- 4 weeks ago
Alibi Season 01 - Ep 16 [Full Movie] [Official Release]Full EP - Full
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Short filmTranscript
00:27This is a production of the U.S. Department of State
00:56Hello everyone!
00:58Если вы смотрите это видео, значит меня уже нет в живых.
01:04Ну, что бы со мной не произошло, это в любом случае не был несчастный случай.
01:09Меня убил Леонид Рудов.
01:44Какие у вас есть улики на карпах?
01:49Я расскажу тебе, как все было на самом деле.
01:52А улики ты уже придумаешь сам, какие тебе нужны.
01:57Это был обычный рабочий день.
01:59Борис, как всегда, опаздывал.
02:03Где этот сутен сын?
02:05Кто с ним работал над этими договорами?
02:09А?
02:11А, ты чем думал, когда я это подписывал?
02:15Папа, ты что, давай зайдем в кабинет, я тебе все расскажу, ты был счастлив.
02:18Диалог примерный, но суть сохранена.
02:20Давай, давай.
02:22Сейчас!
02:25Че, вы так ударили его прям при всех?
02:28У меня есть свидетели видео с командами Леонид Рудова.
02:30Пап, ты чего?
02:31Вставай!
02:32Мой друг Борис Александрович и его сын Борис в последнее время потеряли общий язык.
02:37Особенно после того, как Борис возглавил отдел, он начал вкладывать деньги в сомнительные проекты с криминальным душком.
02:43Интересно, с чего бы это?
02:45Быстро ко мне в кабинет.
02:47Еще раз дружище.
02:49Убил.
02:50В кабинет?
02:52Быстро?
02:54Что жопа?
02:56Папа.
03:01Больше этот человек здесь не работает.
03:05Далее Борис отправился страдать.
03:08Долбался как следует, закручинился совсем.
03:11Борис не отвечал на звонки отца, который якобы остыл и хотел поговорить.
03:16Заплакал.
03:18И вопросился.
03:32Один?
03:33Что один?
03:34Нет, ну...
03:35Приехал один.
03:37Один.
03:37А с кем?
03:38Не правдоподобно.
03:40Не правдоподобно.
03:40Он же мажор.
03:42Думаю, было так.
03:46Была девушка.
03:48Телка.
03:49Сексуальная тварь.
03:50Думаю, она сама подошла к нему в клубе.
03:53Ну и привезла потом в отель.
03:58Боюсь, что даже до секса дело не дошло.
04:01Пастенька.
04:04Шампанского.
04:05Шампанского.
04:05Шампанского.
04:06Шампанского.
04:06Ну не знаю, может не шампанского.
04:08Диалог примерный, но суть правильная.
04:11Думаю, что у нее было с собой сильно действовавшее снотворное.
04:16Ну или наркотик.
04:19Закуриваешь.
04:20Для любовь.
04:21Шампанского.
04:25Шампанского.
04:28Шампанского.
04:28Шампанского.
04:29После того, как он сделал эти два глотка, у него уже не было шанса.
04:36Шампанского.
04:38А потом появились крепкие парни.
04:43Крепкие парни расплатились с девушкой.
04:46Она после этого исчезла.
04:48А его они взяли и...
04:51Did he kill him?
04:54In the clothes.
04:55Well, then they didn't have to wear him.
04:58They just left him from the balcony.
05:11You killed his brother.
05:18Well, what?
05:19Well, and what?
05:21I'm looking at you and I'm going to see you.
05:24I'm looking at you and I'm going to go through a church.
05:25To be able to build a church.
05:26But then it will work.
05:32Well, I...
05:35I need a proper day of the day.
05:39It will be.
05:50I am aằnge,
05:51that if I go with police,
05:53you will be ugly to my friends.
05:56You kill someone, yeah?
05:58I already said.
05:59We can do it.
06:01I didn't mind.
06:02I used to be asking for a reason.
06:03That I was going to ask you?
06:05Правильно.
06:30Hello.
06:33Hello.
06:33Ты его гости или насовсем?
06:36Это ты не гости.
06:38А я насовсем.
06:44Кто сидел на моем стуле и сломал его?
06:48Дураки какие, а!
07:04Здрасте.
07:05О, какой у вас был рассказ?
07:07Угу.
07:10Угу.
07:15ТРЕВОЖНАЯ МУЗЫКА
07:20ТРЕВОЖНАЯ МУЗЫКА
07:28ТРЕВОЖНАЯ МУЗЫКА
07:42ТРЕВОЖНАЯ МУЗЫКА
07:45ТРЕВОЖНАЯ МУЗЫКА
07:52Леш, ну-ка, прости.
07:55Поля, делай так спеть, я больше никогда не видел.
07:59ТРЕВОЖНАЯ МУЗЫКА
08:02ТРЕВОЖНАЯ МУЗЫКА
08:02А ты, говорят, с семьей вернулся?
08:18ТРЕВОЖНАЯ МУЗЫКА
08:19ТРЕВОЖНАЯ МУЗЫКА
08:23Ну что?
08:24Все?
08:25Все?
08:27Ну, а ты там проверила цифры всякие, имя, фамилия, дата рождения.
08:32ТРЕВОЖНАЯ МУЗЫКА
08:33ТРЕВОЖНАЯ МУЗЫКА
08:36ТРЕВОЖНАЯ МУЗЫКА
08:37Hey.
08:39Let's go.
08:39Go.
08:40Now?
08:42Let's go.
08:46You're a little bit shy.
08:48Do you want to come with the producer or producer?
08:51I like it.
08:53I like it.
08:54I like it.
08:54I like it.
08:55I like it.
08:55I like it.
08:58I like it.
08:59If something is wrong, just live together.
09:03You will find better than a guy.
09:04There is no one.
09:06It's better than a guy.
09:08But first try it.
09:12Tell me.
09:13Is it always?
09:21I think it's a grub.
09:24I think.
09:26I don't know.
09:32You're welcome.
09:38That's amazing.
09:39That was amazing.
09:39We are good.
09:40We are so happy?
09:41Maybe we are happy.
09:41Maybe we are happy.
09:42A so much.
09:43All this is now my life.
09:45My life.
09:46My life.
09:48My life.
09:48I'll try it for a week.
09:49Hold on, hold on, hold on.
09:56So, Peter, what are you doing?
10:06What are you doing?
10:08Are you doing?
10:12What are you doing?
10:14No, no, nothing.
10:16You're not doing anything.
10:16Just...
10:17Так, мелодия в голову пришла.
10:31Да.
10:33Добрый вечер.
10:36Я слушаю.
10:37Я выслала вам на почту варианты обложки.
10:39Посмотрите и скажите, какой лучше.
10:42Да я посмотрю, конечно.
10:44Ты как, ты в порядке?
11:00Товарищи, моя книга скоро будет на полках.
11:04О, кстати.
11:05Кстати?
11:07А вдруг это, кстати, совсем не кстати?
11:09Саш?
11:10Стась, собралась сниматься в экранизации.
11:13Играть саму себя будет.
11:14Да? Буду.
11:15Я тоже.
11:18В какой это еще экранизации?
11:20В экранизации твоей книги, которую я снимаю.
11:23И, кстати, решаю, кто кого будет играть.
11:27Сань, у тебя горит?
11:28Ничего не горит.
11:30Решетников ты обещал.
11:32Ну, раз обещал, значит сделаю.
11:34Обещал он.
11:36Тебя Рудов не отпустит.
11:37Это фиаско, братан.
11:41Ага.
11:42А что, хорошая идея.
11:45Снимем такое фестивальное малобюджетное кино.
11:48Все будут сниматься бесплатно.
11:51Иканы наши.
11:52Каны наши.
11:53Каны наши.
11:54Сань, вот главное, чтобы ты навсегда запомнил про женщин,
11:57то что они устроены совершенно иначе, нежели мужчины.
12:01У мужчин в голове есть коробочки.
12:05Отдельная коробочка для всего одного.
12:08Ой, не спрятая.
12:08It's a separate box for a car, a separate box for a family, a separate box for a home, a
12:14separate box for a hobby, a separate box for a mom, a separate box for a tess.
12:20A small box for a tess.
12:22A women have a lot of wires.
12:26It's all so different.
12:29But all of them are connected to each other.
12:30It's a separate box for a job, a job with a job, a job with a job.
12:37And all of them are connected to a mom.
12:39Yes, but it's important that a man has the most important box for a woman.
12:44And she is absolutely empty.
12:48Thank you very much.
12:59Let me go.
13:05Let me go.
13:07Let me go.
13:08Let me go.
13:09You're a big fan.
13:12Nothing.
13:12I'm sorry.
13:14I'm sorry.
13:14Let's go.
13:14Let's go.
13:26I need to do something. I need to do something. I need to do something for the family. I need
13:30to do something for them.
13:31I need to save them.
13:38I need to do something for them.
13:39Well, that's what, Rishetnikov, I found a way to make them счастливее.
13:42A few months you've already tried, but now what?
13:44You've got to do something?
13:46You've got to do something, you've got to do something.
13:49I have a club.
13:54Yeah.
13:56You're talking about this?
14:00I love you.
14:04I love you.
14:37You've got to do something.
14:40I'll ask you, what's the plan?
14:42We should put him in a way that he made his son into the murder.
14:47And he killed his son.
14:48Why not? It's hard to prove, but why not?
14:52I don't understand, what's the plan?
14:55Why do you call the phone?
14:58Where do you go?
15:00No, you can't.
15:03You can't.
15:04It's necessary to write the papers.
15:06There is everything that needs to be done for work, only your imagination.
15:12Well, okay.
15:17Sorry, I always fantasize in one place.
15:20Well, to be able to put a completely innocent person,
15:23I need a lot of fantasies.
15:26I fantasize.
15:29But quickly.
15:37Dasha, get me in the car.
15:39Yes.
15:40And Rudev, call me now.
15:42I'm going to ask him to tell you.
15:44Right, right, right.
15:45Right, right.
15:50If you were to take a look at me from the beginning,
15:52I would like to take a look at my agent.
15:54I don't like it.
15:56It's fun.
16:00You're all joking.
16:01You're all joking, right?
16:01I need water.
16:03I don't want water.
16:03I don't want water.
16:06You're lying.
16:07You're lying.
16:09You're lying.
16:10You're lying.
16:11You're lying.
16:12You're lying.
16:12You're lying.
16:14He does things?
16:14It's going to be a sudden.
16:15Get you very confident.
16:16Michael, even, go!
16:17Let's go!
16:41What did you do?
16:43I just decided to talk about the phone.
16:45Do you have cameras in Карпова?
16:47No.
16:49So, if he was in the house,
16:51that no one can't be confirmed?
16:53No.
16:54No.
16:54No.
16:54No.
16:56No.
16:58No.
16:58No.
16:59No.
17:01No.
17:02No.
17:03No.
17:03No.
17:04No.
17:07No.
17:08No.
17:09No.
17:11No.
17:13No.
17:15No.
17:16No.
17:17No.
17:18No.
17:18No.
17:21No.
17:52No.
17:53No.
17:54No.
17:54No.
17:57No.
17:59No.
18:02No.
18:03No.
18:04No.
18:07No.
18:08No.
18:09No.
18:10No.
18:10No.
18:13No.
18:16No.
18:18No.
18:18No.
18:33No.
18:34No.
18:35No.
18:35No.
18:37No.
18:38No.
18:38No.
18:41No.
18:42No.
18:52No.
18:55No.
18:56No.
18:57No.
18:58No.
18:59No.
19:01No.
19:02Come on, I'll send you an adress to you, SMS.
19:06Okay.
19:11Well, you're good.
19:14Now you're going to get to the studio.
19:18If he will come to me.
19:23Look.
19:28It's in the pavilion.
19:29You don't have to worry about 50 people, all our people.
19:35You can talk with him and decide your отношения.
19:38He would be back to this.
19:41He would not let you go.
19:43Kolev, meet him.
19:45You're going to whom?
19:47I need Stanislav.
19:49So, Stanislav, Stanislav...
19:52This is the end of the pavilion.
19:54It's the end of the pavilion.
19:56See, we're going to picture a couple of activities.
20:00TESHING
20:06KOLIA
20:07KOLIA
20:07KOLIA
20:08KOLIA
20:08KOLIA
20:19KOLIA
20:19KOLIA
20:20KOLIA
20:20KOLIA
20:20KOLIA
20:23KOLIA
20:24KOLIA
20:25KOLIA
20:27KOLIA
20:27KOLIA
20:30KOLIA
20:31KOLIA
20:32KOLIA
20:32KOLIA
20:33KOLIA
20:34KOLIA
20:36KOLIA
20:37KOLIA
20:38KOLIA
20:44KOLIA
20:48KOLIA
20:51Hello.
20:52Hello.
20:56Hello.
20:59How are you?
21:01What's the film?
21:03Not the film.
21:04It's a clip.
21:08You sit down.
21:18I'm not sure.
21:19I'm not sure.
21:26I'm not sure.
21:28I'm not sure.
21:29I'm not sure.
21:30If I was right, I would like to have you.
21:35Or I would like to have you.
21:37Or I would like to have you.
21:38But the matter is, I, to be, I can't answer it.
21:46I can't answer it.
21:47I've been a lot of thinking about this.
21:51I can't answer it.
21:53I can't answer it.
21:55I can't answer it.
21:56I can't answer it.
21:58Come on.
21:58What?
22:00No.
22:01No.
22:01No.
22:02No.
22:03No.
22:04No.
22:05No.
22:05No.
22:06No.
22:06No.
22:09No.
22:15No.
22:28No.
22:33No.
22:36No.
22:37No.
22:39No.
22:39No.
22:41You wouldn't love me?
22:46I would love you.
22:48What a dvore.
22:51Listen, I love another person.
22:59I wanted to know,
23:02why did you love my son?
23:05Well, it's full of nichitosis.
23:08I understand,
23:09after death is either good or not,
23:12but for what?
23:18Mildość.
23:20Mildość.
23:24Mildość.
23:27Mildość.
23:30What?
23:31Do you have a lot,
23:33It is,
23:34a lot of people are not.
23:39Maybe take out money?
23:42No.
23:43Mildość,
23:55You don't want to say anything.
23:57Do you love your father?
24:02Yes.
24:04Well, to look at my father and love you,
24:09you could not?
24:11Or do you want to go in the complex?
24:13On modern girls, you don't want to work.
24:15Freight, tell me.
24:19Freight, tell me.
24:20Freight, tell me.
24:21Freight, tell me.
24:23Freight.
24:24Freight.
24:27Freight.
24:28Freight.
24:31Freight.
24:38Freight.
24:41Freight.
25:12Freight.
25:14Freight.
25:17Freight.
25:18Freight.
25:19Freight.
25:20Freight.
25:21Freight.
25:22Freight.
25:40Freight.
25:42Freight.
25:49Freight.
25:50Whoります?
25:55Freight.
25:57Freight.
25:58Freight.
26:00Freight.
26:03Freight.
26:05...
26:05Amro...
26:05So, I think it's going to happen in the next one.
26:14Karpov said to the son of a 14 minute first, and they said about 31 seconds.
26:20Then Karpov said,
26:21that he said, that he said, that he said, that he was very happy, he said, that he was going
26:25to be able to meet.
26:27He said, that he was in a hurry.
26:28Well, let's go.
26:29Then Boris told the name of the house and the number of the house.
26:35After 50 minutes, he arrived in Karpov and passed in the house of Boris, which свидetельствует this.
26:45And he passed in the house of the house.
26:47Well, then?
26:48Karpov entered the house of the house, he said to the son of a son, he said,
26:54What do you do, bambes?
26:56Boris, you don't want me, son, but now he's not going to be my empire.
27:00She's not going to be my empire too.
27:02Of course.
27:03Of course, котенок.
27:04So, why did you, солнышко, want to be your empire?
27:13Bambi, прости меня.
27:15In the house of the house, Boris was very tired, so he said, that he really came to meet him.
27:22Bambi, you're going to be sorry?
27:24Of course, of course.
27:26Bambi, I'll show you what I'm going to show you.
27:31Bambi, this city, he could be your own, but he will not be my own.
27:39What a hell of a bitch!
27:42Bambi!
27:43Bambi, what a hell?
27:45Bambi, what a hell of a fact is that it's a fact.
27:49Bambi, right?
27:50Bambi, what a hell of a bitch!
27:50Bambi, how long of a bitch!
27:57Bambi, what a bitch!
28:00from the camera, and, of course, in the moment, when Boris
28:06came out of the window, his father was in the room, and if he hit him or
28:10he was able to jump out, it will be possible to get out of it. So, I am
28:14this video now. And it should be accidentally found out
28:21in the office of the hotel, instead of the video, which, probably, you
28:25destroyed. Well, video with a girl and a strong girl.
28:31Sлушай, maybe, you're a genius? Maybe you're a genius?
28:38No, you're a genius. No, you're a genius.
28:41It's enough that you like.
28:44Well, I'll go.
28:47You're a genius, right?
28:50In what sense?
28:51No, let's go.
28:52Now you can say thank you, you're a genius, and tomorrow you'll
28:58kill me.
28:59Well, you'll have to be a case, or something else, so I'll never
29:01tell you.
29:02And then.
29:05So, because a life is not a
29:08very dangerous thing, I also снимed a little video,
29:12so-called,
29:14about the movie.
29:18Hello, if you watch this video, then I have no longer in the life.
29:24Well, if it happened in any case, it was not a bad case.
29:29It killed me Leonid Rudov. He's a bad person.
29:33He's allowed me to put a business man to Carpola.
29:36I decided to remove a little officiosa,
29:38because it was a joke of the video.
29:41I wanted to find a little bit of freedom.
29:45Also, I have a link to all the documents and materials that I have.
29:50I understand. You can do it.
29:52Let's go to the video.
29:53Yeah, I would not be able to kill you.
29:57Well, I would like to see you in any case.
29:59I can't do it.
30:03Yeah, of course.
30:05I'm sorry for you.
30:06Good evening.
30:23What?
30:38What?
30:38What?
30:39What?
30:39What?
30:42What?
30:52Why not?
30:55What?
30:56What?
30:58What and what you do?
31:02What about you?
31:05That's what it is...
31:06You're a animal!
31:06It's your turn!
31:07I don't love a dog!
31:09Don't come up!
31:09You'll never get out of your dog!
31:12No, no!
31:13Your dog is a dog!
31:14And he's a dog!
31:16And he's a dog!
31:41Hello, Dan, are you here?
31:45I'm fine, I'm going to get you.
31:52I'm your boss.
31:53I'm your boss.
32:00Tell me, I'm a good person?
32:02You're a good person, but sometimes you're a bad person.
32:2520 000.
32:32Okay.
32:36Обещали миллион.
32:39Телефон и планшет давай, если хочешь, остаток гонорара получить.
32:42ТЕЛЕФОННЫЙ ЗВОНОК
32:55Хозяин позвонит?
32:59ТЕЛЕФОННЫЙ ЗВОНОК
33:03ТЕЛЕФОННЫЙ ЗВОНОК
33:05Yes.
33:06Hello, Chef.
33:07He wants to talk to me?
33:08He wants to talk to me.
33:13He wants to talk to me.
33:14What did you want to talk to me?
33:16I just wanted to tell you that now you really want me to leave.
33:21I promised you.
33:23Come tomorrow to office, we will discuss your freedom.
33:26Yes.
33:27Sчастливо.
33:28And you don't want to lie.
33:39It's a good day.
33:40I'll wait for you.
33:48I'll be right back.
33:49I'll be right back.
33:51Next time the cruise is more dark.
33:52Actually, I'll be right back.
33:53Oh, what do you want?
33:54I'm so happy.
33:54I have a lot of care.
33:57I'm so grateful.
33:58You're welcome.
33:59I'm so happy.
33:59I didn't want you.
33:59You're welcome.
33:59I don't know.
34:35I don't know.
35:05I don't know.
35:12I don't know.
35:15I don't know.
35:17I don't know.
35:18I don't know.
35:22I don't know.
35:24I don't know.
35:59I don't know.
36:10I don't know.
36:15I don't know.
36:17I don't know.
36:19I don't know.
36:23I don't know.
36:44I don't know.
36:49I don't know.
36:51I don't know.
36:52I don't know.
36:53I don't know.
36:55I don't know.
36:57I don't know.
37:02I don't know.
37:10I don't know.
37:11I don't know.
37:12I don't know.
37:15I don't know.
37:16I don't know.
37:17I don't know.
37:19I don't know.
37:20I don't know.
37:22I don't know.
37:29I don't know.
37:43I don't know.
38:00I don't know.
38:01I don't know.
38:05I don't know.
38:16I don't know.
38:32TUNE
38:33Which is how much you killed?
38:37What would you like to tell?
38:38I can't look at her.
38:42But, if she's so happy,
38:44she was not a good person.
38:47I think it was better.
38:47I'm proud of you.
38:50I've been able to take a long time for a long time.
38:54Let me tell you, how did you do this?
38:58How did you do this?
39:00What?
39:02You're impressed?
39:03You're telling me.
39:06Yes, yes.
39:10TUNE
39:12Allo, да?
39:13Вы подъехали?
39:15Прекрасно, спускаешься.
39:17Приезжай завтра в офис, обсудим твои свободы.
39:22Прости, из рук выскорили.
39:24Ты что, охренел?
39:25Ух!
39:26Ух!
39:27Ух!
39:28Ух!
39:32Ух!
39:38Ух!
39:45Ух!
39:47Ух!
39:47Ух!
39:55Ух!
39:58Ух!
40:00Ух!
40:01Ух!
40:02Ух!
40:03Ух!
40:03Ух!
40:04Ух!
40:04No!
40:39Oh, my God.
41:20I don't want to go.
41:21I don't want to go.
41:24I don't want to go.
41:25I don't want to go.
41:25Let's go.
41:26We're far away.
41:27Mom, she's going to have a problem.
41:30Maybe you'll be a bad guy?
41:31I don't want to go.
41:33No, I don't want to go.
41:34I'm not going to go.
41:36I'm not going to go.
41:38I'm going to go.
41:39You'll have to go.
41:41He's not going to go.
41:42He's not going.
41:43He's not going.
41:45I'm all for you.
41:47I'll come to you.
41:50In the car, sit down.
42:11Pab, who's in the car with you?
42:13I.
42:15Only from the Kukla.
42:17The Kukla would be the best.
42:21The Kukla would be the best.
42:23The Kukla would be the best.
42:25The Kukla would be the best.
42:28It's a good place.
42:30Look at this.
42:32This is for mom.
42:34It's for her mom.
42:36She will know.
42:37I hope it will be the best.
42:40These two.
42:42This is for her.
42:44When they read it, they will be the best.
42:45Or they will be the best.
42:49The Kukla would be the best.
42:53The Kukla would be the best.
42:56The Kukla would be the best.
42:58The Kukla would be the best.
43:00The Kukla would be the best.
43:03The Kukla would be the best.
43:06The Kukla would be the best.
43:16The Kukla would be the best.
43:25I would be the best.
43:26The Kukla would be the best.
43:27I think there are some useful information.
43:30Anna, your book is the answer to Rishetnikov?
43:34Of course, our stories with Petey are very close to it,
43:38but I would like to see myself as an author.
43:43Next question, please.
43:44This is your first book, but the other one will be?
43:48I hope so.
43:50But first, I would like to travel or get a new experience.
43:57And then, when I have something to say about the world,
44:00I will definitely start working on the next week.
44:09Anna, you have been murdered, and you have a presentation today.
44:14Is it a coincidence?
44:15Or are you so upset him?
44:20Of course, it was a big loss for me.
44:25And...
44:25Of course, I was in prison.
44:30But Petey now lives on my books.
44:33So I think he would be happy for me today.
44:45I read the first book on Libidura.
44:49You don't worry, you hear?
44:51Yeah, it's not just me, a martyr, to look at your world of lives.
44:56I'll read the book on your books.
44:59I'll read the book on Libidura.
45:02I know how that's your book.
45:05I read it.
45:07And I read it.
45:08It's a bad book.
45:10I've read it.
45:10All right.
45:13There are no tears.
45:16You're right.
45:21You're right.
45:22You're right.
45:23And the world will be a little better.
45:27Okay.
45:45And the world will be a little better.
45:56I'll get you to go.
46:13I don't understand why, you're not that I'm here?
46:17Why, what do you want me to be a member?
46:17What do you want?
46:18You're a big writer, in real life?
46:20And don't ask them to be, they'll ask them.
46:22Oh, you're not afraid of me.
46:25Let's go.
46:27You're not a big writer.
46:29Never.
46:31What?
46:32Are you serious?
46:34Then why all this? Just so?
46:36It's just so just so,
46:38except for money.
46:40You're a bitch, you're a bitch,
46:44you're a person,
46:45you're a person,
46:46you're a person,
46:46you're a person,
46:46you're a person,
46:47you're a person,
46:48Elskink,
46:49Mekrasov and Tonstokin
46:50and Dostoyevsky
46:51and Dostoyevsky
46:52I'm like ,
46:53I'm anarian.
46:53I'm a person,
46:53that's it?
46:55Why?
46:57So, and then you wrote a price doc.
47:00NowLE.
47:01Well, I'll write a lot .
47:04It's a legitimate name.
47:05It's a great idea!
47:35More than I thought
47:37Lights out and I'm getting bored
47:39Will I love some more
47:50Can you believe, can you believe
47:52That she was one to be
47:53That she was mine and nobody else
47:56Took her cold heart
47:57And stabbed her heart
47:58And let me do the time
47:59Never fail
48:00Cause she can't hold back
48:02And she can't try
48:03The subtle attention of time
48:05If you can see her
48:07Just let me know
48:08Let me be this woman's mine
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