- 5 hours ago
Igra sudbine 1757 epizoda (21/4/2026)
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TVTranscript
00:00?
00:13Do not let someone be in the way he is doing a scandal.
00:18Who is in the way?
00:20Who is in the pensioners who are there lying there?
00:21I'm not in the way.
00:23I'm not in the way.
00:24Oh, you were right.
00:25But there's another problem here.
00:27Who is who is?
00:30Yes.
00:34What are you doing?
00:36Sit. Sit, please.
00:43Would you like to drink something?
00:45No, no.
00:47What is happening without you?
00:50Why are we so rare in the last time?
00:55You know, I'm sorry.
00:57You have to do it.
00:59What do you have to do?
01:02Because of the training.
01:04I've said it a hundred times.
01:07I would like to thank you all.
01:09It's just not worth it.
01:11I said to him that I had a bunch of jobs.
01:15Of course, I had a problem.
01:16I couldn't get out of it.
01:19You can see, if needed,
01:23some information.
01:24For example,
01:27who is standing behind Grkljana.
01:31Do you realize that I'm standing in the chair
01:34when I'm closer to a meter?
01:37Yes.
01:39That would be the same.
01:40I mean, who will kill you?
01:42I or Grkljana.
01:44Yes, that's right.
01:47Good morning.
01:48Good morning.
02:12Good morning.
02:14Alex,
02:15it was complicated.
02:17What did you say?
02:19I said to Gabriel,
02:21that he tries to pay money
02:23out of the road.
02:24I hope he has the idea
02:26to open the job there.
02:29My name is.
02:31I have my own
02:32and I thought I'd put it in the job.
02:36That's a beautiful idea.
02:38I'm going to get the space
02:39to be quiet.
02:40That's great.
02:41I just need to hear it with Kaja.
02:45I had a similar conversation
02:47as you mentioned,
02:49and we didn't hear it yet.
02:51Okay.
02:51Okay.
02:52Wait a minute.
02:53Who is Kaja?
02:55From Kaja there's no more than K.
02:58Let's go, Alexa.
02:59Let's go.
03:00Who is the girl and his son?
03:03You should know
03:04that you can only talk about everything.
03:07I mean,
03:08I'm here.
03:10I know.
03:14But you're aware
03:15that I can't give you some things.
03:17I'm talking about the nature of my job.
03:20I don't know how much you say,
03:22how much you say,
03:22how much you say it will be easier.
03:24I know.
03:26Tell me.
03:27Hello.
03:28Do you know me?
03:31Where do you know me?
03:33Where do you know me?
03:34It's not for me.
03:35I need to be quiet.
03:37Okay.
03:38I think it's all about
03:39what you're talking about now,
03:41but I don't believe
03:42that you're right.
03:42You see?
03:44His son Velibor
03:46wanted him to be criminal.
03:47I don't know.
03:49It's not for me.
03:51It's not for me.
03:51It's not for me.
03:52We are right.
03:52We're right.
03:53We can't control it anymore.
03:56You have a boy with a young man.
03:57A lot of eyes.
03:59A lot of eyes.
04:00A lot of eyes.
04:02A lot of eyes.
04:03A lot of eyes.
04:05A lot of eyes.
04:08A lot of eyes.
04:09Hey, Dad.
04:09Lea, we are in the problem. Our secret in the relationship with no happiness is threatened.
04:17Lea, are you here?
04:20What I can tell you from my experience and my job is that, you know,
04:28you should have to be excluded.
04:32You just smile, but you know that I am right.
04:35You know what I mean?
04:36People.
04:38Dear buddhala.
04:40Brothers.
04:42Let's now think about what to do.
04:47What to take fame from the tambour and give it to him?
04:53That's not the idea.
04:56I received you at home and you are normal.
05:00Don't worry about me. I know you.
05:02How are you talking about me?
05:04It was horrible.
05:06Go away from here.
05:06Go away from here.
05:08Go away from here.
05:09Go away from here.
05:10I got you here in my house.
05:11I got you with everyone because of you.
05:13I'm still alive.
05:15Because of this little fool.
05:17What do you think about the problem?
05:19Some news are sad about it.
05:22What do you think about it?
05:25What do you think about it?
05:26It's a dream.
05:28What do you think about it?
05:30It's a dream.
05:32It's a dream.
05:33What is it?
05:34It's a dream.
05:35It's a dream that sets you up to the scene.
05:35It's time to be called.
05:35But he was looking for a new payment.
05:38It's time to be at home.
05:39That's why I called you to encourage you.
06:16That's why I called you to encourage you.
06:39That's why I called you to encourage you.
07:25That's why I called you to encourage you.
07:47That's why I called you to encourage you.
07:51That's why I called you to encourage you.
07:57That's why I called you to encourage you.
08:36That's why I called you to take care of you.
08:39That's why I called you to encourage you.
08:49That's why I called you to take care of you.
09:31That's why I called you to take care of you.
09:34That's why I called you.
09:57That's why I called you to take care of you.
10:11That's why I called you to take care of you.
10:18That's why I called you to take care of you.
10:41That's why I called you to take care of you.
10:53That's why I called you to take care of you.
10:54That's why I called you to take care of you.
11:01That's why I called you to take care of you.
11:05That's why I called you to take care of you.
11:08That's why I called you to take care of you.
11:09I called you to take care of you.
11:11I don't know why I called you.
11:15I don't know why I called you.
11:16I know you're a professional photographer.
11:20But I don't know why we're looking for a short time.
11:22We're looking for a short time.
11:24We're looking for a good friend.
11:25We're looking for a close friend.
11:29We're looking for a long time.
11:29Are we going for a long time?
11:30We're looking for a long time.
11:34We're just a失礼 of business.
11:36Okay.
11:37Stella, can I be?
11:39Okay.
11:40Stella.
11:40But what's better than that?
11:42What did you say?
11:44I'll tell you, I'll tell you that we'll make it all.
11:46Okay, I'll try and show you.
11:49You, Nada me zove.
11:52Nada? Where is Nada?
11:54Let's see.
12:09It's time for you.
12:13Sit down.
12:20Tell me.
12:23I know that I'm looking for the control.
12:28Of course, the information came to me.
12:30Is it normal?
12:33Is it true?
12:34How is it not?
12:36Do you want me to explain why?
12:38I want you.
12:39Because you have a long time,
12:47I want you to do it.
13:07I want you to do it again.
13:10Okay, I like many reasons, tell me.
13:15Do you guarantee me the discreation in relation to him?
13:21You have a guaranteed discreation.
13:28Come on, I'm waiting for a long time to hear what is going to happen.
13:46Do you know what, Nado?
13:49Every time you have a chance. Mother, what have you experienced?
13:54And how do you carry yourself with what happened to you.
13:58I'm really surprised.
14:03I don't really have another choice.
14:06I always love myself to say that I have to go further.
14:12And I have to be strong because of myself and because of my child.
14:16And I'm trying to stay for myself.
14:19Every time you have a chance.
14:20I have to be strong.
14:21I have to be strong.
14:22I have to be strong.
14:23I can't understand everything.
14:24And for that, I need no more strength.
14:27So that's all for you.
14:33How could I say it?
14:36Not at all.
14:38Not at all.
14:39Not at all.
14:41Not at all.
14:43Not at all.
14:43Not at all.
14:45Not at all.
14:48Not at all.
14:48What is happening?
14:49Well, let's try to ask you first to see this.
14:54Why don't I have to ask you?
14:55Because I'm so happy to see it with Alex and I'm talking with you.
14:58I'm curious how is that new wife?
15:02What is she?
15:03What's up about you?
15:04Who are you doing?
15:06Who are you doing?
15:07Who are you doing?
15:12Now, I would say that it's not a good thing.
15:16And far from that.
15:18Let's talk about it.
15:20Let's talk about it.
15:22Gabriela, Nado, is...
15:25I don't know, I think she's the best person in my life.
15:30She's so evil that I can't explain it.
15:32The woman is in the way that she's literally
15:38She's the best person.
15:40Let's talk about it.
15:41It's a simple word.
15:42You know, she's a woman.
15:46She's a snake.
15:49She's a snake.
15:50She's a snake.
15:51I don't believe it.
15:52I'm afraid to ask you what to ask.
15:57Let's talk about it.
15:58Let's talk about it.
16:00We have a good topic.
16:03I'll add a little detail.
16:05I'm not a little detail, because she's not in the room.
16:07What?
16:08Tell me, tell me, tell me.
16:09Let's talk about it.
16:10I'm not a little detail.
16:12This is Alexa.
16:13It's a little detail.
16:14She's a child.
16:16It's a child.
16:20I'm not a child.
16:21Wait, Alexa?
16:22It's a child?
16:23No, I don't believe how much I'm going to change.
16:26When I'm with him, he's so cold, so cold.
16:31So cold.
16:32But I'm fine, you're fine.
16:34And I'm fine, you're fine.
16:35Alright, I'm fine.
16:37I'm fine, I'm fine.
16:38But, I'm fine, I'm fine.
16:39I can't comment on it.
16:40I'm fine, but I won't commentator on anything.
16:40That's my fault.
16:45I don't know what to say.
16:46I don't know what to say, but I mean.
16:47Man, better not to turn the table to us, I believe.
16:49I can imagine how you feel when I was through it.
16:54It's crazy.
16:55But we won't do it.
16:57We won't do it.
17:00We won't do it.
17:00I left the company and came here.
17:03I opened my body.
17:04It was the best thing to make in the moment.
17:09You know how good it was.
17:10I'm very happy.
17:13I'm really happy.
17:14I'm really happy here.
17:15I'm very happy.
17:18I'm very happy.
17:19Normal.
17:21And we're at the business.
17:23I have a business idea.
17:26I have a business idea.
17:28I don't have a business idea.
17:30But I don't have a business idea.
17:32I have a business idea.
17:34I want to put something in there.
17:35And what I'm really interested in is to work with children.
17:40So I thought I'd open a game.
17:43On the place where Alex was in the company.
17:46Oh.
17:47That's my idea.
17:59Okay.
18:03Let's start everything from the beginning.
18:06Let's go.
18:07What?
18:08I know that I had a difficult period in the last time.
18:12For example?
18:15For example.
18:16For example that I had a relationship with Vuličko.
18:22I loved you in the sky.
18:24I did it.
18:25I was convinced that I didn't do anything like that.
18:28Why did you not listen to us?
18:29Yes.
18:31I did it.
18:34She hit me.
18:36That's great.
18:37But she drinks me one evening.
18:38She drank her.
18:42And drank her.
18:43And drank her.
18:45And posted her again.
18:46With her.
18:51And now she loved me.
18:54And filmed her at the moment.
18:56And she loved me.
18:56And filmed her with her.
18:56Well, why did you say this before?
19:00I don't know. I wanted to listen to him.
19:04I don't know. I wanted to listen to him.
19:05He said that we won't talk about it and that we'll be able to solve it.
19:10Did you solve it?
19:13Of course not.
19:15Now he's looking at his photos.
19:20Let me tell you one thing.
19:22Who?
19:24Do you know who is standing there?
19:29Why are you asking me?
19:32Because I'm sure he doesn't turn to the end, but maybe he will be able to solve it.
19:37Do you know who is standing there?
19:54Do you know who is standing there?
19:56Do you know who is standing there?
20:02I'm sure he's standing there.
20:06I'm sure he's standing there.
20:07I'm sure he's standing there.
20:08I'm waiting for him to see if he's standing there.
20:09I'm waiting for him to see what he's doing.
20:11Yes.
20:13What happened?
20:14Everything was.
20:16Everything was.
20:17Everything was not in order.
20:19You see, Kaja is quite a bit changed.
20:26How?
20:28How?
20:28and of the time she had to get into the shoot, she was very, very, very strong,
20:35and very beautiful.
20:36You know how to be a guy?
20:38You don't believe it.
20:39She talks about who she talks about the money.
20:41She talks about how much she goes to the money,
20:44what she goes to the money, how much she goes to the money,
20:46I don't believe it.
20:47I'm not sure how it is, I'm not sure how to get into the idea of the play,
20:53and all of that, but you can see that my advice is to be a little more open.
21:00Okay, I don't know. I don't know. I don't know. I don't know the girl.
21:07But thank you for the advice.
21:11I don't know.
21:14What did we ask you to ask?
21:19Do you want to participate in a new collection?
21:25I know that you don't have a professional model, but we have the idea to engage the usual women.
21:32You know, women who are naturally beautiful, like those women who are all around us.
21:39We remember you.
21:42Thank you very much.
21:43I don't know, I'm going to ask you to ask you to ask me to ask you to ask me.
21:50I don't want to do that.
21:51I don't feel that I'm ready for such a task.
21:56I can help you with everything that is related to the aparat.
22:01But now it's not the time to do that.
22:03I don't understand.
22:05I don't understand.
22:06I don't understand.
22:06No, I don't worry.
22:08Maybe there will be another chance, but...
22:10I don't know.
22:11There will be another chance.
22:12We would love it now.
22:14Yes, we'll see.
22:15But until then I can help you if you want other things.
22:21Thank you very much.
22:32I don't know what I'm saying. I understand everything I know.
22:36Maybe I'll give you an answer.
22:40I wouldn't be mistaken.
22:43But this recognition has changed everything from the beginning.
22:49What I'm interested now is, do you have any connection with these two bisona
22:56who took the Krivice Pljačka and Zlatare?
23:01I don't know.
23:03I'm confident that they couldn't do that.
23:06You're right. Grkljan.
23:09He paid me to put the door on the door.
23:14Okay.
23:18We've got a lot of it in the last time. We need to clean everything.
23:25I'm waiting for you to tell your father about our conversation,
23:28I want to.
23:30I want to tell you that we have to find ourselves somewhere
23:34and that we'll talk about everything.
23:36We'll talk about it and find the best solution.
23:39I understand.
23:40And that's right.
23:45And that's right.
23:53And that's right.
23:57And...
23:57And...
23:59Oh, wow.
24:13Here you go, Mariana, come and sit here and sit there and go with us.
24:18Come and get your soul, Malik.
24:20Come and go, Gabriela and Malik are again leaving.
24:24They are again drinking coffee.
24:26It's not a miracle, today is the great day.
24:28It's not a miracle.
24:30Drago mi da sam uslobođena od toga da služim goste,
24:33već me sve preko glave.
24:34Jednom i neko drugi da juri sa tad s nama.
24:36Yes, i samo ti je trebao taj stres.
24:38Kao da ti mi nismo dovoljni.
24:40Ajde, Ivane, pa nismo mi najgori.
24:42Dobro.
24:43E, jeste vi primetili kako od jutro uopšte ne miriše kuća na pečenja?
24:49Da, da, na svu sreću.
24:52Jo, ja sam mislio da se taj smrad uvuka u zidove, u stvarima, u sve živo.
24:56Ma, ja bi pre rekla da nam se Žika uvuka u sve zidove ovde.
25:00Pričajte mi o tome.
25:02Najzad da se nas tri oko jedne stvari složimo.
25:05Inače, ja ga nisam ušte videla od jutrosa.
25:08Ja, samo da se mi pojavi ponovo i da napravi neki haos.
25:12E pa, Žika više neće praviti nikakav haos.
25:16Jel, a otkud ti to znaš?
25:18Znam, zato što sam ga otkarao u... da ne kažem gde.
25:29E, Lea, izvini, molim te što sam sinoć onako otrčala.
25:38Ma, opušteno, svaki.
25:40A znaš što sam na kraju ispostavila?
25:42Relja me iscimao bez ikakve potrebe da tražim svu noć njegov pasuš koji se ispostavilo da je na kraju kod
25:48njega.
25:48Zamisli? Zamisli ti kako je ono je odgovor?
25:50Mhm.
25:52Oni ih se išeli.
25:53Šta je tebi?
25:55Nije, ma ništa. Nešto sam loše spavala. To je to.
25:58Vidim ja da si ti nešto odsutna. A, što ne kupiš onaj melatonin? Stalno ti kažem da ti je to
26:05super za spavanje, a?
26:06A, sve hoću i nikako, zaboravila sam.
26:11Na nešto si mi bleda.
26:13Si doručkovala, hoćeš dođen za kafu.
26:15Ne, ne, ne, sve super, hvala ti.
26:18Znaš što sam tela? Gabriela, da. Šta ćeš sa njom?
26:25Zvočit ću se s njom danas.
26:27Kad?
26:28Čim je uhvatim samu, samo da se ona pijavica od vanje od nje odlepe.
26:34Ma, problem je što su one 99% vremena zajedno.
26:39Sačekat će su, ona ima vremena.
26:55Na ručila sam Haljenu, stići će direktno u kancelariju, naravno upakovana da se ne vidi šta je.
27:02Odlično.
27:03Jaš kakva je.
27:04Zanima me kakva je.
27:06Važno je da ti radi posao.
27:08Pa, radi.
27:09I moraš da nabaviš neku plavu periku, moraš neke velike crne naočare.
27:14Dobro.
27:15Ok, naočare, ali kako da nabavim plavu periku.
27:18Pa ne znam, Vanja.
27:19Ne znam.
27:20Snađi se.
27:20Pa dobro, gde?
27:21Pa ne znam gde.
27:22Nađi u seksi šopu.
27:24Nađi na nekom sajtu, otkud znam.
27:26Negde nađi.
27:26Oglasim.
27:27Da, vidim da dobro znaš gde se nalaze kostimi.
27:31Molim?
27:32Pa ne, okej mi je to za seksi šop.
27:35Mislim, u redu je to.
27:37Treba svoj ljubavni život malo oplemeniti.
27:39Ja verujem da i ti, Alek, sa mnom...
27:41Ajde izađi napolj.
27:43Šta me gledaš?
27:44Maraš napolj, odakle ti dej da tako razgovaraš sa mnom?
27:50Kakva prostak uža.
27:56Mogu?
27:57Opet ti.
27:58Šta hoćeš sad?
28:00Moramo da razgovaram.
28:05I ne znam šta tebi nije jasno.
28:07Nemam vremena za ove gluposti.
28:09Nije uopšte pogodan trenutak. Šta ti nije jasno?
28:12Neću da razgovaram sada.
28:13Mislim da je za vaše dobro važno da sad razgovaram.
28:27E, a kako to?
28:28I kojim sredstvima?
28:29Šta god da ste uradili, niste pogrešili.
28:33E, prvo sam se, kao što znate, sažalio za njega, zato što je bio mlad, zaljubljen čovjek, bilo mi ga
28:39nekako žao.
28:39I pustio sam ga par dana u kuću.
28:42A nije vam bilo žao što ja moram se to da trpim?
28:45Jeste, jeste, jeste, jeste.
28:46Posle si ispostavio čovjek, uopšte nije normalan.
28:49Pa znaš šta, mrtva trka između tebe i njega.
28:51E, Žika je lud čovjek.
28:54I s nekog razloga je umislio da ja hoću da ga likvidiram, kako on kaže.
28:59E, i potpuno je odlepio, ja ne znam, da li se najeo neke praseptine zaražene salmonelom ili afričkom kugom, očito
29:07da uberi na mozak.
29:08Ima, taj čovjek je definitivno nervno, potpuno nervno, odlični.
29:13Jeste, jeste.
29:14Ja ne znam, evo, ovoliko fali da stavimo natpis ludnica na kuću.
29:19Mislim, ja potrebiš da se pretvaramo da smo normalna porodica.
29:21Eko da smo ikad bili.
29:23U svakom slučaju bolje ovako, mir u kući, ja i vrate, nećem moći da nam napravi nikakav skandal večeras. Tako
29:28je.
29:28Dobro, i može neka pohvala meni, neka nagrada.
29:32Može, bude i zadovoljan što te nisam na glavačke izbacila iz kuće.
29:48Ajde, samo molim te, požuri. Ja nemam vremena za gluposti. Šta hoćeš?
29:53Znam za novac.
29:57Za kakav novac?
29:59Za novac koji pokušavate da izvučete iz humanitarne akcije i za troškove koji to nisu.
30:07Ja predpostavljam da si ti nešto pogrešno protumačila.
30:10Nisam.
30:11Jesi.
30:13Iako se neoprezno razvacuješ tim optužbama?
30:17Ovo nisu optužbe, ovo su činjenice.
30:21Pazi kako razgovaraš sam.
30:23Pazila sam dovoljno, zato sam baš ovde.
30:26A ne kod Alekse, ali ukoliko bude...
30:28Ajde samo da ti kažem, da se malo zaustaviš.
30:32Morat ćemo da se razumemo.
30:35O ovome nikada ništa nećeš ni reći Aleksi, je li to jasno?
30:40Hoću. Već sam odlučila.
30:42Nisi ti ništa odlučila.
30:44Ti si jedna neobičnija balanica.
30:47Ako samo uradiš bilo šta.
30:49Samo prstom ako mrdneš u vezi s ovim.
30:51Dobit ćeš otkaz, je li ti to jasno?
30:53Neka dobijem.
30:53U redu ako je to ta cena.
30:56Ti mene slušaš?
30:59Ako prstom mrdneš dobijaš otkaz.
31:02Neka dobijem otkaz, ali neću dozvoliti da se humanitarno veče pretvori u poligon za pranje para.
31:10Imaš povinu mašta?
31:12Ne, ne. Dosta je bilo igrica.
31:15Ako nešto radimo plemenito, onda to ne radimo radi ličnih malaverzacija.
31:22Najma si.
31:24Možda i ja sam, ali nisam saučesnik.
31:27Ovo je moja firma isto koliko je Aleksina.
31:29U redu?
31:31Rok je do večeras. Ili mu govorim iste?
31:37Igraš opasnu igru, Suna.
31:39I znam kako da je igram.
32:02Ako se to radi s takvima, ih zvidio?
32:05A Garac, one, what do you do to do with the job?
32:09Well, you know who you hit us, you understand?
32:12You hit us, you hit us, you hit us.
32:14That's why we're doing it.
32:15That's why we're doing it.
32:16One, one, one, one.
32:20That's it.
32:21Is that right?
32:23Is that right?
32:27Because I hear you,
32:28and I'm going to ask you to see what's happening.
32:33Because I'm really interested.
32:35My mother, it's very simple.
32:36Please, please, please, I can't explain it.
32:39Please, I can't explain it.
32:41I can't explain it.
32:41Let's go, my mother.
32:43Hello, hello, hello!
32:46Why are you doing this?
32:47Let me tell you something to explain it.
32:50Let's say it.
32:51I'll tell you.
32:53My mother decided to pay us a bill.
32:56What?
32:57Yes.
32:59My mother decided to pay us a bill.
33:00Yes.
33:01Yeah, yeah.
33:02No, no.
33:03Yes, her everything is locked up in time.
33:06But that's normal.
33:06No, no, no.
33:08No, no, no.
33:09No, no.
33:11No, no.
33:12No, no, no, nobody's been stuck.
33:16Yes.
33:17No, no, no, no.
33:17No, that's okay.
33:17No, no, no, no, no.
33:18No, no, no, no, no.
33:18No, no.
33:19That's okay.
33:20No, no, no!
33:21Okay, let's go. We got to go and we got back to him!
33:26You know, he made us a mistake to make money to us by 20%
33:30until we don't push Ivana Crnog.
33:32Oh, man, I do it!
33:34No, normal.
33:35No, normal.
33:36But we got to get to him.
33:38He made us a mistake to make money,
33:40and we made him a higher rate.
33:42Yes.
33:43So, he can't make money to make money
33:46as much as we can make him a higher rate.
33:48No, we're not in theory.
33:51You're right.
33:52And you've got to be included?
33:54I don't know what to do.
33:55No, no, no!
34:01Don't go with me!
34:02You've got to be!
34:02I don't think so!
34:06You've got to be!
34:07Go with it!
34:08Go with it!
34:08Go with it!
34:08Go with it!
34:09Go with it!
34:10Go with it!
34:11Go with it!
34:12Go with it!
34:13No, no, no, no!
34:14No!
34:14No!
34:15No, no!
34:16I'm sorry.
34:20I'm sorry.
34:21I'm sorry.
34:22I'm sorry.
34:22I'm sorry.
34:23I'm sorry.
34:24I'm sorry.
34:29Mother.
34:35Can I ask you something?
34:38Tell me.
34:43I'm sorry.
34:55Nothing happens.
34:56Everything is under control.
34:58Is it sure?
34:59Sure.
35:00You look like you got all right.
35:04I'm not sure what the hell is going on.
35:05I'll try to get the chorus to drop the call.
35:10I'm not sure about that. I'm afraid that it will be a bit of a thalass.
35:15Listen, it's not your fault. You don't worry. You're doing what you say.
35:20Okay.
35:33Hello, Karte.
35:34I'm a baby.
35:37They're happy and ready.
35:40Oh, that's good.
35:43So, it's another thing that's done.
35:46Yes, yes.
35:48But what I'm interested in?
35:52Do you know what you're looking for when you and I don't go anywhere?
36:07I'm a baby.
36:09I'm a baby.
36:10I grew up.
36:11I'm going to die.
36:13I don't say anything.
36:14I don't say anything.
36:14No, don't say anything.
36:16Go there.
36:16Don't go there.
36:17Do something.
36:18Do something that you don't hurt me.
36:22My back-end-file.
36:34How will we meet you? I'll tell you, but it will be under my conditions.
36:41I'm waiting for you to meet such a brave woman.
36:45In your tone, I wouldn't say that you are so happy that we will meet you.
36:51Really? That sounds like that.
37:03Okay, let's get him out of here.
37:05The man is ordinary and harmful.
37:07I agree with you.
37:08Of course.
37:09That's a great thing. Let's do it.
37:11That's what I think.
37:12The man doesn't need to have contact with such a person.
37:16On the other hand, I'm with you.
37:17Good morning, I'm Gudoni.
37:19Ivane.
37:31No, I can't imagine what the pain is to lose a man from his life.
37:39It's not clear.
37:40It's true.
37:41It's true.
37:42It's true.
37:42It's true that she stays without two members of the family.
37:46Yes.
37:46It's the most close to me.
37:47Yes.
37:47It will stay without you.
37:49And you know how it is when you get into the family,
37:51so people who are in a way together,
37:53they closer to them more.
37:57Yes, that is.
38:12Oh, Lukasina, where are you?
38:14I need something to ask.
38:16No.
38:18No, no, no.
38:18No, no, no.
38:19No, no.
38:19No time.
38:20No.
38:20I won't.
38:21No, sit down.
38:27Just a moment.
38:39You really gave her an ultimatum?
38:41Yes, I said that she is a rock until the evening, and if she doesn't say it, I will say
38:46it.
38:47Suna, that's a very riskant trait.
38:50I know.
38:51Look, he's not risky in theory, but he's really very risky.
38:56I know, but she's already tried to give me an ultimatum, and she said that she will give me an
39:01ultimatum to do it.
39:14Let's go ahead and go to the details.
39:16Listen.
39:18Listen.
39:18What's the matter of Psa on the street, Uroša and all the other, I'm on Seychelles.
39:24I don't exist.
39:25I mean, I'm on Seychelles.
39:29Right?
39:29I'm on Seychelles.
39:30Like that.
39:41It's not important now.
39:43It's important to do what I'm going to do now.
39:46What do you want to do?
39:47I'm on Seychelles.
39:50I'm on Seychelles.
39:51I'm on Seychelles.
39:59I'm on Seychelles.
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