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Watch Vanished Season 1 Episode 2 online in HD on Dailymotion (2026).
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00:11You
00:18Hey stranger
00:19I got offered a teaching position. You and I could live together
00:26Sir, I can't. One sec.
00:30Did my boyfriend return?
00:32Uh, no.
00:37Do you know how many people are reported missing each day in France?
00:43I know where Tom got off the train. There was a door in the conductor's office.
00:48Oh, the conductor is in the conference now. This is all getting quite dramatic.
00:51His name is Marie Chirou. He was hiding something I could tell.
00:54The police are either useless or corrupt.
00:57Tread carefully, Miss Monroe.
00:59You know Tom better than anyone.
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London.
01:08You probably know more than you realize.
01:12It's a sign I rose, Finch.
01:14Reminds me of you.
01:29If you love me with love
01:38Tell my heart which way to go
01:46Hey, look at this.
01:50What was that?
01:51Well, it's pottery.
01:54Maybe Greek.
01:56It's probably been here for hundreds of years.
01:58It's so beautiful.
02:03Here.
02:06No, you keep it.
02:08Why?
02:10During those nights when you're in one far flung corner of the earth and I'm in another,
02:15I want you to think of me with the same wonder and tenderness as you do when you look at
02:18that piece of clay.
02:19We're too weary hearts
02:21Yeah.
02:22Aglow
02:23No
02:27If you love me, let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:48Yeah.
02:49To the moon should.
02:52Yeah.
03:01Yeah.
03:03Yeah.
03:05Yeah.
03:07Yeah.
03:08Yeah.
03:09Yeah.
03:10Yeah.
03:12Yeah.
05:41I know he's coming here after vacation, so there's no need for him to call him before.
05:46We encourage our people to take a complete break when they're on holiday, and especially Tom, after what he's been
05:54through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but when Tom comes back all happy and healthy, I'd prefer if you kept
06:20me out of it, okay?
06:20Let it happen, please.
06:49Let it happen, please.
06:50For four miles, all the way to where the SOS team was staying, and got Tom to drive them to
06:56the hospital.
06:59The baby was delivered safely, but the mother's condition kept getting worse.
07:03So, with his mom's sake, Malik dropped out of school, scavenging for food.
07:11He tried to take care of his family, and man, Tom saw what was happening.
07:18And Tom being Tom, he promised Malik that if he went back to school, he would make sure his family
07:23was taken care of.
07:27But, unfortunately, bandits raided the camp.
07:35They took women and children no one knew who had survived, and Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and...
07:52Eventually, they found him.
07:56The boy, alongside his mother and sisters, in a mass burial pit, ten clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's, at least I think it was.
08:13But he didn't want to pack it in.
08:15We got him a counselor, we tried to give him support, but something in him had shifted, yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, because he wasn't himself anymore.
08:27He just seemed lost.
08:30Alice, I don't think he ever really came back from what happened.
08:40Sorry, I...
08:42I...
08:43You didn't know any of this?
08:45No.
08:48I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets unusual.
09:04He just seems so normal in Paris.
09:06But maybe that dose of normality was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:22Don't worry.
09:24Alice will find him.
10:47Hello?
10:48Hey, Helen.
10:49It's Alice.
10:50Hello, Alice.
10:52Has your boyfriend returned?
10:53No.
10:54He hasn't.
10:54But does the name Orly mean anything to you?
10:58Is it a place in Marseille?
11:00It could be a person...
11:01Orly?
11:02Where did you find that?
11:05I was looking in Tom's notebook, and it's... it was in there.
11:08Orly?
11:10It could be anything or anyone.
11:13Anything else in the notebook?
11:15Not really. I was just on a post-it note.
11:18Okay.
11:19Leave it with me. I will look into it.
11:51How do you know it's a boat?
11:52Oh, I don't. It's a hunch.
11:56Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their lives.
12:10And then...
12:13They run away to sea with their buddies.
12:17Et voilĂ .
12:20Aurélie.
12:29Anyone here?
12:31Bonjour.
12:33Hello?
12:34Y'a quelqu'un?
12:35Mom, what are we gonna do?
12:39What the heck?
12:41What?
12:41Oh.
12:42Every good journalist carry them.
12:45Oh, my God.
12:46Keep lookout.
12:47Hello?
12:47Yeah.
12:49Yes!
12:52Yeah.
12:53Yeah.
12:53Let's go.
13:53Oh, my God.
13:57Is it his?
14:06Alice?
14:08Alice?
14:10Alice?
14:12Alice?
14:15Kathy?
14:33It's Uncle Brian. He's in London.
14:38It's Uncle Brian. He's in London.
14:42What were you going to tell me about that?
14:45I was wondering when you'd notice.
14:47He may be useless with cars, but he could talk a dog of a Mitra.
14:51A dog of a dog.
15:10I came as soon as I could.
15:12Hi.
15:13Um, yeah. I spoke to Jordan.
15:18You were right. Tom did make a call on Thursday morning.
15:24And?
15:25He wanted to be put through to one of his colleagues.
15:31Alice, there's no easy way to say this.
15:35No, um, I met her, actually.
15:40That, that woman that you're, that, were, were they, uh, are they?
15:48It's really not in my place to speculate.
15:50Come on.
15:58He's not thinking rationally.
16:07So, what happens now?
16:12My God is he will show up somewhere,
16:14or makes contact with someone in the next 48 hours,
16:18and then you both need to decide what happens next.
16:23If I were you, I would go to Al.
16:26Go to Al.
16:27There's no need to hang around in my say.
16:30If he turns up, you'll be the first one to know.
16:33Okay?
16:35Okay.
16:37Alice, um, uh, I wish I had better news.
16:40I'm sorry.
16:41No, it's okay. You've been very kind to me.
16:48Call me for Ma, yeah?
16:51If you need anything, Al.
16:53If you need anything, Al.
17:03I love you.
17:34I love you.
18:09I love you.
18:35Who is that?
18:38I invited him.
18:40Hi.
18:42Hi.
18:42Hi.
18:43Tom.
18:44Rafiq.
18:46Okay.
18:48You came.
18:49Well, one thing I learned living here, if an attractive woman invites you to a party on a Friday night,
18:56you go.
18:57Sisters, one day we will be free from fighting violence, people crying in the streets.
19:11When the angels from above falls down and spread their wings like dove.
19:19Is everyone here from the dig?
19:22Yeah, why?
19:23Okay.
19:25I kind of want you to show me your world.
19:30Come on.
19:38Yeah, this is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafiq?
19:51Yeah.
19:51Why?
19:51Why?
19:53I think your job is safe.
19:57What?
19:59Really?
20:00Come on, let's go.
20:05Come here.
20:06Come on.
20:09Come on.
20:10Come on.
20:10Come on.
20:11This was built by the Nepoteans.
20:15Oh, so what's that?
20:16Ninth century?
20:17Fourth century.
20:18A.D.?
20:19B.C.
20:19B.C.?
20:22Did you say the Nepoteans?
20:23No.
20:24Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's where I went wrong.
20:29Yeah, sure.
20:30You know, it actually flourished due to trade routes.
20:33Incense, spices, silks, and of course, it's gorgeous.
20:37Rock cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the sixth century,
20:46entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is.
20:59Is that interesting to you?
21:02Very.
21:03and he lost the bringen.
21:15So when ĐșĐŸĐœŃćžr was born,
21:16it will be very poor.
21:16Okay.
21:17Good luck on her.
21:19Shent keys nine Tools.
21:24Still nine englishCk appelle.
21:30Here.
21:31You take everything!
21:32Who is willing?
21:34He's coming back.
22:03He's coming back.
22:57He's coming back.
23:03He's coming back.
23:04He's coming back.
23:50He's coming back.
23:54He's coming back.
24:02He's coming back.
24:47He's coming back.
24:48He's coming back.
24:54He's coming back.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant with
24:59Maurice's child.
25:01I need to speak to him right now.
25:02He's coming back.
25:16I'm sorry.
25:17I'm sorry about my colleague.
25:18I'm sorry.
25:19I'm sorry.
25:19Of course.
25:20I'll give you his address.
25:22I'm sorry.
25:23Good.
25:25Yeah.
25:26I'm sorry.
25:27I'm sorry.
25:45I'm sorry.
25:51I'm sorry.
26:05Stop, stop, stop!
26:34Mon bébé, qu'est-ce que tu fais? Je t'ai perdu, c'est quoi le bordel? Viens là , pourquoi
26:38tu veux pas me parler? Je te promets que t'en verras jamais comme la mienne.
26:43Alex, 20 minutes. Laisse-moi 20 minutes.
26:4520 minutes. Comment ça 20 minutes? Tu n'es pas connu pour deux, toi? Deux, ça doit ĂȘtre ton gay,
26:50ça!
26:50Tu vas me foutre, toi, tu es connu!
26:55Get out of my way!
26:57Pourquoi tu vas-y loin? Tranquille...
27:00Ăa va? Tu vas te blesser lĂ , arrĂȘte!
27:04Ăa se voit qu'elle n'en a jamais tenu.
27:06Ouais, ça se voit.
27:08C'est comme ça qu'on tient plutÎt. Comment on n'a pas avec confiance?
27:14How are you doing now?
27:15What are you doing now?
27:19Look at me when I tell you.
27:23Come on, come on.
27:27Come on, come on.
27:29Come on, come on.
27:30What are you doing?
27:32I call the police!
27:32Oh!
27:34Do you hear me?
27:35Are you scared?
27:35Come on, let's go!
27:37You're a bit in the brain!
27:38Come on, let's go!
27:40Don't talk to me again!
27:42Come on!
27:44Call your mother!
28:08You're a bit loud.
28:09Come on!
28:10Get off the car!
28:12Come on!
28:12Get off the car!
28:14Get off the car!
28:20Get off the car!
28:27Get off the car!
28:39Hello.
28:40Mr Giroux.
28:50Hello.
28:52Hello.
28:53We have a salary tax on a national job.
28:58We have a plan to pay for the country.
29:00We have a plan to pay for all the workers.
29:02We have a plan to pay for the government.
29:05We have a plan to pay for the government.
29:08Yes!
29:12Oh, my God!
29:13Oh, my God!
29:14Oh, shit!
29:16Oh, my God!
29:17No, no, no, no, no, no!
29:19OK.
29:25Oh, what the fuck?
29:32Madame?
29:37Madame, madame, hold on.
29:39Wait, wait, wait, hold on. It's okay.
29:40I know, but you just...
29:42I'm sorry, I don't like that.
29:44I don't know. I just got in here.
29:46Okay, shh.
29:47Anna!
29:48Anna!
29:50Alice!
29:51Alice!
29:53Alice!
30:10Look!
30:13It's the same as you.
30:14That's the same as you.
30:15It's the same as you.
30:15Yes!
30:17No!
30:18Yes!
30:23I'll sleep, I'll pimp you!
30:24You can't see it, Mr. Oof!
30:40L'OF, wesh!
30:44You're gonna come!
30:45That's a bad thing!
30:45That's a bad thing!
30:45Let's go!
30:46Let's go!
30:46Let's go!
30:46Let's go!
30:47That's he's a bad thing!
30:47Does that hurt?
30:48Come on!
30:48You're a bad thing!
30:48That's what I had to tell you!
30:53I can't go there.
31:00I can't go there, but I can't go there.
31:02I'm going to go there, and I can't go there.
31:09I'm sorry, I'm not sorry.
31:12I can't go there.
31:16I can't go there.
31:27Oh, my God.
32:04It's not a matter of policies, it's a matter of marketing.
32:07When did you get so cynical?
32:15Something has happened, I need to see you right away.
32:19Alice, is everything okay? I thought you'd left.
32:21No, no, it's not. I just went to see the conductor, the one from Tom's train, and when I got
32:26there, he was dead. He was dead. He was dead.
32:28Wait, wait, wait. Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular. He had very dark hair with, like, a bun.
32:42Where are you?
32:44I'm at the hotel, Perron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:10She's at the hotel, room 218.
33:14Go there, now.
33:15Go there, now.
34:00What?
34:01I was right about the conductor.
34:03What?
34:03I went to his apartment, but when I got there, he was already dead.
34:06Someone slit his throat.
34:09Who have you spoken to?
34:12Just one person from Tom's charity.
34:14He's coming, actually, to meet me right now.
34:16Alice, which hotel?
34:18Which hotel are you staying at?
34:20Perron.
34:20I'm coming now.
34:22Do not speak to anyone.
34:24You hear me?
34:26Do not speak to anyone.
34:27Come on.
34:29Come on.
34:40Come on.
34:41Come on.
34:42Come on.
34:45I'm sorry, I'm sorry.
34:59I'm sorry.
34:59Livraison.
35:14I have a delivery for Alice Monroe.
35:55I have a delivery for Alice.
36:00I have a delivery for Alice.
36:33Are you okay?
36:35Yes.
36:36Okay.
36:37I'm having a panic attack.
36:39Breeze.
36:41Oh my God.
36:42Breeze, Breeze, slowly.
36:44Oh my God.
36:45You're safe Alice.
36:48It's Durand.
36:48It works at SOS, not Anthem.
36:52No, he's been helping me.
36:54I cannot protect you if you do not want to be protected.
36:58Uh...
36:58Does he know which hotel you are staying at?
37:00Yes, but who else knows?
37:03I guess Inspector Drax knows, but-
37:05Okay, so at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:20How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To-to know things.
37:32Okay, you better start telling me some truths or I'm gonna call him back.
37:34Don't be so stupid.
37:36Okay, fine.
37:36Don't be so-please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:48First, we need to go somewhere safe.
37:51First.
37:53I-
37:54Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a Bette Noire for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom.
39:00Yes.
39:06I have reason to believe.
39:09Oh, no.
39:09You are- you are so, so far off on this one that Tom would never, ever-
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I withheld the truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41Suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:50Yes.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:12If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too, too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay.
40:20So Drax.
40:22Hmm.
40:22This city is packed with dirty cops.
40:25Maybe he plans to set you up for Jero's murder.
40:28Oh my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
41:09You have nowhere to go.
41:11ContrĂŽleur Maurice Jero, we're actively looking for the suspect number one.
41:16An American named Alice Monroe, the trentaine.
41:19You have the least information concerning this person.
41:22You have the least information concerning this person.
41:24You have the least information concerning the police.
41:24Contact the police.
41:42message pokemon jedes, check us out.
41:46I don't know who got here, but I'll be able to go.
41:49Look out, did you know got here and put you off?
41:50And then?
41:56You have time out to get vaccinated, please patent your disrespect, correct?
42:02Have you used this information?
42:02I don't have my ì§êžêčì§!
42:11ćčŽ
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