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Watch Madam Beja Season 1 Episode 1 online in HD on Dailymotion (2026).
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00:16Arashan 1821
00:31Come on, Fortunato. Whose carriage is that? Looks like it's not from here. He must be someone important. So much
00:41luxury. Yeah, I've never seen something so funny before. It's a sin to splurge on material things like that. Look
00:47at that. It's a woman. Father, do you think she'd have the nerve to come back? After everything that's happened.
00:54Only if that bold woman had no shame.
01:20Blood. Blood has always been what guided my life. First, the blood of someone I've never met.
01:26Aren't you ever going to tell me who my daddy is? Stop bothering your grandfather, child.
01:30Then my mother's blood, who was said to be crazy.
01:34Shh, be quiet, my dad. Be quiet. Your grandmother doesn't like noise.
01:39But my mother was much more than that.
01:41I told you not to. I told you not to.
01:44She was an enigma.
01:46But, Father, I can't take this anymore.
01:48A mixture of moments of great sadness and sudden bursts of pure joy.
01:55When this whirlwind of emotions overwhelmed her, she decided to end it all.
02:01Taking me along with her.
02:04Come on, Aisha. Don't let her go.
02:10But my fate was to live.
02:12Raised by my grandfather to be a princess.
02:15Life, really.
02:17So then, why does life always drag me back to blood?
02:22Are you all right?
02:23I'm all right.
02:29I'm all right.
02:37I'm all right.
03:14I'm all right.
03:15Antonio carries that heritage in his blood.
03:19He was reared from a young age to take on the mission of Grandma Luigi.
03:24A captive who turned the gold she found into her freedom.
03:37When Grandma Luigi passed, she did so without knowing that Antonio felt obliged to silence his heart and stifle his
03:44feelings in order to follow in her footsteps.
03:52But my heart is so hungry for love that no blood will keep me from what has always been mine.
04:05Beja, I think it's best if we find another place.
04:07I think it's best if we find another place.
04:26A boy brought this.
04:53A boy brought this.
04:55It's for you.
04:56And find me the nicest dress, please.
04:59There's a place that we need to visit.
05:00I think it's best if we find another place.
05:00I think it's best if we find another place.
05:04I think it's best if we find another place.
05:30I think it's best if we find another place.
05:32I mean, isn't this where it all began?
05:58The house is nice.
06:00I'm sure it will suit your desires.
06:02But must it really be here?
06:04Yes, it must, Severina.
06:05We'll establish my gentleman's club in this farmhouse.
06:15If life has made me into a lady of the night, I'll turn the world into a brothel.
06:23Because Madam Basia is here to stay.
06:26I want to sing just for the poor people who are in the world and lose their journey.
06:33We're the same as in disgrace.
06:35Let's sing the blues of a piedade.
06:39For those who don't know how to live.
06:44I'll find another place that has fallen on you.
06:49We're gonna ask for the poor people.
06:52Let's sing the blues, Lord.
06:55Let's sing the blues.
07:00Let's sing the blues.
07:06Let's sing the blues and wild.
07:09Let's sing the blues.
07:09Let's sing the blues, Lord.
07:10Let's sing the blues.
07:15Two years earlier.
08:08Two years later.
08:10Two years later.
08:11Two years later.
08:25Meysha!
08:30Meysha!
08:30Where are you?
08:36You thought I ran away, didn't you?
08:39I'd like you to the end of the world if I needed to.
08:44Say you love me.
08:46Say that you love me.
08:47You know how I feel about you, don't you?
08:52I want to hear it from your lips.
08:56All right.
08:58Say it.
08:59I'll say it.
09:00Come on, you'll hear it underwater.
09:03Come.
09:08What's going on, my princess?
09:13I won't be able to stay away from you that long.
09:26You shouldn't worry.
09:30I promise to write to you every single day.
09:37You're gonna forget about me.
09:41It's impossible to forget about you, Beja.
09:46It's impossible.
09:59You're driving me crazy.
10:12I can't do it.
10:16I'm not allowed.
10:17I'm not even allowed to touch you before marriage.
10:31But I can touch you.
10:44Baby, I love you.
10:47I don't know if I love you.
10:55I really like Beja.
10:57But unfortunately, her family is such a darn mess.
11:00Well, I think the engagement will actually help Antonio Ceci.
11:03I think he needs to become more responsible.
11:06He's a grown man now.
11:11Want to make me look all disheveled like your son's fiance?
11:15Disheveled or not, Antonio would look good in the capital with a woman like Beja.
11:19Oh, yeah.
11:20Just as I was a trophy for you, right, Paolo?
11:22Ceci, come here, love.
11:27I would never have fought as hard as I did to be allowed to marry a white woman, let alone
11:34without a dowry, if I didn't love you so much, Mrs. Ceci Sampaio.
11:41I've always been crazy about you.
11:45Well, I certainly hope your effort was worth it.
11:59Grandpa, do you need help?
12:03Please, sit down.
12:04This way, please, Mr. Elvis.
12:06Please, sir.
12:06I'll come.
12:12Should I help?
12:13Stop.
12:14Here, let me help.
12:20It's an honor to host you with your granddaughter, Mr. Elvis, especially on an evening when we're here among family
12:27to celebrate friendship and love.
12:33Here's a toast to Antonio and Beja.
12:44I thought I'd be alone in this world, but Antonio promised to take care of me.
12:50He's a golden boy.
12:51We're people of our word, Mr. Elvis.
12:54That's why we'd like to seal the deal right away.
12:58Our son will be finishing his studies, returning from Europe, and then we'll marry them both.
13:31They're still there.
13:33They're on the couch, holding hands.
13:35How is this even allowed?
13:37Well, you're too embarrassed to show your feelings.
13:39Right, Angelica?
13:40I told you so.
13:41We are siblings, Maria.
13:43No, Angelica.
13:44Antonio and I are the siblings here.
13:46You're just a baby that was abandoned here on the farm.
13:49Why are you speaking to me this way?
13:51Because that's the little detail that will allow you to marry Antonio.
13:54If you only weren't stupid.
13:57Have a good night, Maria.
13:58Have a good night, Angelica.
14:02I don't want to wear gloves anymore.
14:04I just want to admire a ring.
14:07Oh, wait.
14:08I left the other one there.
14:09Then you'll have to stay here until you find it.
14:14I have to go.
14:16Go.
14:17I'll find your glove and bring it to you.
14:22Quiet.
14:23Maria's here.
14:41Arashah.
14:42Arashah.
14:57It's going to be so dull around here without you.
15:01I shall die of pure boredom in England.
15:04You've got me used to living life to the fullest, Beja.
15:07Everything, everything is an adventure with you.
15:10I love you, Antonio.
15:14So do I.
15:15Hey, why don't you ever tell me you love me?
15:19But I do say it.
15:21Only I say it my way.
15:23Hm?
15:45This way I'll always be close to your heart.
16:03I'll be back.
16:05Wait for me.
16:06I'll be back, all right?
16:17I'll be back.
16:27I don't know.
17:03I don't know.
17:21I don't know.
17:24Nem sei se te amo.
17:31Rasgue a camisa e enxugue o meu pranto.
17:40Como prova de amor, mostre teu novo canto.
17:50Escreva num quadro em palavras gigantes.
18:00Pérola negra, te amo, te amo.
18:32I don't know.
18:46I don't know.
18:49I don't know.
19:01I don't know.
19:17I don't know.
19:18I don't know.
19:19I don't know.
19:21Here! You're gonna work in the temple!
19:24No! I didn't lie! I did it!
19:28What's wrong, Beja?
19:31The poor thing.
19:36I mean, how sad it is for a man to have to act like that.
19:39It's sad indeed, girl.
19:41Let's get going, my girls.
19:43We've seen more than we should have.
19:45Come on.
19:56Drink it.
19:58It'll do you good.
20:05I'm not supposed to be here.
20:07And do you think I am?
20:10I'm so sorry, Mrs. Nana, but I really did nothing.
20:13I swear I did nothing.
20:15You were never the first, nor will you be the last,
20:17to tolerate men who like to demand dessert before supper.
20:22How do you know, madame?
20:24Respect my gray hair, my dear child.
20:28But he didn't get what he wanted, because I am still a maiden.
20:31What difference does it make now, dear?
20:33To those people, you are as much of a whore as I am.
20:36I'm not a whore, ma'am.
20:37I was gonna get married.
20:39I was gonna marry him.
20:39Wake up, my dear girl.
20:41You are lovely, but these customers only see you as a black woman and never as a wife.
20:48Ever.
20:50I know I am black, but I am no captive, Miss Nina.
20:54I am free.
20:58Free.
20:59I can give you a house here, as well as food, but you have to pay me.
21:04You'll have to work.
21:06And here, we don't turn customers away.
21:11Understood?
21:23Oh, I truly can't breathe like this, Mrs. Sussie.
21:27Your husband can breathe for you, then.
21:29Do you think being a wife is easy?
21:35Honestly, dear, that dress suits you wonderfully.
21:39It's a shame Beja doesn't have another dress.
21:41Otherwise, she could go to the magistrate's ball.
21:43No, I'm taking care of my grandfather.
21:45Wait, you have to miss the party, Beja?
21:47It's the talk of the village.
21:49And the magistrate.
21:50Who's coming to see Arasha?
21:52Well, if the man is the crown's magistrate,
21:55he absolutely needs to meet the future wife of my son.
21:58I think that could really help Antonio with politics.
22:01You are going to that ball, Beja.
22:03Your grandfather will understand.
22:06Why can't I move to Villarica with you, father?
22:08We've already talked about this, Botellino.
22:11Since your mother passed, it's just the two of us.
22:14You're staying to look after the farm.
22:16I'd sooner go into politics.
22:18It happens that politics is a serious matter.
22:20I can be your assistant.
22:21You can't even handle a tie properly.
22:24Be my assistant.
22:25Besides, didn't I set up a little newspaper for you here in Arasha?
22:29But you forbade me from writing about politics.
22:32Of course.
22:32Because you inherited your mother's faulty ideas.
22:36The winds now blow in a different direction.
22:38Let me give you some advice, Botellino.
22:41Be guided by the winds.
22:43Father, are you ashamed of me?
22:47Behave yourself at the ball.
22:49It was very hard to convince the crown's magistrate
22:52to come here to Arasha, a place he didn't even know existed.
22:56And I really need his favor.
22:58Look, son.
22:59Sort out your hair.
23:01You look a mess.
23:04You look a mess.
23:06I'm just not sure.
23:09I'm just not sure.
23:19MUSIC PLAYS
23:39Colonel Felizardo, it's an honor to receive you on my own.
23:44Ready for another election?
23:45Well, I don't know if you're willing to lose another election.
23:49Mrs. Genovela, I haven't seen you in a long time.
23:59Make yourself sit home. Enjoy the ball.
24:06Your drink, uncle.
24:09And you, Fortunato, you're not drinking?
24:11Hmm? I don't know a man who doesn't drink.
24:16Mother, that works.
24:17Why are you always looking so pale, Carminia?
24:20Trying to get the magistrate's attention.
24:28Wake up, Costa Pinto.
24:34And this magistrate, is he actually here?
24:37He certainly made it to Arashah.
24:40And how come you're so certain?
24:41Have you been off lifting your skirt outside the farm, huh?
24:44Uncle, everybody knows it.
24:46There's no other talk in the town.
24:48Hmm.
24:50So many important things to do with our money.
24:54And they throw this useless party.
24:57Full of ostentation.
24:59And these white people keep looking at us as if we don't belong here.
25:03It will take at least half a century
25:05for them to finally come to accept our presence.
25:09I mean, if they ever do it all.
25:23The magistrate must be in the ballroom,
25:25and we're here, waiting for the little princess.
25:28Honey, Baza's almost family.
25:31Angelica is also almost family,
25:33and she doesn't have her own cart.
25:34What is this, Maria?
25:35Daughter, what?
25:36How did you expect your brother's fiancé to come?
25:38On foot?
25:39They're here.
25:41Huh.
25:54Baza.
25:58Baza.
26:01Fuck.
26:12So beautiful!
26:14Bishop, goodness.
26:15You're looking simply...
26:17You're beautiful.
26:21Thank you very much.
26:22She looks perfect to represent Antonio.
26:25So we can go with him, right?
26:28Please, go on.
26:34Mr. Magistrate, did you see him?
26:36No, but you took way too long.
26:39It's not that ragamuffin's fault.
26:44Good evening.
26:55Carpillia!
26:56What a lovely dress.
26:58Did the Modiste in Villarica take your measurements?
27:00Imagine.
27:02The foreman measured a mare's hips and had it sewn up.
27:05Outside, you said it looked beautiful.
27:08So what happened now?
27:09That's a lot of pomp for a motherless, fatherless girl.
27:12Maria!
27:13Remember, I'm an orphan as well.
27:14But it's different, Angelica.
27:16You had an education.
27:17This girl didn't.
27:18She has no manners, no parents.
27:20She hasn't more than two chains of clothes.
27:22Ladies and gentlemen, I request your attention for a minute.
27:26I am very pleased to announce the presence, in my very own home, of Joaquin Ignacio Silvera de Mota, the
27:35Crown's magistrate, who has come from court to get to know our Arashad.
27:50Goodness.
27:51The magistrate's rather handsome.
27:57Good evening, my ladies.
27:59Good evening, Mr. Magistrate.
28:04Are you enjoying the ball?
28:06It's better now.
28:10It just got better.
28:11Mr. Magistrate, come with me.
28:13I want to introduce you to the strong men of Arashad.
28:16Mm-hmm.
28:17Mm-hmm.
28:17Mm-hmm.
28:18Mm-hmm.
28:28My mother still listened to me, but my father, he didn't even look me in the eye, Sioboa.
28:38For them, Colonel Botelio's intentions were the best.
28:42Welcome to my home.
28:45He didn't believe me when I said that the Colonel tried to abuse me.
28:48I know just how you feel.
28:53He treated me as if I was a liar.
28:56A woman's ward means absolutely nothing to them.
29:00I didn't let that disgusting man help himself before the wedding.
29:03No! No! No! No!
29:05You know what?
29:06I could use you, but I won't do that.
29:10Because I will show you who's in charge here.
29:15Did you really think I was going to marry a little green grocer like you?
29:20Kill me!
29:24Come here.
29:26Come here. I'll help you out.
29:28Let's see.
29:31Quite vain, this magistrate.
29:34No wonder.
29:35They ingratiate themselves to me.
29:39May I have Beja for a dance, sir?
29:44If she pleases, of course.
29:46Beja?
29:48Antonio, my fiancé, would not approve.
29:55Silly.
29:56It was just a dance.
29:59Besides, the Botelio family has a lot more money than ours does.
30:02Then I suppose you'll dance with him.
30:12Might I have the supreme honor of dancing with your daughter?
30:17She's not a daughter, Mr. Magistrate.
30:19She's our future daughter-in-law.
30:21And this here is my wife.
30:23Mrs. Ceci Zapayo.
30:26Absolutely, my dear sir.
30:28I beg your pardon for the mistake.
30:31I mean, what's wrong with a bit of dancing?
30:54Compose yourself, Sissy.
30:55Hmm.
30:56We're paving the way for Antonio at court, right?
30:59Isn't that our mission here?
31:02HÅ‚e Rekord.
31:03100% of your téléphone?
31:27We are so grateful for your culture-in-law.
31:28We are so grateful for your culture.
31:28Well, I'm so grateful for the sake of you, W
31:55Come on.
31:57Look.
31:58You just smile, smile big, and move around.
32:37I'd like to say that you get used to it, but that wouldn't be true, right?
32:46Three songs in a row now.
32:48My mother will kill me.
32:50It's very hard to compete with Beja.
32:52Yeah.
32:55This little makes... wait until my brother hears this.
33:00Your eyes.
33:02Have you ever noticed how expressive they are?
33:05My grandfather says the same about them.
33:07But I hope your grandfather has complimented your body.
33:12What a lovely bosom.
33:14What a fake of my word.
33:15Would you mind if we stop dancing now?
33:16I'm feeling a bit unwell is all.
33:18You sure I felt that?
33:20I will miss the company of such a lovely woman.
33:28Are you sure, Beja?
33:30It's still far too early.
33:33I'm really not feeling very well.
33:34Let the girl go, Ceci.
33:35She's done enough for Antonio.
33:37Go, Beja.
33:38Thank you, Mr. Sampaio.
33:39Please send my love to Mr. Alves.
33:44Have a good night.
33:45Have a good night.
33:47Go ahead.
33:53Of course it's virility that makes the man, Honorato.
33:55Stop, stop.
33:56You're only saying that because after the pain of losing your daughter.
33:59You've never laid with a woman again.
34:02Yeah.
34:02I'm half a man.
34:03You know that too well.
34:05But you drink like a whole man, huh?
34:09Evening.
34:10Shh.
34:11Are you back, Beja?
34:12Is the music over?
34:14If Honorato thinks you've had too much, then you definitely have.
34:17Right, Grandpa?
34:19After everything that's happened, daughter,
34:21it's the only pleasure I have left.
34:29Time to go, Honorato.
34:31It is time to go. Yes, it is.
34:34We can talk more tomorrow.
34:36See you later.
34:37Give me the bottle.
34:38Give me the bottle.
34:39Leave it to me.
34:40The cup stays too, alright?
34:42Good night.
34:43Good night.
34:45Good night again.
34:56Good night, you grouch.
35:10Good night, you too.
35:10No.
35:32chepe can't breathe.
35:42Who are you going to be today?
35:45I am a sultan.
35:46And you will be my prisoner.
35:49Oh my god.
35:51Mommy.
35:53What?
35:54Can a girl be a sultan?
35:56Oh, honey.
35:59You can be whatever you want.
36:02When I grow up, I want to be very.
36:05And I mean very pretty.
36:06Oh, yeah?
36:08Very pretty, huh?
36:11Like maybe...
36:12Sherizade?
36:13No, Mom.
36:14I want to be pretty like you.
36:19Beja, my daughter.
36:22Too much beauty
36:24only brings danger.
36:45I want to be crazy.
36:45I want to be so that she's been injecting any 2050 of theØ·laire.
36:46So she knows how her interior, so she takes over the помvicions to thelet?
36:48She knows she is very full of depression like the Teller.
36:49She hot and she has aeronarea in Sharon.
36:49So she feels so that she can imagine him being veryетенул-en
37:00She loves you.
37:00Because looking.
37:14Are you leaving, Dad?
37:16No babysitting the magistrate anymore?
37:19Botelino, I've already done my part.
37:22Now the wine will do the rest.
37:24And you, stay away from that man.
37:29I'm going to handle some unfinished business
37:31before I go back to Villarica.
37:41Thought you weren't going to serve me.
37:48But you will.
37:51And I'll have the pleasure of being the first.
38:06I'm going to serve you.
38:15I'm going to serve you.
38:18I'm going to serve you.
38:20I'm going to serve you.
38:22I'm going to serve you.
38:24I'm going to serve you.
38:24I'm going to serve you.
38:25I'm going to serve you.
38:26I'm going to serve you.
38:35Grandpa?
38:38Grandpa?
38:38Grandpa?
38:39Grandpa?
38:39Grandpa?
38:52Grandpa?
38:58Grandpa?
39:00Did you shoot my grandfather?
39:02But why?
39:04Grandpa?
39:07Grandpa?
39:08Did you shoot my grandfather?
39:09No, Grandpa!
39:10Where's your grandpa?
39:13No!
39:14Let go of me!
39:16Wait, what's going on?
39:17Let go!
39:19Let go of me!
39:22Honorado!
39:23Honorado!
39:25Honorado!
39:26Come here, folks!
39:28Let me go!
39:28Let's go!
39:29Let go of me!
39:31Hurry up!
39:31You're not going anywhere!
39:32Go!
39:33You're not going anywhere!
39:34Go!
39:34Woah!
39:52Let's go!
39:53You're not going anywhere!
39:53Let's go over you!
39:53Oh wait!
39:54Let's go of me this friend!
39:56Let go of me!
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