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04:33abone olun.
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05:39abone olun.
05:39The floor manager is actually called the floor manager.
05:41I didn't know that.
05:42A floor manager.
05:44As a floor manager, I thought you'd like bend down and lift up all the grass,
05:48like tidying up the floor.
05:49Actually, you yell out like you use your voice.
05:52Stand by everyone.
05:54Hi, this is Dan on camera one.
05:55Can you hear me?
05:58Camera one reading you.
06:00It's really fascinating being in the control room
06:03because it's a side of production that we rarely get to see.
06:07It's just really interesting.
06:09We're getting into recording and action.
06:13Hello, I'm Abby.
06:15Oh, and I'm Anastasia.
06:16Hello.
06:17We are making pigs out of socks on PlaySchool today.
06:22I wonder how many we can make in a minute.
06:25One, two, three, four, five, six, seven.
06:31That's pretty good.
06:32Amazing.
06:33Cuts.
06:38I definitely think my questions will be getting a bit better
06:43after what I have seen here today.
06:48Hey, guys.
06:49I'm Molly.
06:50Welcome to my bear cave.
06:52Come on in.
06:56I love making films.
06:59I love watching films.
07:01I got this beautiful trophy here.
07:04I won it for my filmmaking.
07:06It's really cool that this is actually the first trophy I ever won.
07:10I want to be a filmmaker to help tell stories and express not only myself,
07:16but I guess other people in the world.
07:18I think it is important to make sure that everyone's voice is heard.
07:21Good girl.
07:23Yeah.
07:27All right.
07:28Ready?
07:29All right, Molly.
07:30Tell me what you're thinking about for Claudia.
07:32I'm not feeling 100% confident with these questions.
07:34Oh, that's what I'm here for.
07:36If you were 100% confident, I'd be out of a job.
07:39Interviewing Claudia is such a big deal because it's not every day you get to meet such a very famous
07:45and also amazing film person.
07:47How are we all?
07:48Yeah, good.
07:49Thank you.
07:50I got this notebook for $1.
07:51Wow.
07:52That's a pretty good deal.
07:53Yeah, yeah, yeah.
07:54Very good.
07:55How are we feeling generally about Claudia?
07:57I think I feel okay.
07:58Yeah?
07:58I feel okay about it.
07:59Well, I'm most interested about Claudia.
08:01She said she doesn't really like kissing.
08:04on camera and I'm like, oh, that's interesting because she's done it so many times.
08:12Like, how on earth does she do that?
08:17My mum said in the scene in Love My Way, it's the saddest death scene ever.
08:23Oh, totally.
08:24Do those kind of scenes affect you when you go home after work?
08:28Fletcher, that's a great question because every person that's ever seen that show,
08:32the second you mention it, everyone will just go, oh, that was the worst.
08:36It was so sad.
08:38All right.
08:38What do you think?
08:39Okay.
08:40So I'll be candid.
08:41I actually drew a blank for a long time.
08:44I've just come up with some last minute impromptu questions.
08:48That's all right.
08:49Sometimes they're the best ones to come up with, not to overthink it.
08:51Very true.
08:52Just light bulb moments.
08:54Yeah.
08:54I really admire Claudia Carvin.
08:57Number one, because she's very grounded, but mostly because of her rapport with her brother
09:02who has schizophrenia.
09:03I've been really close to people with schizophrenia.
09:06When people are mentally ill, be very meek, very underappreciated, underserviced.
09:14And so I really admire her for staying strong and helping him.
09:19It's good to have vulnerable questions like that.
09:22Like I was apprehensive about perhaps, you know, digging too deep.
09:27It's good sometimes if you've got that point of connection, like the relatability because
09:31of the relatives with schizophrenia, that can help sometimes open up a line of questioning
09:35because you kind of know the area, so it helps you out a bit.
09:38That's one of the reasons we're going to do those field trips, because sometimes I reckon
09:42being immersed in that world can help spark, you know, ideas that wouldn't otherwise come to you.
09:47With Claudia, what I'm a little bit worried about is that actors are inherently used to
09:52playing somebody else.
09:53So getting to the real person is a challenge.
09:57Claudia is also a producer, so she's used to being in control and running a situation.
10:01And we want to break that.
10:03We want them to be running the situation.
10:13Okay, hold it out in front of you.
10:15Hold it out in front of you.
10:16Okay, and mark it.
10:21Hello, Lee.
10:22Hey.
10:23Hello.
10:23How are you doing?
10:24I love what you're wearing today.
10:25Hi, Molly.
10:26Oh, thank you.
10:26How are you feeling about Claudia, Savvy?
10:29Good.
10:30I don't know much about her.
10:31Yeah.
10:31I'm not sure what's to come.
10:33Well, that's good.
10:34We'll learn about her today.
10:38We'll learn about her today.
10:39Alright, she's on the way, guys.
10:41Hello, you.
10:42Hi.
10:43How are you doing?
10:44You're good.
10:44Beautiful.
10:45Thank you.
10:46Thanks for having me.
10:47Come through.
10:47Everyone, this is Claudia.
10:50Hi.
10:51Hi.
10:51How are you?
10:52Yeah, there she is.
10:54The top is very, um, very nice.
10:58Thank you.
10:59Hi.
11:00Hello.
11:00How are you?
11:02Claudia, nice to meet you.
11:03Hi, Fletcher.
11:04Fletcher, Savannah, Molly, Finn.
11:08Oh, I'm not going to remember everyone's names now.
11:10I'm Willow.
11:11Sorry.
11:12I'm Willow.
11:12Willow.
11:12Willow.
11:13I love your dress and your shoes.
11:15Happy shoes.
11:16I'm still listening.
11:17I'm just doing my sense to talk to help me keep me calm.
11:19Be calm.
11:19Yes, do it.
11:20Go for it.
11:21We all want to be calm.
11:24Calm is good.
11:27Are we starting, are we?
11:28Um, yeah.
11:29Just, this is our inclusion.
11:31This is our inclusion statement.
11:33Oh, yes.
11:33This is a safe space.
11:35Everyone can relax and be themselves.
11:36There will be no judgement.
11:38Please do what you need to join in.
11:40For example, fidget, move, take a break.
11:43Ask if you need anything to help you be included.
11:47Thank you.
11:48I love that.
11:48Great, Asia.
11:50Yep.
11:50Alright.
11:52Hello, Claudia.
11:53Hello.
11:54We are a collective of autistic journalists
11:56and we are so happy that you took the time
11:59and come and have fun with us today.
12:00Our rules are, no subject is out of bounds.
12:03No question is off the table and anything can happen.
12:07So, please have fun, be yourself and welcome to the assembly.
12:11Thank you.
12:11Thanks, Anastasia.
12:12Thanks for having me.
12:13Mitch, do you want to kick us off?
12:15I am a huge Star Wars fan.
12:18You were filmed for Star Wars 2, Attack of the Clones,
12:21but your scenes got cut, which is unfortunate.
12:25Were you upset with George for that?
12:29Not at all.
12:30It was awkward though, because I was doing a TV show
12:32and I think it was live or something, and they asked me,
12:35oh, what was it like being on Star Wars?
12:37And I just found out that day that it was a deleted scene.
12:39It was still on the DVD, but it was a deleted scene.
12:41Yeah.
12:41And I had to sort of go, oh, it was a deleted scene.
12:44But I did experience being on that set.
12:47It was fascinating, like the costumes were incredible,
12:50all the detail, the fabrics.
12:52I played Natalie Portman's sister, so it was lovely to meet her.
12:56She's an extraordinary actress.
12:58But I must admit, the scene that I was in
13:01was sort of like a suburban family dinner.
13:05Yeah.
13:05And even when I was sitting in, I was like,
13:06this doesn't feel very much like Star Wars.
13:09It feels a bit like a family TV show.
13:13So I'm not surprised it was a deleted scene.
13:16Yeah.
13:16To be honest, I think Star Wars number 2 isn't the best element.
13:20I agree.
13:22It's probably the worst.
13:24One of the worst.
13:25One of the worst.
13:26So not only was I deleted, but I was in one of the worst.
13:31It's just getting...
13:33It's going from bad to worse.
13:34I'm sure your acting would have made it better, though,
13:36if you weren't cut.
13:39Thanks, Claudia.
13:40Thanks, Mitch.
13:41Hello, Claudia.
13:42Hi, Bethany.
13:42I'm Bethany.
13:44You split up with your partner who you were with for 22 years.
13:47Now, what do you look for in a partner?
13:53Someone who I feel calm and secure with.
13:57Nice, nice.
13:58Are you looking for a partner at the moment?
13:59No, I have found a beautiful man who I feel calm and secure with.
14:04Very in love.
14:05Thank you.
14:06Thank you, Claudia.
14:07Thank you, Bethany.
14:08Molly?
14:12I heard you had a bit of trouble getting along with your dog co-star in the movie Molly.
14:16My name is Molly.
14:18Has this affected the way you like and perceive other people named Molly?
14:22No, I love the name Molly.
14:24It's a beautiful name.
14:25It's really cheerful.
14:27That dog, it could sing, but it just wasn't very friendly.
14:34The owner probably is a bit upset about me saying that.
14:37Anyway, no.
14:38I love Molly.
14:39It's a great name.
14:41Thank you.
14:42Thanks, Molly.
14:43Anastasia.
14:44Yes.
14:46Hello, Claudia.
14:47Hi, Anastasia.
14:48I heard you don't like kissing while acting, and I agree.
14:52It's awkward.
14:53But you still do it so many times.
14:56How do you have your mindset on kissing someone?
15:01Cheeky question.
15:07Well, it's a very odd part of the job, for sure.
15:13When I was younger, we didn't have these people that we now have on set called intimacy coordinators.
15:20Have you heard of them?
15:21No, I actually haven't.
15:22Oh, you've heard of them?
15:23It's a really fantastic new addition to a crew.
15:26So, since hashtag me too, there was a lot of issues around protecting people on set and in the wider
15:36world.
15:36So, the intimacy coordinator was introduced on sets to make sure the actors felt safe.
15:42Because, for instance, when we do a stunt, like a fight sequence, we have-
15:47Oh, like stunts?
15:48We have a stunt coordinator who says, you know, don't kick that person, you might get them in the balls.
15:53Oh, that's cool.
15:54They coordinate everything.
15:56But then when it came to doing a sex scene or an intimacy scene or a kissing scene, there were
16:02no-
16:03There's no choreography.
16:04You were just on your own.
16:05Oh.
16:06So, things have really improved.
16:07But it's still awkward because you are there with an intimacy coordinator.
16:10Yeah, it is awkward because you're still kissing someone's lips.
16:12Like, ugh.
16:13But they ask you all these questions like, are you going to do an open mouth kiss?
16:17Are you comfortable with tongues?
16:19Like, you have to go there and talk about very awkward things.
16:23Oh, hell no.
16:23But at least you talk about it and it's not something that's sort of buried and you're like, I don't
16:29know what that person's thinking.
16:30Oh, my God.
16:31Wow.
16:32So, it's a really great improvement in our industry.
16:36That's great.
16:36All right.
16:37Thank you, Claudia.
16:38Thanks.
16:39Thomas.
16:41Hi, Claudia.
16:42Hello.
16:42How are you?
16:43My name is Thomas.
16:43Hi, Thomas.
16:44The nightclub you were raised in was one of the first ever had Pac-Man and Space Invaders.
16:50Did you ever play any of those games at the nightclub?
16:52And if you did, what was your score?
16:54Oh, my score.
16:56I don't remember my score, but I did get like number one a lot because I got to play it
17:01for
17:01hours and hours and hours and hours.
17:03We had the stand-up Space Invader.
17:06Then we had the sit-down one where you had like four different games you could choose from.
17:11Pac-Man, Galaga.
17:13Um, Toot and Carmen was one of my favourites.
17:16Um, I don't remember my score, but I do remember we used to be able to tip the machine upside
17:22down and get a knife and get fake credits.
17:26Pack the scores.
17:28Yep.
17:29You're just like, I'm getting a jackpot.
17:31Yes.
17:32Yep.
17:32So we didn't have to put the 20 cents in.
17:34Bit naughty.
17:36Thank you.
17:37Thanks, Thomas.
17:42Hello, I'm Silas.
17:43Hi, Silas.
17:44How are you?
17:45Um, how has growing up around nightclubs shaped your opinion on recreational drug use?
17:52Woo!
17:54That's a nice one.
17:56Very good.
18:02Um, I, I, I'm law-abiding.
18:06I believe the law is good.
18:08Ha ha ha ha!
18:10Um, hmm.
18:18I'm just, this is a...
18:23Wow, I've got score to this.
18:27This is great.
18:28I've got, there's an instrumentation going on here.
18:31Yeah.
18:33Okay, so I like the way you've contextualised the question
18:36because from my childhood observing that sort of environment,
18:43I would say moderation is the key and it's the key to everything.
18:48Thank you.
18:49Daniel, you're up.
18:50Alright.
18:52Daniel.
18:53Hi Claudia, how are you?
18:54Hi Daniel.
18:54Good to see you.
18:55Good to see you too.
18:57I know you tried working in Hollywood
18:58and you said it was a stressful and lonely experience
19:01and there were a lot of people who would literally kill
19:04to get into Hollywood.
19:07So, can you explain what were the moments you experienced
19:12in Hollywood that made you realise it was not for you?
19:15Yeah, I mean I was quite young.
19:17I went, the first time I went,
19:19which was the time that I'm referring to probably,
19:22was when I was 19.
19:23So I possibly went too young
19:25and there was this R.E.M. song.
19:30Do you know the R.E.M. song called Everybody Hurts?
19:34Oh, yeah, yeah.
19:36I just played it all the time and cried a lot
19:39and I think, I was like, this is not the place for me.
19:42I'm feeling sad here.
19:43It's as simple as that.
19:46I just, yeah, I think I just missed my family
19:51and my friends
19:52and I didn't have a lot of confidence
19:54and you really have to be very confident
19:56in that landscape, in that industry.
19:59It's quite tough
20:00and it's a big city.
20:01You have to drive everywhere.
20:03So it's sort of, I like walking.
20:05Oh, so do I.
20:06There's not even many footpaths.
20:08I'm a fitness fanatic
20:10so I walk around all the time.
20:12Yeah, I love walking.
20:13Mm, thank you.
20:15Thank you.
20:16Thank you, Daniel.
20:17Hello, Claudia.
20:18I'm Dale.
20:19Hi, Dale.
20:20You once said you deliberately wanted to invite chaos
20:23into your life through motherhood.
20:24How has motherhood shifted not just what stories you tell
20:27but how you tell them and where you find meaning?
20:30Wow, what an extraordinary question.
20:32That's beautiful.
20:34I did invite chaos into my life, that's for sure.
20:38And it's changed everything.
20:39Yeah, most definitely.
20:41It's, it's, um, it's, uh, from then on a lot of stories,
20:47like Bump is, um, very much a mother-daughter
20:51and mother-son as well, um, a lot of stories.
20:55Um, it's changed all of the relationships I build,
20:59I think, around creativity,
21:00that they're collaborative and, um, and long-lasting.
21:06Awesome.
21:07Thank you.
21:07Thank you, Dale.
21:08Um, Abby, you're up.
21:10Hello, Claudia.
21:11Hi, Abby.
21:12I love Bump so much and I've watched all the episodes.
21:17What was it like having Dylan Olcott as part of the cast
21:20and how do you think he went with his first acting job?
21:24Oh, he was so fantastic.
21:26So we met with him really early on and we said,
21:29look, you've got your own brand of humour
21:30and he loves making jokes about, you know,
21:35like being in a wheelchair.
21:36So he, he offered us up lots of great ideas
21:39and we put them in the film, in the show.
21:41Um, and he was such a great spirit on set.
21:45He's a very busy man though,
21:47so it was sometimes hard to schedule him on.
21:50Um, but he was great.
21:52Well, I thought Dylan was very good
21:54and I liked how there was someone in a wheelchair.
21:57Good.
21:58Oh, I'm glad about that.
21:59Thank you very much, Claudia.
22:01Thanks, Abby.
22:02Fletcher, you're okay.
22:05Spoiler alert.
22:06The scene in Love My Way,
22:08where your character's child dies
22:11and this is the saddest death scene ever
22:13and my mum still cries thinking about it.
22:16Why do you kill this character?
22:20I know, I know.
22:22Um, I remember the day when we went,
22:26we were in the writer's room
22:27and we had developed up to about episode five
22:31and we were still working out
22:32what was going to happen in the series
22:34and Jacqueline Persky,
22:36who was one of the co-creators,
22:38she came into the room and she said,
22:40I think Lou has to die.
22:42And the reason why Lou has to die
22:44is because we have created this family
22:46and she is the linchpin
22:47and us as writers,
22:49we have to pull that linchpin out
22:50to see if the family will still stay together.
22:54And we were all bawling our eyes out
22:56and I said, sure,
22:59but secretly I was like,
23:01the network are never going to let us do this.
23:03It's fine.
23:04I won't have to do this.
23:05I'll just support her,
23:07but really I won't have to do it.
23:08Then the network came in
23:09and she pitched it to the network
23:11and they said, yeah.
23:12And I'm like, oh, no.
23:14Oh, no.
23:16I know.
23:17That was awful.
23:19Thank you so much, Miss Claudia.
23:21Thank you so much.
23:22Thank you, Fletcher.
23:23It's nearly making me cry
23:24just thinking about watching that.
23:27I know.
23:28All the mums.
23:30Finn, your go.
23:31Hey, Claudia.
23:32Hi.
23:33So you've had a prolific career
23:35spanning decades acting, directing and producing.
23:39I'm knackered by the early afternoon,
23:41so how do you avoid burnout?
23:43Yes, that's a big one.
23:47When I'm not working,
23:49I nap all the time.
23:51Like, even after being here today,
23:54I will go home and have a nap.
23:55I love naps.
23:56I call them nana naps.
23:58Even when I'm on set
24:00and there's lots of people around,
24:02I find that I can just sit in a chair
24:03and I'll just go...
24:05..and just, like, power down.
24:07Alrighty.
24:08So, find your relationship
24:10with your brother heartwarming.
24:12I have two people close to me
24:14who are schizophrenic as well.
24:16It can be difficult to interact
24:18due to volatility.
24:20How are you able to maintain
24:21such a good relationship?
24:23What's your advice to other people?
24:25Thank you for that.
24:26That's a beautiful question.
24:27I did see my brother on the weekend.
24:29We went shopping and he rang.
24:31He doesn't often take initiative,
24:34like, come up with things
24:35that he really wants to do.
24:37But he rang me and said,
24:38I really want a radio.
24:39I want to be able to listen to the radio
24:41and listen to some music.
24:42So we went to a shopping mall
24:44and bought a radio.
24:46I think the key with my brother
24:49I learnt sort of quite late in life.
24:51I think I was always trying to help him.
24:54So I would go,
24:54here, I bought you yoga,
24:58tickets to a yoga class.
24:59You've got to do this yoga course.
25:00It will help you.
25:01Or when you're walking, Rupert,
25:03don't look at the ground.
25:03Look up at the sky.
25:05It will help you, you know,
25:06stop being so internalised.
25:09But when I learnt to stop giving him advice
25:12and just accept him,
25:14however he was,
25:14if he was in a sad mood
25:17or a bit manic
25:18or just meet him, basically.
25:24I'm an ambassador at the Wayside Chapel
25:26and their motto there is
25:30visitors are people to be met,
25:32not problems to be fixed.
25:34So the minute I stopped
25:35treating my brother like he had a problem
25:39and he was just someone to be met,
25:42it was so much easier as well.
25:44That's the weird thing.
25:44It was just so easy
25:46to just give him a hug
25:48and tell him I love him
25:49and chat.
25:52I think that's perfect.
25:54Yeah, it's really easy.
25:55And he responds to me differently too.
25:58So that's, it's just lovely.
26:01So before having children,
26:03were you worried about the strong,
26:05the genetic component at all?
26:09Yes, yeah.
26:10I never did any genetic testing,
26:13but I think since I've had the experience,
26:19hopefully I would have dealt with it
26:22as well as I could have.
26:25Wonderful.
26:25Thanks so much.
26:26Thank you, Finn.
26:27No worries.
26:30Hello, Claudia.
26:31Hi, Andrew.
26:32How are you?
26:33Welcome, I'm Andrew.
26:34Nice to meet you.
26:34I live on the south coast
26:36and I love plants.
26:37I can't imagine my life without nature.
26:40You live in the middle of the city.
26:42Do you miss nature?
26:44I actually made contact
26:46with a beautiful landscape gardener
26:50and he designed a beautiful urban garden for me.
26:53So I have a grapevine,
26:56I have passion fruit vine,
26:57I have a big,
26:58I have herbs
26:59and I have a compost.
27:01Oh, wow.
27:01And that's one of my favourite things.
27:03My favourite things in the world
27:05is to go into the compost
27:06and turn it
27:07and look at all the worms.
27:08That's right.
27:09It's one of my favourite things,
27:10especially if I'm having a bit of a flat day
27:12or I'm feeling a bit sort of,
27:13a bit melancholy or something.
27:15If I turn that compost,
27:17I don't know,
27:17everything just seems to make sense.
27:20Thank you.
27:22Thank you, Andrew.
27:22Andrew's an amazing gardener.
27:24Any tips you need?
27:25Andrew, as you go.
27:26I will.
27:27I do have a beautiful black elephant leaf plant
27:29that I need, yeah, struggling.
27:32Do you want to pass to Savannah?
27:35Thank you.
27:36Hi, Savannah.
27:38Hello.
27:39Hugh Jackman was the main character
27:41in the movie Flushed Away.
27:42His character is a good-looking rat.
27:45Is he a good-looking rat in real life?
27:48Oh, my God.
27:50Yes, yes, yes, yes.
27:53Is he a good-looking rat, did you say?
27:55Yeah, as in a squeak-squeak rat.
27:56Oh, yeah, yeah, right.
27:58He, I'm so glad you asked me about Hugh Jackman
28:01because I can honestly say,
28:03you know, as you get older,
28:04sometimes there's a bit of a difference
28:07between perception and reality.
28:09Like something, you perceive something to be one way
28:11and then you discover the reality,
28:13it's something quite different.
28:15With Hugh Jackman,
28:16he is exactly as you think he would be.
28:19He is a genuinely beautiful human being.
28:22I adore him and I loved working with him
28:25and, yeah, he's a good-looking rat.
28:29I 100% agree with you.
28:31Thank you very much, Claudia.
28:32Thanks, Savannah.
28:33Thank you, Savannah.
28:34Mitch, will you pass the mic to Willow?
28:37Thank you.
28:39Well, welcome.
28:42Hi, Willow.
28:43Hi, you had a lot of on-screen kissers done
28:49with some very handsome actors.
28:53Who was the best kisser?
28:56Sorry.
28:57Stop.
28:57Give him a kiss.
28:59I'm not in.
29:00Well, as much as I love Hugh Jackman,
29:02it wasn't Hugh Jackman.
29:04LAUGHTER
29:05LAUGHTER
29:07Imagine if Hugh Jackman watches this right now.
29:11He'd be sitting on the couch having popcorn
29:14and be like, what the hell, Claudia?
29:17He won't mind.
29:18He won't mind,
29:19because we actually had to reshoot it about three times,
29:22so he knew we had problems.
29:25OK.
29:26Who was the best?
29:27Mm-hmm.
29:28Oh, dear.
29:30Oh, actually, I'm just going to be really honest.
29:34Yeah?
29:35I did a film, a telemovie called Never Tell Me Never.
29:41about Janine Shepard,
29:43who was a cross-country skier,
29:46and we were in the ski...
29:48in the snow,
29:48and they said,
29:49we need a cutaway of you kissing your boyfriend,
29:52but the actor who played my boyfriend wasn't there.
29:55No!
29:55So they said,
29:57oh, can we...
29:57They just pointed to some random person from the crew
30:00and said, so can you kiss him?
30:02And I was like, um, no.
30:04LAUGHTER
30:05I said...
30:06I was like, um...
30:08cos it was a wide shot, so you couldn't really tell.
30:10So I was like, um, no,
30:12um, I think I need to kiss an actor
30:14cos only another actor is going to understand
30:16that it's not a real kiss,
30:18it's a performed kiss.
30:20And Joel Edgerton happened to be there,
30:22so I was like,
30:22Joel, can you kiss me for this, um...
30:25And I think he was the best kisser.
30:28LAUGHTER
30:29Thank you!
30:32And he's a lovely, lovely guy.
30:33He's a lover.
30:35He's a good friend.
30:37You received, um,
30:39an Order of Australia from your work.
30:41Do you put O-A-M after your name
30:44when you signed documents or cards?
30:48Um, if I'm trying to impress someone
30:51and trying to get their attention,
30:52I will.
30:53So, um, I haven't done it very often,
30:55but maybe when I'm, like,
30:5890 years old,
31:00if I get to live to 90,
31:01I will introduce myself as...
31:04Oh, it's called O-A-M.
31:06LAUGHTER
31:08LAUGHTER
31:08O-A-M.
31:09I'll be telling everyone
31:11when I'm 90,
31:12and they'll be like...
31:13everyone will be like...
31:14LAUGHTER
31:16Boring!
31:17You'll never be boring,
31:19even at 90.
31:20Oh, thanks.
31:20No, you'll be lovely.
31:22I love you anyway you are.
31:23Thank you, I love you too.
31:24And thank you.
31:25Thank you.
31:26Hi, I'm Oliver.
31:27Hi, Oliver.
31:28Um...
31:29I love your shirt.
31:30Oh, thank you very much.
31:31Um, the arts are full of rejection.
31:34For every audition, grant,
31:36funding application you go for,
31:38you inevitably get more no's than yes's.
31:40I know for me,
31:42it so often begins to feel personal,
31:44even when I know that it isn't.
31:46How do you maintain faith in your ability
31:49when it so often feels like
31:51there's something wrong with you?
31:54That's...yes, it is a big part of the job.
31:57You're right, you just don't take it personally.
31:58Um, even though, yes, it is disappointing.
32:01So it's about sort of processing disappointment
32:04and letting yourself have a cry,
32:07letting yourself go back to bed
32:09and go, okay, today's not for me,
32:11I need to have a nap.
32:13Um, you just, like, lean into the feelings, I guess,
32:17and the sadness, and then it passes.
32:19Thank you very much.
32:21Um, Pat, you're up.
32:22All right.
32:23Hello, Claudia, nice to meet you.
32:25Hi, Pat, nice to meet you too.
32:26Um, so,
32:28the autistic mind tends to notice
32:30some of the most hidden things,
32:32for example, specific sounds,
32:35shapes, or even bits of history.
32:37Do you have any hidden things
32:38that you see or notice in the world?
32:42Yeah, that's a great question.
32:44I think I do notice body language,
32:46so I'll get little clues about
32:49what people are feeling or thinking
32:51or they're sort of the true nature
32:54of someone's relationship.
32:55I think I can tune into it
32:57a bit quicker than other people.
33:00I don't know if that's because I'm an actor,
33:02so I'm a little bit more, um,
33:05reading that a lot more.
33:07You probably would need those to act,
33:09and I wish I had that ability, to be honest.
33:11Do you?
33:11Yes.
33:12Yeah, I'm pretty awful at that, actually.
33:14Well, I used to...
33:15You can buy, like, body language books.
33:17Oh, yes.
33:18Some of them are a bit basic, though, aren't they?
33:20Mm, yes.
33:20And sometimes people's body language
33:22is just very personal to them,
33:23like, what, one movement with some person
33:27might mean something different to another person,
33:29but I think it's sort of staying calm,
33:31because sometimes when you get a bit agitated
33:33or nervous, you can't read anything
33:36because you're listening to the heartbeat
33:38in your own eardrums or your breath is short,
33:41and so you're not...you can't pick up on anything.
33:43So I think the key is really, like,
33:47I sort of feel my diaphragm going,
33:50relaxing and just trying to stay
33:52in the present moment as much as possible
33:55so that I can absorb anything, yeah, I need to hear.
34:00because acting is all about listening
34:02and you have to be in the moment to listen
34:04and it's hard to listen when you're nervous.
34:06Hmm.
34:07Sounds very disciplined.
34:08Thank you for that.
34:09Thanks, Pat.
34:10Thank you.
34:10Thanks for the question.
34:11Chao, it's your turn.
34:13Hi, Claudia.
34:14Hi, Chao.
34:14Your roles have ranged from the big movies,
34:17like Star Wars,
34:18to roles that look inward, like Love My Way
34:20and Secret Life.
34:22What are your feelings on participating
34:23on roles drastically different
34:25on opposite ends of the spectrum?
34:28Ah, well, yes, um, I really do enjoy working fast.
34:34So shows like The Secret Life of Us, Love My Way, Bump,
34:39we film, like, one episode of Bump in three and a half days.
34:44Okay.
34:45We filmed the Bump Christmas movie,
34:48which is 90 minutes of screen time.
34:50We shot it in 15 days.
34:52Okay.
34:52So I quite like working fast
34:54because you're sort of going on your instincts
34:56and you don't get too bored
34:58because there's a lot of sitting around.
35:00When you go on to the bigger projects,
35:03it's hours and days of sitting around.
35:06So that's not as enjoyable for me.
35:09Or sitting in your trailer for long, long, long periods of time,
35:14I get a bit antsy.
35:17I like being active and I like, yeah,
35:21I like things happening.
35:23Thanks so much, Claudia.
35:25Thanks.
35:25James, it's your turn.
35:27Hi, Claudia.
35:28Hi, James.
35:29How are you?
35:30Good, thank you.
35:31Ronald Reagan was an actor before he became president.
35:34Do you see a space for yourself in politics?
35:37Oh!
35:39Oh!
35:39Oh!
35:40Oh!
35:44It's a really hard job.
35:46And then you'd have to be interviewed by Lee Sales.
35:53That would be terrifying.
35:58So, no, Lee Sales has put me off being a politician.
36:03Fair enough.
36:06Otherwise, I could be prime minister.
36:12Thanks, Claudia.
36:13Thank you.
36:14Thank you very much, James.
36:16Evie.
36:18Hi, Evie.
36:19Hi.
36:20Um, I hide myself all the time
36:23because I'm scared of taking space
36:27and being too much to people
36:29to the point that they will leave me.
36:32You have stood by your brother and never left him.
36:35Why do you think people push aside those who are different?
36:40It's a really beautiful question.
36:45Well, I hope people don't push aside people who are different.
36:49I think the world is changing in that regard, actually.
36:53Um, I think, I think there's been a huge evolution.
36:57And I particularly think your generation, um,
37:01are much more equipped.
37:03They have much better conversations,
37:05much better, um, emotional intelligence.
37:09And I hope that you don't feel like you have to compensate
37:12for other people's awkwardness or, or, um, inadequacies,
37:18and that you never take that personally.
37:20Thanks.
37:22I love dancing.
37:23It, it feels freeing.
37:25And I like, and like I'm performing.
37:28What does dancing feel like to you?
37:32Oh, wow.
37:33I love dancing too.
37:35Um, I, and I came to it quite late in life.
37:37If you would have asked me that question
37:39when I was even in my twenties,
37:40I would have thought dancing just makes me feel
37:44incompetent and embarrassed, um,
37:46because I'm really uncoordinated.
37:49Um, but now I'm older and I've done a lot more of it.
37:52And now I, I've done like ecstatic dance.
37:54Have you done ecstatic dance?
37:56Uh, I'm a, I freestyle, so probably.
37:59Yes, it's like that.
38:00It's freestyle.
38:00It's just like, do whatever you want.
38:02Um, that's hilarious.
38:05Um, partner dancing makes you feel, um,
38:10it's, it's really great being led.
38:13So, and having to follow.
38:14So it's like you're using a whole different part of your brain.
38:17Um, so that feels, um, it's like,
38:22sometimes it's like quite disciplined
38:23and sometimes it's really just loose
38:25and you just release a lot of energy
38:27and it makes you very happy.
38:28Yeah.
38:31Thank you, Evie.
38:32All right.
38:33As it turns out, some of us love dancing too
38:36and we would like to challenge you to a dance-off.
38:38What do you think?
38:39A dance-off?
38:40Do we have judges?
38:41Oh, no.
38:42Got around.
38:43So how, how does it, should I take my shoes off?
38:46Well, all you need to do once the music starts
38:48is to copy our moves and try and keep up.
38:51Right, okay.
38:52Yep, I'm up for it.
38:53Cue the music if you're ready.
38:55Oh.
38:56All right.
38:57Go, Abbey.
38:58Go, Abbey.
39:00Go, Abbey.
39:02Oh, yeah.
39:05Oh, yeah.
39:07Go, go, go, go.
39:33Oh, here we go.
39:58İzlediğiniz için teşekkür ederim.
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