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Anime Expo 2018 - Diversity In Voice Acting Panel #1 - By David L. $Moiney Train$ Watts - FuTurXTV & HHBMedia.com

Anime Expo, abbreviated AX, is an American anime convention held in Los Angeles, California, and organized by the non-profit Society for the Promotion of Japanese Animation (SPJA). The convention is traditionally held annually on the first weekend of July, spanning the course of four days. Anime Expo is regularly hosted at the Los Angeles Convention Center but has also been held in other cities such as Anaheim, San Jose, New York, and Tokyo.

Anime Expo has events and activities during the convention for attendees to take part in such as guest panels, tabletop gaming, competitions, an arcade, and concerts

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Transcript
00:08Hi, my name is Dempsey, and this is a question for Keith, now that you're, since you're playing
00:14a Swedish character at Torbjörn, have you ever considered learning Swedish?
00:19Yes. I've considered it. I'm sure I've considered it. It seems like it would be a lot to learn.
00:27They have great apps for it, though, now, so I have thought about it.
00:33Alright, next one. We're going to choose over this section here. Agrituko.
00:41Hi, my name is Candace, and my question is, what skill set do you think is the most important to
00:47have when you're going into voice acting?
00:49Like, we know having unique voice is important, but what other skills would you want to look for if you
00:54were doing an audition yourself?
00:55Wow. Imagination. A very active imagination. A lot of times, what I'm learning, because honestly, voice acting has been one
01:04branch of the acting tree that I've come to pretty late in the game, and it's the place where I
01:09get to do the most outrageous things.
01:13You know, because if you think about it, voice acting, I can be a little Indian woman, I can be
01:17a dragon, I can be a chair.
01:19I don't know why I keep saying a chair. I love being a chair. She talks about it all the
01:23time.
01:23I got a sofa yesterday on the live feed. I feel so bad.
01:26She called it a food feed.
01:28Hey guys.
01:30Yeah, sit on me like everyone else.
01:33What's your name, chair?
01:35Cherry.
01:38Are you Peewee Herman's chair?
01:40No, and everybody thinks that. I don't get that paycheck.
01:44You should really change your name because that's Peewee Herman's chair.
01:47Uh oh.
01:48It's kind of...
01:49No, I'm famous already.
01:50I hate my life. I hate my life.
01:54No, I don't know. But I mean, you can be anything you want.
01:56And so, even that moment where I'm like, no, that's not a good enough chair.
01:59Like, I would want to play and think about all the different ways you could be that thing, and it
02:03doesn't necessarily sound like you think it would sound.
02:06Like that character, who was I talking about this the other day?
02:09In The Secret Life of Cats, the bunny, played by Captain Hart.
02:12Yes.
02:12Like, okay, you see a bunny, and you think it's gonna be,
02:15it's fluffy and goofy and blah blah.
02:17And then all of a sudden, it's Kevin Hart.
02:19With an evil eye.
02:20That kind of thing of not allowing the visual to keep your imagination from flying.
02:29That right there, I think, is really, really important.
02:32Yeah, and first and foremost, voice acting is acting.
02:36So, I mean, just being able to act.
02:37I mean, that's the most important thing is people do voiceover that don't do a whole bunch of voices.
02:41They just have one great voice and they're really good at commercials or trailers or promos.
02:44And they sell you products.
02:46Right.
02:46And you can be really successful.
02:48So, but if you're talking about like animation and that kind of stuff, I would say like flexibility
02:52is, because you have so much, there's so much possibility, the range is endless.
02:56So being passive.
03:01Oh, I'm curious about that!
03:10I know.
03:13Yeah.
03:18I know, I know.
03:19I know.
03:20You're getting the right choice.
03:23No, I'm sorry. That was for comedy and make it stop.
03:26Make it stop.
03:39What is going on?
03:42She made us do it.
03:44She made us. She started it.
03:46She started it.
03:47I know there's a curtain here.
03:49We need him. We need him alive.
03:51Don't do that to him.
03:53He's never going to come back for a panel
03:55with us again if we make him do this.
03:58I had to bribe him with a Winston.
04:00I know we did. We promised him lunch.
04:03That's why he's here.
04:04The other kind of flexibility.
04:07Not that one.
04:08Because if you're doing like on camera stuff or on stage
04:11or whatever, you're probably only going to be
04:13you're going to be a little bit like
04:15for a character event, you might look at
04:16like you said a bunny and it's supposed to be
04:18you think it's going to sound this way.
04:19Usually you don't go that far off
04:21if it's something that's on camera.
04:23You know what I mean?
04:23You don't just go, I've got this crazy, crazy idea
04:25for this doctor. What if?
04:27You don't usually do that.
04:29But with animation, you do.
04:31And you might show up for session and you think
04:33even if your audition was one way,
04:35they may go, we loved your audition
04:37and we liked your body at work, but we want you
04:39to try this. And you're like, oh,
04:40nothing like what I did at the audition at all.
04:43So you have to be ready to let everything go
04:46that you thought ahead of time
04:47while you were driving your session you're going to do
04:49and just stomp on it, burn it to the ground
04:51and go, let's start over
04:53and do something different.
04:54Until you get to the right thing.
04:55So flexibility is very important.
05:03And very seldom, when a new show up, I noticed very seldom
05:07are they actually voiced by black actors.
05:09And as somebody who's interested in getting into voiceover
05:13and dumping, what steps do you think I can take to change this?
05:18That's interesting.
05:21This is really strange, but I find in animation in general,
05:26sometimes that's like a niche that you wouldn't think it would be
05:28because you think there have to be a lot of black voiceover actors.
05:33But you can kind of actually get work being black
05:35and being a good voice actor there
05:37because there are certain roles that they do want
05:38somebody who's black to play that.
05:40And like with anime, I am black
05:42and I've auditioned for black characters
05:44and had white guys beat me out for them.
05:46So I mean, it depends.
05:48But how would you change that?
05:51I don't know.
05:52It's a tricky thing.
05:54I was going to say, I've been working with young animators
05:57who are doing short films because they want to tell their story.
06:00So I don't know if you know people who are in college doing animation
06:04or anything like that, but I've been voicing characters for friends
06:07in their little short films that are about Latina little girls
06:11because there's not enough of them.
06:13This came up in another panel as well.
06:16It's just this beautiful black woman who wants to do her animation.
06:19I said, go do it because we need more of that.
06:22And I know it sounds silly, but that short film could go to a film festival
06:25or it goes online and it goes viral.
06:27Or it doesn't, but you start your own little production company
06:31and this is what you're doing.
06:31And I know it sounds really hard to do, but just baby steps
06:34and you'll get there, you know?
06:35And then hopefully you can also dub some anime and be awesome at it.
06:39But I think that us creating our own work is part of adding to that,
06:44to this crazy business and making it more diverse.
06:48Yeah. And voiceover too.
06:50I don't know that there's always a stress put on accurately casting
06:55so many different characters.
06:57I mean, it's like, oh, you have to be this to play this.
06:59So black actors play all kinds of different characters.
07:01They also don't make me play only black people.
07:04They don't, you know what I mean?
07:05Or only even men or only humans or only like we voice whatever.
07:10You too can be a chair.
07:11And so...
07:13Hashtag you too can be a chair.
07:16So the opportunities are theirs.
07:17For me, where I see that there are issues in Hollywood with casting,
07:21it has to do with where the opportunities are not there.
07:25So there are opportunities for black actors to do voiceover,
07:28to play black characters, white characters, any character.
07:30It's kind of whatever you sound.
07:32I do get in Hollywood when we can't get a lead,
07:35Asian actor ever.
07:37Or we can't get a...
07:38It's harder to get like...
07:38It took forever to get like a lead, you know,
07:40black character in like the Star Wars or a big movie or...
07:43And there's also a history behind that.
07:45Where white actors were playing black characters and white actors
07:48were playing Asian characters and Native American characters.
07:52So there's a past history that's not nice.
07:54It's not good.
07:55And so in Hollywood there's somewhat of a problem
07:57and I definitely agree with that.
07:59With voiceover I see it more as...
08:01There are some shows where it's very important for the producers
08:04to actually have everything be true to what it's supposed to be
08:07and there are other shows where the producers don't care so much
08:09but they're not going to not hire you because you're black.
08:11You just might be playing not a black character.
08:14Do you know what I mean?
08:14Like an anime would almost hurt you more
08:16because there's less black characters.
08:17There really are.
08:18So in Japan they have to start making more black characters
08:21but there's not as many...
08:23I have no idea what the ratio would be
08:24but you guys know.
08:25It's pretty low.
08:26So if you were forced to only play that
08:29you would have less of a career.
08:30Does that make sense?
08:32So, but you know, hopefully...
08:33We want to audition for all sorts of things.
08:35You know, all the things.
08:36If we can, if I can sound British, let's do it.
08:39You know what I mean?
08:40So...
08:40Yeah, because British people are not having a hard time working.
08:43Right, they're not at all.
08:44No, but I will say early on in my career,
08:47it's strange, early on in my career
08:49as a theater and as a TV actor.
08:52Because there weren't so many Indian roles,
08:55it didn't matter that I was Indian.
08:58It just...
08:58I just went in and auditioned
09:00and it just...
09:00There happened to be...
09:01Very rarely were they like,
09:02well you can't do this because you're not white.
09:05Like I didn't have...
09:06I had that experience in high school,
09:07but I didn't have that experience in the professional world
09:09when there was zero opportunity.
09:13As we have become more...
09:15As we've become more careful,
09:17we've sometimes lessened our opportunities
09:19to remember that we are not defined by our race.
09:22And especially in voice acting,
09:24you are not defined by anything that this package
09:26that you are in has to offer.
09:29But if you want...
09:29If you want there to be more roles out there,
09:32then yeah, we have to create them.
09:34But if...
09:34Because that's the only way they're going to get created.
09:37But if you're excited to use your voice
09:39for anything in the world as an actor,
09:42you know, as an excited actor would,
09:43then go for it.
09:44Be that chair.
09:46Go.

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