- 2 days ago
Alibi Season 01 - Ep 09 [Full Movie] [Trending]Full EP - Full
Category
🎥
Short filmTranscript
00:29Satsang with Mooji
02:03Petya, Petya, Petya, Petya.
02:11Что случилось?
02:12Скажи мне, что тебе нужно?
02:14Помощь моя нужна, деньги тебе нужны?
02:16Где Гриса, ваша мать?
02:17Нет, спасибо большое.
02:19Правда.
02:21Я в порядке.
02:22Сделайте стол нормальный.
02:24Петр Сергеевич, здравствуйте.
02:26Присчитал ваш роман, это просто Лолита Набокова.
02:28Продолжение следует...
02:45Продолжение следует...
02:56Продолжение следует...
03:07ДИНАМИЧНАЯ МУЗЫКА
03:12ДИНАМИЧНАЯ МУЗЫКА
03:25Опаздывайте.
03:28Все на пять минут.
03:30Ну что, работаем, все разбираем, всех вызываем.
03:36Я читала, она прекрасна.
03:39Это с автографом, это тебе.
03:40Спасибо.
03:41В общем, до сухой все звонят, угрожают, что на вас подойдут суд.
03:45Кто-то угрожает, что вообще бандитов будет нанимать.
03:48Между прочим, звонил Шульгана, говорит, что если вы не возьмете трубку, доберется до вас.
03:52И это ваши близкие к меня, почему тоже считать вашим близким человеком?
03:55Дашь!
03:55Да.
03:56Стоп.
03:58Меня больше нет.
03:59Нет ни меня, ни агентства.
04:02Живи в будущем.
04:03Не знаю, влюбись.
04:04Замуж выйди.
04:07Да ты прочти.
04:08Там нет ничего.
04:10Нет ничего настоящего.
04:11Я все поменял.
04:12Имена, фамилии.
04:14А зачем вам кувалда?
04:18ДИНАМИЧНАЯ МУЗЫКА
04:25О, окей.
04:27Понятно.
04:29Вот зараза, а.
04:31Никому верить нельзя.
04:33Помнишь, когда ставили, говорили, что оно пуле непробиваемое?
04:37Ага.
04:38А меня всегда точил, через сомнение.
04:43ДИНАМИЧНАЯ МУЗЫКА
04:51Все, нет больше агентства.
04:54А за меня не волнуйся.
04:56Я сменил место жительства.
05:02Ну и вероисповедание, и пол, если надо.
05:08И что, стану крестным твоему ребенку?
05:14Ну или крестный, если полз меня.
05:18Не смешно.
05:22А как же я?
05:28Ну да, ну и несмотря на все это, Филипп Дидко на Арзамасе написал,
05:34что я, ну, чуть ли не луч света в темном царстве русской литературы.
05:38Ну, а так как я с ним точно не спал, поэтому, значит, ему действительно книга понравилась.
05:43А в книге же реальные люди описаны?
05:45Да.
05:46Понятно, что имена изменены и совпадения случайны,
05:48но все-таки у вас не будет с этим проблем?
05:52Будут, да, конечно, будут.
05:54Да и уже есть.
05:55Но в любом случае я хочу сказать, чтобы вы все это записали.
05:59Я люблю жизнь, поэтому если меня найдут перед каким-то мостом или в петле,
06:04то я не сам это делал.
06:06У меня вопрос.
06:08А с учительницей сына у вас что на самом деле было?
06:14Учительница сына...
06:16Учительница сына очень хороший человек.
06:19На самом деле.
06:19И я уверен, что у нее все будет хорошо в итоге.
06:23Ну, и потом она варит восхитительный грибной суп.
06:28Вам не кажется, что финал слишком открытый и складывается ощущение,
06:32что герой так не оставит все и будет бороться за свою семью?
06:35Ну, на то он и герой, поэтому, да, он будет бороться.
06:39А вот за что будет бороться, это мы узнаем в следующей книге.
06:45А скажите, Федор, а о чем будет следующая книга?
06:50Следующая книга будет о святых людях в высших эшелонах нашей власти.
06:55Мне кажется, очень нужная книга, да?
06:57Друзья, к сожалению, наше время подошло к концу, поэтому я вынужден вас покинуть.
07:01Для всех для вас есть подписанные экземпляры книги.
07:04Читайте, пишите про книгу, я хочу заработать много денег.
07:06Спасибо.
07:08АПЛОДИСМЕНТЫ
07:09АПЛОДИСМЕНТЫ
07:09АПЛОДИСМЕНТЫ
07:14АПЛОДИСМЕНТЫ
07:47АПЛОДИСМЕНТЫ
08:05Добрый день.
08:07Здравствуйте.
08:07Excuse me, there is a girl with a girl with a horse, but it doesn't have a logical explanation or
08:17a joke?
08:18Yes.
08:19No.
08:21Oh, thank you.
08:29Hi.
08:31You are looking for me?
08:34No.
08:36Let's talk about it.
08:37Let's go.
08:40Are you with all your clients?
08:43Or is it my own pleasure?
08:59Can you have a menu?
09:08Yes.
09:12Yes.
09:17I have a drink, please?
09:19This vodka, 300 grams.
09:24And a salad Andalusia.
09:26Of course.
09:27And a drink.
09:28It's a drink, it's a drink.
09:33I am so excited to be a drink.
09:42And I am in the drink.
09:42And I am in the drink.
09:51That's what I want to do.
10:18I want you to go.
10:23What do I do?
10:25I don't have anyone.
10:27I don't have anyone.
10:28You need me.
10:29When I saw you in this store, I just took off.
10:33Wait, what do you mean?
10:35Look at me.
10:37I'm a idiot.
10:40I don't understand what's going on.
10:42You think people, who are with you, are what?
10:46They're living people.
10:47They want something.
10:50People want to eat, eat and eat.
10:52No, eat and eat, eat and eat.
10:54They want to be in your heart.
10:55They want something.
10:57I don't know, love.
10:58Maybe it's nice, maybe it's nice, maybe it's honest.
11:01I can't do that.
11:04You...
11:05I'll leave your address.
11:07Come to me.
11:08You'll be my writer's wife.
11:10Well, you need me.
11:12I'll leave.
11:17I'll leave.
11:21I'll leave.
11:27I'll leave.
11:29You're welcome.
11:30You're welcome.
11:34I'll leave.
11:54I'll leave.
11:57You...
11:59...to not get meglio.
12:03I'll leave.
12:04What do you do here, Lulior tablets?
12:07It is...
12:11I need the 2-body paper to write the trick.
12:15And third.
12:17I'm not a bad idea.
12:19I'm not a bad idea.
12:20I'm not a bad idea.
12:21The second one is the most difficult one.
12:24You're going to be able to get me now?
12:32I'm not a bad idea.
12:39I'm not a bad idea.
12:41I was a bad idea.
12:42You have to get me back.
12:45You have to get me back.
12:45I need to get you back.
12:46You have to get me back.
12:47even more than Gogle.
12:49I have to get you back.
12:58How much?
13:00I need to know.
13:09What do you think?
13:1037 years old.
13:13It turns out like Pушкиn, that's it?
13:18Do it or do it?
13:24He's asleep.
13:26He's on the exit.
13:45Listen, how did you find me?
13:50I'm still still here, so they call me and ask me to evacuate the body.
13:55You need to do it?
13:57Let's move on, I have a passport with you.
13:59What?
14:00I'll be out of you.
14:02Here's your car.
14:04I'll be with you.
14:04I'll be in a car for a couple of hours.
14:08And where did we go?
14:09You're tired.
14:11You're tired, right?
14:13You're tired.
14:14Come on, come on and start working.
14:18You're stupid.
14:22You're right, you're right?
14:24Yes, and now everyone knows about us.
14:27No, there's a mistake.
14:29There's a mistake.
14:31All real people or reality are случайные.
14:33What about you think?
14:34Well, how about him?
14:35No, you'll get your booker or what?
14:37Or what?
14:40Well, it's good.
14:42Well, it's kind of...
14:43It's kind of...
14:45It's like an author...
14:47It's an author of the husband.
14:48It's an author of the husband.
14:51I'm...
14:54Rешетников, that you do not have to go live?
14:57...
14:57...
14:57...
14:57I got to go with Masha, I left the studio, I left the studio, there was a popuga. What's your
15:01difference?
15:22Oh, you need me.
15:25You don't need me.
15:26Hey, wait.
15:30Listen, I'm sorry, I'm sorry.
15:35Tell me, how do I need?
15:37No, how do I need.
15:39Well, Lannister always pays the money.
15:43Well, if Lannister, then five.
15:48Well, three hundred and seven hundred.
15:50And your wife all paid.
15:59I'm sorry.
16:01I'm sorry.
16:05I'm sorry.
16:12I'm sorry.
16:16I'm sorry.
16:21I'm sorry.
16:23I'm sorry.
16:24I'm sorry.
16:26I'm sorry.
16:28I'm sorry.
16:29I'm sorry.
16:31I'm sorry.
16:32I'm sorry.
16:37I'm sorry.
16:38I'm sorry.
16:44I'm sorry.
16:45I'm sorry.
16:47I'm sorry.
17:17I'm sorry.
17:23I'm sorry.
17:23I'm sorry.
17:29I'm sorry.
17:30I'm sorry.
17:32I'm sorry.
17:32I'm sorry.
17:33I can help you.
17:34Mr.
17:34I'm sorry.
17:34Mr.
17:35Mr.
17:36Mr.
17:37Mr.
17:38Mr.
17:39Mr.
17:45Mr.
17:46Let's go.
18:07Good morning.
18:10Good morning.
18:10Hey, it's a video that you showed me?
18:13Yes.
18:14Yes, yes.
18:16Well, it's an agency of the Alibi.
18:19You help people in the life of life.
18:23Well, I would not say.
18:25Yes, there was an agency.
18:27What happened?
18:30They closed us.
18:32Who?
18:33Who closed?
18:35People in the form.
18:36Who opened the door?
18:37That's what you do.
18:41The person who opened the door.
18:42If I need, I'm going to close the door.
18:45Help people.
18:47Yeah.
18:48You are the only one.
18:49You are the only one.
18:50Is that the answer for the order?
18:52You are the only one on your laptop?
18:55Yes, we now work with the open rooms.
18:59Second...
19:00Okay, there is no camera.
19:01We are the only one.
19:02We didn't have a glass, but...
19:08Yes, thank you.
19:09You work?
19:11Coffee, coffee, coffee?
19:13No, thank you.
19:17So...
19:18Now.
19:25Okay.
19:29Okay.
19:30I have a son.
19:33He was a son.
19:34He was a son.
19:35And his father was a little boy.
19:38He was a little boy.
19:40He was a little boy.
19:41He was a little boy.
19:41You can help me, if someone will be able to catch you.
19:43I will answer all the questions.
19:45Well...
19:46You tell me in two words, what was the deal?
19:49In a week of a week, a week of a day.
19:51It was a great day.
19:52It was a good day.
19:54I was a little and a bit later.
19:56You went in a way, where, where?
19:59I didn't understand.
20:00But, when I said it happened.
20:02I didn't understand the facts.
20:03I listen to him.
20:04He was a father of God.
20:05He said about love.
20:05He was a god.
20:06I don't love God.
20:07He's not against God.
20:07I can't cross upon him.
20:11I cannot cross upon him, but why.
20:13I can't cross upon him.
20:14He.
20:16I'm appa of my没有 books?
20:20Well, it's important to him to return to the world.
20:24I'll go back to my ministry.
20:28If anyone knows, or if anyone knows,
20:30no one will talk about it.
20:32He'll be asking for it immediately.
20:34Well, let's try it.
20:38What else?
20:40Well, then you'll be able to complete all documents,
20:46write a contract, and we'll work.
20:49It's worth it.
20:49Is it worth it?
20:50For you.
20:51It's worth it.
20:54But it's worth it.
20:57It's worth it.
20:57It's worth it.
21:00I love it.
21:12I love it.
21:14It's worth it.
21:18It's worth it.
21:19It's worth it.
21:19It's worth it.
21:20It's worth it.
21:22It's worth it.
21:24It's worth it.
21:25It's worth it.
21:26It's worth it.
21:27It's worth it.
21:30It's worth it.
21:33We were in childhood with brother, we played in the soldiers,
21:37we had some great big walls in spits,
21:40we had a whole life with dreadfuls,
21:43with evils, with evils, with evils.
21:47But it was always fine.
21:51I don't know where the moment, when the person understands,
21:53that in life everything is fine.
21:58There should be this moment where you understand,
22:04that there is no soul-like-like,
22:06that there is no longer there,
22:09and that if it exists only in tales.
22:11And I remember that I didn't accept it.
22:14I wanted to know if it was a case,
22:16if it was not a case, if it was a girl not to bite,
22:19if it was a Juliette just before,
22:22and Romeo would not be able to save her.
22:23In my dreams, I'd jump into a duel of Pушкиna and to спас him.
22:28I'd be on Titan to prevent the explosion with Scyxberg,
22:34You are a comic book, you are a writer.
22:37I have written these books.
22:39I was a great writer.
22:40I was a great writer.
22:42I was a great writer.
22:43I got my story.
22:47But it's not just a thing.
22:50You have written a story, and you have a producer.
22:54The producer offered his own right rules.
22:57Well, where did you get it?
22:58He gave me a story on the channel.
23:00And then there was one or two editors who also did something to do.
23:04They also proposed their own.
23:05And then there was a director who can actually see everything differently than you see.
23:10And it's normal.
23:11So it should be.
23:12Because cinema is collective.
23:14And all of them should be in love with this material.
23:17And then there's an operator who will also participate in the production.
23:21Operator where he goes?
23:23Because if he wants to be not summer, but summer, because he needs yellow leaves.
23:27Then I'll write it again.
23:28Then I'll write it again.
23:29Then they'll appear actors.
23:32And they should be talented.
23:36They should be talented.
23:38They should be talented.
23:39And just elementary.
23:40And even if it will happen.
23:42And all this happens.
23:43Then at the end what?
23:44Well, you'll be sitting in the room or at home.
23:48Or at home.
23:49And you'll be looking at your story.
23:53In the same way.
23:54And it's nice.
23:59It's nice.
24:01It's nice.
24:06It's nice.
24:08It's nice.
24:17It's nice.
24:20It's nice.
24:24It's nice.
24:27It's nice.
25:01It's nice.
25:09It's nice.
25:11It's nice.
25:14It's nice.
25:16It's nice.
25:18It's nice.
25:18It's nice.
25:20It's nice.
25:21It's nice.
25:23It's nice.
25:51It's nice.
25:54It's nice.
25:58It's nice.
26:00It's nice.
26:01It's nice.
26:04It's nice.
26:05It's nice.
26:05It's nice.
26:06It's nice.
26:08It's nice.
26:09It's nice.
26:10It's nice.
26:10It's nice.
26:15It's nice.
26:16It's nice.
26:18It's nice.
26:36It's nice.
26:53It's nice.
26:55It's nice.
26:57It's nice.
27:01It's nice.
27:03It's nice.
27:03Это его студия.
27:04Он уехал и позволил мне у него какое-то время
27:06перекантоваться.
27:07Проходи.
27:09Ой, какая красота.
27:12Можно?
27:13Конечно.
27:27Красиво здесь.
27:34Невероятно.
27:48Ой, это кто это такой? Привет.
27:53Это меня.
27:54Ой, это кто ты разговариваешь? Это кто такой красивый?
27:59Его зовут Элла. Я столько аккуратно, что он у тебя палец не отключил.
28:03Не отпусь.
28:30Ну что, будем работать?
28:32Across.
28:37Answering.
28:37ты наткнул? Оик.
28:46Да. Оип.
28:51Открыки.
28:51Открыку
29:01.赤 searching.
29:38НАПРЯЖЕННАЯ МУЗЫКА
29:43Анатолий Геннадьевич, к вам Галина.
29:46Что? Кто?
29:49Здравствуйте, я от Петра.
29:52Какого?
29:54Это ваш сын, все, кто ушел?
29:57Проходите, конечно.
30:04ТЕЛЕФОННЫЙ ЗВОНОК
30:05Галина.
30:08Здрасте.
30:11Вам уже объяснили ситуацию?
30:13Да, конечно, Петр меня ввел в груздело.
30:18Ну и как будете возвращать?
30:22Через массаж.
30:24В смысле?
30:26Я массажистка.
30:28Кто?
30:30Кто?
30:31Остеопат.
30:32А, ну тогда другое дело.
30:34А то массажистка, сами понимаете.
30:37Ну, конечно, всякое бывало.
30:39Не понял.
30:40Не понял.
30:43У сына же спина болит, да?
30:47Да.
30:48Знаете, нам нужно найти повод, чтобы совершить подход к телу.
30:52Я вас уверяю, за два сеанса верну его к жизни.
31:01Я готова.
31:03Расскажите, с чего это начинается?
31:06Придумывают название?
31:07Да нет, какое название.
31:10Название это...
31:11Это, считай, в самом конце.
31:15Ты пишешь?
31:17Да.
31:18Пиши.
31:18В начале июля.
31:21В чрезвычайно жаркое время.
31:23Под вечер.
31:24Один молодой человек.
31:26Что?
31:27Это преступление-наказание.
31:31Все он уже написал, да?
31:32Зараза.
31:33А о чем будет роман?
31:34На любви?
31:35Да какой о любви?
31:37Нет.
31:38Любви мне в прошлый раз уже.
31:40О чиновниках.
31:42О чиновниках.
31:43Это смешное?
31:44Почему смешное?
31:45Нет.
31:46Эээ, страшное.
32:02Петр Сергеевич, вам звонит Баргуль.
32:04Соединяю?
32:05Да, соединяю.
32:08Служу.
32:08Ты в курсе, что она шлюха?
32:11Да, а перед этим была остеопатом.
32:14Ты знал, что она проститутка?
32:16Ну, разумеется.
32:19Разумеется?
32:19Анатолий Геннадьевич, послушайте, эта девушка, она волшебник.
32:24Она, если кто и может человека с того света вернуть, так это она.
32:29Она меня из петли достала.
32:30А ее прошлое вас не должно волновать.
32:33Доверьтесь.
32:55Анатолий Геннадьевич, послушайте.
32:58Слушайте, а позвоните ему, скажите, что вас интересует несколько вопросов по поводу битвы Курукшетра.
33:05Ему будет приятно, что вы интересуетесь тем, чем он хочет посвятить свою жизнь.
33:12Курукшетра?
33:13Ладно, давайте без Курукшетра вы ему скажите, что у вас есть очень большое пожертвование.
33:17Это точно сработает?
33:19Да.
33:30Леша, давай поедем куда-нибудь.
33:32Куда?
33:33Ну, в Австрию, например.
33:36Ты что, собираешься уже?
33:38Да, слушай, поеду.
33:39Обещал детям завтра с ней в цирк сходить с утра.
33:43Ну, оставайся, ты отсюда поедешь с утра.
33:47Поеду.
33:48А как мы полетим в Австрию?
33:50У меня же дети.
33:51Ну, полетим на неделю.
33:54Если только мы их возьмем, мы сошли.
33:57Ну, не поеду, у меня школа.
34:09Ладно, я снофю с вами.
34:11Не хочу.
34:13Может, с открутим сердце?
34:16Ну, может, ты остальешься тогда?
34:18Я тебя отвезу с утра.
34:20Ну, хорошо.
34:24Саш, ты куда?
34:25В бар.
34:28Давай, прочти.
34:30Прочти все, что получилось.
34:33Метелин любил думать о России, задавался суровыми вопросами.
34:37Что это за страна?
34:38Зачем она?
34:39Часто он слышал от своих коллег, что место это...
34:41Все, стоп.
34:42Прости.
34:42Смотри это все.
34:45Ну, что, все?
34:46Все, все.
34:48Все, что мы написали за сегодняшний день, все, сотри.
34:51Все это бред.
34:53Никому не нужно.
34:55Плохо это, да?
34:56Я не знаю.
34:57Плохо даже.
34:57Попугай, понимай.
35:00Что дальше?
35:05Что дальше?
35:08ПО ТЕЛЕФОННЫЙ ЗВОНОК
35:17.
35:18.
35:18.
35:18.
35:20.
35:20.
35:21.
35:23.
35:35Do you know what you're doing?
35:36Let's go.
35:52Opa!
35:54Well, go ahead.
35:56Hello.
36:00Go ahead.
36:02I'm glad you came.
36:04I didn't expect it.
36:06It's strange that you came so quickly.
36:09It's strange that you've taken me in the book.
36:12It's good that you're going to be able to pay attention.
36:15And explain, please, why do I always go to the club?
36:20Listen, it's a joke. There's a lot of fantasy.
36:24I'm glad to see you.
36:25Listen, I'm not one of you.
36:31Not one of you.
36:31Nothing.
36:33I'm not one of you.
36:41Hi!
36:43Hello, Sash.
36:45Hello.
36:52I'm going to go?
36:54No, no, let's go.
36:57Let's go.
36:59Let's go.
37:01Okay.
37:06My own Anna Snitkin.
37:08As for Dostoevsky.
37:12What did she do?
37:13She was also his wife.
37:17Come on.
37:22Come on.
37:25Come on.
37:26Come on.
37:26Come on.
37:27Come on.
37:27Come on.
37:29Come on.
37:31Come on.
37:41Come on.
37:47Come on.
37:50It's a day, so I'll get you to take a day in your day, in your days.
37:55I'll get you to a cat for a bird, to get a bird.
37:57And I'll eat a bird, to get a bird.
38:01I'll eat a bird, to get a bird and a bird with a bird.
38:05Well, yeah.
38:07You have a new girl, right?
38:10You said you have to watch.
38:11I'll have to watch them.
38:13You have to watch them, you want to watch them?
38:16When you want to meet them?
38:18Is it today? Or is it now?
38:20Or is it right now?
38:22Well, of course.
38:23But what do I do?
38:25I don't know, пап.
38:30Listen, I need to make a phone call, okay?
38:33Five minutes.
38:35Excuse me.
38:45Well, what, Ana Николаевна?
38:48You're not in a romance.
38:51Maybe we will not be on you?
38:54No, honestly.
38:56You all there are.
39:01I would like to ask you about forgiveness, Sash.
39:05No need.
39:08Are you now with my father, right?
39:12No, no.
39:15Why?
39:15Why?
39:17Why?
39:21Why?
39:21Why?
39:22Why?
39:23Why?
39:23Why?
39:24Why?
39:24Why?
39:26Why?
39:27Why?
39:28Why?
39:39Why?
39:40Why?
39:41Why?
39:42Why?
39:43Why?
39:45Why?
39:47Why?
39:49Why?
39:50Why?
39:52Why?
39:55Why?
40:01Why?
40:03Why?
40:07Why?
40:08Why?
40:09Why?
40:12Why?
40:13Why?
40:14Why?
40:15Why?
40:17Why?
40:18Why?
40:19Why?
40:21Why?
40:22Why?
40:22Why?
40:22Why?
40:23Why?
40:23Why?
40:23Why?
40:24Why?
40:24Why?
40:25Why?
40:27Why?
40:27Why?
40:28Why?
40:32Why?
40:33Why?
40:33Why?
40:34Why?
40:36Why?
40:40Why?
40:42Why?
40:48Why?
40:57Why?
41:01Why?
41:02Why?
41:16Do you know what?
41:23You're still there.
41:24By these reports, you had nothing to do with anything.
41:27You can put a plumb.
41:29Yeah, that's what you want to do.
41:30Yeah, that's what you want to do.
41:33Well, I don't know.
41:34What kind of family there?
41:37They're all good.
41:58That's what I want to do.
41:59I'll be the first.
42:00I'll be the first.
42:01It's so weird that it's a light of light with human beings.
42:04You know who you told me?
42:05I know you.
42:07I'm sorry.
42:07I'm healthy, like a guy.
42:09If you have a car, then I will go to the street in the wrong place.
42:12If you have a car in the car?
42:14I don't want to write a romans. I don't want to, you know?
42:17I want to work, I want to live properly, like normal people.
42:21What the hell did you do then with a person?
42:24For you? You just wanted to write.
42:26Well, I'm going to write and write.
42:27Now I'm going to write and write.
42:28I don't want to write.
42:29Why do you want to live with this girl?
42:31Anna Snitkin?
42:33Listen to me, I don't understand, what is this game?
42:36I want love.
42:37I want love and org.
42:39Orgy and org.
42:40The most stupid, the most stupid.
42:43I want to live and say, no, this is not for you.
42:45You should write a book and write a literary book.
42:48I'm going to be a bit sad, this is not a quote.
42:50It's not a quote.
42:52It's not a quote.
42:53You can manipulate people.
42:55You can manipulate people?
42:57You wanted to write and write a poem, and you didn't want to live.
43:00You really didn't want to live.
43:02Why?
43:04Why do you need to write?
43:05I'm going to write a poem.
43:08I'm going to write a poem.
43:11I'm going to write a poem.
43:19I'm going to write a poem.
43:40I'm going to write a poem.
44:08I'm going to write a poem.
44:14I'm going to write a poem.
44:20I'm going to write a poem.
44:23I'm going to write a poem.
44:24I love it.
44:25Yes, my dear.
44:27I'm going to leave two years in India.
44:29It's important.
44:30I'm going to say for you.
44:54And my father-in-law will believe in it.
44:55Well, of course, your father is upset that you're going to get married to the former prostitute, but it's better
45:03to believe that.
45:04You have to be able to tell your father about her past?
45:08Well, you were saying that he even checked all your friends on the basis.
45:12And in their networks.
45:15He would still have to know.
45:17Well, so he will.
45:18Yeah, he will.
45:20I'm very happy that I can help him.
45:22Yeah, sure.
45:23It's okay, don't worry, never mind.
45:25For me, always, it's time to find, yeah, Piotr Сергеевич?
45:28Vitalik, you already go?
45:30At the end of the day, I'm a little bit on.
45:32Dашенька, I'm a double-espresso.
45:36I'm, if that's the door, I have a very difficult arm.
45:41You guys, you go five minutes.
45:48You're not changed.
45:50I'm a big deal of product.
45:53Talk about a lot.
45:55I'm a great deal of advice.
45:56You were finished.
45:57You were finished.
45:58Well, you did.
45:59You're a great deal of an agreement.
46:01I'll give you a joint.
46:05I'll give you a partner.
46:12Come to get a deal of partnership.
46:15I'll give you a Kickstarter.
46:16You're a partner.
46:17You can give me a relationship.
46:18I'm a utilitarian creator.
46:18I'll give you just a minor.
46:18through a year or two maximum.
46:21There are people who are in trouble.
46:24I still don't understand what you're talking about.
46:26I buy your agency.
46:29I will sell you the most serious people.
46:32You will work in five times less,
46:34and you will get in ten times more.
46:36You heard about the law of Pareto?
46:39For 20% of the effort, 80% of the profit.
46:42Exactly.
46:43It will not be a job, but a hobby.
46:46Look at the agreement,
46:47how there is all transparent.
46:48The main resource is your mind,
46:50but we will not be able to get them full.
46:52You will travel.
46:54You will write a novel.
47:00How much did you get?
47:04Well, 1010 dollars more than the client, right?
47:07Now you will get from 100 and more.
47:13There is one problem.
47:14Let's go.
47:16Let's go.
47:18Let's go.
47:19Let's go.
47:31Let's go.
47:33Let's go.
47:34Now,
47:34Let's go on.
47:36I sent you to the general, and the problem was solved.
47:40I know a lot of problems. They are serious.
47:43I take them for myself.
47:47The money and peace is what I want you to do.
47:51I don't work with bitches.
48:05I don't work with bitches.
48:05I'm I don't work with bitches.
48:06I'm I don't work with bitches.
Comments