- 31 minutes ago
Alibi Season 01 - Ep 05 [Full Movie] [Official Release]Full EP - Full
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Short filmTranscript
00:26I'll see you next time
00:55A year ago I left my wife to a girlfriend.
00:58We met her for a year ago, and finally I left.
01:06But now I would like to return.
01:09And I would like you to help me in this way.
01:13Sorry, your wife knew about your wife?
01:17Or did you just go out?
01:20I think she knew.
01:22I think she knew.
01:24Well, I think I got it.
01:27PHONE RINGS
01:30I call my wife.
01:33Let's see, I'm ready.
01:35PHONE RINGS
01:36How do you think...
01:37Jena, could you please?
01:39I think, yes.
01:41So, she just needs a reason?
01:44Yes, a serious reason.
01:49I have a problem.
01:50I have a question.
01:51How do you deal with CRU, Mossad?
01:54M6?
01:55VRAGI
01:58I'm sure we'll get it.
01:59Yes, I'm sure we'll get it.
02:01Hello.
02:02Hello.
02:05Hello.
02:06You're speaking with Paul.
02:07He knows everything.
02:07He knows what I was going to do.
02:11I'm sorry, he knows he's going to be with us.
02:12That's what he's going to do.
02:13He chose with us.
02:15I found a visit of the hotel in the room.
02:19I understand.
02:20So we'll be together.
02:22I don't know. I have problems with my son. I don't want to go home.
02:28You know, I think that once your husband knows everything and doesn't say anything about it,
02:35he wants to solve the problem. He wants to fight for your marriage.
02:41And he doesn't blame you. He takes all the blame on himself.
02:46Yeah.
02:49You can only say that you have a very good and very good man.
02:55Yeah, it's true.
03:03Yeah?
03:09Hello, Anna Nicolaevna. How are you living in the new house?
03:13It's true that he tried to fight with him?
03:17And now you want to meet him and talk to him?
03:21I should.
03:22Why should you?
03:23Who should?
03:25Hello?
03:25Wait a minute, I don't hear you.
03:28Anna Nicolaevna, we had a conversation with you.
03:31I think it's very clear.
03:33We have no contact.
03:35It's important.
03:36I want to explain to you.
03:38No, no, no need to explain anything.
03:40He understood everything.
03:41He understood everything.
03:42He understood everything?
03:44He understood everything?
03:45Anna Nicolaevna, I gave him the chance.
03:46I gave him your address after this case.
03:51And he returned me the address.
03:53He said that, if she did not leave me, she did not want to die.
03:58He understood everything.
04:00He understood everything.
04:02I will meet him.
04:03I will meet him...
04:05This is my decision.
04:08Yes, I will.
04:09Yes, that's okay.
04:12Let's walk in the room with your interview.
04:15And, say, we will meet the strategy with your meeting.
04:19Well it will be right?
04:21Hey, women, like those people are old.
04:28Come on!
04:31I should talk to you later.
04:34I have to talk to you later.
04:35It is obvious that he feels like a bit of a disgust.
04:36But I can explain to you later.
04:40Can you go to me?
04:42Yes, of course.
04:47You can go to me?
04:52Yes.
04:53It tastes so good.
04:54Can I eat it?
04:57There's soup.
04:59Soup?
05:00Great!
05:02I understand that Sash isn't going to school?
05:06How did you actually find it?
05:09I read his friends in his social media.
05:12I'm a fake account.
05:14It's a good idea.
05:17Are you really going to soup?
05:19It's a good idea.
05:29Can I eat bread?
05:51You're so quiet and even happy.
05:54You understand what's going on?
06:18What's going on?
06:22What's going on?
06:25Where are you?
06:26Where are you?
06:27Where are you even trying to get out?
06:33What's going on?
06:34What's going on?
06:38What's going on?
06:41What's going on?
06:43What's going on?
06:45What?
06:56No.
06:59What are you looking on?
07:04What's going on?
07:05What are you taking care of?
07:07What are you doing?
07:08I don't have to go talk.
07:10I don't want to go and see what the next thing will happen.
07:14It'll be delicious.
07:15How are you doing?
07:17You want to show it?
07:19Don't let me show you?
07:21But I'll show you if there is another way.
07:25You will understand what will happen.
07:28So you need to protect him.
07:31You don't need to talk and talk.
07:34If the situation is not possible, I will make him pain.
07:37Then it will be worse.
07:39It's better than like a piece of the tail of the cat.
07:44You have to agree?
07:47Please.
08:11Yeah, Oly.
08:14I have a problem.
08:17I have a problem.
08:18I need to send the montage.
08:20I have an interview.
08:23No.
08:25How are you?
08:26You can sit with me.
08:28I'll be able to do it.
08:29I'll do it tomorrow.
08:30I'll do it tomorrow.
08:30I'll do it tomorrow.
08:32I'll do it tomorrow.
08:34How are you doing?
08:36I have a serious meeting.
08:38Sony Pictures.
08:38I'll do it tomorrow.
08:40I'll do it tomorrow.
08:40I'll do it tomorrow.
08:43What do I do?
08:45Yes, I'll do it tomorrow.
08:46Yes.
08:47I'll do it tomorrow.
08:49I'll do it tomorrow.
08:59I'm really glad that we found a compromise.
09:13Listen, I really gave him your address.
09:16And he really gave me his address.
09:19Help him.
09:21Help him be strong.
09:45Are you confident that you will be in my opinion?
10:06Yes.
10:08Yes.
10:09Have you thought?
10:11Do you go to Zotov?
10:14Yes.
10:15Do you have a list of questions?
10:18Let's see what's going on.
10:20Or you'll have to be in the camera.
10:25No.
10:26Well, what's that?
10:28I think it's a way to go.
10:31Well, it's a way to go.
10:33It's a way to go.
10:35PHONE RINGS
10:40Yeah.
10:41Hello.
10:42Have you seen the questions?
10:43He's in the room, he's in the room, he's in the room, he's in the room.
10:45I'm going to go.
10:47I'm going to go.
10:51PHONE RINGS
10:54This is Zodov?
10:56Yes, you are.
10:57Well, you're a rock.
10:58You're a rock, you're a rock.
10:59You're a rock, you're a rock.
11:00You're a rock, you're a rock.
11:01You're a rock, you're a rock.
11:05So, calm down.
11:10I can't talk now.
11:12What?
11:13I'll call you in a minute.
11:15Okay?
11:16I'll call you in a minute.
11:17What?
11:19Listen, go home today.
11:22And I'll get you tomorrow.
11:24Like this.
11:26Is it okay?
11:27It's okay?
11:28It's okay.
11:33Yeah.
11:34You're a rock.
11:36It's ok.
11:38So, I don't know.
11:38What are you talking about?
11:39You're a rock you didn't know?
11:40Yes, I didn't know.
11:41So I didn't know.
11:42That you can't catch up.
11:44It's okay.
11:47Could you be in prison?
11:48That is yeah.
11:49All right.
11:50Maybe not it's I?
11:51You have to go right ahead
11:52ago.
11:54Do you have been married before?
11:55And now we're all over.
11:57Where are we going?
11:58We're going to go to Ante.
12:00We'll do an analysis,
12:02and then I'll think about you.
12:06I don't know.
12:07I can't do it now.
12:08What can now be important to this?
12:11I know.
12:13I'm going to go.
12:26And you want me to believe?
12:29Yes.
12:31I'm not going to believe.
12:33She won't believe,
12:35but you're not going to go back.
12:38I don't know how it sounds, but it's so.
12:41I could have something to do,
12:44that I could have something to do,
12:44that I could have turned out.
12:47You know how it sounds?
12:51You're a good guy.
12:52You're a good guy.
12:52You're a good guy.
12:52You're a good guy.
12:54You're a good guy.
12:55Do you know how can you go?
12:57It's over.
12:59You're a good guy.
13:01You make it a sense.
13:02She's a good guy.
13:05You are the exactly who you are.
13:06You're a good guy.
13:07She wants to forgive you.
13:08She wants to forgive you.
13:09You're a good guy.
13:10You're a good guy.
13:13I'm going to get you.
13:13You're a good guy.
13:14Now, she's already starts to remember.
13:16I don't know you to speak about this.
13:20You are a good guy.
13:22No, it was my decision.
13:24It was my decision.
13:25It was the last one.
13:26It was in 1987.
13:29I asked him to work for me.
13:31And about the кино, don't forget.
13:33It was after the 17th of spring.
13:35I wanted to be a detective.
13:37Remember, I told you about this.
13:39I never told you about this.
13:41It's not important.
13:42We can remember what it was.
13:45You never told me about this.
13:47No, she already told me.
13:50I thought it was a joke.
13:53What?
13:53Why didn't you tell me about this?
13:55No, you didn't say anything.
13:57No, you didn't say anything.
13:58I don't think.
14:00I don't believe.
14:01I don't believe it.
14:01I don't believe it.
14:03I don't believe it.
14:08Let's go.
14:13I don't believe it.
14:14You asked me to find an angel for a case with a African-American.
14:20Look.
14:21Look.
14:22You've got it.
14:23No.
14:25No.
14:25No.
14:28No.
14:29No.
14:30The camera, the detector, the analyzer, the capsule with the blood.
14:39Oh, this is the G-18.
14:43Yeah.
14:51It's true.
14:56What a problem is for you, Erich?
14:58No.
14:59Misha?
15:01Misha?
15:02No, this is a mess with all this history.
15:05Give me time, it's all in the case, don't worry.
15:07Puskai, you, говорится, you can't be careful.
15:09I have an information of an American, and you have to know who and how you were supposed to live.
15:17It's a mess with you.
15:18And now you have to go back to the hospital.
15:21You have to go back to the hospital.
15:25You have to go back to the hospital.
15:26You need to give time to do it.
15:27You don't need to do it.
15:29But you should be ready to answer.
15:32We have to organize the information support.
15:35How do you do it?
15:36Don't worry, you see it.
15:44Guys, thank you very much.
15:46You did it.
15:47You did it.
15:48You did it.
15:49And the world became a bit better.
15:50You did it.
15:57Let's go.
16:28Stop.
16:31I don't know what to do.
16:33I don't know what to do.
16:35I didn't see you in my spine.
16:37I'm going to put the picture on me.
16:38I understand.
16:45And what, you got to do with you?
16:48You're not alone.
16:49You're not alone.
17:01What do you want to do?
17:04I'm a girl.
17:06You're a girl.
17:07You're not alone.
17:10I'm a girl.
17:12You're not alone.
17:13You're an alcoholic.
17:14I'm going to go.
17:16How do you wait?
17:22Two minutes.
17:26There are a few time.
17:29Yes, you're in the middle of the street.
17:31You're in the middle of the street.
17:34You have to do it.
17:36You're in the middle of the street.
17:38I never had to do it.
17:40There wasn't, like, anything.
17:40I saw you with aブービет.
17:41I'm in the middle of the street.
17:41I'm in the middle of the street.
17:45I don't want to.
17:46I'm not allowed to.
17:53I love you.
17:56I love you.
18:05I love you.
18:08I love you.
18:08You're not smart?
18:10I'm-I-I-Rat only...
18:13You said you've been a while ago.
18:16Well, you've been aไป!
18:17I was going to put it on the floor, so it was not you.
18:20I was going to put it on the floor, and then I was going to put it on the floor.
18:25What?
18:25What?
18:27So, you were going to put it on the floor and got stuck?
18:33Well, let's go.
18:40Well, actually, it's not all so sad.
18:43You don't need to be ashamed.
18:47If you're going to get sick, I'm here.
18:50Go!
18:54Zota!
18:57Hello, mother, how are you?
18:59How are you?
19:00How are you?
19:01How are you?
19:03How are you?
19:03How are you here?
19:04How are you?
19:05How are you?
19:06Just a minute ago I was dead.
19:10So, what?
19:11H-sh-sh-sh.
19:13H-sh.
19:14H-sh…
19:15H-h.
19:16H-h.
19:17It's better to get the Comesick.
19:20You lose your name?
19:21H-h.
19:23Not…
19:24Why don't you?
19:26You?
19:26You may be right away.
19:27H-h.
19:27H-h.
19:28H-h.
19:28H-h.
19:29H-h.
19:29H-h.
19:30There's a lot of his son.
19:33Listen, I would have brought you to me.
19:36I need to go to you.
19:39I'm also going to go to you.
19:42Really?
19:45You can't be close to me, right?
19:49Yes, yes.
19:55Look, you're good.
19:56You have a bottle of wine, and nothing.
19:58What?
19:58He writes, he says, he doesn't go.
20:06You, come with me?
20:17You are not the best.
20:21You are my best.
20:23You are my best.
20:24You need to go?
20:25You are your best.
20:25Wow, you are my best.
20:26You are your best, Ola said,
20:28So, it's your phone call, don't worry about it, it's an ambitious deal.
20:35Take it, don't come in.
20:37What?
20:38Ah, I don't hear anything.
20:42When the shooting goes, it's a mess.
21:17What are you going to do?
21:19What are you going to do?
21:20I have a list of questions.
21:23What's up?
21:25What are you going to do?
21:26Why don't you go?
21:30I'll go, I'll go, go.
21:32Let's go.
21:46It's done, it's done.
21:48It's been to me, she called.
22:04Hello.
22:06I'm in the service.
22:06I brought the microwave.
22:07I didn't buy anything.
22:11It's clear that yesterday
22:13There was a large network of foreign agents, among which were high-passed people.
22:19They are not allowed to vote.
22:21The operation lasted for about a year.
22:24The details of the operation are not allowed to vote in the interest of the investigation.
22:31Some of the people who participated in the operation will be presented as a national award.
22:38We hardly know their names.
22:44The ceasefire.
22:45Money.
23:01The ceasefire.
23:04The ceasefire.
23:05The ceasefire.
23:08The-
23:15Hello, I have no idea, I didn't have anything to buy.
23:19How is it? Let's see.
23:21Is Красина 3, Corpus 1?
23:23No, no, no, this is Corpus 2.
23:26Yeah.
23:27Excuse me, please.
23:29Please.
23:29See you.
23:30See you.
23:44I have no idea.
23:48They say, they don't want me to ask me, but they don't want me to ask me.
23:52And then I'll tell you.
23:54Well, you could be like...
23:56...to make sure.
23:59Well, you can see how quickly it was.
24:02Only block now, so that she doesn't notice.
24:05I'll tell you.
24:06Do you see?
24:08I'll tell you.
24:10What else do you do?
24:11What do you do with Ann?
24:13Well, with love?
24:18What do you do with her?
24:18Are you going to leave her?
24:20No, she doesn't know anything.
24:22I don't know what will be so fast and like a legend.
24:26You know what?
24:26You know what?
24:27How did you do?
24:28I don't think.
24:30I think.
24:31I'll call you.
24:31No problem.
24:33I'm a manager.
24:44I'll call you.
24:45I'll call you.
24:46I'll call you.
24:46You will call me.
24:48I'll call you.
24:49This is the operator.
24:50Well, here we will.
24:52There we are.
24:53No, no.
24:53There is good.
24:54I have a interior.
24:55I'll call you.
24:56Yes, of course.
25:08Hello, Katina.
25:12No, he's here, he's here.
25:15I don't know why I didn't have a phone.
25:18I'll give you a trombone.
25:21I think I'll just finish this time.
25:23Let's go.
25:26See you?
25:33Yeah, yeah, let's go.
25:44So now.
25:45Yes, that's an awesome.
25:46No, no, I can't wear it.
25:48I will wear it.
25:50And I will turn it off?
25:52Yes, of course.
26:02The bottle is in the camera?
26:04No, I can't see it.
26:09The bottle is in the camera.
26:16The bottle is in the camera?
26:17Where the bottle is in the camera?
26:19Please.
26:34I will ask you questions,
26:36and you can answer.
26:39Can we?
26:39Yes, of course.
26:46How do you choose the role?
26:48How do you choose the role?
26:49How do you choose the role?
26:54First of all, I focus on the theme of my character.
26:59I focus on the theme of my character.
27:00I focus on the internal conflict of the character.
27:02So, it's always more interesting
27:05to be a strong hero,
27:07and to be a strong hero,
27:08and to be a strong hero.
27:11You could do it in a movie with a bad scenario,
27:15if you would have offered great money?
27:19Well, yes.
27:20Well, actor – it's a profession.
27:22You need to pay money,
27:23to pay, so to say,
27:24to be a family.
27:26I'm very often shooting
27:27with young musicians,
27:30with young musicians
27:30in short-methods,
27:32almost for free.
27:34And to have the opportunity to do this,
27:39for myself and for others,
27:41you have to shoot
27:42in a lot of pictures.
27:45You're a talented actor?
27:49You're a talented actor?
27:53Yes.
27:54Yes.
27:55I'm sure that yes,
27:56but in fact,
27:57the time will show.
28:00What is your family?
28:04Family for me –
28:05it's all.
28:07All I do,
28:08I do for my family,
28:10my work,
28:10my role,
28:11I want to do this so,
28:12so I don't want to be in the end
28:14for me.
28:17You could change it?
28:21No.
28:24You could change it?
28:25All?
28:26All?
28:28All?
28:29That's what,
28:29Olga so many questions
28:29prepared?
28:30Yes.
28:32I think she just wants,
28:33that the viewer
28:34saw you as a person,
28:36not only an artist.
28:37Okay.
28:38Let's go.
28:39The role of мечты.
28:41Who would you want to play?
28:49The role of the character.
28:51The role of the character.
28:52The role of the character.
28:52not a stupid action,
28:53but a psychological drama.
28:57A eccentric drama.
29:01A RASKOLNIKOV?
29:03It's interesting to play.
29:04Can you see the role of the character?
29:06Of course.
29:07Of course.
29:10Of course.
29:11Of course.
29:12Of course.
29:12declare time against Berlin.
29:15Have I seen it?
29:18Have I seen it before?
29:19No.
29:44I'm with your wife.
29:51I think you know about this well, so I came here to see what she found there.
29:57Well, I didn't see anything special about it and...
30:00...at this way I'm upset.
30:05It's a dog, it's a posh.
30:07It's something that I have to do now.
30:09It's something that I have to do now.
30:13It's something that I have to do now.
30:16It's a good idea.
30:21So, you've got a degree.
30:23There's maybe a subject to you.
30:24It's a good idea.
30:25That you can't sell into a girl.
30:26You're a good idea.
30:30You're good.
30:31You're good.
30:34I'm good.
30:42That's not what you have to do.
30:44I'm good at this.
30:45You can't break up your hand.
30:46I need to work with my hand.
30:48I can't wait for you.
30:51I can't wait for you.
30:51The matter is that everything is really serious.
30:56It's not that one or two times I forgot.
30:58In general, I have a hand in your wife.
31:06Although, it's not a you.
31:08Yeah.
31:12How it's...
31:15How it's not a mod, ah?
31:19Prosить в мужа руки жены.
31:23А как же твоя семья?
31:25Ну, у тебя же семья, дети, ради которых ты...
31:29Я их оставлю.
31:30Оля любит меня.
31:32Нет.
31:33Да.
31:34Нет.
31:35Да.
31:37Она, может быть, думает, что любит.
31:40Ну, ей так кажется.
31:41А любить?
31:42Не-а.
31:44Скажи, а ты что, вот так вот можешь простить измену, да?
31:48Я бы не смог.
31:52Наверное, она очень огорчила тебя и разочаровала,
31:56после того, как сделала это с актером.
32:00Ну да, слегка.
32:02Ну, знаешь...
32:06Если б просто разочаровала, я бы отпустил.
32:10А здесь...
32:13А ты хорош.
32:17Нет, правда, такой умный, адекватный.
32:22Да и артист хороший, талантливый.
32:27Я прям восхищаюсь женой моей.
32:32Жена у меня молодец, правда?
32:35И что будем делать?
32:41А дальше...
32:44Допишем интервью.
32:46Я отдам его пьяному оператору.
32:50Он отвезет Оле.
32:52Ну и будем бороться.
32:54Угу.
32:56Я не отступлю.
33:02Отступишься.
33:04Сильные герои не только в кино побеждают,
33:07а в жизни мы их ломаем и выбрасываем.
33:14О!
33:15Привет, котенок!
33:35Петличку не забудь.
33:50Петь!
33:56Решетников!
33:57Там Саша!
34:00Ты что, охренела?
34:01Ты Сашу сюда привезла?
34:03Ну, я приехала на две минуты.
34:04Мне нужно было проверить, что все в порядке.
34:06Ну, что мне его дома оставлять было?
34:12Сейчас.
34:16Держи, ты приехала сюда за материалом.
34:19Бери, а мне еще Зотова домой есть.
34:22Где его нашло, кстати?
34:24В больнице.
34:26Что он там делал?
34:28Подожди, а что ты там делал?
34:31Анализы сдавал.
34:33У меня болезнь смертельная.
34:35Шутишь?
34:38Оля, а если нет, это что-то меняет?
34:44ТРЕВОЖНАЯ МУЗЫКА
34:49Обещаю, Леща люблю, но оба было тоже ничего.
34:53Пусть, нет?
34:55Пусть.
34:58Саш.
34:59Оля, потом.
35:01Ну что, задание выполнено. Ты получишь? Пришел себе?
35:05Да.
35:07Саш, иди в машину.
35:08Иди, Сань.
35:11Ты тоже давай, садись. Сейчас поедем.
35:15Привет, Оля.
35:16Саша!
35:22Ну что, нас будет терроризировать, а мы будем молчать, да?
35:28Слушай, он просто захотел покурить, он не будет курить.
35:33Я уверен.
35:35Просто когда ты рычишь, он...
35:36Я не рычу.
35:39ТРЕВОЖНАЯ МУЗЫКА
35:42ТРЕВОЖНАЯ МУЗЫКА
35:43Оль...
35:43Что?
35:49Я люблю тебя.
35:50ТРЕВОЖНАЯ МУЗЫКА
35:56А что так грустно?
36:00ТРЕВОЖНАЯ МУЗЫКА
36:03ТРЕВОЖНАЯ МУЗЫКА
36:07ТРЕВОЖНАЯ МУЗЫКА
36:11ТРЕВОЖНАЯ МУЗЫКА
36:18ТРЕВОЖНАЯ МУЗЫКА
36:20ТРЕВОЖНАЯ МУЗЫКА
36:32ТРЕВОЖНАЯ МУЗЫКА
36:37ТРЕВОЖНАЯ МУЗЫКА
36:41ТРЕВОЖНАЯ МУЗЫКА
36:44ТРЕВОЖНАЯ МУЗЫКА
36:46ТРЕВОЖНАЯ МУЗЫКА
36:49ТРЕВОЖНАЯ МУЗЫКА
36:50Excuse me.
36:51How are your relationship with Любовница?
36:54In what sense?
36:56No, it's for love or for a day.
37:01Well, I don't know.
37:03What?
37:04Well, it's 20, 22.
37:08Why 22?
37:0925.
37:11Well, you're a young person, but it's, скорее всего, it's for money.
37:15What does it mean to you with great sympathy?
37:18Well, I hope.
37:20At least, when she says it, it sounds like it.
37:24Well, let's do it.
37:26So, let's do it.
37:28Let's do it.
37:40You shouldn't look потерян.
37:43It's not your nature.
37:44I guess it's not your nature.
37:46I think it's your nature.
37:47It's not your nature.
37:53It's not your nature.
38:11It's not your nature.
38:13It's not your nature.
38:14It's not your nature.
38:19It's not your nature.
38:21It's not your nature.
38:23You don't have to go to New York.
38:25I think it's your nature.
38:26It's not your nature.
38:27You've found a brain tumor.
38:30How?
38:31Where?
38:31Where?
38:32It's not your nature.
38:35It's not your nature.
38:38However, there are no chances, honestly, there are no.
38:41And how much it will cost?
38:4760 thousand immediately and 40 thousand then.
38:50Dollar, of course.
38:52But I don't have enough of these money.
38:59You have to ask your wife?
39:01Maybe she'll leave her alone?
39:06No, it's not.
39:08I'm going to buy this house.
39:13How much?
39:14You don't worry about it.
39:17We'll take care of it.
39:19We'll take care of it.
39:20We'll take care of it.
39:27I'll be right back.
39:31Of course.
39:38You have to take care of it.
39:40You'll be right back.
39:43You will be right back.
39:43Because I love you.
39:48I will go to the clinic, pick up the document and get back.
39:54Let's go.
39:55Let's go.
39:55No explanation.
40:04The role of мечты.
40:06Who would you want to play?
40:09The Tarzan.
40:13It should not be just action, it should be a drama.
40:17A psychological drama.
40:21А Раскольниковым?
40:23Интересно было бы сыграть?
40:25Можно вопросы посмотреть?
40:36Я сплю с твоей женой.
40:39В общем, я хочу попросить вас руки вашей жены.
40:50ЗВОНОК В ДВЕРЬ
40:52ЗВОНОК В ДВЕРЬ
40:56ЗВОНОК В ДВЕРЬ
40:58ЗВОНОК В ДВЕРЬ
40:59ЗВОНОК В ДВЕРЬ
41:00ЗВОНОК В ДВЕРЬ
41:03ЗВОНОК В ДВЕРЬ
41:07ЗВОНОК В ДВЕРЬ
41:09ЗВОНОК В ДВЕРЬ
41:10ЗВОНОК В ДВЕРЬ
41:19ЗВОНОК В ДВЕРЬ
41:21ЗВОНОК В ДВЕРЬ
41:21ЗВОНОК В ДВЕРЬ
41:23Hello?
41:24Tell me.
41:24Listen, nothing happened.
41:30I decided to fight.
41:34I will be with you until the end, if the end will be.
41:39I know that we will be together.
41:42Yes, yes, yes.
41:46She loves me.
41:48What a ужас!
41:49What do you do?
41:50Значит, мы поступим с вами следующим образом.
41:54Вы должны улететь в Нью-Йорк.
41:56Жене вы объясните, что это последнее дело,
41:59что вам нужно все закончить.
42:02Возьмете Инна с собой и улетите в Нью-Йорк,
42:04а там мы положим вас в клинику.
42:07А ее поселим в отель.
42:08Ага, ну хорошо, а дальше?
42:11А потом вы умрете.
42:14Как умру?
42:15Как-то жестковато.
42:18Попроще никак, нельзя?
42:20Да, есть.
42:21Есть один способ.
42:22Ага.
42:24Вы можете сейчас подняться наверх.
42:25И объясните Инне, что вы возвращаетесь жене.
42:29Сказать, что вы жену любите.
42:31И что жена – это не просто женщина,
42:33это лучшее, что с вами когда-либо в жизни случалось.
42:38Что вы не очень благодарны, что она прекрасна,
42:41что она ничем не виновата.
42:42Самый простой, но самый трудный способ.
42:46Зато точно сработает.
42:48Согласен.
42:51И знаете что?
42:54Свозите ее куда-нибудь.
42:55Ну, конечно.
42:56В смысле, кого?
42:57Жену.
42:59А, ну, я это имел в виду, да.
43:01Отвезите ее туда, где вы были счастливы,
43:03где вы любили друг друга.
43:05Турпоход.
43:08В Репина.
43:11На Байкал.
43:13На Байкал.
43:16На Байкал.
43:39ИНТРИГУЮЩАЯ МУЗЫКА
43:44Настоящие такое документальное кино получилось.
43:48Артист когда по написанному тексту говорит,
43:52это совсем не то.
43:53Здесь видишь он настоящий.
43:56Документального Оскара получше.
44:05Let's go to Vox tomorrow.
44:12We'll go there all the places, remember everything.
44:22And Sash?
44:26Well, we'll take him together.
44:29We'll show you where we became family.
44:46I decided to go to the army.
44:49This is my decision.
44:49You can either do it or not.
44:56Sash, we'll go to Vox tomorrow.
44:59Let's go together?
45:02Let's go.
45:04Let's go.
45:11Let's go.
45:17Let's go.
45:21Let's go.
45:23Let's go.
45:27Let's go.
45:53Let's go.
45:54Let's go.
45:55Let's go.
45:56Let's go.
45:57Let's go.
45:58Let's go.
45:59Let's go.
46:02Let's go.
46:03Let's go.
46:05Let's go.
46:06Let's go.
46:07Let's go.
46:08Let's go.
46:10Let's go.
46:10Let's go.
46:10Let's go.
46:14Let's go.
46:16Let's go.
46:17If I had such an agonist, I wouldn't be able to write.
46:25Listen, it's hard to read until the end?
46:27Maybe it's a good one?
46:28No, don't write.
46:29All right.
46:31Good.
46:59НАПРЯЖЕННАЯ МУЗЫКА
47:08Алло, Саша?
47:12Это я.
47:15Выходи, я у тебя по двери, нам надо поговорить.
47:21Я хочу тебя прямо здесь. Выходи.
47:30НАПРЯЖЕННАЯ МУЗЫКА
47:49Субтитры сделал DimaTorzok
47:54Субтитры сделал DimaTorzok
48:02Субтитры сделал DimaTorzok
48:03Субтитры сделал DimaTorzok
48:03Субтитры сделал DimaTorzok
48:04Субтитры сделал DimaTorzok
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