- 1 day ago
Watch Vanished Season 1 Episode 1 online in HD on Dailymotion (2026).
Category
🎥
Short filmTranscript
00:28You
00:34You
01:11You
01:43You
01:44Livraison
01:56J'ai une livraison pour Alice Monroe
02:18Come on.
02:33Come on.
03:02Come on.
03:34Come on.
03:36Come on.
04:06How is Tarana in springtime?
04:09Oh, to be a woman in Albania.
04:23Oh, to be a man.
04:24Oh, to be a man.
05:05Oh, to be a man.
05:13Oh, to be a man.
05:21Oh, to be a man.
05:22Just another day in the office.
05:23Yeah.
05:24It is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Can you show me?
05:31Yes, I would love to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:46What?
05:48Hey.
05:50What are you going to tell me about that?
05:53I was wondering when you'd notice.
05:55Uh-uh.
05:57Um, it's a cyanide rose finch.
05:59Mm-hmm.
06:01There was a loud one outside my bedroom every morning.
06:04Oh.
06:05So you just thought you'd have it with you forever?
06:07Mm-hmm.
06:09Reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:14Chirping.
06:14Loudly.
06:25So, come on.
06:26You holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archaeology, Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, um, that's amazing.
07:06Yeah.
07:08That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:15So.
07:15I'm going to have an apartment.
07:17You know, a place on campus from which you and I could live together.
07:28I know it's going to be hard to leave all the dysentery. I totally understand.
07:31No, no, um, no, no, no, no, that, that, that is, uh, big, um.
07:41Big?
07:42No, um.
07:43Well, for a man with an English literature degree, you really have a way with words.
07:46I know, I know, I know, it's, it's, it's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world and that we actually want
07:57to have sex with each other all the time.
07:59Um, but, I want this job.
08:05You know, I want to build a life that's mine.
08:09Not just uncovering other people's.
08:13We have to make a decision.
08:15You and me, like, Tom, I, I love you so much.
08:20And I want to keep loving you.
08:22And I'd like to do it while I'm actually looking at you.
08:30And I love you, Alice Munro.
08:39And I want to be with you.
08:44Even in New Jersey.
08:47Especially in New Jersey.
08:49Oh.
09:04Hey, what time is it?
09:11Tom?
09:19Hey.
09:22Hey.
09:22Hey.
09:23It's Uncle Brian.
09:24He's in London.
09:25Oh.
09:26Why don't you go downstairs, order some breakfast?
09:28Okay.
09:29Train's at 10.30.
09:34Yes.
09:35Bye.
10:01Hi.
10:08Sorry.
10:09Brian talks like it's an Olympic sport.
10:11Oh, that's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have left
10:19us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project and Brian
10:27has called in a favor.
10:30Oh, my God.
10:31Are you kidding?
10:32Mm-hmm.
10:33Can we get massages and lay by the pool?
10:35Yes.
10:36Yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh.
10:39Oh.
10:39I love you.
10:42Your life feels very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45It's completely.
10:46Yes.
10:58Don't.
10:59Stay there.
11:01Almost over.
11:11That's a bingo.
11:13Okay.
11:14Maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France.
11:20What do you think?
11:22Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nein.
11:27For you?
11:44Hi.
11:44Hello?
11:46Ah.
11:48Sorry, I can't, I can't hear you.
11:50Can you, can you repeat that?
11:51Pas de téléphone.
11:57One sec.
11:58Yeah.
11:59All right.
12:00One sec.
12:00One sec.
12:01One sec.
12:01One sec.
12:02One sec.
12:07One sec.
12:08One sec.
12:08Oh, yeah.
12:10He's not my husband.
12:13He's my boyfriend.
12:17Oh, yeah.
12:45I'll see you next time.
13:08Ladies and gentlemen, hello, our train TGV to Marseille-Saint-Charles will arrive at Avignon in a few minutes.
13:16Avignon, 5 minutes away.
13:41Good morning, everyone.
13:45We are going to go by and see how much it is.
13:51The last one of us is going to go to the airport.
13:51We are going to go to the airport first.
13:51That's it.
13:55We are going to go to the airport first.
14:00We are going to go to the airport first.
14:00Now we are going to go to the airport.
14:01This is a very small town to be in the airport.
14:04Did my boyfriend return?
14:06Mon ami?
14:08Did he?
14:08No.
14:10No, he's already in.
14:13So weird.
14:15Where are you?
14:20Oh.
14:23Hi, this is Tom Parker.
14:25Unfortunately, I'm unavailable.
14:26Leave a message after the time.
14:31I'm unavailable.
14:34I'm unavailable.
14:43I'm unavailable.
14:45I'm unavailable.
14:53Tom?
14:54Mesdames et messieurs, notre TGV arrive en quart d'avignon dans quelques instants.
14:59Venez vous assurer de récupérer tous vos bagages, s'il vous plaît.
15:30Entendez-vous.
15:42Ah!
15:53Oh!
15:56Samuel.
16:16Tom, hey, very funny, I have been looking all over this trip, oh my god, I'm sorry, no,
16:24Desolée, I didn't, I thought you were, so, yeah, just.
16:34Excuse me, have you seen this guy?
16:36Have you seen this guy?
16:38Did you speak English?
16:40No.
16:40Have you seen him?
16:41Excuse me, did you see him walking?
16:43No.
16:47Excuse me, Mom, have you seen him?
16:50No?
16:52Um, excuse me.
16:54You have a problem, Madame?
16:55My, my, my friend, he's gone, he's, he, he, I can't find him, he kind of disparaît.
17:03He's, he, he, I can't find him, he kind of disparaît.
17:03He's, he, he, I can't find him, he kind of disparaît.
17:05No, we're supposed to go to Arles.
17:06Have you tried to call him?
17:08Um.
17:09Have you tried to call him?
17:10Um.
17:10May I help you?
17:11Yes, please.
17:13He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there, could there have been an accident, like, um, but if he was leaning against the door
17:22and maybe fell into the track, is that possible?
17:24En fait, elle s'inquiète de savoir s'il aurait pu éventuellement s'appuyer contre la porte
17:28et tomber sur les voies.
17:29Non, ça, c'est impossible, ça, Madame.
17:30Les portes, elles sont fermées quand le train est en route.
17:33No, no.
17:34Ok, but we, we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare.
17:42D'accord?
17:43Ok, they only open at this stage.
17:45Ok, I just wanna, I just wanna find my boyfriend, so...
17:47Je, je, je comprends très bien ça, Madame.
17:50Hein? Continue à l'appeler, je, je suis sûr qu'il va finir par vous répondre, hein?
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est, c'est réservé au personnel.
18:07Ok.
18:08Yes.
18:09Could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire, elle a juste un oeil, ça la rassure.
18:17C'est le règlement, c'est comme ça, c'est tout, elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26Non.
18:26C'est important, I...
18:28C'est contre l'angile, moi je l'ai dit.
18:32Oh my God, stop.
18:34Madame, on va la retrouver.
18:36Prends un air.
18:37Tom, I've been looking all over for you.
18:39Where...
18:41Tom, are you there?
18:46Oh my God.
18:51Oh my God.
18:52Oh my God.
18:53Oh my God.
18:54What the...
18:57Oh...
19:29Do you know Marseille?
19:31Uh, no. No, but it's... I'll be fine. I'm okay. Thanks.
19:36What are you going to do?
19:38I don't know. We're supposed to go to Aurel, but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm... You've been... You've been so helpful. Thank you. I'm just kind of... I'm, um...
19:52Where is the police station?
19:54You go down the hill. It's on your right. You can't miss it. But are you sure I can take
20:00you?
20:01No, I'm fine. I'm positive this is all a big misunderstanding, so...
20:13You know...
20:14If you need help, I'm Hélène.
20:19Alice. Thanks.
20:26So, good luck, Alice.
20:29And don't worry. It's going to be okay.
20:33Bye.
20:35Bye.
20:36Bye.
20:46Bye.
20:50Bye.
20:56Bye.
20:58Bye.
21:00Bye.
21:04Bye.
21:05Oh, my God!
21:15Excuse me.
21:17Can someone help me? My boyfriend's gone missing.
21:20Please?
21:21Do you know how many people are reported missing each day in France?
21:30600 on a good day.
21:33Okay, well, that cannot be an excuse to not help me. Please.
21:37It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say. What about his passport?
21:47Yes, I have it. I have it right here.
21:51Just one second.
22:04I don't... I don't understand.
22:08Mazzel Monho.
22:12How long have you known your boyfriend?
22:15Um, well...
22:17We've been dating for four years.
22:20We met in Jordan.
22:21That's where he heads the region for SOS Global.
22:23It's a...
22:24It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist.
22:37I'm a...
22:37Do the two or you fight?
22:40What?
22:42Fights. Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else? Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And he agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:20So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so he got off the train at Avignon without telling you, eh, voilà ?
23:29He would never do that. You don't know Tom.
23:32I am no man.
23:38Okay, Inspector Drax.
23:43I really need to find him.
23:47Please.
23:49Help me.
23:54Forty-eight hours, Miss Monroe.
23:57Forty-eight hours.
24:07Hooray.
24:14Eh...
24:18...
24:22wave, wave, wave!
24:25Oh, oh, oh, oh, oh, oh, oh.
25:05Sorry, thank you.
25:36Hey, are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture too.
25:46Oh, I don't have a spare spare, I'm afraid.
25:48Sorry.
25:49Right.
25:51What's in there?
25:53Uh, uh, vaccines.
25:56Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:03Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:10It's, um...
26:12That way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then I guess you better hop in.
26:36Hi.
26:37Tom Parker.
26:39Alice Munro.
26:39Nice to meet you, Alice Munro.
26:41You too.
26:42Thank you so much.
26:43You're welcome.
26:45It's beautiful, isn't it?
26:47Yes, it is.
27:02Shoes off at your house, then, is it?
27:04What?
27:06Want to know what gives you away?
27:08Oh, it's shirt.
27:09The AC unit.
27:11No dust.
27:13Means you must clean it every day.
27:15God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:20No.
27:20No, I like it.
27:21I like hygiene.
27:22Mm, good.
27:23It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:30Okay, well, my car is not a metaphor for my life.
27:33I'm actually an archaeologist.
27:35Trust me.
27:37I know how to get dirty.
27:43I know how to get dirty.
28:29Okay, can you stop already up here?
28:33Okay.
28:34Let's see the play.
28:41Let's see the play.
29:16Let's see the play.
29:36Oh, my God.
29:57Tom?
30:17Tom?
30:28Tom?
30:29Tom?
30:30Tom?
30:31Tom?
30:33Tom?
30:33Tom?
30:33Tom?
30:33Tom?
30:41Tom?
30:47Chewing gum?
31:32Oh my god, it's Tom.
31:57Oh my god, it's Tom.
32:11Oh my god, it's Tom.
32:48Oh my god, it's Tom.
33:11Oh my god, it's Tom.
33:34Oh my god, it's Tom.
33:57We're in the conductor's office.
33:59Oh, the conductor is in the compass now.
34:01This is all getting quite dramatic.
34:02His name is Maurice Giroux.
34:04He was hiding something, I could tell.
34:05You have to bring him in for questioning.
34:07I have to go to the cinema.
34:09Samoai awaits.
34:10You know I'm not making this up.
34:11And I'm late.
34:14Nice car.
34:18My wife makes the money in our house.
34:21I chose well.
34:22Better than you, it seems.
34:25Tread carefully, Miss Monroe.
34:29You know I'm not making this up.
34:31I chose well.
34:40I chose well.
36:16Mr. Tom!
36:18Mr. Tom, are we here?
36:20All right.
36:21No, are we here?
36:21Salma, Salma, one sec.
36:23Can you take these in there?
36:24Yeah.
36:24Just tell me they need to be in the fridge right away.
36:27Okay.
36:30Okay.
36:3236-2.
36:34Uh...
36:35Hi.
36:36Who are you?
36:38I, uh...
36:39You just gave Tom a lift?
36:41You broke down?
36:41Yes, he did.
36:43It's the second time this week.
36:45The men couldn't change a tire because life depended on it.
36:48He said these need to be refrigerated.
36:50I know.
36:53You can't hear me!
36:57Wait, what's happening?
36:59Stay back.
37:02What's he...
37:07What's he doing?
37:11Hey, hey, hey!
37:13You're not taking him!
37:14You're not taking him yet!
37:15You're not taking him!
37:18No!
37:19No!
37:21No!
37:22No!
37:22No!
37:23No!
37:27You have to go through me.
37:39Yara!
37:41Who are they?
37:43Local bandits.
37:44I think no one will notice missing refuge.
37:46from Syria. Take them down to Tripoli, sell them to traffickers for a king's ransom.
37:53He stopped them before?
37:56Yeah. He may be useless with cars, but he could talk a dog off a meat truck.
38:38You look like you need a drink. Something must have happened at home before Avignon.
38:45I just feel like the conductor had something to do with it. I mean, you saw him yourself, the way
38:49he was acting all shifty.
38:51What do you think happened?
38:54Okay, this is gonna sound insane, but I think Tom was kidnapped.
39:00Is he rich? No.
39:02Are you rich? No.
39:04So why would someone kidnap him?
39:08Maybe it's not about money. It's always about money.
39:14What is...
39:18Oh. Diabetes.
39:22Wow.
39:25Okay, so what do I do?
39:28The police are either useless or corrupt. And if you're really lucky, they're both.
39:34Great. What then?
39:37What am I? I'm an investigative journalist. Who are you?
39:44An archeologist. Yes. You're like me. You look for clues in the past to tell you about the future.
39:52You know Tom better than anyone, so you probably know more than you realize.
40:01Did he mention anyone or anything? Who has he been in touch with lately?
40:16Has he said anything strange?
40:23Find something more than a piece of twinkle man. Maybe I can help.
40:51Do you think the office front is on Zack's paper.
40:57That's fast?
40:57I'm not sure.
41:12It's Uncle Brian, he's in love, he's in love, he's in love, he's in love.
41:35SOS Global, Bureau de Marseille.
42:11SOS Global, Bureau de Marseille, Bureau de Marseille, Bureau de Marseille, Bureau de Marseille.
42:56SOS Global, Bureau de Marseille, Bureau de Marseille.
43:23SOS Global, Bureau de Marseille.
43:55SOS Global, Bureau de Marseille.
44:25SOS Global, Bureau de Marseille.
Comments