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Watch How to Get to Heaven from Belfast Season 1 Episode 7 online in HD on Dailymotion (2026).
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00:28You
00:37There you are
00:41It looks so beautiful today
00:43You look so beautiful today
00:47Yes, please stop it
00:49I told mom you'd pick her up from the station today
00:52Daddy said I can stay over at Claire's
00:54Check with your mother's what I actually said
00:58Time to get in there
00:59Mom? Yes, fine
01:01One o'clock I think
01:02I'll be there
01:04See ya
01:05Love you
01:44You should always keep your front door closed
01:48You never know what might get in
01:56I
01:56I wanted to have this conversation in Portugal
02:00But you left in such a hurry
02:03My family
02:06My husband and my daughter
02:09They don't know
02:11You mentioned that in your letter
02:13And what did you tell them
02:14About why you were cutting your holidays short
02:17I lied
02:19I've got very good at that
02:22I expect you have too
02:23Hmm
02:26Hasn't been easy
02:28Tracking you down
02:32I even found myself back there
02:35I even found myself back there
02:37Heavensvale
02:38It's a
02:41Ghost town now
02:44Afterwards everyone left
02:46Well
02:47Not everyone
02:50Your mother's still there
02:52What?
02:54Well
02:55Thereabouts
02:56She's very ill
02:57Now
02:58There's this place on the outskirts
03:01I thought you might
03:02What?
03:03Visit her?
03:04Yeah
03:06Maybe not
03:11We were just
03:12Two little broken dolls
03:13Weren't we?
03:20I want you to have something
03:23I've got one too
03:25We were friends
03:27Once
03:29You didn't come all this way
03:31To give me a friendship bracelet
03:32Yes
03:35I have the most
03:36Wonderful
03:37News
03:41When I saw you
03:42In Portugal
03:42After all this time
03:43I knew
03:44It was a message
03:45I knew it was him
03:47I knew he
03:49Brought you back to me
03:50Who?
03:52Please tell me
03:53You're not talking about God
03:54After everything that happened
03:57The signs
03:58They were
03:59Strange
04:00At first
04:01Especially the photographs
04:03And not just photographs
04:05He
04:06Comes to me in my dreams
04:07Appears in the faces of strangers
04:09Who?
04:10Charles Sampson
04:16You look frightened
04:19This is fucking terrifying
04:20It's beautiful
04:21It's
04:22It's God's will
04:23What is
04:24What does he want?
04:26For Charles
04:26To be at peace
04:28For us
04:29To seek redemption
04:31And
04:31And
04:31For his son
04:33To have the answers
04:34He deserves
04:34He had a son
04:36Did you know that?
04:39I shut it out completely
04:41The idea that Charles
04:42Was a person with
04:43A past
04:45And when the vision started
04:46I
04:46Got curious
04:48He's studying journalism
04:51The son
04:51Andrew
04:54His name's
04:55Andrea
04:58We need to tell him
04:59What happened
05:08I'd like you to leave
05:23We're being given an opportunity here
05:27A gift
05:28Great
05:29You take it
05:30Keep me out of it
05:32But I don't know what happened to him
05:33Afterwards his
05:35Body
05:36I mean
05:36Because I dealt with it
05:38For you
05:39Yeah
05:40To protect you
05:41You felt guilty
05:44Because you were clever
05:46And interesting
05:47You were worth saving
05:50And I wasn't
05:51But
05:52It's okay
05:53It's all okay
05:54Now
05:54Get out
05:58I'm not going anywhere
06:01I'm calling my husband
06:04It's too late
06:06I rang his son
06:07I told him to come here
06:11I'll deny it
06:14I'll deny everything
06:15I still have the tape
06:19What?
06:20I kept it
06:22Locked it away in a little box
06:24Are you blackmailing me?
06:25I'm guiding you
06:27Guiding you
06:28Guiding you into the light
06:29As God wants me to
06:30You need help
06:32For everyone practicing evil
06:33Hates the light
06:34Lest his deeds
06:35Should be exposed
06:36But he who comes
06:37Into the light
06:38His deeds may be clearly seen
06:41And may have been done
06:43In God's name
06:44Fuck
06:46I'm not there
06:48I'm not her
06:49I'm somebody else
06:56Viz
06:57Holy God
06:58Fuck
06:59Scarlet
07:05Scarlet
07:07Scarlet
07:08Scarlet
07:27Scarlet
07:32Scarlet
07:33Scarlet
07:33Scarlet
07:35Scarlet
07:36Scarlet
07:36Scarlet
07:37Scarlet
07:38Scarlet
07:38Scarlet
07:39Scarlet
07:39Scarlet
07:41Scarlet
07:43Scarlet
07:44Scarlet
07:44Scarlet
07:45Scarlet
07:45Scarlet
07:46Scarlet
07:47Scarlet
07:48Scarlet
07:50Scarlet
07:51Scarlet
07:53Scarlet
08:19We know who killed him, we can describe her.
08:22Yeah, and they'll ask why she killed him.
08:23Not to get to us, because we had something she wanted.
08:26Well, that's my concern.
08:27The whole how we came to be in possession of that something question.
08:31Nothing any like being thrown in the general fuckery we've involved ourselves in lately.
08:34We haven't actually done anything wrong.
08:37Anything that wrong.
08:38Oh, I just want to get out of Donegal.
08:41Weird things happen in Donegal.
08:44Donegal is weird.
08:47No offence.
08:50We need to get to Belfast, but we can't pay you.
08:53Well, aren't you a trio of charmers?
08:55Or some of our cards, our phones.
08:57But you can have my jewellery.
08:58Why the hell would I want your jewellery?
09:00I'm a bus driver.
09:01Not a thickin' highway man.
09:05On you get.
09:08Are you sure we should do this?
09:10We'll have to do this.
09:12For Liam.
09:15Nora O'Hara gave a child a daughter up for adoption in 1997.
09:19Greta.
09:19Has to be.
09:20Though the child's name doesn't appear on any of the paperwork, which means something really messed up happened.
09:25And it would explain why Nora wasn't allowed any contact.
09:28Whatever it was, it was big enough, insane enough to make any information about Greta's life with Nora just disappear.
09:36Perhaps that's what your father was circling.
09:38And maybe he got too close to something.
09:40We know he was meeting someone on the school grounds that night.
09:43Then there's the symbol you saw in the caretaker's cottage, the one from the notebook.
09:47Liam, is this really the way to go about it?
09:50Feels quite risky.
09:52For you.
09:53I mean.
09:55Well, I was shot in the chest yesterday, so...
09:58No, fuck it.
10:04Welcome to South Belfast.
10:05We report to the police station.
10:07For all inquiries, please report to the front desk.
10:23Christ.
10:27Surprise!
10:31Yeah, babes.
10:33This finally happened.
10:35We lost one.
10:36Ah, fuck.
10:37It's quite the conundrum.
10:38Ross has called a meeting.
10:39Fuck.
10:40In Derry?
10:41In Derry?
10:42It's very much a headquarters situation, I'm afraid, babes.
10:45Fuck!
10:49There's PhDs that are more straightforward.
10:51Ah, it's the same with any cross-border request.
10:53They make it so complicated.
10:55Ah, but you're happy to use our lads.
10:57That makes it easier.
10:58The guard's cooking around up here at, um...
11:01They can get some people's backs up.
11:02They're bad.
11:03Yeah.
11:03And if anything kicks off, you guys don't even carry guns.
11:06Which is weird.
11:07Or is it weird that you guys do?
11:09Do you have the pencil?
11:11Sorry?
11:12Do you have the iPad pencil, sir?
11:13God, I must have left it at the, uh...
11:15Oh, my God.
11:22Hey.
11:24You forgot this.
11:26Yeah.
11:28You remember Andrew?
11:31I think we need to talk.
11:32Don't you?
11:35We thought you were dead.
11:38We thought she killed you.
11:40And we couldn't do anything, because that mad bitch locked us in a tower.
11:44Like Rapunzel.
11:46Why are you guys here?
11:47In Belfast.
11:48We'll get to that.
11:49Who is she?
11:51I don't know.
11:52Honestly, we don't.
11:53She just started following us.
11:54Did you have a vest on?
11:56What?
11:56Like a bulletproof vest.
11:57No.
11:58The box stopped it.
12:00That's insane.
12:01How lucky was that?
12:02Would have been luckier just to, you know, not have got shot.
12:05We think that's what she wanted, the tape.
12:07That makes sense.
12:08Someone took it from the hospital it was being treated in.
12:10Did you listen to it?
12:13No.
12:16Did you?
12:17It wasn't time.
12:19How did she come to have it?
12:21We found it.
12:23In Portugal.
12:25In Jodie Pryor's place.
12:26She wasn't there.
12:28But it was with her stuff.
12:29The box.
12:30We thought it might have been a clue.
12:33That it might have been worth holding on to.
12:35Big fucking mistake.
12:40We were just so desperate.
12:41To find out what really happened with Greta.
12:44Did you know she was adopted?
12:48No.
12:50She recognised this woman.
12:59Nora O'Hara.
13:03You're sure?
13:05That book there.
13:06Where'd you get that book?
13:08You left you a message about this.
13:10Yeah.
13:10Yeah.
13:11My phone got...
13:12Look, we only came here to report the fact that you've been killed would feel sort of redundant now.
13:17So, are we free to go or what's a crack here?
13:19You've nothing to hide, have you?
13:20I don't like your tone.
13:21I don't like getting shot.
13:23Would you ever fucking give over your grand, aren't you?
13:25Robin, please.
13:26What right does he have to question us anyway?
13:28Like this here?
13:29We're in a PSNI station.
13:31He's a guard.
13:32You've no authority here.
13:33This is Northern Ireland.
13:34It's an entirely different country.
13:36Well, that was a swift abandonment of your nationalist ideology.
13:38You know, sack this.
13:40Sit down.
13:41Beat the world not, you fucking fetus.
13:43Let's go.
13:44Please don't.
13:45Please.
13:46Just trying to find out what happened to my father.
13:48Well, you'd have to ask Greta.
13:50I can't, can I?
13:51She's dead.
13:51Okay, fine.
13:52You wanna hear something wild, Andrew?
13:55I need a cigarette.
13:59Do you have a cigarette?
14:02I'm sure I could find you one.
14:05Why don't you just grab some coffees?
14:24We need to lose the car.
14:27What's wrong with the car?
14:28It's fucking ridiculous.
14:30There's nothing wrong with the car.
14:32The car's class.
14:33You blame me, don't you?
14:34Of course I blame you.
14:35It's your fault.
14:38She syringed me, babes.
14:41She syringed the both of us.
14:43What could I have done?
14:44Not left your syringes lying about.
14:46You don't expect the threat to come from inside the house?
14:49Expect anything and everything.
14:51I thought I taught you that.
14:52You left the landline connected for Christ's sake.
14:55I didn't know what it was.
14:56I thought it was some kind of Portuguese ornament.
14:58There was no need to get annoyed.
15:00Christ, you get hoist by your own syringe one time.
15:03Let's drop it.
15:04I don't understand why she did it.
15:06It's not like her problem's going anywhere.
15:08It doesn't make sense.
15:09People don't make sense.
15:11She's got her new ID, her new bank cards,
15:15and I was setting up a phone for her.
15:18She's easily traceable.
15:20She's not stupid.
15:22She won't use them.
15:28The window's closing,
15:30and Rosa decides to call us to Derry.
15:32Well, there's no precedent.
15:34Yeah, this is a first, babes.
15:35Not an achievement.
15:36Rosa's priority should be getting that gear back
15:38and shutting this down quickly.
15:40She's the boss.
15:41I'm aware.
15:42Christ.
15:43Just such bad timing.
15:45On the back of that whole other hullabaloo.
15:49What are you on about?
15:50One of the delivery guys disappeared.
15:52Who, Jackson?
15:53Yeah, that's right.
15:54I blew Jackson up.
15:57Okay.
15:58Maybe you should have, like, told someone that babes.
16:01He backchatted me.
16:02You blew him up because he backchatted you.
16:04I blew him up because I didn't trust him.
16:06The backchatting just fast-tracked things.
16:08Why didn't he trust him?
16:09Remember that client we had?
16:11That young heir?
16:12He was trying to get away from that older guy.
16:14Real nasty prick.
16:15Do I remember?
16:17I was the one that had to wipe him out.
16:20I always wondered how he found her.
16:23Everything led back to Jackson.
16:26Why would he do that?
16:27Money.
16:28We should never have started working with men.
16:30We needed to.
16:31The operation's growing, babes.
16:34When it started, we were all volunteers.
16:36You remember.
16:37Well, those days are gone.
16:40Soon we'll all have to wear work uniforms.
16:43What?
16:44Rosa is talking about introducing a dress code.
16:48Apparently, some of our operators are, like, drawing attention to themselves.
16:55I can't think who she means.
16:57My ether babes.
17:14Hello?
17:18Hello?
17:20Hello?
17:22Who is this?
17:24Hello?
17:27Bye now.
17:34Mom, I love you.
17:41Mommy?
18:00Cold?
18:02No, I'm fine.
18:04Oh, no, please don't do that. It's fine.
18:07Fine. It's fine.
18:15Why didn't you tell me about Andrew?
18:20I don't know. I didn't give it much thought or it didn't seem relevant.
18:24Which?
18:25I don't know.
18:27Before I found you in Dublin, I went to the set of your show.
18:31Spoke to Seb.
18:32You spoke to Seb?
18:33Such a big machine.
18:36But it all starts in your head, doesn't it?
18:39I suppose.
18:40I was thinking about what you told me the first time I was there.
18:43About how you take bits and pieces from real life.
18:47Well, shaders do.
18:48You never worry, the lines might get blurred.
18:50The line?
18:50Between reality and story.
18:54Not really, no.
18:57If there's anything else you haven't told me, I'll do it now, Saoirse.
19:10I see it in there.
19:26Hello, Garda.
19:27Sorry?
19:28Oh, no, I'm not actually...
19:30Is Inspector O'Neil about?
19:32He borrowed the letter and we need it back.
19:34Mervyn's birthday.
19:36How you made Inspector so young with all memory?
19:38Inspector O'Neil, did you say?
19:40Owen, tell him the proposals with the superintendent now.
19:44What?
19:45The excavation proposal for the school grounds.
19:47It's with the boss now.
19:49It'll take him a while to go through it, though,
19:51so we shouldn't hang about.
19:52Try to give him a call.
20:00What's keeping them?
20:04Dunno.
20:25What the fuck?
20:30Why would he pretend to be Owen?
20:33It's the only way he'd get permission to do it.
20:34Did he what?
20:36Excavate the school grounds.
20:37What the fuck?
20:38Keep moving.
20:39How does he know?
20:40Maybe.
20:41Those notebooks Andrew had.
20:44His father's notebooks.
20:45Maybe there was something in there.
20:46We could have found the body.
20:47Yes, that is now quite a real possibility.
20:49We're fucked.
20:49We didn't kill him.
20:50It doesn't matter.
20:51We were there.
20:52We moved him.
20:53We buried him.
20:53Our DNA's probably all fucking over him.
20:56Oh, but it's been so long.
20:57It's been 20 years.
20:58Well, DNA doesn't wash off.
21:00It's like Catholicism.
21:01Yeah, but we didn't do it granted it.
21:03They're not gonna believe us.
21:05They're gonna think we're trying to blame it on a dead woman.
21:07She's not dead, though.
21:08I was just about to tell them that.
21:09We can't tell them that.
21:10Not now, don't you see?
21:11If we tell them that now,
21:12it's gonna make us sound cornered and desperate and...
21:14Taxi!
21:15We can't tell them we didn't do it.
21:17We have to prove it.
21:19I'll be back soon.
21:20Meet you by the bridge in an hour.
21:21Jesus Christ!
21:24Where's she gone?
21:45Hello, sweetheart.
21:49Mom's alive.
21:54what happened dad who died what did you do your mother has secrets
22:10i didn't want this person i was to infect the people i love what do we do now margo
22:16i know someone who can help us i represent an organization that helps women that have nowhere
22:24else to turn allow me to explain the process
22:33i was just trying to protect you you think i didn't know something was wrong
22:39i was going insane i knew you were all lying to me
22:47i thought you did something to her daddy i didn't know who i could trust
22:56that's why i traced those friends first
23:00that's why i sent that message
23:06you sent an email
23:10i'm sorry
23:11hey
23:14it's okay
23:27can you wait here
23:28i need to talk to sam
23:34me too
23:34cal won't play ball at all
23:36as being a fucking asshole
23:37excellent
23:45oh you're back
23:48where the hell have you been
23:50hello
23:57what are you two doing here
23:58we're looking for you
23:59well we're worried sick
24:01yeah you seem beside yourself
24:02like nobody could get a hold of you
24:03we lost our phones
24:05you lost your phones how
24:06what's going on girls
24:07nothing's going on
24:08something's going on
24:09the disappearing acts the secrecy
24:11i'm going to ask you a question girls
24:13and i want an honest answer
24:15yeah
24:16have you joined the ira
24:17nobody joins the ira anymore mammy
24:19your cousin mary did only last month
24:21mary joined isis mammy
24:23what oh no sorry not isis
24:25bubba
24:26oh how can i afford that
24:28look i had sirsia's parents on the phone
24:30they're going to ring the police
24:30but sirsia is fine
24:31we'll call them
24:32we'll tell them she's fine
24:33and we will make some tea
24:35we have tea
24:36we'll make more
24:39what is going on robin what is the plan exactly
24:42sirsia gave that number
24:43the number from the lighthouse didn't she
24:45show me it
24:46i'm going to find out who gretta was calling
24:52noxie nursing home
24:53oh hello
24:55it's a nursing home
24:56oh nursing home
24:57hello are you still there
24:58what should i ask
24:59i think there's a problem
25:01the mother's name
25:02who was it
25:04nora o'hara
25:05ask for nora o'hara
25:06hello
25:07i'm very sorry i don't i don't know what happened there
25:10could you put me through to nora o'hara please
25:13oh i'm afraid mrs o'hara's in terribly well at the moment
25:16can i help with anything
25:17i'm just trying to get in touch with her daughter
25:19oh i see well i can pass on a message when she arrives if you like
25:26could a fox have dug up the body
25:28can they do that
25:29is that
25:30is that asking too much
25:31oh my god baby
25:32where have you been
25:33have you got a
25:34i don't want to talk about the fucking cow
25:36who are these guys
25:37they're the writers
25:38what
25:38i'm the writers
25:39the writer i'm the writer
25:41he asked us to hire them
25:42who didn't
25:43he sent us an email
25:44when
25:46um
25:48hi there
25:48this series is so fucking annoying
25:51i just almost fucked my laptop out of window
25:53i can't do it on my own anymore
25:55hire some fucking writers
25:56not shit ones
25:57say shit
25:58kiss
25:59hmm
26:01yes i see
26:02well
26:02i was obviously a few margaretas down at that point
26:05it is such a pleasure to meet you
26:07i have been
26:09you don't have to do this thing
26:10yep
26:10okay
26:11that's just like jesse
26:12he can't handle praise either
26:13he was just been on jesse armstrong's new show
26:15i see
26:17he's such a genius
26:18yeah so i hear
26:19anyway
26:20we need to change the story strand
26:21like quickly
26:22like immediately
26:23what
26:24which one
26:24er
26:24yes
26:25yes
26:25this
26:25here
26:26when the kids
26:27bury a body in the school crimes
26:29we're filming this soon
26:30we should have filmed it already
26:32but we had to push it down the shed
26:33oh no it's getting pushed
26:34all the way out of the show
26:35that will have a huge knock on
26:37the entire second half of the series will need to be replotted
26:40we put our lunch order in 45 minutes ago but there's still no sign
26:44what's that got to do with anything
26:45sorry i thought we were talking about things that were worrying us
26:48this is why jesse maps everything out in such intricate detail
26:51i hear his catering's amazing
26:53oh he curates the menus himself
26:54he's across everything
26:55it's actually really tough to be that much of a perfectionist
26:58yeah poor old jesse fucking armstrong
27:00look we need a new idea
27:01any new idea we need to make this work
27:04otherwise
27:08otherwise
27:09oh what is it
27:13otherwise it's never gonna go away
27:17session
27:19what are you doing
27:20borrowing a card
27:21you're leaving
27:22just
27:23come up with a new idea
27:24me
27:25it'll be great
27:25i trust you
27:32jesse would have stayed
27:35this isn't really my vibe
27:36well obviously it's like fashionable
27:38all right then
27:39look
27:39you do well they dress a bit more like me dar
27:42lesbians love me
27:43hey i'm gonna have to object to that statement on behalf of my people
27:46remember that big gay street party thing we went to
27:49pride
27:49that woman that barrister she proposed to me
27:52she was quite drunk robin
27:53she didn't propose to you
27:54i am not wearing this
27:56fine i'll get you something at jim's
28:05dear jody
28:06i am truly sorry for how things turned out
28:09don't look for me again
28:10don't contact me again
28:12i want to move on
28:14please
28:15let me
28:16this might explain things better
28:18greta
28:20of course
28:24stop here
28:25pull over
28:28cheers
28:31oh
28:32girl stop
28:35no
28:35come on
28:36get in
28:36get in
28:37quick sticks
28:38let's go
28:39let's go
28:39let's go
28:42she'll not know what's hit her
28:43i'm not taking the fall for something she did
28:45no sir
28:45fucking ray
28:46i'm not going down for no one
28:48time to face the music
28:49asshole
28:49she's had about seventeen coffees
28:52i remember where's all this book
28:53in jody's
28:54apartment
28:55and that letter we find with the box
28:57the one greta sent jody
28:58it says
28:59this might explain things better
29:01okay so you think greta sent it
29:03shit
29:04jim
29:05where the hell have you gone now
29:07ah calm down jim
29:08you took my iphone
29:10how do you know that
29:10because i'm calling you on it
29:12oh and thanks for ringing saoirse's parents
29:14oh no wait
29:15you didn't
29:16you're here on
29:16nobody
29:18because they're here
29:20my parents are there
29:21ha
29:22it's the woman herself
29:23hi saoirse love
29:24i hear you and the girls have joined the ira
29:27so we didn't even know they were still in action
29:30listen robin
29:31i don't know if you're having some sort of breakdown
29:33i'm not having a fucking breakdown
29:34jesus
29:35i take a few days away at my friends
29:37aren't you always sailing off to london
29:39to make the money
29:40we need to keep our family
29:42i've looked after the kids for the best part of a decade
29:44guys on the road robin
29:45i keep our fucking family
29:46run run run
29:48look i know that love
29:51and i appreciate that
29:52all i'm asking is for one more day
29:54the nursing homes near cork
29:55two more days
29:56do you think you could mind your own children for two days james
30:00of course
30:01all i'm asking
30:02i will be taking no further questions at this time
30:05ball bag
30:11the excavation request is being processed for
30:13even if we do get permission and nobody up here found out one
30:16what but you're not actually inspector o'neill
30:19right the area we're looking at well it's vast
30:21the skill grounds
30:22well we're thinking the caretaker's cottage though
30:24it's surrounded by woodland andrew
30:26we might
30:28might get one shot at doing this
30:30we need to be more specific
30:34i've so little liam
30:38i spent my whole life
30:39trying to shape
30:41what little i have
30:43to try and understand who he was
30:45i mean that's the only reason i'm studying journalism for christ's sake
30:49i don't even know if i'm any good at it
30:52it feels like he's a character in a story
30:55everything about him is just so vague and fragile
31:00i always thought that if i could just find him
31:06i don't know then i could make him real
31:11but that sounds so mad right
31:15we're all trying to make sense of something
31:17to find light
31:19in the dark
31:23hoping a right might balance out a wrong
31:27just that way you're helping me liam
31:30not just a good deed that
31:31that might undo a bad one
31:37what made you move to knock dora?
31:40something happened when you were working in dublin
31:45you know what andrew
31:46i think you'll make an excellent journalist
31:55now i've got a cousin called kevin
31:58he's sure to go to heaven
32:02always spotless clean and neat
32:05as smooth as you'll get him
32:07he's got a first
32:10welcome to madamorphosis
32:14if yous need a mess since just ring the wee princess bell
32:16no we won't be doing that
32:19we have an appointment
32:22names please
32:23no sorry we're in the other book
32:25dollar book
32:27the other book
32:28of course
32:29right
32:32i am so so sorry
32:34i'll sign the same
32:35of course
32:39it's such an honour to meet you
32:49come on we've been driving for ages
32:51i'm starving
32:52this story is fascinating
32:54so it's this young girl and she's trying to move on from this very traumatic event
32:58that's
32:59well it's just referred to as the big bad
33:02where the hell are we?
33:04the big bad?
33:05no signal, no road signs
33:06are we lost?
33:07i'm not even sure what kind you were in anymore
33:09perfect
33:11let's ask here
33:26excuse me
33:27you were wondering if there was a hotel or b&b nearby that you might recommend
33:32do i look like the tourist boat?
33:35i'm sorry?
33:36do i look like a fracking tourist boat?
33:39well...
33:40no
33:41you buy something
33:43and then
33:45we talk
33:46we were gonna buy something
33:51cheeky wee she
33:52yeah anyway
33:53she, the writer
33:56she doesn't ever reveal what happened
33:58what the big bad actually was
34:03the, the argument that she seems to be making is
34:07it's not relevant
34:09which is sort of the opposite of what you'd expect the thinking around trauma to be
34:12and this seems to be about making a
34:14distant
34:16dreamlike
34:18disassociating from it
34:31there's a, a motel
34:33down the road
34:34from here
34:34i didn't even know we had motels
34:36cards
34:37or card
34:38oh, card
34:39please
34:44ah, no, shit
34:45wrong one
35:28let's see
35:30he hits us
35:39Ladies. Ladies. I think that's all of us.
35:49So, as some of you probably already know, we've had an incident with one of our clients.
35:58They left before we'd completed the operation. There's a first for everything, I suppose.
36:06Rosa, before we get into that, there's another issue I'd like to discuss.
36:10But I'm sure it couldn't be quite as present.
36:13Oh, it is.
36:21Jackson?
36:22Yeah, Jackson.
36:24Jackson. Jackson's left the building, I'm afraid. Apologies to anyone who was searching
36:28for him. I didn't mean to waste your time. I had a lot going on. Didn't get the chance
36:35to circle back, as they say.
36:39Why?
36:41He'd been exchanging confidential information for money. Putting clients at risk.
36:47Are you sure?
36:48I'm sure.
36:49She has receipts, babes.
36:51I see.
36:52We just need to make sure that he was the only one.
36:55Well, of course.
36:56We consider it a priority.
36:59And look, our AWOL client, I just want to reassure everyone that we will find her quickly and
37:05pull her into line.
37:06Toads, babes.
37:07No, it's not a matter of pulling her into line, Booker.
37:28Oh, good evening.
37:31My name is Norman.
37:33Can I help you?
37:34Norman?
37:35You own a motel, and your name is Norman?
37:38I don't own it.
37:39My father owns it.
37:40What's his name?
37:42Norman.
37:43Do either of you practice taxidermy?
37:47We just need a couple of rooms for the night.
37:53Do you know Heavensville?
37:55Kyle and Yao.
37:56I mean, that's a good bit further west.
37:58You made direct calls stopping here.
38:00I'm starting to question that.
38:02So you've heard the story, then?
38:04What story?
38:05Beautiful place, by all accounts.
38:07But sure, no one's lived there for decades.
38:10It's a ghost town.
38:11Why's that?
38:12Because they all got spooked.
38:14Spooked?
38:15A group of kids gathered in a little church one night.
38:19Then there was a fire.
38:21Most of them died.
38:24Eight of the poor little souls.
38:26Just doesn't bear thinking about.
38:29I mean, it destroyed that community.
38:31It wasn't deliberate.
38:32Oh, it was deliberate, all right, yeah.
38:36Who started it?
38:38They say it was the devil himself.
38:46Here we are.
38:48Now, will you be wanting the minibar stocked?
38:50I think we're okay.
38:52We're very tired.
39:00Oh, I think the fuck's not.
39:03On second thoughts, we absolutely will be needing all the alcohol.
39:10She is out in the wild with sensitive information.
39:15What kind of message does that send to our other clients?
39:19Our more lucrative clients?
39:21This is a business.
39:22Rasa, when we started, it wasn't.
39:25It was a calling.
39:27We wanted to help vulnerable women.
39:30We wanted to help them escape from horrific circumstances.
39:35Now, we'll help anybody escape if they've enough money.
39:40Help abusive men escape justice if they have enough fucking money.
39:46Christ.
39:49The erosion.
39:52The erosion.
39:54You are so obsessed with the past.
40:00Times have changed.
40:05What fell is a fucking weirdo?
40:07I can't see anything about a fire in Heaven's Veil.
40:09No, you have to search the Irish name.
40:11What is it?
40:12Call you now.
40:13She's done that.
40:14Have you spelled it right?
40:15C-A-I.
40:17I've got the right place.
40:18It says,
40:19a small Irish-speaking community lived there to the late 90s.
40:22Jesus Christ.
40:23What is it?
40:24The book.
40:27Do you want to tell us what the fuck you're talking about?
40:33May I look at this?
40:38Okay, right.
40:39So, the first one.
40:41Heaven's Veil.
40:43Look at the second half of the author's name.
40:45Can Calier.
40:46Calier.
40:46That's so similar.
40:48Callier means Veil.
40:49What does Can Calier mean?
40:54Unveiled.
40:56Greta, Unveiled.
40:59This book's by Greta, girls.
41:04I made a contract with this woman.
41:07I promised to help her.
41:10You're telling me that I have to kill her?
41:14It is but harsh, babes.
41:18Who brought the case to you?
41:20No, Rossa.
41:22I can't.
41:23You can't?
41:25This person helped me in the past in a professional capacity.
41:30Are they, uh, are they one of us?
41:32Well, no.
41:36Oh, I see.
41:38Uh, the adoptive mother.
41:41It's complicated.
41:42Yeah, it always is.
41:43Was she the only family member who saw you?
41:50No.
41:51Oh, dear.
41:53Oh.
41:55Oh, dear.
42:00There must be another way, Booker.
42:04We need to erase the line completely.
42:10Anyone who knew about the case,
42:13anyone who can identify you,
42:15anyone who knows we exist,
42:18I have to protect the society.
42:22You cannot leave the process.
42:28So,
42:31is there anyone else we need to manage?
42:34So, the psychiatrist who wrote The Doll Complex,
42:37we're saying that's Margot Heaney?
42:38Mm-hmm.
42:39Yeah, I think so.
42:40And I think that is what Liam is circling as well.
42:43Oh, that means Greta was Margot's patient.
42:46Well, she adopted a patient.
42:47Sure isn't that lovely and healthy.
42:49Oh, so the big bad, it happened to Greta.
42:52Well, could it be connected to the fire in the church?
42:54So, we know that Jodie and Greta grew up in Heavensville.
43:00Jodie's body had burn marks.
43:02Did they both survive the fire?
43:03Did they know what happened?
43:04Or who caused it?
43:05Still thinking.
43:06Probably not the devil.
43:07Okay.
43:08We need to try and lay this out chronologically.
43:13This is such a good idea.
43:14It's a screenwriting trick.
43:16It's how we plan everything out.
43:17And all writers do this, even the big ones.
43:19Big ones?
43:20You know, like your man, Jesse Armstrong.
43:23Why, he is so classy.
43:25Okay.
43:25Do you pass me some more paper?
43:31Heaven's Veil is our inciting...
43:32Okay.
43:33You wrote about it?
43:34What?
43:35This burying the body in the school grounds.
43:37She used it in her stupid show.
43:38I wrote it ages ago, before any of this started.
43:42It's not even what happened.
43:43It's inspired by...
43:45Oh, my God.
43:46I've asked for it to be taken out.
43:47This is why they want to take up the grounds.
43:51Liam saw this.
43:51Seb sent those messages...
43:54about the scripts.
44:08What are you doing?
44:09Leaving?
44:10I can't.
44:11You can't leave.
44:14You stupid, selfish bitch.
44:18This is what you do.
44:19You like chaos.
44:22You surround yourself with it, but...
44:25I'm done.
44:27We're done.
44:34Dara.
44:35Dara.
44:37What did you expect, Sersa?
44:53First the envelopes.
44:54Those letters, and now this.
44:56Fuck knows what else she's done.
44:57She's been manipulating this whole thing all along.
45:00She's like a...
45:01a puppet on a string.
45:02Well, I think that would be us, the puppets on strings.
45:04I think she's more the puppet master.
45:11Hello?
45:13Robin?
45:16Who's there?
45:25Can I come in?
45:28Sure.
45:38The guy at the garage saw my ID.
45:40He called the local station.
45:42Look, I know what you think.
45:43I don't even know what I think.
45:45You think we killed Charles Sampson?
45:48We didn't.
45:48Innocent people don't run.
45:51That's complicated.
45:52It'll be less complicated when we find his body.
45:55And I'm not going to rest until we find his body.
46:00Maybe slow down a wee bit.
46:02She's fucking insane, Dara.
46:04You know, we need to start protecting ourselves here.
46:07Me and you.
46:08We need to start distancing ourselves.
46:12What the fuck?
46:14What the fuck?
46:15Oh, my God.
46:17What was that?
46:19I don't know.
46:24He was dead when we got there that night.
46:26At the caretaker's cottage.
46:28Greta told us he attacked her.
46:30He'd been hanging around for weeks.
46:32She said he was an ex.
46:35She said his name was Jason Meadows.
46:37It was all lies.
46:40Everything she told us was a lie.
46:43And I think I sort of knew that.
46:46Wait.
46:47Come here.
46:50Come here.
46:56Turn around.
47:00Turn around.
47:09I knew I'd seen it before.
47:12Charles Sampson drew that in his notebook yet.
47:14You'd never even spoken to him.
47:16We were kids when we got them.
47:18Greta convinced us to.
47:21Greta again?
47:22Yes.
47:23She's taken a lot of responsibility for a woman who wasn't here to defend herself.
47:29Greta's alive.
47:34What did you say?
47:35I know what it sounds like.
47:36Her body was in the morgue.
47:37Jodie Pryor's body was.
47:43I can't see anything.
47:44We hit something, Robin.
47:45Well, then where is it?
47:53We're trying to find her.
47:55Greta.
47:58Trying to find out who the hell she actually was.
48:00And what exactly we are caught up in here.
48:04Liam.
48:05I'm so sorry I've dragged you into all this.
48:07I really am.
48:10But all I was doing was trying to find out the truth.
48:17What do I do with this?
48:29What should I do now?
48:37What should I do now?
48:40Do whatever you want.
48:41What should I do now with this?
48:45What should I do?
48:57What should I do now with this?
49:03What should I do?
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