:55Mostly it's just for show
01:02:07I love it
01:02:11I love this place
01:02:15I can cook too, you know
01:02:16I used to cook all the time at home
01:02:19That makes two of us
01:02:22You must be really happy here
01:02:25Pretty close
01:02:30You can stay here as long as you like
01:02:35Thank you
01:02:36Thank you
01:02:52You don't have to do this
01:02:56I want to do this
01:03:11You own this place?
01:03:13I own it
01:03:16It's great
01:03:22I'm looking for somebody to manage it
01:03:28Think you can handle it?
01:03:30I'm not looking for an employee
01:03:32I'm looking for a partner
01:03:39You show me you can run this place
01:03:41A year from now
01:03:42I'd give you a third of it
01:03:46You mean that?
01:03:49I don't see things I don't mean
01:03:59Hello
01:04:00Hi, it's me
01:04:02Where are you?
01:04:04I've been calling that apartment for days
01:04:06I'm living in Palm Springs now
01:04:08Got a great house with a pool and everything
01:04:11How can you afford that?
01:04:13Well, I've got a roommate
01:04:14This guy Mel
01:04:16He's really neat
01:04:17Are you living with a boy?
01:04:19Mom, he's not a boy
01:04:21It's not like we're living together
01:04:23We're buddies
01:04:24He's older
01:04:26How older?
01:04:28He's 35
01:04:29Mom, listen
01:04:30Let me tell you what's been happening
01:04:32I'm giving up the modeling
01:04:33I'm giving up the acting career
01:04:35Mel and I are partners
01:04:37At a boutique in the Springs
01:04:39Partners?
01:04:40Yes
01:04:41I'm a businesswoman now
01:04:42Isn't that great?
01:04:43Do you want to know what I'm doing
01:04:44This very minute?
01:04:45I'm cooking dinner
01:04:47That's why I called you
01:04:48Aside from wanting to let you know
01:04:49What's been going on
01:04:50I wanted to get your recipe
01:04:51For deep apple pie
01:04:52Can I have it?
01:04:54Yes
01:04:56Pauline
01:04:57Honey, are you telling me the truth?
01:05:01Cross my heart and hope to die
01:05:27Hurry up
01:05:29Hurry up
01:05:53Thank you, ma'am
01:05:54Have a nice day
01:06:15Chloe?
01:06:18In here
01:06:27You okay?
01:06:29I'm fine
01:06:30It's just a nosebleed
01:06:31Doctor packed it
01:06:33Says there's allergies
01:06:34The desert air dries up my bed breaks
01:06:47I'm closing the cupboard
01:06:50I'm closing the cupboard
01:06:52No more coke for you
01:06:54It's the desert air
01:06:55You think you're talking to some farmer on the back 40?
01:06:58You burned a hole in your nose
01:06:59I don't do that much
01:07:02I'm cutting you off
01:07:04Mel, that is not fair
01:07:07It's the best I can do
01:07:09Fine
01:07:10Now just move the hell out of here
01:07:12And do what?
01:07:13Go back to pornos?
01:07:19That's what you want to do with your life?
01:07:21Go ahead
01:07:22Do it
01:07:42Mal?
01:07:51I'm sorry
01:08:09I'm really, really sorry
01:08:18I'd like to go home and visit my family for a while
01:08:23What about the shop?
01:08:25I could have Janet come in for a few days
01:08:29I really need to go
01:08:32I just need to be a little girl for a while
01:08:45I don't know
01:09:05Here's the pool, isn't it great?
01:09:11Who's this guy?
01:09:13That's Mel. He's my partner.
01:09:15He's old.
01:09:16If he's 35, I'm 22.
01:09:21Isn't the house great?
01:09:23You guys are going to have to come visit me sometime. He'll love it.
01:09:29You know, honey, I think we'd better start thinking about going home.
01:09:32Because it could be snowing like crazy when we got home.
01:09:34Why was it 8 o'clock? What's the hurry?
01:09:35Well, I have to get some dinner on.
01:09:37I thought we were having leftovers.
01:09:38Well, we may have...
01:09:39Hey, look, it's Mrs. Wayne. Let's go say hello.
01:09:41No, don't.
01:09:42No, don't.
01:09:46What's the matter?
01:09:48Nothing.
01:09:55Pauline.
01:09:57Listen, now, you've got to understand something.
01:10:01These things you've done, they don't just disappear because you want them to.
01:10:06I mean, the pictures are still around.
01:10:08And even if they weren't, people don't forget so quickly.
01:10:11You mean you don't?
01:10:13You were embarrassed to be seen with me.
01:10:16That is not true.
01:10:18Yes, it is.
01:10:19And you know it.
01:10:21I'm an embarrassment to you, to this family, to this entire town.
01:10:46I'm home.
01:10:47Thank you, Mr.
01:10:52I've got an early flight.
01:10:54Great.
01:10:55The winds are coming in by the east of 30 miles per hour.
01:10:58Pauline?
01:10:58Here's the car to be closed today, so there'll be no picnic enough on the top of the mountain.
01:11:13Are you crazy?
01:11:17Look at yourself.
01:11:19Look what you're doing to yourself.
01:11:20Where are you getting it from?
01:11:22Are you stealing from me?
01:11:23No!
01:11:23Are you even skimming my stairs?
01:11:25No!
01:11:25Where are you getting it from?
01:11:26Chrissy, get hurt to me.
01:11:27You're a liar, Chrissy's in L.A.
01:11:28She wouldn't give you sweat.
01:11:30You bought it.
01:11:32Where'd you get the money from?
01:11:37Where are you getting it from?
01:11:48Food money.
01:11:54I give you money to buy food, you stuffer up your nose.
01:11:58I'm sorry, Mel.
01:12:01I'm really, really sorry.
01:12:04I just had a lot on my mind.
01:12:07You got nothing on your mind.
01:12:09That's your problem.
01:12:18Oh, God.
01:12:21Come on, let's go.
01:12:25Oh, God.
01:12:28You got nothing on your mind.
01:12:29Come on, let's go.
01:12:36Come on.
01:12:37Come on.
01:12:43Let's have a look.
01:12:47Come on.
01:12:48Let's see what's going on there.
01:12:51Come on.
01:12:59I'm sorry I disappointed you.
01:13:03I just wanted to make you happy.
01:13:06It's just not working out.
01:13:10If you want me to leave, I understand.
01:13:14All my life I've dreamed of having a girl like you.
01:13:21And I thought you'd go.
01:13:48Hi.
01:13:49Is Mel Ehrman in?
01:13:51Yes.
01:13:52LAPD.
01:13:53We have a warrant for his arrest.
01:13:55I've been fighting this sentence for two years.
01:13:59A sentence?
01:14:01Are you telling me you're going to jail?
01:14:06My appeals have all run out.
01:14:08I'm going to jail for five years.
01:14:12Five years?
01:14:17Why didn't you tell me?
01:14:19How could you do this to me?
01:14:22I trusted you.
01:14:24I didn't know we'd last.
01:14:27I never expected it.
01:14:32What am I supposed to do?
01:14:34I don't know anything about books and ledgers and cash.
01:14:38Do what you can.
01:14:40Now, if you run into problems, you're just going to go see him or you're going to call him.
01:14:44I can't go see him.
01:14:45They're going to ask for ID and I'm still carrying Toby's.
01:14:48For God's sakes, Pauline, you should be getting your driver's license.
01:14:52I meant to.
01:14:53I just haven't gotten around to it.
01:14:54Everything was just starting to straighten up in my life.
01:14:58Did he leave you any money?
01:15:00He left the checkbook and he signed a bunch of blank checks and then I'm supposed to pay the bills
01:15:05as they come in.
01:15:06What's so tough about that?
01:15:17I just don't want to be here alone.
01:15:20Will you stay with me?
01:15:25Please?
01:15:30Okay.
01:15:33Thank you, ma'am, for coming in.
01:15:37Hey.
01:15:38Hi.
01:15:39You're never going to believe it.
01:15:40What?
01:15:42You've been nominated for Best Actress for the Erotic Film Awards.
01:15:46Go away.
01:15:48I swear to God.
01:15:49Danny just called me and we have to go.
01:15:51The dude's on March 14th.
01:15:54Best Actress.
01:15:55Yeah, isn't that a kick?
01:15:57Where's Mel?
01:15:58I'm sorry, Mel's not here.
01:15:59I can see he's not here.
01:16:00Where in the hell is he?
01:16:02He's in L.A.
01:16:03May I help you?
01:16:04Yeah, can you unbounce this check?
01:16:06The IRS froze my bank account.
01:16:08They won't honor any checks.
01:16:09What am I going to do?
01:16:11I had to take the phone off the hook at the shop and then everyone started coming in.
01:16:15I will not go back there, Mel.
01:16:17Those people are vicious.
01:16:18You've got to let the shop go.
01:16:20You just sell off the stock for whatever you can get.
01:16:23What about the house?
01:16:24I've got mortgage and electric and phone.
01:16:28I'll work out something for the house.
01:16:30I don't want to lose the house.
01:16:32You take care of the shop before the landlord puts a padlock on it.
01:16:36I miss you.
01:16:40I, uh...
01:16:42I gotta go now.
01:16:45I love you.
01:16:47Hi.
01:16:59What am I going to do?
01:17:28I love you, Lara.
01:17:34The Erotic Film Organization proudly presents the 8th Annual Erotic Film Awards, adult movies have come of age.
01:18:00The nominee for Best Actress of the Year Award is Vicki Dare for Out of the Closet, Sugar Simms for
01:18:12Hot Nights, Laura Dawn in April, and Janet Rosebud in Lewin Fox.
01:18:33And the winner is... Sugar Simms for Hot Nights!
01:18:48I want to start shooting on the 23rd. It's a hell of a role, Pauline.
01:18:56I haven't worked in a year.
01:18:58It's all the more reason I want you.
01:19:01You've got fans out there.
01:19:04People who recognize your name.
01:19:08Don't turn me down so fast.
01:19:11Pauline, please.
01:19:13Just think it over.
01:19:36Hello.
01:19:39Hang on.
01:19:41It's Mel.
01:19:44Well, he sounds upset.
01:19:48Look, I don't want to deal with it.
01:19:58Hi, Mel.
01:19:59Where the hell have you been all week?
01:20:01I've been going crazy in here. I've been calling the house.
01:20:04I'm staying here with Nora.
01:20:05Is that a secret? I called there a dozen times.
01:20:09Listen, I need some time to myself. I had to make plans.
01:20:13What kind of plans?
01:20:15I'm leaving the house, and I'm moving in with Nora.
01:20:20Don't leave the house. Let her move in with you.
01:20:24There's nothing for me there.
01:20:26You're gone. The business is gone.
01:20:30I'm just going to go back. I'm going to get my things.
01:20:33And then I'm going to move in with Nora.
01:20:35I'll leave the keys with Janet.
01:20:37What are you going to do in L.A.?
01:20:42I'm going to start a new movie in two days.
01:20:46Oh, geez. Don't do that.
01:20:49I have to.
01:20:52I have to make a living.
01:20:54Don't, Pauline.
01:20:55You're past that.
01:20:58I wish.
01:21:01Goodbye, Mel.
01:21:16Here you go. Keep it.
01:21:52Hey, Phil.
01:21:54Hello, Pauline.
01:21:56Can I come in?
01:21:58Sure.
01:22:07What are you doing here?
01:22:09Mel called me.
01:22:10He wanted me to make sure you got away all right.
01:22:15You drove that lot all the way from L.A.
01:22:17to make sure I got away all right?
01:22:20Got away how?
01:22:23He was worried about you.
01:22:27He thought I was going to rip him off.
01:22:29Oh, come on. You know better than that.
01:22:30Then why are you here, Phil?
01:22:33To help me carry out my two suitcases?
01:22:37That's all I have, you know, is two suitcases.
01:22:41What am I going to steal from him?
01:22:44His microwave? I can carry that out.
01:22:46Maybe his pool table?
01:22:47How about his rubber checkbook?
01:22:50What the hell can I take out of here that won't bounce or break my back?
01:22:55What a wonderful relationship, Bill.
01:22:59It's the story of my life.
01:23:06What?
01:23:09I don't know.
01:23:14What?
01:24:49I think we can do something.
01:24:51Trust me, God won't strike you dead.
01:24:54You're beautiful.
01:24:55Just, just go for it.
01:24:57You're dumb, broad.
01:24:58You're just gonna get too tucked out of your pants for every guy that comes along, aren't you?
01:25:01I'm talking $1,500 a day.
01:25:06I deserved every penny of that money.
01:25:10Will you be mad at the bunch of guys who are going to see these pictures of me?
01:25:13I'm an embarrassment to you, to this family, to this entire town.
01:25:18What are you gonna do in L.A.?
01:25:20I'm gonna start in the week two days.
01:25:23Don't.
01:25:25Pass it.
01:25:25I wish.
01:25:34I wish.
01:25:43I wish.
01:25:45I wish.
01:26:05We've been keeping Pauline alive till we could get here.
01:26:08The damage to her brain was too extensive.
01:26:12I'm afraid there's no hope.
01:26:15And I'm sorry.
01:26:17Where is she?
01:26:18She's right.
01:27:04I wish.
01:27:07He's away.
01:27:09He's away.
01:27:11He's away.
01:27:12Yes.
01:27:24Odin, this to you.
01:27:31Odin?
01:27:33I Mommy.
01:27:38Why?
01:27:54So, let's go.
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