- 13 hours ago
Watch How to Get to Heaven from Belfast Episode Season 1 Episode 2 online in HD on Dailymotion (2026).
Category
🐳
AnimalsTranscript
00:28You
00:53Look at the guns on me, Lohan.
00:55Star-outs.
00:56What?
00:56That's what people are saying.
00:58It's senior school's birthday, Saoirse.
00:59Not the fucking Olympics.
01:04Someone might say it so.
01:06I love that we got these.
01:07Me too.
01:08Separate, but inseparable.
01:09You know, it's sort of shit that I can't see, Minda.
01:11Girls, come on.
01:13Might have started to scab.
01:14Get it done without knowing that.
01:15I swear if my ma finds out.
01:17How's your ma going to find out you've got yours in your arse?
01:19Aye, if your ma's still wiping your hole, you've got bigger things to worry about.
01:22I don't mind on my lower back.
01:27Greta, he's here.
01:30Who?
01:32Jason Meadows.
01:33He's here.
01:37Fucking creep.
01:44He'll never leave me alone, will he?
01:46Let's go, Greta.
01:47Let's go inside.
01:49Just keep on.
01:51Ignore him.
01:52You don't scare me.
01:55Saoirse, come on.
01:57Saoirse.
01:58Saoirse, come on.
02:01Saoirse.
02:03Saoirse.
02:05Oh, you're okay.
02:07Oh, my God.
02:09Everything's fine.
02:10What?
02:11I was fucking not.
02:12We had a crash, but thankfully, Owen called for help.
02:16So, everything's fine.
02:24You gave us quite the fright.
02:26We left your bag at the house, so Owen here was just trying to catch up with us.
02:29Could have been a hell of a lot worse.
02:32Roads around these parts of their own beast.
02:35You have to know what you're doing.
02:42So, if you ever find yourself in this neck of the woods again, well, you really should
02:50be more careful, girls.
02:57It wasn't her.
02:58It wasn't Greta in the coffin.
03:00And that gay person, gay heart, and the one who sent the emails just exists, he said,
03:05well, I might have picked that up on.
03:06What?
03:07Well, we were pretty hungover, so she.
03:08We're still pissed.
03:09Pissed and paranoid.
03:11Look, going to that wake was a stupid fucking idea.
03:14Our friendship with Greta ended a long time ago, and for good reason.
03:17So, let's just get the fuck out of this place.
03:19Hey.
03:21Is that the mechanic?
03:22Yeah.
03:23Last night.
03:24Outside the thing, the hotel.
03:28He told me he was actually a ride.
03:30A cop.
03:30Do I look okay?
03:31No.
03:32Great.
03:33Hey.
03:33Hi.
03:34How are you feeling?
03:35You okay?
03:36I'm fine.
03:37Sure?
03:39Yeah.
03:40Good.
03:42Eh, we're fine too, by the way.
03:44Myself and Dara here, fellow victims of the crash.
03:48Yet yous are very lucky, you know.
03:49I mean, you only have to take one look at the car.
03:52Oh, sweet and gentle.
03:54Jesus, my car.
03:56I've barely had it a month.
03:58Jim's going to go absolutely mental.
04:00I can't listen to him.
04:01I cannot listen to him.
04:03Maybe he'll just stay here.
04:04Maybe he'll just live here.
04:05In the mountains.
04:06Alone.
04:07Forever.
04:08When you're back home, you're going to have to get some cosmetic work done.
04:11Oh, shit.
04:12Give us a hand getting her down.
04:14No, I'm heading back to work on Cahyrie.
04:16Two minutes.
04:17I'm in the uniform.
04:19Take the uniform off.
04:20Yes, Liam.
04:22Take your uniform.
04:23He's young enough to be your son.
04:25He's 26.
04:27He's 12 years.
04:28Oh, you've done the maths, have you?
04:29You hate maths.
04:30You're gauged, seriously.
04:31I know my gauged, Jesus.
04:32I was joking.
04:33How are you going to forget the fact that I'm in gauged?
04:35Pick it.
04:36What?
04:36My ring, honest to Christ.
04:38Where to put it now?
04:44Everything all right?
04:45Huh?
04:45Oh, yeah.
04:45I lost my ring.
04:47Again.
04:48You're going to need to get one tattooed off.
04:52Hey, what is it?
04:55Nothing.
04:56Shit.
05:01Harry, yeah.
05:02Cisha, what time do you think you'll arrive?
05:03We're going to meet before the red carpet because it's an absolute clusterfuck.
05:06Is that tonight?
05:07Have you forgotten?
05:07No, I didn't forget.
05:09The thing is, I'm going to need a new flight because the other flight is, well, it's gone now
05:13and I wasn't on it.
05:15Oh, you missed your flight.
05:16Well, can someone in the office sort that?
05:18It's the BAFTAs.
05:19It's the fucking BAFTAs, Cisha.
05:22I was in a car crash, actually, Harry.
05:25A car crash?
05:26Jesus Christ, are you okay?
05:28What?
05:29Cisha?
05:30I...
05:30Cisha, can you hear me?
05:31I'm fine.
05:32Okay, let's just get you on a plane.
05:33Yeah, well, I have to go straight to the venue, so I hate you.
05:36I really...
05:37Are you sure you're all right?
05:37No, I'm...
05:38I'm fine.
05:39I'm still going to be able to write.
05:41You're still going to get your commission.
05:43Bye-bye, Harry.
05:49You're a writer?
05:50I am, yes.
05:52What do you write?
05:54Um...
05:55I write a TV show.
05:57A cop show, actually.
05:58It's called, um, Murder Code.
06:01Is it not huge?
06:02Yeah, yeah, I suppose it is.
06:03I mean, I have no idea why.
06:09So you're interested in cops?
06:16Saoirse, your ring was in the glove compartment.
06:20Oh, thank God.
06:23I've got to get through this.
06:25I've got to get through this.
06:26I've got to make it, I've got to make it, I've got to make it through.
06:29Oh, God, I can't wait to get home.
06:32Saoirse, it's totally fucked.
06:34Here, I have the map on my phone.
06:36Say I was right.
06:37I think we're turning off here somewhere.
06:39Stick your arm through so I can see the map.
06:40What if it wasn't our body in the coffin?
06:42Do you know how deranged you, sign?
06:44Why can't I just come up front?
06:45The passenger window's all over the seat, Dara.
06:47And picking shards of glass out of your arse is not how you want to end this already.
06:51Quite mental weekend.
06:52If I saw what I think I saw...
06:54If being the significant word, you can't just dismiss it.
06:56Okay, that's it.
06:57Dara, open the door and fuck her out.
06:59I don't really want to fuck her out.
07:00I'm not mad.
07:01Look, I know going there was a big deal, considering...
07:04The thing we never talk about.
07:08Stop it, Dara.
07:09Stop what?
07:09Looking at her to check how you should react if you don't fucking mind of your own.
07:13Sorry.
07:13You don't have to apologise.
07:14What are you apologising for?
07:15Sorry.
07:16I really think something weird is going on here.
07:20Okay, we all know that it was a bit complicated.
07:24Just leave it alone.
07:25We've left it alone for 20 fucking years.
07:27And shit!
07:34Again?
07:34Are you fucking serious?
07:37Are you talking to God?
07:38God, if you are, you might want to.
07:49Right.
07:50Stay here.
07:52Jesus bloody car!
07:57I am so, so sorry.
08:00Are you okay?
08:02I'm usually a really careful driver.
08:04The condition of your car would suggest otherwise.
08:07Right.
08:08Is that a dairy accident I'm detecting?
08:10I'm from Belfast.
08:12I'm not really feeling the old six-county solidarity at the minute.
08:16Fair enough.
08:16Let's do the thing and get going, then.
08:21It's not actually that bad.
08:24It's a nightmare.
08:24I mean, wing mirror side.
08:31This is a nightmare.
08:33She never looks where she's going.
08:36Hi.
08:38Hi.
08:38Are you okay?
08:40Not really.
08:41I should probably kill you all, but I don't have room in my boots.
08:45I don't have room in my boots.
08:53Here.
08:54Put on your details.
08:55Give me yours and I'll do the same.
08:57Right.
09:06Right.
09:06There you go.
09:06I'll be in touch.
09:08I look forward to it.
09:12Dairy people are always such weirdos.
09:16Bye.
09:38Good gear.
09:42What the hell are you looking at?
09:46What the hell are you looking at?
10:34Look, Saoirse, I know Gratidine, the wick,
10:40maybe brought up a lot of stuff.
10:42Yeah.
10:44But I really think we just...
10:46Fine.
10:50Right.
10:51I've had it with ours.
10:53Let's get the fuck back to Kansas.
11:01Jesus Christ.
11:03I was in a car crash, Harry.
11:04What were you expecting?
11:05Oh, my God, baby.
11:07I'm fine.
11:07I mean, this whole thing is a bloody nightmare.
11:09You were in a car crash.
11:11Gina sent the wrong waistcoat over.
11:12Yeah, that's the same.
11:13Uh, guys.
11:14It's horrific.
11:15Guys, we need to hire on the red carpet for the photographs.
11:18Right now?
11:18Right now.
11:19Ah, shit.
11:20You'll have to get changed here.
11:21You'll not get changed in the fucking street, Harry.
11:23Oh, grow up.
11:24Oh, over here.
11:24Over here.
11:26Some fans left these for you at the venue.
11:27So sweet.
11:28Oh.
11:29Yeah.
11:29Oh.
11:30Take it.
11:30I mean, they're usually just story-in-ideas which nine times out of ten are fucking psychotic.
11:35It's just such a weird fit.
11:36It feels sort of boxy.
11:38Is it boxy?
11:39I'm just going to talk you through the plan if that's called Sishi.
11:41Sishi?
11:42Seriously?
11:43Seb, can we have a hand, please?
11:44For God's sake.
11:49Oh, fucking hell.
11:52Hold it nice and high.
11:54So, I've just been with Marnie and we are very sensitive to the fact that there are some creative...
12:00discussions going on, but from a channel perspective, we are super keen that you walk the red carpet together.
12:07How are you feeling about that?
12:09Not brilliant.
12:10Right.
12:11Um, we wouldn't push it if we didn't feel it was super imports.
12:16Imp... imports?
12:17Do you mean...
12:17Do you mean important?
12:18Does she mean important?
12:19I think she means important.
12:20She's a dick.
12:21Right.
12:22She's a dick.
12:22Isn't she a dick?
12:23There was some definite dick-like behavior on set.
12:26Then again.
12:27No, then again.
12:27We will not be needing that then again unless you'd like me to call her.
12:30Pull off her engagement.
12:31She really regrets some of the things that she said.
12:33She told her that?
12:34I very much got that vibe.
12:36Um, isn't apology something that you would be open to?
12:39She's not going to apologize.
12:42Come on.
12:42No.
12:46Sorry, you want me to apologize?
12:48Get the fuck.
12:49Cisha.
12:50I'm so sorry.
12:51She's Irish.
12:51What can you do?
12:52We're just thinking of the fans.
12:54Are you?
12:54Especially the women.
12:56Because they see you two out there.
12:58The showrunner and the star.
13:00This unstoppable, inspirational, feminist force.
13:05And they feel empowered by it, see she.
13:08Fans like the show because of the murders.
13:11They like to solve a mystery because it makes them feel in control.
13:14It makes them feel like good will prevail.
13:16It makes them feel like this fucked up, messy existence can somehow be figured out when the truth is.
13:22Of course, they're not in control.
13:23Good won't prevail.
13:24And life is fucking meaningless.
13:25So, you do whatever it is that you need to do because I am not apologizing to that narcissistic, ungrateful
13:35dickhead.
13:36And I am not walking the red carpet with her.
13:40End of scene.
13:48You think you're going to win tonight?
13:50Oh, Scott, look, we're just delighted to be nominated and in such great company.
13:56And also, it's a good excuse for a girly night out, isn't it, Sish?
14:00Totally.
14:01It was definitely brought our dancing shoes.
14:04And you have a new nemesis this series, I believe.
14:07Yes, indeed.
14:08Rosemary de Cassis.
14:10So, how do you come up with such fabulous character names?
14:13It depends, really.
14:14Sometimes it's just a bit more things right or, like, real, truthful.
14:18Um, but with the villains, I can have a bit of crack.
14:21A bit of fun.
14:22So, what I do is...
14:28Uh, what, what, what, what I do...
14:31Jay Harden.
14:33Sish, don't even have a hanging.
14:35I'm so sorry.
14:47Do you know who sent that email?
14:52You know it wasn't me in that coffin.
14:56I don't know anything.
14:59Not for certain.
15:01If it wasn't you, who was it?
15:03Are you ever planning on telling Seb you don't want children?
15:05Jesus, where'd that go?
15:06I don't know.
15:07I'm a figment of your imaginations here, so you're the one calling the shots here.
15:10We are talking about you being in a coffin or not being in a coffin.
15:13Could we please just stick to it?
15:15Jesus Christ, I can't breathe.
15:17Do you know what?
15:18I, I, I, I'm not doing this.
15:19Not now.
15:20Not here.
15:21I'm going to close my eyes.
15:22And when I open them again, you're going to be gone, okay?
15:25Whatever you say.
15:32Why don't you do this, Carla?
15:39Guess it didn't work.
15:41Fools!
15:42You have to tell the others about your little epiphany.
15:44They won't listen.
15:45Make them listen.
15:46I'm not sure I can.
15:48Fine, ignore it.
15:49Pretend it didn't happen.
15:50You're good at pretending things didn't happen, aren't you?
15:53Is it, is this connected to what we did?
16:04That's what you have to figure out.
16:15Stop this.
16:17Take yourself back there.
16:19No.
16:21Take yourself back there and look at it again.
16:28See it.
16:34Remember it.
16:40And ask yourself this.
16:42What should we have done?
16:57Hey, there you are.
16:58You must meet Marcus Dalton Foster.
17:00He produces...
17:00Oh my God, we were obsessed with it.
17:02I'm so sorry.
17:02I just need to steal him for a second, okay?
17:04Hi.
17:05What's going on?
17:06I have to go.
17:07Can I have the room key?
17:07Because they took all my stuff.
17:08What do you mean you have to go?
17:10It's my friend.
17:10You know, the dead one.
17:11It's an emergency.
17:12What kind of emergency?
17:13Has she died again?
17:15It's the whole thing.
17:16I can't really get into it right now.
17:17Can I just have the key?
17:18Um, it's the Baptist.
17:23Do you think you might have a concussion?
17:24Oh, no, I'm fine.
17:25Are you sure?
17:26Yeah, yeah, yeah.
17:26Oh, yeah.
17:26Okay, great.
17:27Um, if we win, you're going to have to do the speech.
17:30Do not let Marnie do the speech.
17:34Wow.
17:35Thank you so much.
17:38Um, what a huge honor.
17:39For he who conceals his transgressions will not prosper, but he who confesses and forsakes
17:50them will find compassion.
17:56Take this, all of you, and eat it, for this is my body, which will be given up for you.
18:04Body of Christ.
18:05Body of Christ.
18:11Body of Christ.
18:12Body of Christ.
18:18Jason Meadows.
18:19He's here.
18:26Stand by, please.
18:32I mean, like, what do you think happened?
18:35Do you think I woke up?
18:36Please, son.
18:37Christ.
18:38Of course.
18:39If you wake Patrick, I'll come up with you.
18:41I'll be held responsible for my actions.
18:44Well, if anyone's going to wake Patrick, I mean.
18:46Do you think I've decided?
18:47I know.
18:47I'm going to completely banjax my brand new car.
18:50That'll be class correct.
18:51No, of course not.
18:52It's just, well, you know, like, it was bloody expensive, Robin.
18:55And I work hard, Tom.
18:58I don't work hard.
18:59No, no, that, that, that, that, that, that, that's not what I said.
19:02Well, maybe all this is easy.
19:05Maybe I'm overthinking this whole motherhood thing, you know.
19:07Maybe I'll just fire the three of them outside and let nature take care of it.
19:11They'll be like Chicken Boy.
19:12Who's Chicken Boy?
19:14The Peloton from Anna.
19:15Who was raised by chickens?
19:16Chicken Boy.
19:18What do we know?
19:19Look, who gives a shit about the car?
19:21Or I could have died, Jim.
19:22Well, obviously, I'm glad you're not dead.
19:25Oh, my God, really?
19:27Sick.
19:29Oh, Jesus.
19:32Obviously, I'm glad you're not dead.
19:35Fuck.
20:09Oh, Father, I am so sorry.
20:13Please, don't worry about it.
20:14These things happen.
20:14I'm going to be left to the Bengu, Dara.
20:16In a minute, Mommy.
20:17Father, I was wondering.
20:18Yes.
20:18Will you take my confession?
20:21Could we do it tomorrow?
20:23Well, I'd rather do it now.
20:24It's just that the confessional closes at nine.
20:26But can't you just open it?
20:28Normally, I would.
20:29But Rome's encouraging us all to examine our work-life balance.
20:33Work-life balance?
20:34You're a priest.
20:35And I'm heading to the Bengu now myself, so...
20:37But listen, tomorrow I'll be all ears.
20:41Oh!
20:44Someone handed that in to the sacristy for you.
20:47And I'll see you at the Bengu, Mrs. Freed.
20:49Bye, Caller.
20:52Come on, my darling.
21:03All right, Mommy, darling?
21:05I'm home!
21:05Jesus Christ.
21:06I had a wrong desire he was coming, but, you know, I didn't.
21:10How come you're here and there?
21:13I'm not there.
21:14I'm just here.
21:15What?
21:16We just saw you on the red carpet.
21:18It's edited.
21:19What do you mean edited?
21:21Do you want me to explain what edited means?
21:23Why?
21:23Look, there's a delay.
21:25See, it might even be...
21:26Oh, my God, he won.
21:28What?
21:29How the hell could you know that?
21:31Give me strength.
21:32What are you doing home now?
21:33Listen, do you remember my notebooks, like, from school?
21:36All my old stories and scripts and ideas and things.
21:39You're not on that cocaine stuff, are you, Saoirse?
21:42I kept them in that wooden box of my room.
21:45They're all at that cocaine stuff now.
21:48We turned your room into a gym.
21:49Well, you put a cross-trainer in there, which you now use as a clothesport.
21:52Well, we don't always get the weather to dry things on the line, Saoirse.
21:56Where's the box?
21:57I fired that stuff up into the attic.
21:58Okay, great.
22:01You need to clear that alley.
22:02Oh, will you stop, Ily?
22:05Give over, woman.
22:11Give over, woman.
23:02I don't believe it.
23:04Maybe it's just a shot.
23:08Maybe it'll stop soon.
23:15Time for plan B, then?
23:17What's plan B?
23:21We bury him?
23:23What's the matter?
23:32I don't believe it.
23:34What's the matter?
23:39What's the matter?
23:43I don't know.
24:12I don't know.
24:42What are you doing here?
24:43I don't really know.
24:46I got this weird ladder.
24:48And I just find myself walking and walking.
24:53What are you doing here?
24:58Snap.
25:07And when you called, I realized I had one too.
25:10It was amongst some fan mail.
25:18It says the same thing.
25:20Please find me.
25:22What the fuck is going on?
25:24It's Greta.
25:25I'm sure of it.
25:25Jesus Christ, Saoirse.
25:27It's Greta.
25:28She sent us these and she sent us that email too.
25:30What?
25:30So, earlier, I'm on the red carpet.
25:33God, the Oscars.
25:34Is that the night?
25:34Fuck it.
25:35Yeah, yeah, yeah.
25:36We won an Oscar.
25:37Oh, well done.
25:39Thanks.
25:39Anyway, so I was talking about the show and I realized that I sometimes, well, I do this
25:44thing just to amuse myself.
25:47Really?
25:47I bury a clue in a character name.
25:49Which character?
25:50The body, usually.
25:51What's the clue?
25:51Well, that would be a spoiler.
25:52Don't watch it.
25:53Then it would be meaningless.
25:55Look, this isn't the point.
25:56So what is the fucking point?
25:57Well, I started thinking, where did I get that idea?
25:59And then I remembered we'd do this thing in school.
26:02So look at this list of names.
26:04This first one, Rosie Conbay.
26:06That's you.
26:07Robin O'Casey.
26:07And then the next one, Rhea Dorffel.
26:09That's you.
26:10That's Dara Freel.
26:11We'd do this.
26:12Remember?
26:13We'd like anagram or names.
26:15We were bored, I guess.
26:17Not like the kids today.
26:18No Twitter.
26:19Kids don't use Twitter.
26:20Whatever.
26:20It's not even called Twitter.
26:21Grant, this one here, this is me.
26:22It's here to show.
26:23But look at the last one.
26:33Greta Heaney.
26:34Greta sent that email, girls.
26:37She wanted us to go to that wake to see that something was wrong.
26:40I think she needs our help.
26:44I'm not sure I can help Greta again.
26:49The thing is, Greta didn't do you anything wrong.
26:52None of us did.
26:56We've become so afraid we've lost sight of the truth.
27:00Jason Meadows.
27:01Stop it, Saoirse, please.
27:02No, I will say this.
27:03I will say his name.
27:05I will say these words.
27:07Jason Meadows deserved what happened to him.
27:13Do you know what I realized tonight?
27:15There was nothing we could have done differently.
27:18There was no other way.
27:33What happened that night, it binds all of us together.
27:38Forever.
27:38Ever.
27:43Jesus.
27:47Greta needs us.
27:55She's obviously scared.
28:00She could be in real danger.
28:05What can we do?
28:06Like, we're not the fucking A-team, Saoirse.
28:09Yeah, where would we even start?
28:11We would start with the body.
28:14If that body isn't Greta's, it proves something really fucked up is going on here.
28:19It's the one piece of evidence we have.
28:22I'm not sure we should get involved.
28:24We're already involved.
28:28She's made sure that she wants us to shine a light on this.
28:32Come on, girls.
28:33We put a bad guy in the ground once.
28:35What's become of us?
28:37We grew up.
28:40We grew afraid.
28:45Okay, say, say we do this, right?
28:50Say we prove that the body isn't Greta.
28:53That is it.
28:54That's our bit done.
28:55It has to be.
28:56Okay.
28:57That is it over.
28:58Sure.
28:59You promise?
28:59I promise.
29:09Fuck it.
29:15We do a different theme every month.
29:17The young ones come from Letterkenny and Dunningall Town by the busload.
29:21It's mad crack altogether.
29:23How thrilling.
29:23Now, you've just missed one, unfortunately.
29:25Oh, say it isn't so.
29:27But don't you worry.
29:28We'll keep you entertained.
29:29We have a country and western night this evening.
29:33Standard room okay?
29:34Yes.
29:36Just your staff, is it?
29:37Why is that relevant?
29:42Now, it's not so much an official night as a kind of memorial.
29:46A memorial?
29:47Fell over in Valley of Onion.
29:48A Kenny Rogers impersonator, I believe he was.
29:51Didn't he only go and get himself killed on one of them, whatchamacallit, one of them
29:55bucking broncos?
29:56Thrown to his death during Boots Goodenboogie.
29:59Some friends of his, or having a bit of a do in his honour.
30:04It'll be Gans.
30:05Well, at least poor Kenny didn't die in vain.
30:07Every cloud, as they say.
30:09You're only back from Donegal.
30:11Yeah, but we have business to attend to.
30:13What sort of business?
30:14I can't tell you, but you trust me, don't you?
30:16Not really, no.
30:17And it's Jack's party tomorrow, love.
30:18I'll be back in town for the party.
30:19I'm hardly going to miss my son's birthday party.
30:22Well, you have so much to do.
30:23There's nothing in.
30:24Why is that her problem?
30:25For God's sake, Susha, will you stay out of this?
30:27I'm not going to ask you again.
30:28Don't you speak to her like that.
30:30We can grab the party stuff on right, Jim.
30:32There's no trouble.
30:33You can handle it.
30:37And when I do come back, you're going to be really glad I didn't die in that car crash.
30:43It's cougars.
31:07How do we prove the body isn't Greta, though?
31:10We need a plan.
31:12Why don't we have a plan?
31:13Well, I called Noctara Baroqueal House.
31:16The funeral's first thing.
31:17So her cough and one have left home yet.
31:20Well, we can't go back there.
31:37We meet again, Inspector O'Neill.
31:41Here.
31:42Everything okay with your fit?
31:45Everything as much as it was when you last asked.
31:47Not five minutes ago.
31:49The manager makes us say, I don't actually care.
31:53There are too many Dolly Partons, if you ask me.
31:57Dolly Parton is one of the greatest artists ever to have graced this planet.
32:01A musical icon.
32:04Storyteller.
32:05A philanthropist.
32:06I didn't mean...
32:09I like Dolly Parton.
32:18Such an interesting case.
32:21Where is she now?
32:22It's better if you don't know.
32:24You brought what I asked for.
32:26Uh-huh.
32:29And?
32:37Very good.
32:40It's better work, Booker.
32:43Oh, I don't think I appreciate your tone.
32:45I'm sorry.
32:47Address me again and you will be.
32:49It's just, well, I'm very you.
32:52Hmm.
32:52Not for me.
32:54I'm a professional.
32:57Remember?
32:59Unless we break in, steal the body, drive it somewhere and then dump it with like an anonymous note.
33:04Drive it where?
33:05I don't know, somewhere with a lab, somewhere they could do tests, like a hospital or university.
33:10Oh, dentist.
33:11Yeah, that sounds like an awful lot of hassle.
33:13Dara, what is all this shit?
33:15I grabbed some pasta parcel prices.
33:17I usually just see cash.
33:19What?
33:19A few fivers, a few tenners, a couple of twenties.
33:22Sorry, you wrap up cash for pasta parcel?
33:23Kids love it.
33:24Dara?
33:28Oh, Chris, look, just, just, just try to act normal.
33:32I thought it was you.
33:35Niamh.
33:35God.
33:37Well, you remember Robin and Saoirse.
33:40Of course, yeah.
33:43How have you been?
33:44Yeah, good.
33:46Yeah, you, you're, you're in London now here.
33:49Oh, really?
33:50Me too.
33:50You don't live in London.
33:52It was not there today.
33:53And now you're back here.
33:54Not now, girls.
33:56Is your mum keeping well?
33:58Yeah, she's good.
33:59Yeah, she's, she's got, she's got water aerobics tomorrow, so.
34:04Right.
34:07Congratulations on the, on the whole, on the wedding, on the Mars thing.
34:11Thanks.
34:12Is she here, the wife, the old ball and shame?
34:17No, it's just a flying visit, really.
34:21Someone had to stay home and mind the baby.
34:24The baby?
34:26Hmm.
34:28Oh, there's the baby.
34:30That's, well done.
34:32Uh, Dara, Dara's just got a big, uh, promotion at work.
34:37Really?
34:37That's amazing.
34:39Yeah, and she's, uh, she's got her eye on a little place in France.
34:42My God.
34:44What an absolute dream.
34:45It certainly is that.
34:46And she's having lots of sex.
34:48Okay.
34:49Well, it was great to see.
34:54You too, Dara.
34:56Take care of yourself.
35:01Christ, she was always so far off her own home.
35:04Oh, could we not?
35:06Because I want you around, but you can't make me whole again.
35:14Looking back on where we first met.
35:17I cannot escape and I cannot forget.
35:23Baby, I'll be here to see.
35:25Okay.
35:26Let's think.
35:29What if we send a message?
35:32What?
35:32The body.
35:33What if we call someone?
35:35A newspaper.
35:36Tell them it's not Greta.
35:39Too easily dismissed.
35:41No.
35:42We need something that's going to bring it right out into the opener.
35:49I have an idea.
35:54Okay.
35:55You ready?
35:55Are we absolutely sure about the mask thing?
35:57The mask thing is brilliant.
35:58The mask thing is the best of it.
36:00Can I at least be Ariel?
36:01No!
36:02You're Belle!
36:03Yeah, Belle.
36:04Belle's a dick.
36:05But she slags off her entire town like she's the only person who's ever read a book.
36:09Who are you again?
36:10Eeyore.
36:11So lucky Eeyore's class.
36:12I know.
36:13Okay.
36:14So we go in there, we do the thing and then we like it.
36:16We're back in the car before they know what's in there.
36:17I have to say, it doesn't feel foolproof.
36:19Well, it was Tara's idea and she's the one who's just found out the love of her life
36:22has had a baby with someone else.
36:24So.
36:25Fair enough.
36:34Do not be alarmed.
36:35We come in peace.
36:36We mean you no harm.
37:02Look, are you going to charge us for something or what?
37:04Uh, we don't know yet.
37:06You see, we're not quite sure at this present juncture if what you did was actually a bona
37:11fide crime or just something like...
37:15Really feckin' weird.
37:16Exactly.
37:17Also, and furthermore, we need to wait for another one of our colleagues to be, uh, in situ, as
37:23said, where?
37:23Should I call him?
37:25Sir, he's at the funeral.
37:26The boss's wife.
37:27They moved it to Donegal town.
37:29His phone will be off.
37:30Whose funeral?
37:31Greta's funeral?
37:32They moved it.
37:33Call the crematorium.
37:34The crematorium?
37:36He cremated the body.
37:38He knew what I saw.
37:40He knew he had to get rid of the body.
38:00He knew he had to get rid of the body.
38:24I thought someone from the station should come and pay their respects.
38:29You're very thoughtful.
38:31It was supposed to be a private service and family only.
38:36You understand?
38:38If I had known, I'd never have...
38:39I'm glad you did.
38:50Overwhelming.
38:52Of course.
38:54Of course, I get it.
39:06I'm so sorry.
39:08Please.
39:09It's okay.
39:17We weren't really sure what to do.
39:19I'm not surprised, lads.
39:20We thought it was Greta's funeral.
39:22How does that make it better, exactly?
39:24Let's get some statements.
39:25You.
39:26Come with me.
39:32Should I call my solicitor?
39:34It's not funny.
39:35Those people were probably really scared.
39:37They probably thought it was some sort of terrorist attack.
39:40Oh, because we're from Belfast, I suppose.
39:42Jesus.
39:43Like, the Good Friday Agreement never happened.
39:44Because you burst in on a funeral service wearing clown masks.
39:47It's from the Winnie the Pooh line.
39:49Is Winnie the Pooh Disney?
39:50I don't know.
39:51Probably.
39:51Most things are Disney.
39:52Was this like a pact or something?
39:54What?
39:54You said your old friends in school was this like a stupid prank you agreed to do if one
39:58of you died?
39:59Not really.
40:00Then what's going on?
40:03If I tell you, you'll think I'm mad.
40:05That ship sailed, Saoirse.
40:07You're quite different in this environment.
40:09You take it all quite seriously, don't you?
40:12This is my job.
40:13I don't take my job seriously.
40:14You don't have a serious job.
40:17Can I ask you something?
40:19What?
40:19What happened to Greta when she died?
40:21Where did she go?
40:23In a spiritual sense.
40:25In a physical sense.
40:27Where did her body go?
40:29First unseen where they brought her here once they realized there was nothing else they
40:32could do.
40:32To the station?
40:33To the morgue, yeah.
40:34Why?
40:34Were you working that night?
40:37Paul was on that night, one of the guards you just met.
40:40Did Paul know Greta?
40:42I don't think so, no.
40:44Why?
40:44Was anyone who knew Greta working that night?
40:46I'm not sure.
40:47Saoirse, what's all this really about?
40:57You can tell me.
41:10You were right.
41:12What?
41:12What you said about the pact, about the prank, that was it.
41:14That was right.
41:15So just, like, fine us or whatever.
41:17Saoirse.
41:20Can I go now?
41:25Of course you can.
41:43All right, Greta.
41:44I just need a quick look at the lock there.
41:46Don't step on me, Floor.
41:47All right.
41:51I have to do this next.
41:53There's nobody in there.
41:54Sure there's not?
41:55No.
41:56All clear.
42:00My sister-in-law, she cleans for the medical institute in Limerick.
42:03She opened one of these things once and wasn't the fellow inside only still alive.
42:07Is that right?
42:10Here, let me give you a hand.
42:15I think there's something jamming at it.
42:31All great at social media's gone.
42:33I noticed that.
42:34There's no trace of her at all.
42:36I certainly feel like we imagined her or something.
42:41We didn't.
42:42What the hell is going on?
42:44I have no idea.
42:47But I have an 8-year-old's birthday party to organize, so...
42:52Excuse me.
42:53Can we get the bill, please?
43:04The multicolored moods of love are like its satin wings.
43:23I feel it when you're with me.
43:27It happens when you kiss me.
43:29That rare and gentle feeling that I feel sad.
43:34Yeah?
43:35Hey.
43:36Eh, the night Greta O'Neill died, that was supposed to be my shift, wasn't it?
43:41Before they were swapped around.
43:44Yeah, what happened?
43:45The boss said you had done three nights the previous week.
43:48So it was Owen's idea.
43:49It reminds me like a butterfly.
43:54The multicolored moods of love are like it's satin wings.
44:01Love makes your heart feel strange inside.
44:04It flutters like soft wings and fly.
44:08Everyone's talking about what you did.
44:11Right.
44:11Everyone thinks it was fucking mental.
44:14Okay, thank you for your feedback.
44:17Can we just get the bill?
44:17Someone's already sat all of them.
44:20What?
44:21Really?
44:23Oh, they're here a second ago.
44:25Oh, it's...
44:28Oh, him.
44:30Over there.
44:31Talk to you later.
44:56Love is like a butterfly, a rare and gentle thing.
45:03Love is like a butterfly, a rare and gentle thing.
45:10Love is like a butterfly.
45:22Love is like a butterfly.
45:31Love is like a butterfly.
45:31Love is like a butterfly.
45:33Love is like a butterfly.
45:33Love is like a butterfly.
45:33Love is like a butterfly.
45:33Love is like a butterfly.
45:34Love is like a butterfly.
45:35Love is like a butterfly.
45:39Love is like a butterfly.
46:08I'll see you next time.
Comments