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Alibi Season 01 - Ep 13 [Full Movie] [Official Release]Full EP - Full
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00:01I don't know.
00:56Wait, wait, wait. I'm not ready to hear this.
01:00Vosquitительную тайну.
01:05Вот теперь давай, жги.
01:08Я не доживу до апокалипсиса.
01:10Или что?
01:14Ну что, потрахаемся?
01:19Так не бывает.
01:22Юля.
01:23Да?
01:23Я ужасно рад тебя видеть.
01:25Но мне сегодня нужно побыть одному.
01:31Слушай, ну это же какая-то ерунда.
01:32Зачем ты тогда сюда пришел?
01:34Ты же ищешь встречи со мной подсознательно.
01:37Да ладно?
01:37Да?
01:38Это правда?
01:38Да бред какой.
01:40А вот мой приятель считает, что ты ошибаешься.
01:46А, прости, я вас не представил.
01:50Юля?
01:51Федор Михайлович Достоевский.
01:53Мой воображаемый друг.
01:55Ладно, я здесь еще буду полчаса.
01:57Ты подумай, хорошо?
01:58Подожди.
01:59Скажи, а тебе кажется, во мне есть что-то особенное?
02:04Ты так ко мне подходишь?
02:06Или ты так ко всем мужчинам подходишь?
02:10Ты дурак?
02:11Я учительница начальных классов.
02:14Да ладно?
02:15Вот меня до педагогов потянуло.
02:19А ты знаешь, я могу тебя разочаровать.
02:23Ну, он отвратителен в постели.
02:26Его жена ушла от него именно из-за этого.
02:29Меня жена бросила, потому что я ее не удовлетворил.
02:38Значит, она не умела пользоваться.
02:40О, я подумаю над твоим предложением.
02:49Причем одно.
02:58Ты бы хотел рассказать что-то очень важное?
03:02Учительница начальных классов.
03:05Посмотри на меня глазами ставших вас снега.
03:13Однажды в стадионную зимнюю пору я ездил свыше.
03:18Сильный мороз.
03:20Ну?
03:21Гляжу.
03:22Что случилось?
03:22Почему задержка?
03:24Медленно в гору.
03:26Он такой красивый.
03:28Лошадка.
03:29Ты серьезно?
03:30Нет, правда.
03:31У меня врожденное чувство эстетики.
03:35И прям Давид.
03:38Лешедников, у Давида очень маленький член.
03:40Я даже не знаю, как тебя отблагодарить.
03:43Если не сложно, ты можешь назвать меня Юлией Владимировной?
03:46Юлия Владимировна!
03:47Простите меня, пожалуйста.
03:49Я не выучил урока.
03:51Это не школьное, это личное.
03:54Да, конечно.
03:55Юлия Владимировна.
03:58Тьфу-тюшу.
04:01Юлия Владимировна.
04:02Лешедников.
04:02Чего?
04:03А ты действительно хочешь знать, чем все закончится, если ты не напишешь роман?
04:08Ну, давай, удиви меня.
04:10Я сделаю.
04:10No, it's not you. I'm going to talk to you with my dream.
04:16Dostoevsky, talk to you.
04:19You've never thought about why you have everything in your mind?
04:25Maybe, because...
04:27Because I'm an interesting character.
04:32If it's a fan, if it's a rock, a rock, a rock...
04:39And, for example, that I spent my son with the teacher's son,
04:44who he cut his head off.
04:46After that, when he died, he died.
04:50No, it's not you.
04:51You know what?
04:54He wanted Pusky.
04:56He wanted to leave the border.
04:58Yes, I heard that.
05:00Why did he leave the border?
05:02I don't know, he didn't leave the border.
05:03No, it's not your mind.
05:04I love your mind.
05:08Because the mind of the mind, if Pusky will die,
05:11he will die and die.
05:14No, and then.
05:15Russia needs Pusky.
05:16No, I don't want Russia.
05:18No, I don't want Russia.
05:20You also need Russia.
05:22You're a good friend.
05:24It's me.
05:25You're a idiot.
05:26You're a idiot.
05:28You're a idiot.
05:30You're a idiot.
05:31You're a idiot.
05:31I wanted you to, what do you do?
05:39What do you do?
05:44No, no, no, it's okay. I need to be alone.
05:49I'll go.
05:50I'll go.
06:04What kind of a death?
06:11He came to the house on the roof.
06:14And what was that?
06:19It was a kid.
06:21It was a kid.
06:22Peter Sergei.
06:23Stop it!
06:26All right.
06:28All right.
06:29Now, last thing.
06:33Last thing, just to just to leave a son.
06:35And everything.
06:41Good morning.
06:43Good morning.
06:43Let's go.
06:45Let's go.
06:49Let's go.
06:50Let's go.
06:53Let's go.
06:54Oh.
06:57We're with your mom.
06:59We're going to get married.
07:01We're going to get married.
07:04We're going to invite you to and Stasio to come to a wedding.
07:08I'll be coming.
07:09Well, Stasio, пусть сама решает.
07:11А эти звезды будут?
07:13Ну, я буду и режиссер.
07:15Ты его знаешь.
07:16Какого быть?
07:18Мам.
07:20Можно ложечку?
07:24А давай я тебя не устраиваю?
07:25Устраиваю.
07:26Просто сейчас меня терзает вопрос.
07:28Мои ли вы настоящие родители?
07:39Саша.
07:40Да?
07:41Скажи, пожалуйста, только честно.
07:44Ты что-нибудь употребляешь?
07:48Ты что творишь, Сань?
07:51Мам, да все в порядке, честно.
07:53Если ты моя настоящая мама.
07:56Ладно.
07:57Мне еще надо взять.
07:59Биологический материал у Решетникова Петра Сергеевича.
08:04Моего предполагаемого отца.
08:14А почему ты себя так ведешь, как будто я действительно не его мать?
08:18Ну, а что он себе позволяет?
08:20Мам, ну ты же не пошла на срогатное материнство.
08:22Лучше сразу признайся, анализы не дешевые.
08:25Саш, ты совсем охренел, да?
08:27Все, я понял.
08:28Лучше перепроверю.
08:33ТРЕВОЖНАЯ МУЗЫКА
08:39Петр Сергеевич, дело специфическое и требует особого подхода.
08:45Да, конечно, я понимаю, я слушаю, чем я могу быть полезен.
08:52Ситуация чрезвычайно неприятная.
08:54Давай, давай я расскажу.
08:57Давай.
08:57Так, значит, примерно год назад ко мне обратились мои друзья из корпорации РУСМОС.
09:10РУСМОРГАСНЕФТЬ.
09:12Да, из этой корпорации.
09:14Чтобы я записал для них гимн.
09:17Поскольку, по их мнению, мой голос наилучшим образом олицетворяет величие компании,
09:24ассоциируется, так сказать, и с Россией, и с народом.
09:35Вот поэтому, собственно, был выбран я.
09:41Правильно?
09:42Да.
09:42Да.
09:43Ну вот.
09:44Скажите, пожалуйста, можно?
09:46А в том клипе с русалками вы сами на все покатались?
09:53Да.
09:55Я катался.
09:56Простите, а вы певец?
10:07Ну, разумеется.
10:09Я так понимаю, что вы не готовились к нашей встрече.
10:13В таком случае я представляю вам Федора Белой.
10:16Очень приятно.
10:17А-а-а.
10:18А, ну, конечно, простите.
10:22Мне Даша много о вас рассказывала.
10:24Даша ваша поклонница.
10:26Ну, это законодел.
10:30Ну что ж, послушаем гимн.
10:32Это что, необходимо?
10:33Конечно, необходимо.
10:35Это ведь имеет прямое отношение к нашему делу.
10:39Давайте, давайте послушаем.
10:41Давайте.
10:55Профессия отважная, пробуренная скважина.
10:59Пьется злато-черное, как море непокорное.
11:03И газ мы добываем, из недр земли свободный.
11:07И не погаснет пламя любви к земле.
11:10Да.
11:10Ты же хотела взять автограф.
11:12Так что, пользуйся моментом.
11:18Ну, здесь хорошо.
11:19Мы просто придумали хорошо, по-моему.
11:21Да?
11:22Хорошо.
11:22Местный.
11:23Вкусный.
11:24Ну, ладно.
11:26Возьму автограф.
11:28Так...
11:29Ну, а что?
11:30По-моему, прекрасный гимн.
11:33Хочется встать и плакать.
11:35Не знаю.
11:36А что с нами, дорогой?
11:37Дело в том, что примерно месяц назад
11:40нам обратился некий итальянский продюсер
11:43с обвинениями в плагиате.
11:45А, да-да-да.
11:46Точно.
11:47И требует он не больше, не меньше, как один миллион долларов.
11:49Угу.
11:50Грозится поднять шумиху, скандал.
11:52Как вы понимаете, нам это совершенно ни к чему.
11:54Это удар по имиджу компании.
11:57Сейчас этот гимн звучит везде.
11:59И, как вы понимаете, обратной дороги у нас нет.
12:03Ага.
12:04Ну, теперь ситуация, в общем, стала ясна.
12:08Завтра этот парень приезжает в Москву.
12:10Послезавтра будет суд.
12:13Нужно полюбовно решить вопрос.
12:15Тихо.
12:16Угу.
12:17То есть, собственно, Федор, вы украли песню?
12:22Что значит украл? Почему — украл?
12:24Ну, как, плагиат — это воровство.
12:27Воровство интеллектуальной собственности.
12:28А, разница невелика.
12:30Не волнуйтесь, мы все решим.
12:34С¸
12:55How can you be so false? You are who?
12:57I- следователь, главного следственного управления и лучше на вы
13:07Простите, немножко свист меня спутал, а что-нибудь случилось?
13:12Убийство, я криминалом не занимаюсь?
13:16Я занимаюсь, исключительно криминалом, вы наверное слышали про громкое убийство бизнесмена Фролова Николая Геннадьевича
13:25I don't know, I don't know. I don't know. Maybe I heard. And what?
13:28The deal is that everything was like a normal crime.
13:32I would like to listen, but the time is not.
13:34Peter Сергеевич, I would like to ask you about this.
13:37I would like to talk about it in a way.
13:44Yes, let's go.
13:46Let's go in the office.
13:47With pleasure.
13:51David Lambert, Mr. Byshek, Mr. Byshek, Mr. Byshek?
13:52You have a completely empty seat in the office,
13:53the car is broken.
13:56Where the plastic bags are falling off.
14:00A few minutes, Mr. Byshek.
14:03The car is locked.
14:04Mr. Byshek, Mr. Byshek, Mr. Byshek, Mr. Byshek.
14:12Am I so happy about it?
14:14Here is your turn.
14:14Yes, I will.
14:15Italian and intéressant.
14:17So, this guy is a very interesting situation.
14:18On the request of the murder, on the crime even less.
14:22And you know, we started to search for a study, who is good.
14:26Who is proudest?
14:27On the other hand.
14:27Yes, proudest.
14:29And then we started to call him a companion, Mizina.
14:35Well, you know what?
14:37Mizina?
14:38No, I don't know.
14:39So, there was a serious conversation with him.
14:43There were even conflicts with him.
14:45He wanted to go out and take more of the business.
14:48And this is what?
14:50It's a silver motive.
14:52And Mizina?
14:54You know, you certainly don't know Mizina?
14:57I have a great memory.
14:59I, unfortunately, I don't know Mizina.
15:01You want coffee?
15:03Coffee?
15:06Yes, two coffee make us.
15:10Well, so, Mizina also gave him an alibi.
15:14And also, we need to say, it was in China.
15:17We were in China.
15:17And we decided to, you know,
15:19To say,
15:20To say,
15:21To say,
15:22To say,
15:22To say,
15:22To say,
15:24To say,
15:34To say,
15:35To say,
15:36To say,
15:39To say,
15:41To say,
15:43To say,
15:45To say,
15:46To say,
15:46To say,
15:48To say,
16:16To say,
16:17To say,
16:44That's a amazing
16:47I'll tell you a little bit about an alibi.
16:49Yes.
16:50Well, it's a tough job, right?
16:53How would it be if you would go to meet the investigation
16:56and all of you would tell us.
17:00I didn't make an alibi.
17:03Well, I understand, it's time for me.
17:06Thank you very much for the audiencia.
17:08And you know what?
17:09You think well.
17:11Well, if you remember something,
17:13you will tell me something.
17:14I'll tell you something.
17:15Thanks for the invitation.
17:16See you!
17:18GERAL WEIGHT
17:26They are aware that we have made him an alibi.
17:40and they are in the murder of him.
17:44They don't know anything. They are used to tell him everything.
17:47Work, work, work, and don't call him.
17:50Work, work, work?
17:52Or you will call him.
17:53Don't call him.
17:54Don't call him.
17:55Интересно, я hear you, это былоώς с боем у всех.
17:56ты мне по таким вопросам понял? Ты
18:09бы хоть цветочки принес. Я ромашки люблю. Или
18:12венок с какой-нибудь трогательной надписью. Венок
18:14с какой-нибудь трогательной написью. Гению от
18:15графоманов. Прости, мы все просрали. Я был бы
18:18тронут. СВИСТ
18:21火zzi
18:27CAPTIONING
18:28FL bye
18:29They cross kings
18:31Please take myF
18:32They collect those soldiers
18:33Psrations my
18:34ust
18:35Wait the matter
18:37About another song
18:38She is the theme from Vice President
18:40The author is Romulus
18:42But the author is
18:42Canadian singing
18:44A song
18:46Do you remember the.
18:48твор so
18:49Well I mean not
18:49I don't know.
18:50That really was like a song?
18:52No.
18:53I didn't hear it.
18:54But it could be.
18:58You're crazy.
19:00So, we'll write the song?
19:02It'll be fun.
19:05We'll write the song?
19:06Well, it was like a national song.
19:08He sang it.
19:11He wants to take all the best.
19:13It's a national destiny.
19:19Listen, why are you helping me?
19:21I need to finish my last thing.
19:26What are you watching?
19:28I don't know.
19:29Maybe you're really a hallucination.
19:31No.
19:31We have Napoleon,
19:33Alexander Makedon,
19:34and I'm a great Russian writer.
19:36I'm for motivation.
19:46I bought flowers.
19:55I'm the wanted anyone to see it.
19:58I'm from Grigoriye Alexander.
19:59This is who?
20:01Карпов.
20:03soften.
20:03Do you see.
20:05I'll hang out with you.
20:09Get away, please.
20:14He wants to see you.
20:17He wants to attack me, to speak directly.
20:20He wants to talk about a film, in which you will perform the role.
20:25Listen, I don't shoot the film, even in home-video.
20:32I'll tell you about yourself. If you're in the car, your life will change to the best.
20:38I'll never go.
20:40I have a request to you.
20:42And what? Are you going to kill me?
20:46Why are you who are you?
20:47Who?
20:48I'm going to call you.
20:51I'll never go!
20:56You have friends?
20:58Mom, father.
21:02So you'll be in the car.
21:06Let's go.
21:06Let's go.
21:14What?
21:16I'll never go!
21:27I'll never go!
21:30I'm going to call you.
21:32Yeah, exactly.
21:34You go for Barina.
21:37For Barina.
21:38For Barina.
21:39Right?
21:40For Barina.
21:41Because Barina is a dog.
21:43He was in these soldiers.
21:46Go for Barina.
21:50All right.
21:51I need a name.
21:55Maratik.
22:01It is a Russian name.
22:03Maratik.
22:07Dasha, come on.
22:10Yeah.
22:12Look.
22:13This song is needed to be in the media.
22:17It needs to be a kind of a dissertation of a philosopher.
22:22And in the old series of Russian songs in the 70s, 80s.
22:27It's a song of Rekro Tamarati.
22:29Okay.
22:30I understand.
22:31If someone knows?
22:33Who knows?
22:34No one knows.
22:35This song doesn't exist.
22:37It's a rare song.
22:38But a philosopher discovered it and used it in his dissertation.
22:42It's very well done.
22:44It's not.
22:46Why?
22:48It's very well done.
22:49You're not writing a music.
22:50Yes, Wait, I don't have it.
22:53How cares?
22:54I need to view it.
22:56How can you view it even in school?
23:00He already at home.
23:01He even passed by singing in school.
23:02He explained it to my parents.
23:05At the end of the day.
23:07It was a film year 1986.
23:12Dasha, take a recommendation.
23:16We need bulbs on an event.
23:19It's an old camera.
23:208-16mm.
23:228mm.
23:23It's a full-professional camera.
23:24We need an act.
23:28It's a great school.
23:30It's a holiday.
23:31And a mass of 30-40 people.
23:35Children and pedagogy.
23:36And a young man.
23:39It's 12-13.
23:40Let's find it.
23:45You're a genius.
23:55You're an idiot.
23:58Look at her.
24:01Thank you, Dasha.
24:12Go ahead.
24:15He's not angry.
24:16How?
24:17Like this.
24:18Why don't you call me?
24:19Because I lost my phone.
24:21And how he's not angry?
24:23He's not angry at the institute.
24:25He told me that I should take a car and go home,
24:28to film a movie in the middle of Rony.
24:30Well, maybe there's a movie in the movie?
24:33What's the difference?
24:34I don't want to do anything with him.
24:35And so he's very clear to me,
24:36that he has a mom and a dad.
24:38And if I'm not in the car,
24:40then he can happen to me.
24:41You're all in this room.
24:46You're all in this room.
24:47I'm going to hear you.
24:47What?
24:48I'm going to hear you.
24:50What?
24:50I'm going to hear you?
24:50I need a защиту.
24:52I need a защиту.
24:53I'll tell you to the news.
24:54I'll tell you to go and tell you to the news.
24:55You're going to continue these dirty things.
24:59Well, let's go.
25:02Let's go.
25:05Let's go.
25:06I understand.
25:09I'm going to understand.
25:10Let's go.
25:11Let's go.
25:12Let's go.
25:13Let's go.
25:13I don't know where I live.
25:15They know where I live.
25:16They know where I'm going.
25:19I'll go to a teacher.
25:21We're with him.
25:23We have little rams.
25:27We're with a working,
25:27and communication and difficulties.
25:31You love him?
25:34Well, yeah.
25:37Well, then, go to him.
25:39I'm going to tell you, Mom.
25:41We have a big one.
25:45Well, she'll know.
25:46She's a good one.
25:48You can take me, please.
25:50You can take me.
25:53You can take me.
26:13I'm gonna take you.
26:14I'm gonna take you.
26:17I'm gonna take you.
26:18I'm gonna take you.
26:20It's okay.
26:21It's okay.
26:21It's okay.
26:21You're a little bit like that.
26:22I know.
26:24I want to be able to get you.
26:26Just let her go,
26:28and then they'll figure it out.
26:30Okay.
26:30You're talking to him?
26:33No.
26:34We're afraid of him.
26:35We're afraid of him.
26:36What happened?
26:37What happened?
26:39We're not his parents.
26:42He wants to do the genetic analysis
26:44on the mother and the mother.
26:45So, don't forget.
26:48What is it?
26:51Wait.
26:53I have to worry about this.
26:54What's your father?
26:58What's your father?
26:59I'm sorry.
27:01I'm not surprised.
27:03I'm just faking.
27:04You can still remember what it is.
27:05I have a statistic that...
27:07... 10% of people...
27:09... are not responsible for children.
27:12They don't know what their children are not.
27:15They don't know how they are not their children.
27:20You're his father?
27:22Yes, yes, I understand.
27:24Don't forget it.
27:26Call me when you talk to Sash.
27:28Listen, tell me, we're going to get married.
27:34You're still waiting for me?
27:40You're saying?
27:42I'm going to be doing well.
27:45I'll give you a gift.
27:47I'll give you a lot of money.
27:47I'll give you a gift.
27:50Okay.
27:51I have a question to you.
27:53Not a good, not a good, not a good, not a good, not a good, but a good, just a
27:58good.
28:01Tell me,
28:03you like my...
28:05my...
28:07my genitalia?
28:10Well, like a art.
28:13With the aesthetic.
28:15Well, because you don't break the tube,
28:17then you think you're going to be completely gone?
28:21Or...
28:22you really like it?
28:24Do you remember?
28:26Do you remember?
28:28Do you remember?
28:29to see if you are going to open your door?
28:32Yes.
28:33I'm gonna go to the door.
28:35I'm a bit of a lot.
28:36Come on.
28:38I will be waiting.
28:42Yes.
28:43Yes.
28:44Yes.
28:46Yes.
28:47I know it's time, I can't.
29:11I can't.
29:12Oh, my God.
29:13Don't worry.
29:14You're not your son.
29:16I'm your son.
29:16Oh, my God.
29:20What's your name?
29:21Father, what's your name?
29:25What's your name?
29:25I came to you.
29:28Hello.
29:31Why did you call me?
29:34I would have said that my house is not.
29:37I'm not at you.
29:40You said you came to me.
29:42I'll let you know.
29:43To you, for the DNK.
29:46I want to say that one one of my head will fall out.
29:52There's not many.
29:54I'm not sure.
29:56I'll take you.
30:02You want to take you?
30:03No, he's leaving.
30:05I'll take you.
30:07Take you to the ground.
30:09I will take you to the ground.
30:12I'll take you.
30:19Why do you love?
30:21Do you care?
30:30I'll take you as a parent.
30:30I'll take you as a parent.
30:35You should be, you should be.
30:35You should be.
30:35I can't get by...
30:43Petya, well, проводi.
30:47Well, проводi, проводi.
30:53Sань!
30:55Wait!
30:59You're coming?
31:00Mm-hmm.
31:12You have to go to the house, or do you want to go to the house?
31:16Listen, Sanya, this is a girl, Stacia. She really loves you.
31:23What did you take?
31:26Well, first, there is a lot of experience.
31:27And there is a young person who is looking for her, who is looking for her.
31:35She is ready to change her life, and she doesn't look at her.
31:41I can't imagine what she found in you, if you are not my son.
31:44You are not mistaken?
31:47You are not mistaken.
31:48You are like a long time ago.
31:51And if not you?
31:53Well, then, then, that means, that she is dying.
31:57Because she would have a better chance.
32:00You are not mistaken with her.
32:00Give me a lie, you are not mistaken with her.
32:03You are a liar, what?
32:05Give me a lie.
32:08Give me a lie, that's not a lie.
32:09Give me a lie.
32:12I will tell you the results of the test.
32:17I am your son.
32:19I'm not sure that I will be happy to be this way.
32:21I, if I'm not, would have been a fan of this way.
32:24Who? Brada Pitta? I'm happy that you're my son.
32:29Be careful, my dad!
32:48I can't wait for the other people.
32:50I need to leave you there.
32:51I can't wait for you.
32:52So you've been left for a while.
32:54No, nothing happens.
32:56I need to be one.
32:58I want to stay alone.
32:59I need to be one.
33:00Petya, wait, what's going on?
33:02You're saying you're on him?
33:04I don't care.
33:05Petya, what did he say?
33:07He didn't tell me anything.
33:08Please leave.
33:09You don't need it.
33:10Petya, listen.
33:17You don't need anything.
33:18Please, take a picture and leave.
33:20Petya, what?
33:21I said, leave.
33:23Petya, listen.
33:24I want you to leave!
33:39I want you to leave.
33:40Paşa'ım kim getladı?
34:01Petya, look.
34:04Honey?
34:17Honey?üzik
34:20tah
34:20ğ
34:46I don't understand what is happening with you.
34:51I don't understand what is happening with you.
34:55I don't understand what is happening with you.
34:57I hit you, it's not normal, it's not me.
35:01I understand you.
35:06It's okay.
35:07I don't understand what is happening with you.
35:24I don't understand what is happening with you.
35:54Let's take a picture of the picture.
35:56I don't know, I don't understand what is happening with you.
35:59I think it should be a thing to do.
36:01I don't know what is happening with you.
36:04I don't understand what is happening with you.
36:06Well, it's a bad quality.
36:08It's a bad quality.
36:09I don't know.
36:09If you don't have a picture.
36:10Let's go.
36:11Let's go.
36:12Let's go.
36:16And, get louder.
36:19Already, already, already.
36:20I don't understand what is happening with you.
36:24Can you tell me?
36:25Do you contract on your approval?
36:27Yes?
36:28Yes.
36:30Yes.
36:32What about you?
36:33I'm going to go over with you.
36:34You're gonna go over with you.
36:35I'm going over with you.
36:3520 minutes, yes.
36:3620 minutes.
36:3620 minutes.
36:39And, come on.
36:41You are in judgment
36:43You are in judgment
36:44What it is that you look like
36:45you are in judgment
36:47And I am like
36:49you are in judgment
36:51Maybe you will have the other day
36:54Let me know
36:55Listen, I will not work
36:58You can make me feel
36:58Let's see
37:00Please
37:02Wash your hands
37:04I call you
37:08You are in judgment
37:10It's my fault.
37:12It's my fault.
37:13It's my fault.
37:24Tell me, what happened?
37:28I was raped.
37:30What, I love her?
37:32It's a lie.
37:34What a lie?
37:35You wanted to be like a water.
37:38You forgot about the reason you were married?
37:40You were married?
37:43How do you live with this?
37:45Get out of the way!
37:50Okay, guys, don't stop.
37:52Just look, you're doing everything like a Dasha shows.
37:57Then I'm just going to go.
38:00I'm just going to go.
38:02Just like this.
38:03Let's go again.
38:04Guys, time, time, time.
38:07Peter Sergeyevich, italianist, he's resigned.
38:10Two more episodes.
38:12Two more episodes.
38:12Two more episodes.
38:14Let's go.
38:18So what?
38:19I love you?
38:22I helped you make an alibi.
38:25You also hold your word.
38:27How much left?
38:29I wanted to know the time.
38:30You don't need to know.
38:32You need to work.
38:33Yes.
38:37Well, I wanted to know.
38:38I used to know when deadline is.
38:40And then...
38:42I don't know.
38:43I think it would be nice if I would write it in this day.
38:48Well, and for the book.
38:49Good PR.
38:50My name is my name.
38:53My name is my name, God.
38:55My name is my name.
38:57My name is my name.
38:57I didn't pay him.
38:59My name is my name.
39:00They will be enemies.
39:01But with me you will be with me.
39:04My name is my name,
39:06Go out for the barina.
39:11am
39:12it's
39:20I'm
39:21I love you
39:21no
39:22you are
39:22it's
39:24you're
39:25I'm
39:26so
39:27I'm
39:28I'm
39:29I'm
39:30I'm
39:31I'm
39:32I'm
39:32I'm
39:35I'm
39:36I'm
39:37I'm
39:37I'm
39:38I'm
39:39You are still scary.
39:42You are also beautiful.
39:44You…
39:44You…
39:45You are unusual.
39:47Ah, no...
39:49It's not yet the beach in Moscow.
39:54I have some money to bring you?
39:58No.
40:01You are a writer, not a writer.
40:02Yes.
40:07I'm not going to read it.
40:13I'm not going to read it.
40:14I'm not going to read it.
40:14This perfume is only for you.
40:16Please.
40:17What's that?
40:18What's that?
40:21I'm going to ask you,
40:23to be in court,
40:24to be able to bring you to me,
40:25to be able to bring you to me.
40:28So,
40:29you have to be with whom?
40:32Are you with secretaries?
40:35No.
40:36You saw her?
40:39Can I see her?
40:41I don't understand,
40:42I'm going to kill you.
40:44So, you've seen the scenario?
40:48Yes, I've read it.
40:49There it is.
40:51So,
40:54secretaries,
40:54you're not going to live with me.
40:56You're going to be with me?
41:02I'm going to be with you.
41:04I'm going to be with you.
41:05I'm going to be with an English teacher.
41:06It's Anne Николаевна Красовская.
41:07What you're doing,
41:26it's Anne Николаевна?
41:28It's Anne Николаевна you.
41:29It's Anne Николаевна you're not listening to.
41:30But you actively trying to find her show.
41:35Well, you know, right?
41:37Yes.
41:38I know that you support me.
41:52I was glad to see you.
42:02Let's go.
42:32TRIPTUES
42:33TRIPTUES
42:37TRIPTUES
42:45Hi.
43:01TRIPTUES
43:02I'm going to work for a while.
43:04I'm going to read it.
43:15I'm going to read it.
43:31I'm going to read it.
43:34I thought you would want to go after the funeral.
43:37Am I saying that I would have bought you with your other guests?
43:41Yes, I would have to help you.
43:43I'm going to buy the guests in the Pansionate Vostok 6.
43:46It's been a great deal for Bélova.
43:48Linus of German, commissioner Biotto is the name of the Giorgio.
43:56There are no shortage of people with Jesus.
44:00When Luigi came to Moscow, they met with Foe and Biotto.
44:05He had been said that the Giorgio is a particular перепelse of Russian folk song Maratic.
44:13Which is more than popular humor of the people of the European nation.
44:18We'll never forget about it,
44:19but we'll never forget.
44:22In the record, he was still in school,
44:27and then he decided to put it in new words
44:30that we love and love.
44:33The conflict is completely исчерпан.
44:35No!
44:39Did you try it?
44:42Yes.
44:43I listened to this song in childhood.
44:46I did.
44:59Well, it's all been the same time ago.
45:11I was happy to go.
45:12Our work, Bela, you're happy!
45:15Can you write a couple of couple of tickets?
45:17He would have done this song in the original.
45:19No, I don't think so.
45:21I think it would be better to forget about this song.
45:26Maybe it's right.
45:28Listen, I have another question.
45:31This is Karpov's interest in the actress,
45:35which is represented by the girl and her son.
45:38They are almost lost.
45:39Yes, of course, they are lost.
45:41But Karpov is now starting to stop her.
45:45We need to do something with this.
45:47He is almost ok.
45:49If he wants to give her, then he'll give her.
45:52This is not a way. This is my son's girl.
45:55It's a girl.
45:55I can give her.
46:07Hello.
46:08This is the след of the Wittiessev's concern.
46:10I have to find you.
46:12Could you please come to us?
46:14I'm going to love you with our work.
46:17Yes.
46:17What's that?
46:18How many of this?
46:19Excuse me, I'm not going to you.
46:21I'm going to cut the lemon.
46:22Yes.
46:24We're going to work well.
46:27It'll be interesting.
46:29I'll send SMS to you.
46:31Okay.
46:41Our Chinese colleagues sent us this video.
46:46What do we see here?
46:51I don't know.
46:53In a restaurant, a man sits and eats and eats.
46:56I don't know what we see here.
46:59He sits and eats and eats in the Chinese Republic.
47:05Chai?
47:06No, thank you.
47:07I'll go to the bottom of the table.
47:10Yes.
47:12You're calling me?
47:14We, when we started to see him, we started to hear him as a teacher,
47:19we all knew that can be.
47:22We all know that one can be determined.
47:23And we all know what you did.
47:25It is a serious problem with blood cells.
47:29Three months ago, he had been a big problem with pancreatitis,
47:32so he has a tough diet.
47:35And as you have noticed,
47:36the person on screen eats and eats,
47:40as if he eats and eats,
47:41as if he eats all the rest of his life.
47:45It's a bit of a disease,
47:47but not a disease.
47:50Well, and...
47:51What does it mean to me?
47:52What does it mean to me?
47:54We need help.
47:56You also need help.
48:00Maybe you have a big pot,
48:03that you just forgot.
48:04You just forgot about this.
48:06You just forgot about this.
48:07You just took care of the режиссers.
48:11You can't wait for everything.
48:15I can't wait for everything.
48:17I can.
48:18I can't wait for everything.
48:20I can't wait for everything.
48:23I can't wait for everything.
48:29I can't wait for everything.
48:30You have to be careful,
48:31I can't wait for everything you have to know.
48:32I was going for a while.
48:35You did not wait for the wait for him.
48:38You were sent to know the order
48:40to arrest him.
48:40He's talking about it.
48:43Well, it's great.
48:44Listen, well, you're a criminal.
48:48Well, with this artist, you've made a great job.
48:53I'm so proud of you.
48:55And with these people you're playing, you know?
48:58And we'll save you.
49:01Although you're very nice to me.
49:03Very nice.
49:06I'm going to go?
49:08Oh, Piotr Sergeyevich.
49:10And it's sad that I can't do anything for you.
49:13You're all you're going to do.
49:17You're going to break it down.
49:19You're now a member of the murder.
49:24You're very nice, Piotr Sergeyevich.
49:28I'll be right back.
50:01Transcription by CastingWords
50:09CastingWords
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