00:16Arashan 1821
00:31Come on, Fortunato. Whose carriage is that? Looks like it's not from here. He must be someone important. So much
00:41luxury. Yeah, I've never seen something so funny before. It's a sin to splurge on material things like that. Look
00:47at that. It's a woman. Father, do you think she'd have the nerve to come back? After everything that's happened.
00:54Only if that bold woman had no shame.
01:20Blood. Blood has always been what guided my life. First, the blood of someone I've never met.
01:26Aren't you ever going to tell me who my daddy is? Stop bothering your grandfather, child.
01:30Then my mother's blood, who was said to be crazy.
01:34Shh, be quiet, my dad. Be quiet. Your grandmother doesn't like noise.
01:39But my mother was much more than that.
01:41I told you not to. I told you not to.
01:44She was an enigma.
01:46But, Father, I can't take this anymore.
01:48A mixture of moments of great sadness and sudden bursts of pure joy.
01:55When this whirlwind of emotions overwhelmed her, she decided to end it all.
02:01Taking me along with her.
02:04Come on, Aisha. Don't let her go.
02:10But my fate was to live.
02:12Raised by my grandfather to be a princess.
02:15Life, really.
02:17So then, why does life always drag me back to blood?
02:22Are you all right?
02:23I'm all right.
02:29I'm all right.
02:37I'm all right.
03:14I'm all right.
03:15Antonio carries that heritage in his blood.
03:19He was reared from a young age to take on the mission of Grandma Luigi.
03:24A captive who turned the gold she found into her freedom.
03:37When Grandma Luigi passed, she did so without knowing that Antonio felt obliged to silence his heart and stifle his
03:44feelings in order to follow in her footsteps.
03:52But my heart is so hungry for love that no blood will keep me from what has always been mine.
04:05Beja, I think it's best if we find another place.
04:07I think it's best if we find another place.
04:26A boy brought this.
04:53A boy brought this.
04:55It's for you.
04:56And find me the nicest dress, please.
04:59There's a place that we need to visit.
05:00I think it's best if we find another place.
05:00I think it's best if we find another place.
05:04I think it's best if we find another place.
05:30I think it's best if we find another place.
05:32I mean, isn't this where it all began?
05:58The house is nice.
06:00I'm sure it will suit your desires.
06:02But must it really be here?
06:04Yes, it must, Severina.
06:05We'll establish my gentleman's club in this farmhouse.
06:15If life has made me into a lady of the night, I'll turn the world into a brothel.
06:23Because Madam Basia is here to stay.
06:26I want to sing just for the poor people who are in the world and lose their journey.
06:33We're the same as in disgrace.
06:35Let's sing the blues of a piedade.
06:39For those who don't know how to live.
06:42I wish for someone who falls our dreams.
06:49We're going to ask the good, your señor, a piedade.
06:55For those who are poor and stupid.
07:00We're going to ask the good, your señor, a piedade.
07:06Liste da grandeza e um pouco de coragem
08:05A grandeza e um pouco de coragem
08:05A grandeza e um pouco de coragem
08:44A grandeza e um pouco de coragem
09:02A grandeza e um pouco de coragem
09:58A grandeza e um pouco de coragem
12:02A grandeza e um pouco de coragem
13:31A grandeza e um pouco de coragem
14:21A grandeza e um pouco de coragem
14:40A grandeza e um pouco de coragem
15:29A grandeza e um pouco de coragem
15:39A grandeza e um pouco de coragem
16:02A grandeza e um pouco de coragem
16:03A grandeza e um pouco de coragem
16:40A grandeza e um pouco
17:12A grandeza e um pouco de coragem
17:29A grandeza e um pouco de coragem
17:52A grandeza e um pouco de coragem
17:57A grandeza e um pouco de coragem
18:16A grandeza e um pouco de coragem
19:07A grandeza e um pouco de coragem
19:15A grandeza e um pouco de coragem
19:44A grandeza e um pouco de coragem
20:39A grandeza e um pouco de coragem
20:43A grandeza e um pouco da coragem
20:44Entrou de coragem
20:46A grandeza e um pouco de coragem
20:49Não entram
20:50Oh, I am black, but I am no captive, Miss Nina.
20:54I am free.
20:58Free.
20:59I can give you a house here as well as food,
21:03but you have to pay me.
21:04You'll have to work.
21:06And here, we don't turn customers away.
21:11Understood?
21:24Oh, I truly can't breathe like this, Mrs. Sussie.
21:27Your husband can breathe for you, then.
21:29Do you think being a wife is easy?
21:35Honestly, dear, that dress suits you wonderfully.
21:39It's a shame Beja doesn't have another dress.
21:41Otherwise, she could go to the magistrate's ball.
21:43No, I'm taking care of my grandfather.
21:45Wait, you have to miss the party, Beja?
21:47It's the talk of the village and the magistrate
21:50who's coming to see Arashah.
21:52Well, if the man is the crown's magistrate,
21:55he absolutely needs to meet the future wife of my son.
21:58I think that could really help Antonio with politics.
22:01You are going to that ball, Beja.
22:03Your grandfather will understand.
22:06Why can't I move to Villarica with you, Father?
22:08We've already talked about this, Botelillo.
22:11Since your mother passed, it's just the two of us.
22:14You're staying to look after the farm.
22:16I'd sooner go into politics.
22:18It happens that politics is a serious matter.
22:20I can be your assistant.
22:21You can't even handle a tie properly.
22:24Be my assistant.
22:25Besides, didn't I set up a little newspaper for you here in Arashah?
22:30But you forbade me from writing about politics.
22:32Of course, because you inherited your mother's faulty ideas.
22:36The winds now blow in a different direction.
22:38Let me give you some advice, Botelillo.
22:41Be guided by the winds.
22:43Father, are you ashamed of me?
22:47Behave yourself at the ball.
22:49It was very hard to convince the Crown's magistrate
22:52to come here to Arashah, a place he didn't even know existed.
22:56And I really need his favor.
22:58Look, son, sort out your hair.
23:00You look a mess.
24:07Your drink, uncle.
24:09And you, Fortunato, you're not drinking?
24:12I don't know a man who doesn't drink.
24:16Mother, that works.
24:17Why are you always looking so pale, Carminia?
24:20Try to get the magistrate's attention.
24:28Wake up, Costa Pinto.
24:34In this magistrate, is he actually here?
24:37He certainly made it to Arashah.
24:40And how come you're so certain?
24:41Have you been off lifting your skirt outside the farm, huh?
24:44Uncle, everybody knows it.
24:46There's no other talk in the town.
24:50So many important things to do with our money.
24:54And they throw this useless party.
24:57Full of ostentation.
24:59And these white people keep looking at us as if we don't belong here.
25:03It will take at least half a century for them to finally come to accept our presence.
25:09I mean, if they ever do it all.
25:23The magistrate must be in the ballroom, and we're here, waiting for the little princess.
25:28Honey, Baza's almost family.
25:31Angelica is also almost family, and she doesn't have her own cart.
25:34What is this, Maria?
25:35Daughter, how did you expect your brother's fiancé to come?
25:38On foot?
25:38They're here.
25:41Huh.
25:54Esha.
25:56Esha.
26:05She's so beautiful.
26:14Bishop, goodness.
26:15You're fucking simply...
26:17You're beautiful.
26:21Thank you very much.
26:22She looks perfect to represent Antonio.
26:25So we can go with her, right?
26:28Please, go on.
26:34Where's the magistrate?
26:36Did you see him?
26:36No, but you took way too long.
26:38It's not that ragamuffin's fault.
26:44Good evening.
26:47Good evening.
26:55Maria!
26:56What a lovely dress!
26:58Did the Modiste in Villarica take your measurements?
27:00Imagine.
27:01The foreman measured a mare's hips and had it sewn up.
27:05Outside, you said it looked beautiful.
27:08So what happened now?
27:09That's a lot of pomp for a motherless, fatherless girl.
27:12Maria!
27:13Remember, I'm an orphan as well.
27:14But it's different, Angelica.
27:16You had an education.
27:17This girl didn't.
27:18She has no manners, no parents.
27:20She hasn't more than two changes of clothes.
27:22Ladies and gentlemen, I request your attention for a minute.
27:26I am very pleased to announce the presence in my very own home of Joaquin Ignacio Silvera de Mota,
27:34the Crown's magistrate, who has come from court to get to know our Arashat.
27:49Goodness.
27:51The magistrate's rather handsome.
27:56Good evening, my ladies.
27:59Good evening, Mr. Magistrate.
28:04Are you enjoying the ball?
28:06It's better now.
28:10It just got better.
28:11Mr. Magistrate, come with me.
28:13I want to introduce you to the strong men of Arashat.
28:28My mother still listened to me.
28:32But my father, he didn't even look me in the eye, Sioboa.
28:38For them, Colonel Botelio's intentions were the best.
28:42Welcome to my home.
28:45He didn't believe me when I said that the colonel tried to abuse me.
28:48I know just how you feel.
28:53He treated me as if I was a liar.
28:56A woman's ward means absolutely nothing to them.
29:00I didn't let that disgusting man help himself before the wedding.
29:03No, no, no, no.
29:05You know what?
29:06I could use you, but I won't do that.
29:10Because I will show you who's in charge here.
29:15Did you really think I was going to marry a little green grocer like you?
29:20Get out of me!
29:24Come here.
29:25Come here, I'll help you out.
29:28Let's see.
29:31Quite vain, this magistrate.
29:34No wonder they ingratiate themselves to me.
29:39May I have Beja for a dance, sir?
29:44If she pleases, of course.
29:46Beja?
29:47Antonio, my fiancé.
29:50Would not approve.
29:55Silly.
29:56It was just a dance.
29:58Hmm.
29:59Besides, the Patelio family has a lot more money than ours does.
30:02Then I suppose you'll dance with him.
30:12Might I have the supreme honor of dancing with your daughter?
30:17She's not a daughter, Mr. Magistrate.
30:19She's a future daughter-in-law.
30:21And this here is my wife, Mrs. Ceci Sapiro.
30:26Absolutely, my dear sir.
30:28I beg your pardon for the mistake.
30:31I mean, what's wrong with a bit of dancing?
30:54Compose yourself, Sissy.
30:55Hmm.
30:56We're paving the way for Antonio at court, right?
30:59Isn't that our mission here?
31:00Here we go.
31:57Here we go.
32:00Smile big and move around.
32:15Smile big and move around.
32:37I'd like to say that you get used to it, but that wouldn't be true, right?
32:46Three songs in a row now.
32:48My mother will kill me.
32:50It's very hard to compete with Beja.
32:56This little makes...
32:57Wait until my brother hears this.
33:00Your eyes.
33:02Have you ever noticed how expressive they are?
33:05My grandfather says the same about them.
33:07But I hope your grandfather has complimented your body.
33:12What a lovely bosom.
33:14What a fake of my word.
33:15Would you mind if we stop dancing now?
33:16I'm feeling a bit unwell is all.
33:18You sure I felt it?
33:20I will miss the company of such a lovely woman.
33:28Are you sure, Beja?
33:30It's still far too early.
33:33I'm really not feeling very well.
33:34Let the girl go, Ceci.
33:35She's done enough for Antonio.
33:37Go, Beja.
33:37Thank you, Mr. Sampaio.
33:39Please send my love to Mr. Alves.
33:44Have a good night.
33:45Have a good night.
33:47Go ahead.
33:53Of course, it's virility that makes the man, Honorato.
33:56Stop, stop.
33:56You're only saying that because after the pain of losing your daughter.
33:59You've never laid with a woman again.
34:02Yeah.
34:02I'm half a man.
34:03You know that too well.
34:05But you drink like a whole man, huh?
34:09Evening.
34:11Are you back, Beja?
34:12Is the music over?
34:14If Honorato thinks you've had too much, then you definitely have.
34:17Right, Grandpa?
34:19After everything that's happened, daughter,
34:21it's the only pleasure I have left.
34:29Time to go, Honorato.
34:31It is time to go.
34:33Yes, it is.
34:34We can talk more tomorrow.
34:36See you later.
34:37Give me the bottle.
34:38Give me the bottle.
34:39Leave it to me.
34:40The cup stays too, all right?
34:42Good night.
34:43Good night.
34:45Good night again.
34:56Good night, you grouch.
34:58Good night, you grouch.
35:01Good night, you grouch.
35:02Good night, you grouch.
35:19Good night, you grouch.
35:19Good night, you grouch.
35:19Good night, you grouch.
35:19Good night, you grouch.
35:19Good night, you grouch.
35:20Good night, you grouch.
35:21Good night, you grouch.
35:24Good night, you grouch.
35:26Good night, you grouch.
35:42who are you going to be today i am a sultan and you will be my prisoner oh my god
35:51mommy
35:52what can a girl be a sultan oh honey you can be whatever you want when i grow up i
36:03want to be
36:04very and i mean very pretty oh yeah very pretty huh like maybe share a zadi no mom i want
36:15to be pretty
36:15like you beija my daughter too much beauty only brings danger
37:14are you leaving
37:15dad no babysitting the magistrate anymore botellino i've already done my part now the wine will do
37:23the rest and you stay away from that man i'm going to handle some unfinished business before
37:31i go back to fila rica
37:41thought you weren't going to serve me
37:48but you will and i'll have the pleasure of being the first
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