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Short filmTranscript
00:04The victim is Tony Salinger.
00:05He was found dead in his hotel room by his sister Ruth.
00:07From now on, no more secrets.
00:09What do you think he meant by that?
00:11I have no idea.
00:12This thing with the daughter, is that a conflict of interest?
00:14No, it was a too-minute conversation.
00:15I'll ask her to CCTV just so we can eliminate her.
00:17You said you were leaving.
00:18You changed my mind.
00:19To Kim.
00:20I think I can't live with her.
00:22I drank.
00:23What was the occasion?
00:24Here, Monkford, I'm arresting you on suspicion of...
00:26You're a genius.
00:27It's great, Detective.
00:28But you're greedy, and you're impulsive.
00:31And that makes you dangerous to be around.
00:38You've run to a trip to the coast?
00:41Hmm.
00:52How's things with your daughter?
00:55Uh, yeah, she's not speaking to me.
00:59Nope, she won't be.
01:01She's gonna punish you about 50 times before she eventually gives you the time of day.
01:07What do I do until then?
01:10Keep showing up, regardless of how much she tries to push you away.
01:14And eventually, those 50 punishments will run down to zero.
01:21She's leaving soon.
01:23You'd better get cracking, then.
01:32This car was found over there, with the keys still in it and the suicide note on the dashboard.
01:40I want to know a bit more about Alan.
01:44This incident with, uh, Monica and the knife, when was it?
01:48A few days before he died.
01:50But you didn't see it?
01:51No, I told you I was at uni.
01:53He told me about it.
01:56Thanks.
01:57But in the years before I left, Monica and Dad would argue a lot.
02:02Not blazing rows, just sort of tense, small, sort of snipings.
02:08Do you remember what about?
02:10Michael, mostly.
02:11How Monica and Molly coddled him, how Dad wanted him out from underneath them.
02:16And me.
02:18How Dad was easier on me, at least according to her.
02:22How that was giving Michael a complex.
02:25Dad wanted out.
02:28Well, I know he did, but not like this.
02:46Why are you looking into all this again?
02:49Well, it's possible that when Tony said no more secrets, he was talking to Monica.
02:54And do you think that my dad is the secret?
02:57I think...
03:03I'm late for work.
03:24I'm late for work.
03:26I'm late for work.
03:31I'm late for work.
03:34I'm late for work.
03:36I'm late for work.
03:38I'm late for work.
03:40I'm late for work.
03:41I'm late for work.
03:46I'm late for work.
03:47I'm late for work.
03:47I'm late for work.
03:49I'm late for work.
03:50I'm late for work.
03:50I'm late for work.
03:52Clifftop only opened to the public two months before Alan Barton was reported missing.
03:56Presumed, thank you.
03:58Since then, we've sadly had one further suicide and an accidental death there.
04:02Now, the tide is very predictable, even in extreme weather.
04:05And both of those times, the body washed up in the bay half a mile down the coast.
04:10Alan's body didn't.
04:11And no one questioned it at the time because, I guess, no one knew about the tide patterns.
04:15Kara and I have been back to the hotel to check on Tony's sight lines.
04:18When Tony said, no more secrets, he was looking in a mirror at Monica.
04:25So, what was the secret?
04:27We've got two theories.
04:29Either Monica killed Alan, Tony knew and was threatening to expose her.
04:33But what was Monica's motive for killing Alan?
04:35I mean, he had a couple of grander savings, but that was about it.
04:38Like, what, the cottage, maybe?
04:40That's what we need to find out.
04:41The bit I don't get is why she'd then tell Tony.
04:43I mean, you'd keep that to yourself, right?
04:45Again, that's what we need to find out.
04:47Uh, the other theory is that Tony was summoning up the courage to tell Monica that he lied about his
04:53job and his money.
04:55Now, Monica says that Tony told her the week before the wedding.
04:58What if he didn't?
04:59What if he told her that night?
05:01What, and then she killed him?
05:02That's quite a reaction, isn't it?
05:04Yeah, well, even if she didn't kill her first husband, Alan, the daughter said that Monica once threatened him with
05:09a knife.
05:10So we're dealing with someone potentially prone to aggression.
05:13Violent outbursts.
05:14Kara, Sally, Dan, uh, go back through the reports into Alan's suicide.
05:19We need to see if there's anything that they missed.
05:20Simon, Liam, Katie, talk to Monica's friends.
05:23Uh, did she mention Tony's financial situation to anyone?
05:26And, crucially, when did he tell her?
05:28And we still haven't figured out who this figure in the coat is.
05:33Hey, who's the name?
05:35Bonnie.
05:35Hey, boss.
05:36All right, all right, all right, all right, all right.
05:39Yeah, yeah, yeah.
05:39Good to see you.
05:40All right.
05:41They've discharged you from the hospital.
05:43I mean, not technically.
05:44I thought you'd all be missing me by now.
05:46Are you okay?
05:47Oh, yeah.
05:48Doctor said it's a scratch.
05:50Sorry, Jim, you carry on.
05:52No, it's okay.
05:53We were just finishing.
05:54Uh, thank you, everyone.
06:00Megan.
06:09Good to have you back.
06:10How you feeling?
06:11Like I just got stabbed.
06:12So, no, you shouldn't be here.
06:14What am I supposed to do?
06:14I can't go to the gym.
06:17Let me bring you up to speed.
06:19Yeah, all right.
06:22Um, lots to fill you in on.
06:28Okay.
06:47Uh, Ian has confessed to killing Carl
06:49and to swapping the bloods
06:51and, uh, obviously to the attack on you.
06:54He's at him and he didn't kill Tony.
06:56You believe him?
06:58I do.
07:00I wish I didn't.
07:02I wish I didn't.
07:30that her first husband's suicide
07:31was, was actually staged.
07:33Yeah, and Tony knew
07:33and threatened to expose her.
07:34That's what Nicola said, right?
07:35Yeah.
07:36The other theory is that
07:37Tony told her about
07:38his financial situation.
07:39And she lost her shit, yeah.
07:45Uh, about what you said at the hospital,
07:47I just...
07:49What happened was really shit.
07:50I'd like to put it behind me, okay?
07:51We're good.
08:00What happened there?
08:03I've no idea.
08:04Barney.
08:06I didn't expect to see you back so soon.
08:08Discharged this morning?
08:10That's...
08:11surprising,
08:11after such a close shave.
08:13And God, Jim arrived when he did.
08:15Take it steady, Barney.
08:17Understood, Mom.
08:19About time some of the others
08:19did some work, eh?
09:07Boss, have you got a minute?
09:08Well, I... yeah.
09:10So the footage from the night of Tony's murder came in?
09:13What footage?
09:14Costello's, the restaurant.
09:16The footage of you and Nicola Barton.
09:18When you disclosed you had contact with Nicola the night of,
09:21you said it was a two-minute conversation.
09:23It wasn't.
09:25It was longer.
09:26Really?
09:27Way longer.
09:29It's 43 minutes.
09:3043 minutes?
09:33Wow, okay, yeah.
09:34You do understand I need to put this on the CMS, don't you?
09:37Yeah, of course.
09:38Which means that everyone in here can access that footage.
09:41Yeah, I know how the CMS works, Karen.
09:42And see that your two-minute conversation
09:44with the person connected to the case was actually much longer.
09:48and much more cosy than you initially let...
09:50Cosy?
09:50Uh, is a bit subjective.
09:52Maybe.
09:53But the timestamp isn't.
09:56Look, maybe you lost track of time.
09:59Or maybe you thought it was inconsequential.
10:03But please, get your fucking story straight, sir.
10:10All right, thank you.
10:39I thought you'd gone back to Manchester.
10:42I decided to stick around, visit some old haunts, like the cliff.
10:49A friend saw you there this morning.
10:51Sorry, that sounds like, I mean, you can, you can do what you like.
10:55I just mean that I, I wish I'd known you were still here.
10:59Um, we could spend a bit of time together.
11:02And, um, what?
11:05I thought we'd made some progress, Nick.
11:07I explained how your father was.
11:09I know that it must have been difficult for you to, but, you know,
11:14I thought it might have answered some questions for you.
11:17No, it did.
11:21It's just being back in Jersey.
11:23It's harder than I thought it would be.
11:27Being back around me, you mean?
11:38Have you, have you heard about love languages?
11:42People have different ways of demonstrating their love.
11:45And I think that I had a way of showing you that I loved you because,
11:50because I did.
11:51I do.
11:54And I think it's something that I learned from my mum.
11:57She was, um, she was practical.
12:01She was endlessly practical.
12:04So the house was clean and we were clean and there was food and, you know,
12:10I think that that's what I associate with love.
12:13And it's just as deep as something more demonstrative.
12:17But maybe it's not how you needed to be loved.
12:25Yeah, that would make a lot of sense if I hadn't seen you do it with Michael.
12:33You weren't practical with him.
12:38You engaged with him.
12:40You gave him energy and time and love.
12:46And I got what was left.
12:50Well, Michael just demanded more.
12:53He needed more.
12:54You didn't have to give it to him.
12:56You could have said no.
12:57You can't say no to a child like that.
13:00So I'm left with this impossible choice of what to believe.
13:04Yeah, that, oh, you couldn't love me because of some flaw in you,
13:12some bit in you that's missing,
13:15or that ultimately because I'm just too hard to love.
13:20What?
13:20No, that's not Christ, no.
13:23He doesn't stop.
13:33This is why I didn't want to see you.
13:38Because these conversations are too hard.
13:47I'm sorry about Tony, but I want you to leave now.
14:02Have kids, then we'll talk.
14:17I know you're furious with me, and you have every right to be.
14:21But you're leaving soon, you know, and I would just love it if you would consider
14:27forgiving me just a bit quicker than you would normally.
14:32Yeah, I have forgiven you.
14:34Yeah, I mean, it just doesn't feel like that.
14:36I'm just tired.
14:40Thanks for the lift.
14:4649 to go.
14:58Jim.
15:00Nigel, um, I'm sorry, it doesn't even come close.
15:06It's okay, Jim, really, it was, uh, it was an accident.
15:08No, it's not okay, it's, it was, it was out of line, and, uh, look, I'm sorry.
15:15Apology unnecessary, but accepted.
15:18Uh, is, is Charlie in?
15:21Um, Christ, uh, well, if you're sure.
15:40Hi, Charlie.
15:43I just wanted to say, um, how, how sorry I am, and by the party.
15:51Is that it?
15:53Well, yeah, I don't know what else there is to say.
16:02When Rachel died, you were devastated, as was I, as was everyone.
16:09In many ways, we will never fully recover.
16:13I appreciate that.
16:16But the rest of us, even her daughter, are managing to function now.
16:22And so for you to still be spreading such Olympic standard chaos would suggest an element of choice.
16:30Of choice?
16:32At the risk of sounding condescending, Charlie, you do know that I'm an alcoholic.
16:36Really?
16:37Oh, you should have mentioned that.
16:39Oh, wait.
16:40You do.
16:42Endlessly.
16:43You know, Rachel was exquisite.
16:46She was, she was perfect.
16:49She was better than me in every single way, but she never made me feel like I didn't deserve her.
16:56But from the moment we met, I have spent every single day trying to prove myself worthy to you.
17:06I have lowered the bar as far as I can for you, Jim.
17:09Any lower, it'll be in the cellar.
17:12Not getting drunk at Kim's leaving party was all that was required of you.
17:18I'm sorry, even that proved too much.
17:25Jim.
17:27That actually went better than I expected.
17:30How do you deal with her?
17:32Well, when you get to my age and you've been through some, some stuff.
17:40Not to suggest you haven't had your own share of stuff, but I lost a child.
17:52My first wife and I.
17:55When he was only two.
17:57God.
17:59Nigel, I'm, I'm sorry.
18:02And obviously, that's something Charlie and I have in common.
18:05And the one thing about something so unfair, so, so savage, is it gives you some perspective.
18:23And some patience.
18:28I'll talk to her.
18:30All shall be well.
18:32And all manner of things shall be well.
18:38I'm sorry again.
18:40You should see the other guy.
19:02Uh, Simon, talk to me.
19:03Oh, yeah.
19:05Monica was telling the truth.
19:07I spoke to one of her bridesmaids, and according to her,
19:10Tony had told Monica about his financial situation a week before the wedding.
19:14Okay.
19:14Did you say how Monica responded?
19:16Well, I'm not thrilled, but not filled with murderous rage either.
19:19Okay, and I take it we're still nowhere with the figure in the coat?
19:21Yeah.
19:23Like, yeah, we're, we aren't.
19:26Uh, Kara?
19:27I had a look at Alan's phone records, and I found some calls that the original investigation must have missed.
19:33Who are Phillips and Hawthorne?
19:34Solicitors on the mainland who happen to specialize in divorce.
19:38I spoke to them.
19:39They dug out the notes.
19:40They said Alan Barton spoke to them about divorcing Monica two weeks before he died.
19:45Monica didn't mention it in either investigation.
19:47Which means she didn't know.
19:49Or she concealed it.
19:50Yeah.
19:50Read the third paragraph.
19:59Okay, well, there we go.
20:00Uh, I'm gonna put this to Monica.
20:03And yeah, obviously you can come too, Bonnie.
20:08She'll come too, yeah, if you're up for it.
20:10I think I can manage sitting in the car and then sitting in a chair in her living room.
20:16Good.
20:18Yeah, brilliant.
20:19Let's go.
20:22Thanks.
20:23Yeah, see you in the car.
20:31If they get divorced, you're going into foster care.
20:33Oh, don't say that.
20:36Listen, I thought you should know.
20:38I was with Jim Bergerac today.
20:41I finally got him to look into my dad's death again.
20:44Right.
20:47So you're still looping all this back to Monica then?
20:50She threatened my dad with a knife.
20:51I'd call that a red flag.
20:55I'm confused.
20:56I thought you thought Monica did it too.
21:02When I saw her, Michael was there.
21:05And he got into an argument with his neighbor.
21:08He was out of control.
21:10Just the rage.
21:12Monica actually had to hold him back.
21:14I just think maybe we're looking in the wrong place.
21:17You think Michael might have killed Tony?
21:21Maybe.
21:23And maybe not just Tony.
21:27My dad too?
21:28Oh, come on.
21:29Well, we've talked a lot about whether Monica did it, but never how.
21:33How did she overpower two husbands, two fully grown men,
21:37who would have fought back?
21:51Let me just have a couple more things we'd like to run by you.
21:54How would you describe your relationship with Alan around the time of his death?
21:59Well, what's this got to do with Tony's death?
22:02I was still trying to establish what Tony meant when he said,
22:05no more secrets.
22:06You described Alan as in a dark place before his death?
22:10Well, he killed himself.
22:13Unless I've read too much into that.
22:18You said that he was erratic and unpredictable,
22:22yet we found no evidence to corroborate that.
22:24If anything, Mrs. Salinger, we found that he was making plans for his future.
22:30You've been talking to Nicola.
22:33I don't know why she's dredging all this up again.
22:35I thought we'd settled this.
22:36Were you aware that shortly before his death, Alan contacted a divorce lawyer?
22:41What?
22:42Um, no, no, I didn't know that.
22:46They had two conversations.
22:48The solicitor described him as buoyed by their discussions and hopeful for his future.
22:54He said the final straw was a fight the two of you had where you threatened him with a knife.
23:00No, that never happened.
23:03I know this is hard, Monica, but we're still exactly where we were on the night of Tony's death.
23:08And look, no more secrets meant something, okay?
23:11You don't upend your wedding day for a joke.
23:14Now, there are people who love Tony.
23:15You loved Tony.
23:16And so we owe it to all of you to explore every lead, answer every question.
23:20I'm really sorry, but that's led us to Alan's death.
23:22And look, look, if there is nothing, if there is no relevance, then I swear to you we will move
23:27on.
23:29But we won't know until we ask.
23:41Okay.
23:42What?
23:45It's true, the knife.
23:48It's true.
23:48But when Alan spoke to Nicola and this solicitor, he left out some pretty crucial context.
23:57He did change.
23:58His behavior did change.
24:01And I hid it too, because I didn't want people to think ill of this beautiful, kind man that I
24:11loved.
24:15One night, he hit me.
24:20And I grabbed a knife, um, because he kept coming towards me.
24:25And, um, I told him to get out of the house.
24:29And I didn't see him for a few days.
24:30So that must have been when he, um, when he spoke to Nicola and this lawyer.
24:35Anyway, after a while he came home and he was full of this, this indignation.
24:43And, um, he said that I had attacked him.
24:46And I said, no, Alan, you hit me.
24:51Because I still had the bruise.
24:55And, um, he was devastated because his father was abusive towards his mother and him and his brother.
25:02And, um, there he was.
25:06Completing the cycle, becoming the, the thing that he swore he'd never be.
25:12I see it in Michael too, sometimes.
25:17And a few days later, he died.
25:20I couldn't help the kids.
25:22I mean, Nicola would never believe me.
25:25She will never let this go.
25:31Michael!
25:32You all right?
25:33I'm fine.
25:37Michael!
25:38Michael, please!
25:40Michael!
25:45Oh my god, you've got to go after him.
25:47Why?
25:48Well, he must have heard everything that I said about Alan.
25:51He didn't know any of that.
25:52I'm sure he'll be fine.
25:52No, no, no.
25:53Look, you don't understand.
25:54He's fragile.
25:55He's been going to the cliffs where Alan died.
25:57When he's like this, I have no idea what he's capable of.
26:00Please.
26:02Please.
26:08We need all available units dispatched to the Morbury cliffside and a polo put out for Michael Bart, driving a
26:15blue VW polo.
26:54No sign!
26:56Hi!
26:58History!
26:58No sign!
26:59No sign of his car either!
27:02We've got a visual on Michael's car.
27:04Where?
27:04Falling into the Clifton Hotel.
27:06Jesus.
27:09What?
27:09We need a unit at the Clifton immediately.
27:12Quiet approach.
27:13We're in 401.
27:14We do not want him spooked.
27:15Wait!
27:16What is in 401?
27:17It's Nicola Barton's room.
27:19We don't know what Michael's capable of.
27:20He's not the one in danger.
27:21Nicola is.
27:24Come on!
27:38Let's get out.
27:39Oh mario.
27:51Like she was camera enigmatic ìì.
27:53Don't you seeients.
27:55I've got all that17 silver, but I have no idea for him.
27:57It was great.
27:58Good to have you.
27:59Sorry, no.
28:03We've never got laws against doing that.
28:11How did you know her room number?
28:13What?
28:15Doesn't matter.
28:34Hello, welcome to the Clifton. Do you have a room 401?
28:38Fourth floor, but you'll need a key card.
28:45Hey, we need a room pass from room 401.
28:48OK, I just need a credit card to activate the room pass.
28:53Thank you so much.
28:55OK, just 401, yeah.
28:57Please, please, can you just hurry?
29:00All righty, there we go, there's your room card.
29:03Oh, sorry, the lift's undergoing maintenance at this present moment in time.
29:07Of course it is.
29:24You all right? I'm fine. Just go.
29:35Wait! Wait! Wait, wait!
29:38Wait, wait, wait, wait.
29:39You're fucking estos.
29:40You're making money.
29:42You're making money.
29:42Letting money.
29:43Don't understand.
29:44You could have left us around you.
29:46You would have saved Rochester and trapped yourself with that front of you.
29:49No.
29:49No, no.
29:50Well, enough is enough.
29:52Go, go, go.
29:54Hey!
29:55Hey!
29:55I didn't do anything! I didn't do anything! I didn't do anything, I swear!
30:00Are you okay?
30:02Nicola? What is it?
30:04Nicola!
30:06What is this?
30:09Bermuda.
30:12I can't believe it.
30:14Well, it's true.
30:16So you can stop now. You can finally leave us alone.
30:20I don't understand. What is this?
30:21What's the confusing bit, huh?
30:22It's from him.
30:25Alan, my father.
30:33He's not dead.
30:50It arrived the day before my 30th birthday.
30:56A few months earlier, Dad had been officially declared dead and Mum had arranged a little gathering for us to
31:03say goodbye.
31:05I and Nicola came, reeking of vodka as per, and that's when she first suggested that our mother, a woman
31:13who has to literally ask me to open jars for her, killed our father.
31:17I mean, it's ludicrous.
31:21Anyway, that's when the card arrived. At first I thought it was Nicola playing some sort of joke.
31:26But then, postmark. And you didn't tell Monica. Oh, Mum, by the way, Dad's alive.
31:36He'd just rather you think he was dead than ever talk to you again.
31:42No. I didn't. I didn't tell anyone.
31:46The police had ruled her to suicide for the second time. Nicola had been extradited back up to her northern
31:52town.
31:53I didn't think that there was any point in exhuming it all again.
31:56But then, Tony died. And when Nicola reappeared and started trotting out her greatest hits,
32:03I did think about telling her then. But the next minute she was leaving, so I didn't bother.
32:11Except... she didn't. Did she? Hmm?
32:21I saw you with her. At the cliffs. And sure enough, you descended on my mother, parroting Nicola's slurred fantasies
32:34like they were facts.
32:35Right. I thought enough is enough.
32:39You're taking quite a big risk there, your father. How did he know that you wouldn't tell your mother and
32:44Nicola straight away?
32:46Nicola likes to tell everyone about this special relationship she had with Dad.
32:52But I was the son. I was his blood. He could trust me.
32:59No, look, don't get me wrong. I mean, I feel sorry for her. It must be quite a shock, you
33:11know, to find out that someone would literally fake their own death rather than spend time with you.
33:20I mean... I mean, that's bound a smart little.
33:31Forensics have checked the postmark. It's authentic. Definitely sent from Bermuda.
33:37What about the handwriting?
33:38They've only been able to do a preliminary analysis. They still need to do four bells and whistles.
33:42But they compared the card with confirmed examples of Alan's handwriting.
33:46And it's a match.
33:50Right, so Monica didn't kill Tony because of the money. She didn't kill him because he was about to tell
33:55the world that she killed Alan, which would suggest...
33:57She didn't kill Tony.
33:59Okay, so we keep looking. We keep digging. Jim, I'd like a word with you.
34:07Can someone tell Monica Salinger her first husband is alive and well and living in Bermuda?
34:12I'll call their family liaison.
34:14Cara, did the footage come back from the bar of Nicola Barton?
34:17Er, yeah, it's on the CMS.
34:18Yeah, and?
34:20Looks deemed irrelevant.
34:50What's your next appointment?
34:51move i have absolutely no idea well whatever it is it won't involve barney you need to send him
34:57home he's practically green oh yeah that's that's my fault we're allowing him to accompany me to to
35:03interview monica i'll make sure he stays behind his desk from now on you seem uncharacteristically
35:07eager to keep him here normally i have to sit you two as far apart as possible uh well he's
35:12an exceptional officer and an integral part of the team now i'm really suspicious why did he go
35:18and see ian monkford without backup uh we were working in in parallel and uh we both uncovered
35:24different strands of evidence against him that's not what i asked he went without telling his
35:29colleagues specifically you suggesting a troubling and in this case potentially fatal breakdown in
35:34communication something's going on and it's becoming a problem sort it out jim redraw some boundaries
36:05uh listen don't start i'm fine you're not you need to go does that come from umma me it's coming
36:12from me take your time get better christ at this rate when you come i'm just in the middle of
36:16something here do you need me to leave this second or can i finish
37:06you all right absolutely sensational
37:13good now i know that despite your best efforts to conceal it kim leaving is challenging for you
37:19so it'd be all right if things weren't all right yes it is challenging for me but i think it's
37:24important
37:25kim isn't privy to that the last thing she needs is to feel guilty about what she's leaving behind
37:30that would be selfish and i'll leave that to her father
37:36what was jim like before rachel died very different capable besotted with the two girls
37:46but steady reliable right so this isn't him he's still hijacked by the grief he's a man possessed
37:59where did you become a functioning adult again how long did it take it's a work in progress
38:08i'm saying be patient with him i'm not making any promises that's my goal
38:23i'd like to give you the money for the restaurant it would be alone obviously but seems rather silly
38:30you need the money and i've got it sitting in my bank account um right that's very kind of you
38:39but no no what no thank you but why not
38:47because it would be emasculating and utterly humiliating oh for god's sake so this is about
38:52pride is it it's all i have charlie i i don't have any property i i i don't have any
38:58investments
38:59i i don't even have a family my my pride is the one thing i've been able to cling on
39:04to so no
39:05but again thank you where are you going i need to pee i don't need any help with that either
39:19good night boss good night
40:04good night ŃĐ°Đ·Ń colonelrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrodrod
40:19Free upgrade, due to the door, so thank you.
40:30It's Monica, she keeps calling.
40:32That will, yeah, someone will have just told her.
40:35I'm sorry, it's looking like the card is genuine.
40:38It can't be.
40:41I'm sorry.
40:42Because my dad is dead.
40:46He wouldn't do this to me.
40:53He wouldn't do this to me.
40:57Hey, it's...
40:59It's okay.
41:12It's okay.
41:25Oh, Christ, is that Monica again?
41:29Oh, it's Kim.
41:32Um...
41:32I'll take this outside.
41:35Hi.
41:35Hey, sweetheart.
41:37I'm staying another night at Granny's.
41:39Yeah, okay, yeah.
41:41Uh, that's... that's fine.
41:42Uh, will I... I'll pick you up tomorrow.
41:44I'll text you.
41:50I didn't even make it to the door.
41:52She rang you there.
41:54She could have just texted.
41:57She wants a dialogue.
41:59Yeah, you really think so?
42:03Is this what being a parent is like?
42:05Your kid becomes like someone you have a crush on at school
42:08and you're constantly trying to decipher
42:10every single interaction.
42:12Oh, and she asked me earlier for a lift.
42:19I think she likes you, Jim.
42:22Yeah, you see, now you made it weird.
42:27She's trying to keep the channels open.
42:29She just wants to run it down from 50 to zero.
42:33As much as you.
42:42What are you doing, Jim?
42:44In what sense?
42:45In any sense.
42:47The case.
42:51Us.
42:54There can't be any us.
42:56So stop showing up at my hotel.
43:00I know. I'm sorry.
43:18Just, um, hold that thought.
43:20I, um...
43:23I just...
43:24I've got to pay.
43:29Oh, my God.
43:39Uh, where's the minivar?
43:42Uh, you're kidding, right?
43:44Well, I thought we could share a sparkling water.
43:47Yeah.
43:48Let's push the boat out.
43:50It's in the wardrobe.
43:51Right, right, okay.
44:26We found it.
44:30Jim?
44:55Oh, crap.
44:59Oh, crap.
45:53Oh, crap.
45:57Oh, crap.
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