- 19 hours ago
مسلسل And Just Like That مترجم - Episode 1
Category
📺
TVTranscript
00:28You
00:35You
01:02You
01:33You
01:40You
01:43You
02:08Oh
02:41All you need is salt and pepper because a great piece of meat like this should taste
02:46of meat and really not a whole lot else.
02:49So I thought we would make some...
02:50Why do you like cooking shows?
02:51No idea.
02:52Do you cook?
02:54Nope.
02:55Hmm.
02:58Just watch the showers.
03:00Yep.
03:02What about you?
03:03Do you cook?
03:05Um, I always think I'm going to, but I never really do.
03:08You know, a little piece of salmon here and there.
03:12You know, that's about it.
03:13Well, salmon's something.
03:16It is.
03:16Thank you for that.
03:17Mm-hmm.
03:19Salmon hard to cook?
03:20Brutal.
03:20Yeah.
03:21Looks it.
03:23Many years ago, I thought I would start poaching eggs.
03:27I like the idea of eating them in the morning on little toast points, like royalty, you know?
03:34But, yeah, didn't follow through.
03:38Why?
03:40You know, I was 30, too busy to slow my roll for a three-minute egg.
03:45Uh-huh.
03:46Well, I support that poached egg dream.
03:48Hmm.
03:49It's not too late.
03:51I mean, you got the three minutes.
03:54I do.
03:55Mm-hmm.
03:56Come on, baby.
03:58Ooh.
04:00And here we go.
04:06Good morning.
04:08Did you get the caviar I sent you?
04:10Golly, I get so much caviar sent to me.
04:13I don't know which is yours.
04:14The expensive one.
04:15Oh, then I got it.
04:17Totally unnecessary.
04:18Oh, I disagree, babe.
04:20It is not every day someone makes you their plus one to the Met Ball.
04:25I mean, all those years, I've resented those chic bitches just posing on those stairs.
04:31And now, I'm going to be one of them.
04:33Oh, Sima, those stairs are only for celebrities.
04:36Real people like us have a different entrance.
04:39I don't care if I have to squeeze in through a doggy door.
04:41It's the Met Ball, and I'm going.
04:43But who am I wearing?
04:45You're wearing that young new designer, LTWs, and custom Valentino, so I'm sure Charlotte
04:50will bring it.
04:52Oh, can you hold on a second?
04:53I called Tom Ford, but I sold his apartment last year and did not get his asking.
04:58Hello?
04:59It's Charlotte.
05:01Oh, hi.
05:03Come on up.
05:05Uh, listen, I gotta go, okay?
05:06I'm just so excited.
05:08Bye-bye.
05:08Okay, I'm out of here.
05:10Oh, don't you want an egg?
05:12No time.
05:13Right.
05:13Because I ruined the first two.
05:15Hang in there.
05:16Oh, that's, um, that's my friend Charlotte.
05:20I don't know why she's here.
05:23You want to open the door and find out?
05:24Oh.
05:25Oh.
05:30Hi.
05:30Is it too early?
05:31I just got my sketch of my Met Ball dress.
05:36Oh, I'm Charlotte Goldenblatt.
05:39This is Franklin Silvius.
05:40He's just leaving.
05:41Franklin, this is Charlotte.
05:43She's just arriving.
05:44And I'm Carrie Bradshaw.
05:46I'll be your host and emcee for about the next 30 seconds.
05:50And who's this?
05:51Oh, uh, this is Richard Burton.
05:53I had to carry him up the stairs because bulldogs have weak hind legs.
05:57Oh, but great faces.
06:01I'll see you Thursday at work.
06:02Yep.
06:03Thursday.
06:03Okay.
06:04Bye.
06:08Who?
06:09He's my podcast producer.
06:11What?
06:11Do you want to put Mr. Burton down?
06:13Who?
06:13Your dog.
06:15Here, have a seat.
06:15I'm making poached eggs with caviar.
06:18What?
06:19Yep.
06:19I've repurposed my kitchen.
06:21Did you know that stoves aren't just for storage?
06:25Oh, my God.
06:26Look at that.
06:30I just saw the final cut, but let's start the montage with the judicial OG, Constance Baker Motley.
06:38Mama, listen to me recite my French poem.
06:40I got to go, Alice, poetry emergency.
06:42I'll send the file with my act one edits before I leave.
06:45Okay, bye.
06:46Bazzi.
06:52Hey, Ma, where's my lacrosse stick?
06:54Hall closet on the left side.
06:55Did you brush your teeth?
06:56Yeah.
06:57Breath.
06:58Good.
07:02Mom, you never signed my permission slip for the robotics competition.
07:05I sent it in yesterday.
07:06Did you brush your teeth?
07:07Yeah.
07:07Breath.
07:09Good.
07:11Honey?
07:11Yes?
07:12Did my Morehouse tie make it home from the cleaners?
07:14I don't know.
07:15Why don't you ask the other 50 ties in your closet?
07:18Sarcasm for breakfast.
07:19Well, it's lunchtime for me.
07:20I've been up since four working on my edit.
07:22I know you have.
07:24But I missed you this morning.
07:28I missed you yesterday morning.
07:30Did you miss me?
07:32So much.
07:33But right now, I have to send this email, get the children to school, head downtown, and dazzle the Walker
07:39Foundation and get this other 25 grand to finish my doc.
07:42Oh, but other than that, it is all about missing you.
07:46Great.
07:47And you're missing Ty.
07:49Okay, you're working too hard.
07:51Why don't you cancel this meeting and let me write you a check?
07:56Well, that is a very generous offer.
07:58But considering I am a grown woman with an MFA in film and two docs under my belt, I think
08:04I can rely on myself to secure the financing.
08:09Loud and clear.
08:11And later this evening, it will be louder and clearer.
08:15Let's go, Gabrielle.
08:17Au revoir.
08:18Big swinging checkbook.
08:24Okay, go ahead.
08:25We kissed in the elevator three weeks ago at work and wound up back at my place.
08:30I am so, so happy for you, Carrie.
08:33Why didn't you tell me?
08:34I didn't tell anyone.
08:36And don't do the Charlotte thing.
08:37Don't make us into a happy couple.
08:39It's sex, a cooking show, a sleepover every Thursday, and it's great.
08:43The end.
08:45Okay, how big is his dick?
08:47I'm not allowed to be me, so I'm going to be Samantha.
08:50Okay, wait, now I'm going to be Miranda.
08:52If you sleep with someone at work, you are giving away your power.
08:56I miss Charlotte.
08:58If you see her, will you tell her that I miss her?
09:00Yes.
09:01I'm just surprised.
09:02I mean, it's just kind of unexpected.
09:06Well, you know what?
09:08Life's too short not to try something new.
09:11Like poaching an egg.
09:13Hmm.
09:20Hey.
09:21Hey.
09:22How's it going?
09:23Best in the way ever.
09:24The sun, the sex, the toasted chili salsa.
09:28I feel so alive.
09:30Really?
09:30Because it looks like you're just standing around in your underwear in a weird-ass room.
09:34Best standing in my underwear in a weird-ass room ever.
09:37Che got stuck in a costume fitting for their TV pilot, so I'm taking their sensory deprivation tank appointment.
09:45That doesn't sound like you.
09:46It's the new me.
09:48Best me ever.
09:49Well, I'm still the old me, sitting on my couch at night.
09:53Watching Bridgerton knockoffs, waiting for a FaceTime from my estranged husband on tour.
09:57Well, that's got to stop now.
09:59Get out of the house.
10:01Take yourself to dinner.
10:02I tried that, Miranda.
10:04It's exhausting explaining to curious waiters why their favorite married couple isn't splitting their usual cacio e pepe.
10:10Then go somewhere where they don't know you and Andre Rashad.
10:13Will the B-train take me to 1996?
10:14Because we've been together forever.
10:16All right.
10:16I'm done supporting this pity party for a brilliant, tenured Ivy League professor.
10:21If I can float in the dark in a saline solution, you can take yourself out to dinner alone.
10:27Well, I've got to do something.
10:28I took this online yoga class this morning, and this yoga instructor told us to open up and let it
10:32flow.
10:32And I yelled out, fuck you, Andre Rashad.
10:35Oh.
10:35I thought I was muted.
10:36I wasn't.
10:37No longer welcome at Brown Yogis United.
10:40And for the stand-up section, let's drive this around the block.
10:48Okay.
10:50Here we go.
10:52What do you think?
10:57Hey, America, I'm non-binary.
11:00Got it.
11:01Thanks.
11:03I appreciate that.
11:06I kind of like the idea of pulling it all back.
11:08Maybe it's just jeans and a t-shirt.
11:11Jeans aren't very forgiving up top.
11:13And you?
11:13You need a jacket.
11:15It doesn't have to be this one.
11:17But look at how major it is, with the blue stripe and the hair.
11:21Why does my hair look like that?
11:23Hey, where's my star?
11:25They don't like the hair.
11:27Really?
11:27ABC loves the look.
11:29Well, it looks hot on you, BD.
11:32But, I mean, I don't have a blue stripe.
11:35And the character's name is Che.
11:39The show's called Che Passa.
11:41It's me.
11:42No, of course it is.
11:44It's just because, you know, I'm the writer.
11:45So I thought it'd be like a fun little bridge between you and me.
11:48With all due respect, BD.
11:51It's a bridge too far.
11:53They want to just wear a t-shirt.
11:55So no jacket.
12:04Oh, my eye.
12:09Ow.
12:19Where's that light?
12:25Oh, fuck the new meat.
12:33Jesus.
12:37Marsham.
12:38Is there a flavor?
12:39Lollipop.
12:40Lollipop.
12:41Oh, I'll get that.
12:42No, no, no.
12:42Carrie Bradshaw.
12:43It's on me.
12:44And it's not even a fake reach like all the other times.
12:47Are you sure?
12:48Just don't make fun of my credit card.
12:50It's blue.
12:52It's the least I can do.
12:54I mean, you're letting my wife design your fancy-ass dress.
12:56Okay.
12:57It's a big break for smoke.
12:58No, no, no.
12:58This is not a favor.
12:59Okay, no wife of yours, no matter how much I love you,
13:03would ever be designing my dress
13:05if I didn't think she was a crazy mass of talent
13:09who I want to wear first.
13:11Oh, you're going to make me cry.
13:16Smurf National Bank.
13:19Hey, Sue, can you score two more tickets for smoking me?
13:22Jackie, this isn't a Phish concert, okay?
13:24It's the Met Ball.
13:26Come on, we're cool.
13:27I mean, she's black, and I do a podcast in my living room.
13:31To be clear, Herbert's saying you work too hard,
13:33let me write you a check,
13:34translates to be there for my morning cuddle
13:36and help me find my favorite time.
13:38Oh, I know.
13:39Harry's all like, get out there, babe.
13:42You do everything.
13:43Until one morning, he doesn't have his everything bagel,
13:46and then it's like, this house is falling apart.
13:48Hey, I'm really enjoying listening to your podcast,
13:51Rich People's Problems.
13:52You know, you're lucky I'm loaded with pens and can't move
13:54because you don't want me to come over there.
13:55Lisa, where's your hot designer, Pierre Apollo?
13:57I want a selfie with him.
13:59Anthony, is everything all right?
14:01You are my date at Lisa's table.
14:03You are not going to embarrass me
14:05by asking for selfies with celebrities at the Met.
14:07Like I was the one that chased Justin Bieber down that hallway.
14:09It was for the kids.
14:11Okay.
14:11My nanny has the stomach flu and can't pick up Gabrielle.
14:14I know.
14:15I know, I am so sorry.
14:16I promise I won't mess up any of your hard work.
14:18Just tell him he can make the train as long as he wants.
14:20Okay.
14:21Hi, Gabby. It's Mommy. I'm on my way.
14:23Love the boobage.
14:24Oh, thank you. Wait till you see the rest.
14:27What are you going to wear?
14:28A tux.
14:28Just a tux?
14:30The theme is veiled beauty.
14:32Well, I'm a veiled threat.
14:33Just ask anyone.
14:34I'm so excited.
14:36The Met Ball.
14:37God, I love balls.
14:49Okay, dinner is going to be a little bit late tonight because after my fitting, I had to go with
14:54your Uncle Anthony to get his tux.
14:57Mom, you've got a big problem.
14:59Like, giant.
15:00Enormous.
15:00So big.
15:01Rock, stop scaring me.
15:02What is it?
15:03Okay.
15:04Dad thinks he's going with you to the Met.
15:07What?
15:08Why would he think that?
15:09No, your daddy hates these kind of things.
15:12Well, he just came home all excited about his outfit.
15:15What outfit?
15:17Cheerio, old chaps.
15:20Honey, where'd you get that hat?
15:22It matches yours, right?
15:23Am I right?
15:24After I saw your outfit, I went to this guy on Madison Avenue and he is hooking me up.
15:28It's the Met Ball.
15:29I can't just wear a plain old tux.
15:31I'm just surprised.
15:32You're so excited.
15:33I never went to my prom, you know, because I had Epstein Barr that whole year.
15:36Right, right.
15:37I'm really looking forward to it.
15:39You, me, Rihanna.
15:41Oh, you, me, and Rihanna.
15:44Yeah.
15:44Oh, Rihanna.
15:47Next voicemail, Franklin, please.
15:49Coming at you.
15:51This is Chase.
15:53Hi, Carrie.
15:54I'm seeing this guy and we're having great sex, but it's casual so far.
15:59How do I know if he'd be open to taking it to more of a relationship place?
16:03Okay, bye.
16:04First of all, relationship place is a great name for a restaurant.
16:08Okay, I think, and certainly I'm no expert, but if he'd like to go there, there will be a moment
16:16when he sort of steps out of the pattern you are currently both in and signals to you
16:22that he thinks this relationship is more than just sex.
16:26Anyway, that's what I think.
16:27I hope that's helpful, listeners.
16:30Okay, uh, who's next?
16:36Great show.
16:38Yep, back at ya.
16:39Oh, and a buddy of mine is christening his new bourbon line at a rooftop party with some
16:43friends Tuesday night.
16:44Might be fun.
16:46How about it?
16:47Oh, um, sure.
16:50Cool.
16:57I mean, is this a strap-on or a cat toy?
17:02Can we move this along?
17:03I've got to sit at the comedy store at nine.
17:05This is a lot of work for something that I don't even know if I'm philosophically or spiritually
17:09into.
17:10Oh, please.
17:11You scream, give me a dick.
17:14Didn't they have a beginner model?
17:15I'm not a beginner.
17:17Oh.
17:21Okay, you've got at least ten more minutes of heavy lifting.
17:24I'm going to take this.
17:25It's Carrie.
17:27Backstage Cirque du Soleil.
17:28This is Che.
17:29Say hi for me.
17:30Miranda says hi.
17:31Oh, tell her I said hi.
17:33What'd she have to?
17:34Oh, trying to figure out a strap-on.
17:35I withdraw the question.
17:38So, hey.
17:39How are you?
17:40Curious.
17:41What's Franklin like?
17:42My Franklin?
17:44He's a chill dude.
17:46How chill?
17:48Why?
17:51I'm about to take your and my relationship to a very personal place.
17:57I just told you Miranda's strapping on a dick.
17:59We're there.
18:00Put her on speaker.
18:01Oh, she wants me to put you on speaker.
18:03Put her on speaker.
18:04Okay.
18:04All right.
18:07Okay, I'm sleeping with Franklin.
18:09Who's Franklin?
18:10Her podcast producer.
18:11Carrie.
18:12If you sleep with someone at work, you lose your power.
18:15Take her off speaker.
18:16You're out.
18:18Get back to it.
18:19All right.
18:19All right.
18:21So, you and Franklin.
18:24I saw that coming.
18:25I didn't.
18:26Out of nowhere, we kissed in the elevator, and now we have sex every Thursday after the podcast.
18:30Nice.
18:31No, it was until today.
18:32He invited me to a roof party with his friends, and I said yes.
18:38And that's a bad thing?
18:39I don't want to take this to the roof.
18:41In fact, I don't want to take this to any other level.
18:43I like this level.
18:46Thursday sex after the podcast.
18:48Right.
18:48So, why did you say yes to his invite?
18:51I'm pathologically polite.
18:53Okay.
18:53But some relationships are just about sex.
18:57That's the primary dynamic, which is awesome.
19:00But then you have to keep it in the bedroom and...
19:02And not the roof.
19:03Right.
19:04So, back to the original question.
19:06Franklin, what's he like?
19:07Is he really chill?
19:08Or is he going to get, like, you know, all emotional when I tell him I only want Thursdays with
19:13him?
19:13Carrie, truthfully, under all that chill, he's a dude.
19:19So, I have no idea what's up in that man head.
19:21All right.
19:22Thank you, then.
19:23Good night.
19:24Good night.
19:27Okay.
19:31Hey.
19:32What happened to Penispalooza?
19:34Yeah.
19:34Show's over.
19:35Huh.
19:35I'm on open table.
19:36How about we get out of here, grab some dinner, and I come see your set?
19:42Um, I'm still working out my new material.
19:45Oh.
19:45Well, maybe, maybe tomorrow night?
19:47Definitely tomorrow night.
19:49See?
19:50Dick and ply.
19:55Good morning.
19:57My son will be in town for one day next week.
20:01I want you to meet him.
20:03Really?
20:05I'd like that.
20:10So, lunch Monday.
20:15This Monday?
20:17Does it really come down to this?
20:19The man or the man?
20:21Is the universe really that cruel?
20:23Yes.
20:24The universe is a bitch.
20:27Oh, thank you.
20:28My purse was exhausted.
20:30Well, you know, you said you wanted your relationship to move forward, right?
20:34Yes, but this is like a sudden lurch forward.
20:37I've never even been to his place.
20:38My choice.
20:39But meeting his son will definitely get you closer.
20:41I'd be meeting his son and his ex-wife.
20:43She's invited, too.
20:44So, I'll get to see how close we'll stay after our divorce.
20:47So, you can't do both?
20:48Oh, it's a European lunch.
20:49It could take a month.
20:50I mean, if I go to the Met, I'd have to be home with my glam squad by 2.30.
20:562.30?
20:57I need a month.
20:58You need two minutes.
21:00Fuck.
21:00I can't come.
21:01There's just too much on the table.
21:03I'm sorry, Carrie.
21:04Now you won't have someone gorgeous to go to the Met Mall with.
21:07What about that gorgeous booty call guy Charlotte told me about?
21:10I never said booty call.
21:11You have a booty call?
21:12It's not a booty call.
21:13We work together.
21:14So, it's an actionable booty call?
21:17She isn't ready to let someone in in a significant way.
21:21Where'd you get that from?
21:23That's your response?
21:25You're...
21:26Okay, sorry.
21:27All right, what is happening with you?
21:29Uh, I am having, um, exit out of grief sex every Thursday with a very nice man.
21:35He's nice, yes.
21:36Then he asked me to go out with his friends on a Tuesday, and I felt like I had to
21:42say yes.
21:43Just don't go.
21:44Oh, okay.
21:45How?
21:46How do I tell him I don't want to go out on Tuesday without seeming like I see you next
21:50Tuesday?
21:50You're overthinking this.
21:52Man, I'm that emotional.
21:52Just tell him you changed your mind.
21:54He'll handle it.
21:54Okay.
21:55Last week, I was down on my knees, blowing this cute nurse practitioner, and I feel a
22:00tap, tap, tap on my head.
22:02I look up, and he says he thought he was going to be into it, but he changed his mind.
22:05Oh, my God.
22:06What did you do next?
22:07No, oh, my God.
22:08No drama.
22:09I took it like a man.
22:10I got up, got dressed, went home, ate a box of fiddle, fell, and I'm fine.
22:15Well, tap, tap, tap.
22:17What does that mean?
22:18It means that due to circumstances beyond my control, I have to take Harry to the Met
22:24Ball instead of you.
22:25What?
22:26He already bought a top hat, and he never got to go to his prom because he had Epstein
22:30Barr.
22:31So, I had Lyme disease for five months.
22:33Did I throw you from a speeding car?
22:34No.
22:35But we're married.
22:36I can't take my best gay friend over my husband.
22:38Oh, okay.
22:39I didn't know you were on the Supreme Court.
22:40All right, simmer down, simmer down.
22:43You can be my plus one.
22:45See, yes, yes.
22:47You can go with Carrie.
22:48Well, I'll consider it.
22:51Oh, thank you.
23:00Bartender, I'll have what she's reading.
23:03Such focus.
23:05Must be absorbing.
23:07Well, Skip Cates always is.
23:09But since I'm on my second glass of Malbec, I'm having a hard time concentrating.
23:13Well, you're finding your roots over a glass of wine.
23:15That's a challenge.
23:18How was your dinner?
23:19It was wonderful.
23:21I'd love to join you for dessert, but...
23:24But?
23:26You're using your purse as a rampart.
23:29Oh, okay.
23:31Sorry.
23:32I think there's a...
23:33I'll put it right there.
23:33...here somewhere.
23:34There you go.
23:36I'm Toussaint.
23:38Yes, you are.
23:41I'm Naya.
23:42Naya.
23:44Beautiful name.
23:46Have you tried the molten chocolate cake here?
23:48It will make you see the face of God.
23:52I believe it will.
23:53And I do love chocolate, but...
23:57I want kind of a diet.
23:59Oh.
24:00I didn't know you had to give up chocolate once you got married.
24:03You do.
24:04Really?
24:05No wonder I'm still single.
24:08I was too busy looking in these deep brown eyes.
24:11I didn't talk to the ring.
24:12My apologies.
24:13I will make sure your fortress is secure.
24:18Nice to meet you, Naya.
24:22All right.
24:27You good, ma'am?
24:29Yeah.
24:29I'll have another mile back.
24:31Oh, man.
24:34I am so lazy in L.A.
24:37No one walks anywhere.
24:39You know?
24:40It's like yesterday, I took an Uber from my bathroom to my bedroom.
24:43Yeah.
24:44It was way too expensive.
24:48And that is my time.
24:50Thank you so much, everybody.
24:52You've been so great.
24:58Join the end, everybody.
25:00Join the end.
25:01Yeah!
25:02Out here in L.A. filming their TV pilot.
25:05Hey, Che, any part for a white guy?
25:15You were so good.
25:18No.
25:19Don't hug me.
25:20What's wrong?
25:22I just, you surprised me.
25:25I'm at work.
25:26Yeah.
25:29You were so good.
25:49Hey.
25:50Hey.
25:50Hey, Andre.
25:51Turn on your FaceTime.
25:52We're talking now.
25:53We don't need a FaceTime favor.
25:54No.
25:55No, no, we do.
25:57I'm on a FaceTime with you because I want to show you something that's not my face.
26:04Turn it on.
26:05Turn it on now.
26:07What's up?
26:09Isn't it light there?
26:10I miss you, baby.
26:11You know what else misses you?
26:14Not my face.
26:18We're in those panties you like.
26:19You know, the ones with the clip beads.
26:20No, don't put the phone down there.
26:22I'm going to put it down there, baby.
26:24Stop.
26:24I'm not alone.
26:25What do you mean you're not alone?
26:28Who's there with you?
26:29Show me who's there.
26:34Who the hell is that in a hat?
26:36It's not like that, Nye.
26:38That's Heidi.
26:40The backup singer.
26:41I'm helping her write songs.
26:42Oh, you're helping Heidi in a hat write songs in your hotel room?
26:46We're just writing songs.
26:49And it's 9.30 here.
26:51We're fully dressed.
26:51I wish I had known that we were allowed to write songs with other people.
26:56Because tonight, I had the chance to write a song with a super fine man.
27:03It's not like that.
27:05Feels like it is.
27:06And if right now was the song I was writing, it would be a breakup song.
27:11So goodbye, Andre Rashad and little miss hipster Heidi.
27:24Bugger around and sign up.
27:28Coming!
27:31Hello!
27:32Here we are!
27:33That is a stunning kimono!
27:35Oh, thank you.
27:36My friend Stanford sent it to me from Japan.
27:39Come in!
27:39Come in!
27:43I'm very excited.
27:45I'm not worried.
27:47We can do this.
27:48Not worried about what?
27:50What can we do?
27:50So, my seamstress has a stomach flu.
27:53Oh, no.
27:53So, I had to use a new seamstress.
27:55Oh.
27:55And she also got the stomach flu.
27:58There's a seamstress stomach flu?
28:00It is all over the city.
28:01The seamstresses have the flu, but I got lattes, y'all.
28:04But the cape is totally done.
28:06Totally.
28:07So, it's only the dress.
28:10Okay, so what still needs to be done on the dress?
28:12Oh, the final fit work.
28:15Oh, my God.
28:20Dude, that's too small.
28:21I know that, bitch.
28:23Um, now what?
28:25Um, that new seamstress totally fucked this up.
28:29Fucked it up.
28:29But we have six hours I can open up the back.
28:34Yeah, take it off.
28:35Open it.
28:37How?
28:55Can you check again?
28:57Jack, he's just sent the fuck back down.
28:59I told you not to come out here again.
29:01Makes me nervous.
29:02Seriously?
29:03My bad.
29:07Weird.
29:09I smell Franklin from the old podcast.
29:11That expensive man perfume he wears sometimes.
29:14Yeah, he left his jacket here.
29:18Why would Franklin's jacket be in your bedroom?
29:22Are you and Franklin dating?
29:24Is your date to this thing?
29:25That is so adorbs.
29:27Said with no irony at all.
29:28It's not adorbs.
29:29We're not dating.
29:30We just hook up after the podcast.
29:32So you're not taking him to this?
29:34No, it's not like that.
29:36We're, um, we're not a couple.
29:39Does he know that?
29:41Because men are dumb.
29:42It's just sex.
29:44Carrie Bradshaw, the world has changed since you've been out there, okay?
29:47It's not all right to objectify people anymore.
29:50Men have feelings, too.
29:51So to sum it up, men are dumb with feelings.
29:56Exactly.
29:58Gotcha.
29:58Yeah.
30:02How's it going?
30:04I still have four hours.
30:05Yeah.
30:13Oh, the Coliseum.
30:16Really?
30:17The movies will look so cute.
30:26I'm kind of learning my lines.
30:36Something is different.
30:38You don't want me to hold you lately.
30:42Is there something you're not telling me?
30:48Yeah.
30:55Okay.
30:56I, uh, I have something that I've been afraid to tell you because of how you'll feel about me after.
31:09Um, okay.
31:13I'm on a diet.
31:16What?
31:17Um, the costume department said that my belly hangs over my jeans.
31:21And that's, that's why I keep pushing your arms away.
31:25I was afraid to tell you because I don't want you to think of me as this person.
31:29Fuck.
31:30God, after everything I've been through, I let this bullshit still get to me.
31:39Can I hold you?
31:43Mm-hmm.
31:55Can I tell you something that I was afraid to tell you?
31:59Mm-hmm.
32:04I thought that you thought that our relationship was just sexual.
32:09And I made a mistake coming to L.A. and taking it out of the bedroom.
32:16No, it was about the jeans.
32:19Jay.
32:22You are the most beautiful person I have ever seen.
32:33You know what?
32:35What?
32:37I am the most beautiful person you've ever seen.
32:42So, fuck TV.
32:44Let's get a pizza.
32:45Yeah.
32:47Oh.
32:48But thin crust, right?
32:50You bet.
32:55Hey, it's Carrie.
32:57You got a minute?
32:57Sure.
32:58What's up?
32:59Well, in case you were worried, um, you left your jacket here.
33:04Oh.
33:04Okay, well, I'll pick it up when I get you on Tuesday.
33:09Also, I've changed my mind about the bourbon roof party on Tuesday.
33:15Is it the bourbon or the roof?
33:17It's the Tuesday.
33:19I think I'm only ready for Thursdays with us.
33:24Got it.
33:25You're not ready to book a table at relationship place.
33:28Yeah, but I'm really happy with the takeout, if you're okay with that.
33:35Thursdays it is.
33:36Okay.
33:37Bye.
33:43It's us!
33:46That'd be hair and makeup.
33:49How's it coming?
33:50Um, do you have a band-aid?
33:54Uh-huh.
33:56Oh, my God.
33:58I can't even imagine the headspace you have to get in to go to work every day.
34:02Yeah, my job is a lot of pressure, but then so is yours, right?
34:05Actually, I think real estate may be a little more stressful, Cyril.
34:08You only risk your life deactivating explosives,
34:11whereas I have to take pretentious New Yorkers out to lunch.
34:16Big Chef and I are going for a smoke.
34:18Victoire, get the check.
34:20And then we'll go to Brooklyn for baklavas.
34:23Hello?
34:24Experience Daniel?
34:25I'm not a fan of baklavas or Brooklyn.
34:30So, Victoire, when is the last time you saw each other?
34:34This morning, at home.
34:36No, sorry, I meant that.
34:38Yes, this morning at home.
34:39He's still living in my house.
34:41Oh.
34:48I'm sorry.
34:49Well, thank you.
34:50I'm not here.
34:53Hi, Seema.
34:54How's lunch?
34:55I'm coming.
34:56He still lives with his ex-wife.
34:58I may be 20 minutes late.
34:59Oh, well, I may be a day late.
35:02I'm having a bit of a dress issue.
35:04Sorry about that.
35:05No, no, no.
35:06It's okay.
35:06It's okay.
35:07I'll just, I'll keep you posted, okay?
35:08Okay, babe.
35:11Don't get out, Rocco.
35:12No time.
35:15What's up, boss?
35:16Where are you going?
35:17To my home, which I don't live in with my ex-wife.
35:21She has the top two floors.
35:22I'm on the first.
35:24Separate entrance?
35:25Well, this feels like a mess, and I'm not missing the Met for a mess.
35:28You're such an American.
35:30Yes, I'm an American.
35:31No secret there.
35:33Seema!
35:39Hello.
35:40This is your male escort, and I will be putting out.
35:42Unfortunately, you will not.
35:45What?
35:46Tap, tap, tap.
35:47Seema's back in.
35:48You've got to be fucking kidding me.
35:51I'm sorry, but she needs the Met more.
35:55You'll get over it.
35:56You're a man.
35:57Says who?
35:57Says you.
35:59You okay?
36:00When did my life become seventh grade gym class again?
36:03Don't have fun.
36:09Oh, that's hot as all get out.
36:12It's a little.
36:19Baby, your shoulders feel like iron.
36:22What's going on up here?
36:24The avid crash when I was getting my makeup done, and I lost all the work I did on my
36:28edit today.
36:29That's what's going on up there.
36:32Look, you are about to have a very big night.
36:35Yeah.
36:35And you're always doing everything for all of us.
36:40Why don't you let me do that thing that I do that relaxes you?
36:47Sweetie, we don't have time.
36:52Okay, fine.
36:53But I am ready from the waist up.
36:55Nothing can get smeared or missed.
36:58Got it.
36:59Only from the waist down.
37:00Yeah.
37:03And my editor's going to send a new cut in like ten minutes.
37:06I only need eight.
37:07Have a seat.
37:12I just feel like I should be double-checking something.
37:15Please.
37:15You're cutting into my eight.
37:18Tighter, baby.
37:20It won't go any tighter.
37:22It has to.
37:23We've got to work on your upper body strength.
37:25Rock, please, come help your sister.
37:27I won't be party to upholding the patriarchy and the heteronormative standards of beauty.
37:31I totally understand and applaud.
37:33But just for today, come help your sister.
37:36Take them.
37:38Take these.
37:41These boots are kind of pinching me.
37:43Welcome to fashion, Harry.
37:44Red rock.
37:46Ow.
37:47Oh, good, good.
37:53What is with this train?
37:55This is crazy.
37:56It's not crazy.
37:58It's Valentino.
38:02Where's the van?
38:04Where's the spinner?
38:06That's what I forgot.
38:07To confirm the van.
38:09Oh, my God.
38:10How could you forget that?
38:11Well, I was having an orgasm, which you said was for me, but typically was all about you.
38:18Now what?
38:20Back to me, of course.
38:21I don't know.
38:21This can't fit in a cab.
38:22There's no limos available.
38:23So let's scoop this baby up and walk.
38:26You want to walk ten blocks?
38:28You had to have your eight minutes.
38:30You can walk ten blocks.
38:32It was worth it, baby, wasn't it?
38:33Because it was good.
38:34You know it was good.
38:36I don't know if it was walk to the Met.
38:37Good.
38:38But it was good.
38:40Okay.
38:40Can you see it, Natalie?
38:42Who needs to see?
38:56Is fashion always this hot?
38:58Harry, stop kvetching.
39:01And these boots are really going to hurt going up all those stairs.
39:04Well, good news.
39:06Those stairs are only for celebrities, not for us.
39:09So no one at work is going to see me on TV?
39:12And where am I going to get my picture with Rihanna?
39:14Honey, you probably won't.
39:17What?
39:17So no stairs, no Rihanna.
39:20Why do you even want to go to this thing in the first place?
39:22I have been asking myself that all week.
39:25What does that mean?
39:29Vail Beauty, how about Vail Beast?
39:34I hope you're having the worst time in your life.
39:36Anthony, I made a terrible mistake.
39:39Please, please come with me.
39:40I'm back in?
39:41Yes, if you'll have me.
39:43How soon can you be ready?
39:44Yesterday.
39:45Okay, great.
39:46I'll pick you up in 20.
39:47Okay, bye.
39:48I'm going to the Met Ball!
39:52This is so great.
39:54Sima, this is fantastic.
39:55You look amazing.
39:57Amore, this is so beautiful.
39:59Juan Jose.
40:00Amore, I want to take a little video.
40:02Hi there.
40:03Oh, Anna is going to love it.
40:06This is really divine.
40:09Amore, you look beautiful.
40:10I love you all so much.
40:12Guys, we killed it.
40:14Bye, ciao.
40:22Looks good, babe.
40:23No, no, it doesn't.
40:24It's supposed to be fucking sickening tight
40:26to show off her kick-ass body.
40:28You still have a half hour.
40:29Jackie, this isn't some Cinderella shit.
40:32This is my life.
40:33There aren't any magic birds or fairies
40:34who are going to pull this together
40:35so just shut the fuck up.
40:37Please.
40:40I think I need a smoke break.
40:51Carrie, I'm so sorry.
40:53No.
40:53You can't wear this.
40:55I mean, my career will be over before it even starts.
40:57You must have something else fabulous to wear with my cape.
41:02Wait, I can't just go to my closet
41:06and find a perfect dress to wear
41:08to something called Veiled Beauty.
41:11I...
41:14Wait a minute.
41:18I might have something.
41:22I don't know, maybe...
41:24I've only worn it once.
41:26It's not the best memory.
41:50It's not the best memory.
42:00And just like that,
42:02I repurposed my paint.
42:06Home for elements in the air
42:09Symbols crashing everywhere
42:12Read the bells of Rice and Rake
42:16While the population varies
42:19Just blow some polluted water
42:22An old cactus and your daughter
42:25What's your life number 23?
42:28Put your lights on the 23rd
42:29Lay your hands on the counterplace
42:34Oh, oh, oh, oh, oh, oh
42:38Hong Kong Garden
42:41Oh, oh, oh, oh, oh, oh
42:44Hong Kong Garden
42:47Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
43:01oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
43:02oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
43:02oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
43:02oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
43:03oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
Comments