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00:01You
00:09Peter this is Alice. She'll oversee your training on this assignment. So follow her lead. You're a night agent now.
00:15Relationships are dangerous
00:19Alice is dead what she's gone
00:26The file I sold from the early stages of development was called Foxglove
00:38We took the whole thing
00:40Trust me cousin. It's better this way. Seems the Iranians may have come into possession of classified information
00:46POTUS wants to bring night action in on it jabba
00:52It's an obituary for a deceased marine named Salomon Vega says he's survived by his sister Celeste
00:58Abbas Mansuri Iranian ambassador to the United Nations
01:02Salomon Vega so they exchanged something who took the picture nor Tahiti were taking over her case
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14:05Do you like it from your house?
14:08No?
14:09It's a very bad guy.
14:11I don't know.
14:13I've told you that I have a feeling in your heart.
14:16That's right.
14:18I don't know what you're doing.
14:19Seven, eight...
14:24Bro.
14:26I'll do some of you.
14:28Really?
14:29Yeah.
14:30I'll do a lot of work.
14:33Come on, come on.
14:33I'll do this on Cairnger, wait a minute.
14:37No, come on, come on.
14:38Mmm.
15:09How's it going out here?
15:12Swell, huh?
15:14I just, I can't figure out these angles.
15:17I don't let perfection stand in the way of progress.
15:20This has to be perfect, Rose.
15:24You know the thing that I love about my work is that if you can code it, you can build
15:29it.
15:30Of course, sometimes my abilities don't always match up with the ideas in my head.
15:35But on those super rare occasions, you know what helps the most?
15:40Troubleshooting.
15:41I don't have the time or the energy for this. Thank you, though.
15:44Okay, just think of the stupidest version of the plan and start there.
15:50It's not about finding answers. It's about building up to them in a way that makes sense to you.
15:56Just try it. Start stupid. You can do that, right?
16:01Just go to sleep.
16:06Hey, um, I'm not sure how this will all go tomorrow, but I need you to promise me something, okay?
16:13If something goes wrong at this party, like, at all, you just turn around and walk out.
16:19Right then and there, no risks.
16:22Okay, not even for me.
16:25I understand.
16:27It's not good enough.
16:31I need you to promise me, or I'll call this off.
16:36I promise.
16:39Night.
16:45Oh, we closed at nine. Sorry.
16:48Two minutes. I'll be in and out.
16:50Read the sign.
17:00Whoa, whoa, whoa. Hey, how did you...
17:02Well, the sign says open.
17:05You don't mind, right?
17:07I just see my mail.
17:11Okay, what's the name?
17:16Okay, one sec.
17:26Here we go.
17:34Something wrong?
17:36Got a knife.
17:44May want to take a couple steps back.
17:48Seriously.
17:57Okay.
18:03There must be some mistake.
18:07I shouldn't be getting this.
18:13Oh.
18:14Yeah.
18:17Well, that's your name.
18:25Hey, you're up.
18:27Hey, you know that start stupid idea you had?
18:31I think it worked.
18:33So the security server they're using probably runs on a relay.
18:36So if I can trip it, it'll give us about 15 minutes before the cameras reboot,
18:40which is more than enough time to get in and out of the ambassador's office
18:42without raising any red flags once I get the key card.
18:45Nora will come through.
18:46I'll make sure she gets it.
18:48And, uh, you'll actually have some help.
18:53It's your date.
18:54It's a Swiss attache for special affairs.
18:57I'll make sure you get into the party, get out clean.
18:59You have friends in Switzerland?
19:01He's Catherine's guy.
19:02But he'll make sure you're safe.
19:05Yeah, for sure.
19:06But wait, how will you get into the party?
19:08I'm guessing you're not on the guest list, too.
19:10What's a party without catering?
19:14What?
19:14No, I think it's a good look.
19:17You're totally going to pull off that hideous vest.
19:19You're more than welcome to return your dress and join me.
19:22Ah, no thanks.
19:22I waited enough tables in college.
19:25I'll stick with the Swiss dude.
19:27I waited enough.
19:45Chase fucking ghosts.
19:47No offense.
20:09Sir pardon me you Isaac leads girls go in the house. I'll be right in
20:19Yeah, I'm Isaac. Isaac hi, I'm Catherine. I worked with your late cousin Alice and I just wanted to extend
20:28my personal condolences as well as an apology. Apology for what? Well, it seems there was some kind of shipping
20:37mishap, but this should have gotten to her loved ones much sooner.
20:42Hey. You know, I barely knew Alice. My uncle, her dad, he talked about her all the time. He was
20:52really proud too. Especially when she joined the FBI.
20:57But then she got some promotion, I guess, and she came around less and less until one day everyone just
21:05stopped hearing from her.
21:07I don't know if it was the job or something about us, but I know that it broke her dad's
21:15heart.
21:18You sent it back.
21:21Something like that, it should be with someone that really knew her, cared about her.
21:45You know.
21:48Please don't,
22:17I don't want to talk to you anymore.
22:31you good yeah is it too much uh no no you look look great
22:42could you give me a hand i couldn't get the clasps to hook yeah
22:53there you go thanks
22:57okay now remember if there's any problem or trouble make sure
23:01walk out the front door forget you ever existed peter who got it no close this is serious i
23:06understand okay well i'll see you at the party okay be careful good luck you too
23:31what's your name dear rose rose yeah
23:42so for the purposes of this evening i'm going to um introduce you as patina patina is that
23:52satisfactory whatever you think works grand so uh how long have you worked with katherine
24:02not with four she's more of a captor than a colleague a captor
24:11few years back i made an error particulars which i'd like to forget and she caught me
24:18red-handed so this is my penance my way of making up for her silence how many more favors
24:28did she have in that punch card let's just focus on tonight shall we all right
25:01you're on welcomes our friends from switzerland enjoy your evening thank you
25:11oh ma'am
25:14your phone oh i didn't bring one
25:23make you die
25:31i don't know
25:43how over had to party dear through not to mingle i just don't want to lose track of him we'll
25:50find him
25:50when the time is right until then patience
25:57i'm gonna grab some more empties okay okay
26:05okay
26:13so
26:14so
26:31I'm going to go.
26:45Ambassador, the reception for the Foreign Minister's Triumph.
26:49Bettina, I wasn't expecting a visit from our Swiss friends this evening.
26:54Yet here I am, materializing nonetheless.
26:57Always welcome.
26:59Please, allow me to introduce my companion. Her name is Bettina.
27:03Welcome. Pleasure to miss you.
27:06Was this method less than was you?
27:07Common game, you know?
27:09Be out this sea.
27:12Bettina, tell me, are you American?
27:14I hope that's not a problem.
27:16No, not for me, but for you.
27:19November, big decision.
27:22Knox or Hagen for president.
27:24Which one would you choose?
27:25Seems like an easy decision to me.
27:27Ah, Emil, you've got a politician on your hands.
27:33Zyphor's decision.
27:34Ja, ich werde bei ihr eine ganze Reihe von Dingen achten.
27:41Oh, what are those?
27:43Oh, pomegranate Croscini's.
27:46Delicious.
27:46Please, help yourself.
27:48I'm gonna take two, if that's okay.
27:49No, Emil, we're kind of focused on.
27:52Hm?
27:53Hadn't we get switched on?
27:54That's also political ausmushils.
27:56Ausstreichen.
27:57Fölk so please ausstreichen, Father, huh?
27:59Ich habe doch...
28:14I'm fine.
28:16I'm fine.
28:21I'm fine.
28:23You, come help me with something.
28:25Peter.
28:26No.
28:27Hello.
28:34I just need to get some water.
28:42What happened?
28:43Javel just took him somewhere.
28:45Who?
28:46Peter?
28:47Where?
28:48I don't know, but we don't have much time left.
28:50What should we do?
28:53I, um...
28:54I...
28:54I just need some air.
28:56What?
28:56No, where are you going?
29:09Do you still have the key card?
29:10Yes.
29:11Okay, give it to me and your phone.
29:13I need to take pictures.
29:15Hurry, before I change my mind.
29:18Okay, find Peter.
29:19Make sure he's okay, all right?
29:27It's a shame.
29:28You know, you couldn't have just re-gifted these?
29:31These are cherished gifts from trusted allies.
29:34We would never just give them away.
29:36But of course for us, alcohol is forbidden.
29:39So why would they gift you wine?
29:41I'll ask the ambassador.
29:42He was a little loose with the rules.
29:45But he was made to learn.
29:49Tell me.
29:50Matt?
29:51How long have you worked at this catering company?
29:54A few months.
29:55Why?
29:57You walk different than the others.
30:00How do I walk?
30:02On purpose.
30:03Just trying to do a good job.
30:05I see.
30:05And what were you doing before?
30:08For work?
30:08Uh, retail mostly.
30:10But that's when I was living upstate.
30:12I'm just trying to pay some bills.
30:14Feed my dog.
30:15He won't go for any of the canned stuff.
30:17He only eats the premium boiled chicken.
30:22What breed?
30:24He's a yellow lab.
30:26You a dog guy?
30:28No.
30:29I was under the impression that Labradors have a natural allergy to chicken.
30:33Not Scout.
30:35He loves it.
30:36Can't get enough of it.
30:38Well, I think I'm done.
30:40Can I get back to work?
30:42Otherwise, he'll stick me on the van.
30:44No.
30:47Not quite yet.
30:48Fox,nervous.
30:53When is the owner yet?
30:54Oh, that's right.
30:57I'm in there now.
31:04It's gonna go a little bit.
31:10Do you know what's going on?
31:11It's gonna be like....
31:11No.
31:11No.
31:12No.
31:13No.
31:37I spent a career in counterintelligence.
31:40I find it extremely rewarding.
31:44But, like most jobs, it tends to come home with you.
31:48Little habits you pick up along the way.
31:50For instance, every single time I enter a room, my eyes unavoidably plot out the escapes.
31:57Every door, every window.
31:59I couldn't stop doing it if I tried.
32:02That's great, man.
32:03I don't know what this has to do with me, so...
32:05I was wondering the same thing when I noticed that you share my compulsion.
32:10Counting windows and doors with your eyes.
32:12This is a strange habit for a waiter, wouldn't you say?
32:17Matt.
32:23It's been great talking to you, but I gotta get back to work.
32:33No, I don't believe you do.
32:53Shit.
32:56Yeah.
33:01Right.
33:03Right.
33:04Watch this.
33:04There are no money to me.
33:06And there are no money to you.
33:06I'm not.
33:06Well, you do not buy it.
33:08I have to pay for you.
33:10You have to pay for money.
33:12So that's why I pay for money.
33:12I have to pay for money.
33:13You have to pay for money.
33:16But you have to pay for money.
33:23You have to pay for money.
33:29I don't know who you think I am, man.
33:32Whoever it is, trust me, I'm a lot less interesting.
33:35No, don't sell yourself short.
33:37We're just getting to know one another.
33:38We're just getting to know one another.
34:08We're just getting to know one another.
34:16This is a bespoke designer's suit.
34:19You spilled all over it.
34:20I'm sorry.
34:22Check your logs.
34:23I was cleared to work here just like everybody else.
34:26Oh, so you're saying if I ask the other waiters, they would vouch for you?
34:29Yeah, that's what I'm saying.
34:31Then what name should I give them?
34:33Matt.
34:33My name's Matt.
34:35Look, this is ridiculous.
34:36I don't have to put up with this.
34:38Okay, I'm an American citizen.
34:39This is New York fucking city.
34:41You can't hold me prisoner.
34:42Can't I?
34:45This is a diplomatic residence, which means this very room is sovereign territory of the Islamic Republic.
34:52Great.
34:53Does that make you mayor?
34:55No.
34:56It makes me God.
34:59I don't know.
35:01I don't know.
35:31this evening drenched in what's the problem i'm coming in and no thanks no your voice
35:39you're right of course perhaps i got carried away my apologies i'll go in search of some club soda
36:05so
36:36Excuse me.
36:37What are you doing up here?
36:39And how did you get that through?
36:40Everyone's supposed to hand in their phone at the entrance.
36:42Oh, the line in the bathroom was so long, you know.
36:45And I thought there was one up here, and I found this on the banister.
36:50Any idea whose it is?
36:54Yes.
36:55She works with me.
36:57I'll make sure she gets it now, if you please.
37:01Let's go.
37:57Let's go.
37:58Let's go.
37:59Let's go.
38:18I just got to run in the catering van. I'm running out of silverware.
38:20Hey.
38:23Can you get me some more of those mini bread things?
38:26Sure.
38:26I'm running out of silverware.
38:34Rose.
38:37Hey.
39:06What happened to you?
39:08I took one for the team.
39:12Shall we?
39:13I just need to...
39:15Oh, here, let me.
39:17You have done enough for one evening.
39:20Just put in a good word with Catherine for me, will you?
39:24All right.
39:30Ah, my friend.
39:33Wonderful evening.
39:34Fantastic.
39:44Well, I knew that he would like to text.
39:47It would be easy.
39:48Catherine.
39:50Four years in foreign operations, five years at the bureau before that, the woman never
39:57worked a load she couldn't clear, and if she did, she dug in.
40:00Catherine made it her life because that's what the job demanded.
40:04Okay, I don't know what all this is about, but tonight's hardly the time or place for
40:08this.
40:08Yeah, you're right.
40:09But that's the thing about sacrifice.
40:12Director, get me.
40:13It's fucking inconvenient.
40:16Are those someone's ashes?
40:18For Christ's sake, Catherine.
40:20At dinner?
40:21Her name was Alice Leeds.
40:23She was my best, knew what it took, and all she expected in return was for the institution
40:29to have her back.
40:30So, you better get comfortable with the sight of me, Byron, because I'm not leaving until
40:36you tell me what she died for.
40:40I'll just use the restroom.
40:43Excuse me.
40:49Foxglove.
40:50What is it?
40:57Where have you been?
40:58I'm sorry.
40:59It took longer than I thought to get back.
41:01You left, right?
41:03When they took me in the back, you left?
41:05Well, I was going to, but...
41:06Rose, we agreed that if something were to happen that you...
41:09I know that, Peter, I did it.
41:12I got the keycard, I found the briefcase, I took the photos, and I snuck out in time.
41:17I did it.
41:17What do you mean you got the photos?
41:18Where are they?
41:19They're on Nora's phone, and we're going to get them tomorrow.
41:23Please don't be mad.
41:24I'm not...
41:26I'm not mad.
41:28Huh.
41:29You shouldn't have been there.
41:31Okay?
41:32You should have left.
41:33You promised me.
41:35Rose, if something were to happen to you, I...
41:42I'm okay.
41:43You're okay.
41:45We did it.
41:52You did it.
42:04Hey.
42:06How was the party?
42:08It was messy.
42:09Your man Emil helped us out a lot, though.
42:11Yes, I heard.
42:12Who knew Rose had a dinner?
42:14I did.
42:16Find any more ties between Salomon Vega and Foxglove?
42:20I had an illuminating dinner conversation last night.
42:23The details of which are still incoming, but the tenor of it left me feeling unsettled.
42:32This is the part of the job they leave off the brochure.
42:36Yeah.
42:38You lose anybody like this before?
42:41Once.
42:42A while back.
42:45Sorry.
42:47I used to meet Alice here every other week for our debriefs.
42:51The pier was her preference.
42:53I always thought the choice was tactical.
42:55It's public.
42:56It's flat.
42:57Only one way in.
42:59But then I realized...
43:02She just loved the water.
43:07Back in Bangkok, she had me running this all-night surveillance exercise.
43:15It turns out we were just following her favorite food truck.
43:20And that's the secret.
43:22The thing that makes any good agent great.
43:26Appreciating the little things?
43:28Yeah.
43:31Alice did that better than any of us.
43:33I was...
43:34Oh, you're not...
43:34I was.
43:34...
43:34...
44:02Oh, you're not meeting
44:03with that eel again, are you?
44:05You were in such a rotten mood
44:07after last time.
44:07He's my cousin, Sloane.
44:09Well, that's barely related.
44:11They let cousins marry, after all.
44:14Besides, he's off-putting.
44:17He's like an outside dog.
44:19Weasel's more like it.
44:22He's making moves by my back.
44:26It's time he's reminded
44:27of the proper pecking order.
44:32Here.
44:33Wear this one.
44:34It's more regal.
44:36It's not a tad loud.
44:39Loud colours project strength.
44:42Go on.
45:04Oof.
45:16Sir Grados, imported from Havana.
45:21Mind if I help myself?
45:22No, of course not. After all, it's what you're best at.
45:27I don't understand. Our plan is moving ahead. Are we going to celebrate?
45:32Our plan?
45:33No. My plan.
45:36Which, if you don't recall, was quite simple.
45:38Document the mobile lab for blackmail, not steal it entirely, leaving American bodies in your fucking wake.
45:46How much did that cost?
45:48What?
45:49Your hands, your nails. This is manicure. Yes?
45:53Sir?
45:54Hard hands reveal hard work. Soft hands reveal soft touch. It's not your fault. You are settled with more genteel
46:05expectations.
46:05I think you're forgetting your place in all this.
46:07And I think you're in over your head, little duck.
46:12Perhaps it's time you showed a little loyalty.
46:14To who?
46:16You know who.
46:20I wouldn't keep him waiting. Your father grows impatient these days.
46:37She here yet? She's on her way.
46:39You sure she has the pictures? You saw the documents?
46:41Yes. I mean, they were all in French, but I scanned them all to Norse phone.
46:45French?
46:46Okay.
46:48Okay. Give her a few minutes.
46:52What's going on?
46:55Will you excuse us?
46:57Seriously?
46:59Okay.
47:07Is this the intel on Fox Club?
47:09What's left of it? The rest likely vanished in a burned barrel.
47:12I don't understand. This is just a bunch of loose names and chemical agents.
47:15It's thin, but all of the pieces fit.
47:18Clandestine R&D program, theoretical chemists.
47:20The idea was to conceive of new synthetic weapons the U.S. could get ahead of, then create antidote solvents
47:27to counter their effects.
47:28The only problem with that was, well, they had to manufacture the chemicals to know how to stop them.
47:35The CIA, in conjunction with the U.S. military, secretly developed nine novel chemical agents in a mobile lab, which,
47:43as of Friday, has gone missing.
47:47What do you mean I went missing? Like it's stolen?
47:49They came in heavy. Killed two marines in the process.
47:55Holy shit.
47:57Can we come down?
47:59Uh, yeah.
48:04Hey, were you followed?
48:06No, but the mission is on alert after what happened last night.
48:10They're saying you broke one of the guards' collarbones.
48:16Who is she?
48:17She's with us.
48:19I was told you played a major part in getting us some much-needed intel. Is that right?
48:25It is.
48:26That kind of cooperation goes a long way with me.
48:29The photos of the documents Rose took, you have them.
48:33Hey, it's okay. Give her the photos.
48:37I didn't bring them.
48:39But they are safe.
48:40No.
48:42I gave you my word, and I will honor that, but first I need to know that you will honor
48:46yours.
48:47We have to know what's in those documents. Now.
48:50We'll get your family out, but it'll take some time.
48:52How long?
48:54Javad is combing through every second of our security footage, and soon he will start asking questions.
48:59Interrogate the whole mission. I cannot wait any longer.
49:02Peter, she's not wrong.
49:04Extractions take time to plan, especially in hostile countries.
49:07Mr. Harry, the people that gave a boss that intelligence stole something extremely dangerous.
49:13Those documents could tell us who they are, what they're planning-
49:16No!
49:18You people ask more and more while you have held my family over my head like a carrot.
49:24And I've delivered now.
49:26I've put myself at risk.
49:28I've betrayed my country.
49:31Now it is your turn to do one thing for me.
49:36Noor, please.
49:39Where's your phone?
49:40I told you.
49:42Peter!
49:48I transferred the photos to our drive.
49:55Where?
49:57If those documents are as important as you say, get my family out of Iran. Now.
50:03Then you will have your photos. Not before.
50:08There's someone else.
50:09Where's your phone?
50:15Where's your phone?
50:25Do you know why?
50:29Or you can't wait to get that breakfast.
50:31Noor, he's not drinking.
50:32It's in the same place.
50:33It's my place.
50:34I'm sorry.
50:35I'm sorry.
51:05Transcription by CastingWords
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