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Watch How to Get to Heaven from Belfast Season 1 Episode 6 online in HD on Dailymotion (2026).
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00:26You killed him.
00:31He didn't do anything wrong.
00:33He was a good person.
00:37Why?
00:40Why did you do it?
00:43Stop talking.
00:43Yes, there's your pipe down.
00:45She has a gun.
00:46I always run out of duct tape when I need it most.
00:48I don't care.
00:48Well, I do believe big balls.
00:52Right.
00:53Where is it?
00:54Addictive phone.
00:54So you did open the box?
00:55No, lucky guess.
00:56Did you listen to it?
00:57No.
00:57That actually was a treat that time.
01:01Right.
01:04Tell me where it is or I'll start putting bullets in people.
01:11I give it to Liam.
01:13Who's Liam?
01:15The man you killed last night.
01:17The cop?
01:18Did you kill more than one man last night?
01:19How do you know him?
01:25Well, we don't really.
01:26We met him in Noctara.
01:27He's from Noctara?
01:28Yeah.
01:37What's going on?
01:39Is she leaving?
01:43Is she gone?
01:44I think so.
01:46We should escape.
01:47What a brilliant idea.
01:49How?
01:49I haven't worked up it out yet.
01:52It's my fault he's dead, isn't it?
01:54Because I was obsessed with finding Greta.
01:58Poof!
01:59Poof!
01:59Greta evaporates.
02:00And now you're Gronia Marsh.
02:02Made a name Breslin.
02:05Originally found Tyrone.
02:07Moved to Dublin as a kid.
02:08Daddy got a better job.
02:11Blah, blah, blah.
02:13Uni in London.
02:14Let's see what your degree is in, babes.
02:18Classics!
02:19Good for you, Gronia!
02:22What's wrong?
02:23Is it the vape?
02:25No.
02:25The smell?
02:26It's not the vape.
02:27Is it the precautionary gun?
02:30Is it killing the vape?
02:31Sort of.
02:32It's just precautionary.
02:34That's why we call it the precautionary gun.
02:37You won't even have to touch it.
02:38It's for the midwife.
02:40Why will she need it?
02:41She...
02:43She won't.
02:44Babes.
02:45You really need to lock up the meaning of precautionary.
02:49You have a decree in classics, for Christ's sake.
02:51Why might she need it?
02:53We had this one incident.
02:56Once.
02:57One time.
02:59What sort of incident?
03:00We were looking after this woman.
03:03And she contacts her ex.
03:05An abusive prick.
03:06Unbelievably dumb, considering he's the reason we had to evaporate her in the first place.
03:10Anyway, he tracks her down.
03:11So, the midwife...
03:13How'd he sort of...
03:15Shit him through the head a bit.
03:17It was quite the fucking hoo-ha, let me tell you, babes.
03:21When will she be here, this midwife person?
03:23Sid.
03:24I have to warn you.
03:25She's a bit of a dickhead, but she's good at her job.
03:28I might give her a call, actually.
03:31You're almost there, babes.
03:32Ben, what it is you're running from, will all just be something that happened in somebody else's life.
03:39What?
03:5219th of April, 2003.
03:54At last, I finally made him see sense.
03:57He finally listened.
03:59He's left town.
04:00I'm so happy.
04:02Jason Meadows will trouble me no more.
04:04Shit.
04:10I'm the host of a place.
04:11This girl is me with a light down the bone.
04:13Nate, are you Grenapest?
04:16I am, Maggie.
04:17Right, Marge.
04:18Can you take the right to Margo?
04:19Yes.
04:22Of course, his name isn't really Jason Meadows.
04:25I felt guilty lying to the others about that.
04:28I'm definitely gonna do English lead.
04:30I'm gonna be a playwright.
04:31You know, like Brian Frail or Arthur Miller or...
04:34I know what a playwright is, Esther.
04:37I needed a story they'd understand,
04:38so he became the obsessive, jealous boyfriend.
04:42I thought it might be a bit.
04:43But I have this thing about cows.
04:46I don't trust them.
04:47Jesus Christ.
04:48Sister!
04:49I was praying.
04:51They'd never understand the truth.
04:53I barely understand the truth.
04:56Can you do an A-level on chatting?
04:58What?
04:58Like, could I be a conversationalist?
05:01Is that a thing?
05:02No.
05:08But that doesn't matter.
05:10It's over.
05:11I'm somebody else now.
05:14I don't hide from the bogeymen these days.
05:19Come in.
05:20I tell them to fuck off and leave me alone.
05:23Where the hell are you smiling at?
05:24You're late.
05:26Sorry, sister.
05:39I tell them to fuck off and leave me alone.
05:40I tell them to fuck off and leave me alone.
05:42I tell them to fuck off and leave me alone.
05:44I tell them to fuck off and leave me alone.
05:45I tell them to fuck off and leave me alone.
05:46I tell them to fuck off and leave me alone.
05:48I tell them to fuck off and leave me alone.
05:48I tell them to fuck off and leave me alone.
05:52I tell them to fuck off and leave me alone.
06:18The truth is, well, I don't think I ever really thought about it.
06:23A university, I mean.
06:26I'm very hesitant to say this, considering the sheer amount of eyeliner you're wearing.
06:32But you're bright, Greta.
06:35Look at me, please.
06:37You decide what happens now.
06:39Only you.
06:41Shit, sorry.
06:42You and God.
06:43I always forget to include God in this stuff, and I'm really supposed to because of the whole...
06:48None thing?
06:49Yeah.
06:50You can do anything you want to do.
06:53Be anyone you want.
06:54Speak, Greta.
07:26I need to talk to Inspector O'Neil.
07:28Let me ask first if you can see him.
07:29If you can see me.
07:34Booker.
07:35Sit.
07:36I said sit.
07:39I need you to listen.
07:40I don't have a lot of time.
07:42One of your guards, Liam.
07:43Liam Cells.
07:44He's dead.
07:45What? How?
07:46I shot him.
07:47I had no choice.
07:48He was escorting those three women,
07:50the ones that you assured me wouldn't be a problem,
07:52but they had the box and they opened it so they know what's inside.
07:56Hold on.
07:56Now, I don't have time for that, so I don't know if they've listened to it
07:59or if they've talked to anyone.
08:00I'm going to keep him alive until I've figured that out.
08:02Where is it?
08:04That's the more pressing matter.
08:06They gave it to Liam.
08:07They're saying that it was on his person when he died.
08:11Jesus Christ.
08:11I need you to speak to the station in Dublin.
08:14Dublin.
08:14Find out where the body is and tell him that someone will be along to pick up his belongings.
08:19There's a good boy.
08:22Oh, hello.
08:24Inspector O'Neil here from Nocturr Police Station, Donegal.
08:26One of my guards, Liam Cells, was involved in it.
08:29Guard of Cells, that's correct, yes.
08:33Lucky.
08:35Lucky?
08:36Well, apart from the broken rib, the impact, you know.
08:40I don't understand.
08:41Stop the bleeding bullet.
08:43Like something I overfill him.
08:45I'm Bosco, by the way.
08:47And Bosco's a saint before you start.
08:49My ma didn't name me after a puppet.
08:51Can I see that?
08:53See, now, I'm wondering if we actually should be touching this stuff.
08:58It wouldn't be evidence or anything, would it?
09:00I know the guards want to speak to you.
09:02I am a guard.
09:04Yeah, there is that.
09:11Right, well, I'll be back in the mode to check your vitals.
09:14You say it'll trouble, handsome, yeah?
09:50One, two, three, and go!
09:52Are we going on three or are we going on go?
09:54We're going on go.
09:55Dara, why wouldn't we go on go?
09:57What are we trying to achieve here exactly?
09:59Well, there might be something on that table that'll help us free ourselves, like a knife.
10:02Oh, yeah, I'm sure she's just going to leave a knife lying around.
10:05Will you try and be a bit more positive?
10:07Come on, Saoirse, she could come back any minute.
10:09And?
10:10She's going to kill us.
10:12I don't care anymore.
10:13Well, I do.
10:13I've got three kids who depend on me, Saoirse, so get fucking shuffling, all right?
10:17Fine.
10:18Right.
10:19One, two, three, and go!
10:21One, two, three, go!
10:24One, two, three, and go!
10:26You're arse in there.
10:28One, two, three, and go!
10:30And go!
10:31And go!
10:33Greta!
10:34Stop!
10:37It's just all our stuff.
10:40Wait a minute.
10:42Where are those red envelopes in your bag, Saoirse?
10:45They're exactly like the ones Greta sent us.
10:56It was you.
10:58You did it.
11:01I didn't do anything.
11:03Not really.
11:03It was your idea, Saoirse.
11:06It was your idea, Saoirse.
11:06You were the one who told me I had to confront him.
11:08That actually happened.
11:09So, Jason Meadows was just there, again, watching her, and Greta just...
11:14Yeah, I just sort of marched right over and told him it was over between us.
11:17Then I told him to piss off and leave me alone.
11:20And he did.
11:22He was too old for you, anyway.
11:24And what's it been now, then?
11:25Like, a week?
11:26Uh, ten days.
11:28And I have even more good news.
11:30You know Declan Ryan from the boys' school?
11:33Well, his man, Dara, away.
11:34So?
11:36Which means he has a free house.
11:37Which means he's having a bucking party!
11:39Oh, my God.
11:41A party like America.
11:43And Declan Ryan's cousin, David Ryan, a.k.a. the massive right for my bus stop, will also be there.
11:48Let's just skip P and make a plan.
11:50We've a lot to do before tonight, girls.
11:53Who the hell is Dara?
11:54If you see me walking down the street, staring at the sky.
12:02You're fucking adorable, Dara.
12:04And do you know what?
12:06So, do you want to go to the party?
12:09Oh, yeah, sure.
12:11Like, together?
12:14Well, yeah.
12:17I mean, if both of us are going...
12:21We'll be there together.
12:22Together?
12:23And that'll be class?
12:25You're never going to tell people about us, are you?
12:27Are you?
12:27I've told...
12:28Sasha and Robin aren't people.
12:30I've also told...
12:31Greta.
12:32Hey.
12:33But you're transferred here?
12:34Actually, she's not weird.
12:35And she transferred here, like, two years ago.
12:37So, maybe we should call her something else now.
12:40You're not going to go to hell for being gay.
12:42Dara, it's 2003.
12:44It's not like the olden times.
12:48I like what we're doing now.
12:50Riding in a bog?
12:50We weren't riding.
12:52Will we be riding?
12:54Not now, we won't.
12:59We need alcohol, obviously.
13:01Don't look at me.
13:02We've already watered down our entire drinks cabinet.
13:04My ma is so going to realise.
13:06It's only a matter of time.
13:09So, what about drugs?
13:12What have I done?
13:14Should we be doing drugs planning?
13:16My dad still has some code in from when he put us back out.
13:28Oh, my God.
13:30Greta, did you do this?
13:32Like our tattoos?
13:33This is such a good idea.
13:35We should totally start making this place our own.
13:38Nobody else ever uses it.
13:40I could write here.
13:41I could write David Ryan here.
13:43When did you do this, Greta?
13:45Greta.
13:48I need to go back.
13:50There's something I forgot.
13:54Bye.
13:57Bye.
13:58Bye.
14:03What's wrong with her?
14:28Bye.
14:33Perhaps now you'd like to talk?
14:39Tape, 113.
14:41Belfast.
14:42Rawney.
14:43Still no movement.
14:4719th of April, 2003.
14:50The show.
14:50She's agreed to a meeting.
14:52A sorrowful woman has a cottage.
14:54Okay, Miracle Man.
14:55Your friends are on their way.
14:58Your friends?
14:58The filth.
15:00I mean, the guards.
15:01That was a joke.
15:02It's probably not funny if you are actually a filth.
15:05A guard.
15:06Sorry.
15:06Just been on a night shift.
15:08It's fine.
15:09Now, we will need to scan you first, okay?
15:12So, let's go.
15:15Now, you can't take your lucky charm, which I'm afraid.
15:19I don't think anyone's going to swipe a chicken.
15:21Don't worry.
15:22It's not an iPad.
15:23I'll look after it for you, will I?
15:26Let's go, handsome.
15:28Is it really her?
15:30Mm-hmm.
15:31She's very keen to speak to you.
15:34We can't.
15:35That was the condition.
15:37We'll be discreet.
15:39Showing up at my school and painting that thing on the wall, that's discreet, is it?
15:42Well, that was her idea.
15:43Well, it's fucked up.
15:47If that symbol showed a stab into you, why do you mark yourself with it?
15:55I wanted to change its meaning.
15:59Associate it with something new.
16:00Something positive.
16:02I have friends now.
16:04I have a whole new life now.
16:06Well, I think that's why she's so upset.
16:09The difference.
16:10What?
16:13Well, you don't know what happened to her?
16:16Afterwards.
16:18You don't know what they did?
16:26Dearly beloved, we gather here today for the funeral mass of Father O'Brien.
16:32A man of God who devoted his life to the teachings of Christ.
16:38A religious education teacher.
16:40This is brilliant, isn't it?
16:42It's a funeral robbing.
16:44I know, but we're missing double mass.
16:46Where the hell did Greta go?
16:48After the service, we'll take Father O'Brien to his final resting place.
16:54In the school cemetery.
16:58What's that about?
17:01Look, Tara, what have you done?
17:02Fix it.
17:03She's way out of your league.
17:04She's playing a different sport.
17:07She wants me to, like, tell everyone.
17:10So?
17:11I don't know.
17:11My mum and stuff.
17:14She wouldn't think it's right.
17:15You don't think it's right?
17:17Catholic Church is such a chokeholding you, Tara.
17:20That's simply not true.
17:21He's needy.
17:28I'll be back in a minute.
17:29Oh, Jesus, through the Immaculate Heart of Mary, I offer you my prayers.
18:02What the fuck?
18:05I knew there was something really wrong, and you wanted to give up, and I knew we couldn't.
18:08I knew there was more to all this.
18:10Those emails were so strange, and I knew it wasn't her in the coffin.
18:13I just thought if I could convince you.
18:15I thought, you know, if I could make you see this like I did.
18:19So I sent you the letters.
18:21I can't believe I'm here in this, Susha.
18:25I just wanted to get to the truth.
18:27For all of us.
18:29Oh, that's okay then.
18:31It's not, and I know that now.
18:34Everything's just made-believe to you, isn't it?
18:36What?
18:38Do you think we're just characters you made up in your head?
18:41Of course not.
18:42Everything's just material.
18:44Everything's just a story.
18:46You're like one of those weirdos in the mud.
18:50What?
18:51Mudlarkers?
18:52Yeah, you're a mudlarker.
18:54Scavenging around in other people's lives for the bits you find shiny.
18:58Or interesting, and you fawn over them because you're so unhappy in your own fucking life.
19:03Don't pretend like you haven't loved every minute of it there.
19:05What part of this have I loved?
19:07Oh, don't pretend like it hasn't shaken you up a bit like you haven't been bored.
19:12Fucking senseless.
19:13Dara, your world has been kept so small and so safe.
19:17My world is small, is it?
19:19You couldn't even tell me how you felt about her.
19:21Look how that turned out.
19:21Seriously?
19:22Well, it's true.
19:23I mean, why take the risk?
19:24She was only going to hurt you eventually.
19:26Isn't that right?
19:27Dara?
19:28Oh, because your relationship is so perfect.
19:30Is that why you're flirting with that poor lad?
19:32Girls, come on now.
19:33You dragged him into all this shit and now he's dead.
19:35Dear Jesus.
19:35Fuck you!
19:36No, fuck you!
19:38Who the hell do you think you are?
19:40You both need to calm down, okay?
19:42Because if I'm expected to mediate here, then we're fucked.
19:44I am nobody.
19:45John Hume, I am not.
19:47You're just a stupid TV screen scripter.
19:49Oh my god, Dara.
20:01Yeah, you did deserve that though.
20:11There he is.
20:14The inspector's arrived now and she wanted everything that they found which at the scene.
20:19The box?
20:20Mm-hmm.
20:20Don't worry.
20:21I already gave it to her.
20:22Where is she?
20:24What did she look like?
20:25She was one of them, what you call it, the non-uniform ones.
20:29Playing clothes?
20:30Mm-hmm.
20:30She's in the room waiting for you.
20:34Careful.
20:35Slow down.
20:38Shit.
21:06I saw.
21:09Honnach me.
21:10In the Irish, in a sentence, Miss O'Casey.
21:13Uh.
21:15Uh.
21:15Um.
21:16Honnach me.
21:17An hour ago.
21:18War.
21:20I saw the sea.
21:21Correct, if uninspiring.
21:26So, listen.
21:27Big Mandy will go to the office for us if we pay her a fiver.
21:29A fiver?
21:30Don't start.
21:31Duh.
21:32Sorry sister, I forgot something.
21:33About to run home.
21:35Let's see.
21:35Would you say I would?
21:37I would.
21:38I would like.
21:38Buh-a-lnach.
21:40In a sentence please Miss Heaney.
21:44Buh-a-lum.
21:47Buh-a-lum.
21:48Buh-a-lum-ni-a-aficint-a-mach.
21:50Buh-a-lum zoocatnt.
21:53Good luck.
21:55So she's a good godd.
21:58I heard
22:00Hude goals.
22:01What did you say?
22:02I started
22:05My legs get to heaven.
22:06I went.
22:09I finished.
22:13Help!
22:16Help!
22:18Why is nobody on a walk?
22:20Should we try the door again?
22:22What, in case it's magically un-fucking-bolted itself?
22:27Psycho features disconnected, all that.
22:35Look at this.
22:37Metamorphosis.
22:37What is that, a hairdresser's?
22:38That bitch doesn't have a hairdresser.
22:40State of those dead ends.
22:42Oh, is there something on that pad?
22:44Give us that pencil.
22:52This is Greta's writing.
22:54Are you sure?
22:55I'm sure.
22:56It's a number.
22:58What is that, is it?
22:59Is that Irish?
23:00It feels familiar.
23:01So, Greta was here.
23:09She was probably held here like us.
23:11Yeah, well, not exactly like us.
23:13What do you mean?
23:14This would suggest she had more freedom.
23:17You know, every time we talk about what might be going on here,
23:20it's like Greta's been dragged into something beyond her control.
23:23What if she's the one who's in control?
23:25Maybe she told that psycho to bring us here.
23:27Why?
23:27Because we know too much.
23:29Because we're too close to something.
23:30And she's good at getting other people to do her dirty work for her, isn't she?
23:34It's everybody, it's everybody.
23:35Just like us.
23:36That night changed everything for us.
23:38We buried a fucking body for her.
23:41We...
23:41We lowered that man into the ground.
23:44The ropes!
23:46We used ropes that night.
23:48They were in the cabin.
23:49That's how we did it.
23:50That's how we got them down there.
23:52The ropes!
23:55You!
23:56Bingo!
23:56Ha!
24:00There's no way my arse is fitting through that thing.
24:06How did it go with Sister Patrick?
24:09Good.
24:10She thinks I should apply for university.
24:12And she's quite right.
24:14You should.
24:15Perhaps I could study psychiatry.
24:18I think you'd be brilliant.
24:21I'll have to take the Hippocratic Oath.
24:22That's right.
24:24Did you?
24:25Of course.
24:27It doesn't say you can't have a relationship with a patient.
24:32Hypocrite.
24:33The Hippocratic Oath.
24:35That's a very amusing play on words, Greta.
24:38You always were a clever girl.
24:41Is that right?
24:42Your circumstances were exceptional.
24:45And I gave up my career to look after you.
24:47Oh, did you save me, Margot?
24:49We saved each other.
24:55How's the book going?
24:59The book will help people.
25:02Help people understand.
25:04Not girls like me.
25:06What about girls like her?
25:13That's right now where I'd like to talk about her.
25:16You had to be separated.
25:19For both your sakes.
25:20What happened to her?
25:21Listen to me, Greta.
25:23If you're on a sinking ship and there's an island ahead, what do you do?
25:28You jump off the ship and swim to the island.
25:32I want to know what happened to her.
25:34You are on the island, Greta.
25:37You're safe.
25:38You don't swim back to the boat to examine it.
25:41If there's someone cling to the wreckage, you do.
25:58You should try to eat something.
26:00You guys have a long journey ahead.
26:02I'm just not that hungry.
26:04Maybe it's the nerves.
26:05Do you need a nervy poo?
26:06It might help.
26:08There is nothing to be nervous about.
26:11And I'll be with you every step of the way.
26:13Look, she's an experienced midwife.
26:16And it's important to remember that this is what we do, babes.
26:20And we're really good at it.
26:22We're professionals.
26:25I'll clear up.
26:26What happens to the information?
26:28What's up, babes?
26:29My information, you said that you put it into a system.
26:32Before we move you on, we need to know everything about the person we once were.
26:38That tells us what to avoid, where to avoid, who to avoid.
26:42And when you've done that?
26:43We destroy all the records.
26:45Greta Heaney is dead.
26:47And any trace of her existence disappears.
26:49Just like that.
26:53Evaporation, baby.
27:01This is getting insane.
27:03We must be getting close to something.
27:05Hmm.
27:07Celsia and the others, you think they're involved?
27:10Whatever this is, they're in it up to their neck.
27:13Well, now I understand the need for all the secrecy.
27:15The whole Midnight Cowboy vibe.
27:20Have you ever seen Midnight Cowboy?
27:24No.
27:25Right.
27:26Because this definitely isn't the vibe.
27:29Like, at all.
27:31Why would someone try and kill you?
27:35Well, you had something she wanted.
27:37A tape.
27:40A recording.
27:41Of what?
27:45A father.
27:47My father?
27:48I only listened to a second of it.
27:50Someone stole it from the fucking hospital.
27:53This whole thing is so messed up and...
27:55What did you hear?
27:58He was making a no.
28:01It was the 19th of April.
28:0319th of April, 2003.
28:05Finally a meeting.
28:05Mentioned a meeting.
28:06Says the sorrowful woman has a cottage.
28:12The caretaker's place on the grounds of the school.
28:14That was all I got.
28:15Right, well, I've been looking into the school.
28:17The headmistress now is the headmistress then.
28:18She might know something.
28:20We have to be careful here.
28:25Yeah.
28:26I just really need to know what happened to my father that night.
28:39She didn't come?
28:40No.
28:43She came.
29:01He said you'd go by Jodie now.
29:06He said you'd go by Greta.
29:11Let's sit.
29:31What the fuck is dark?
29:32She has our clothes.
29:33We should have just worn our clothes.
29:34You think my ma's going to let me leave the house on that skirt?
29:36It barely covers my hall.
29:38Finally.
29:40Hand them over.
29:41Hand a lot of that.
29:42The clothes.
29:43Greta has them on.
29:45Is she not here?
29:46I thought she was coming with you.
29:47She'd already left when it called to hers.
29:49Oh my god.
29:50This is mortifying.
29:51I don't think she's coming.
29:52She has to come.
29:53She has the clothes.
29:54I saw her with Jason Meadows earlier.
29:58I think she's gone to meet him.
29:59I think that's where she is.
30:01I'm worried, Garth.
30:02I don't trust him.
30:15Sorry for the bait.
30:17No problem at all.
30:18Thanks for air.
30:25Right.
30:28This isn't about the dinner lady again, is it?
30:30No.
30:31Oh, thank god.
30:32We're actually here to ask some questions about a couple of past pupils.
30:35Saoirse Shaw, Robin O'Casey, Dara Frail, Greta Heaney.
30:39They were here in 2003.
30:42Saoirse Shaw.
30:43The writer.
30:44That's the one.
30:45Well, I don't watch it, Murder Code.
30:47But I will say that the storyline of episode four, series two, had a striking resemblance
30:52to a short story that I myself had published in the local paper that year.
30:58Right.
30:58But like I say, I don't watch it.
31:01We're looking into a connection between these girls and a man named Charles Sampson.
31:07I can't say that rings a bell.
31:08He was an investigative journalist from Liverpool.
31:14I remember him.
31:16He offered me money for Greta's file.
31:19Greta Heaney.
31:20Did you?
31:21Indeed I did not.
31:23I didn't like it.
31:25A grown man like him sniffing around a young girl.
31:28He was a well-respected journalist.
31:30And well-respected journalists often bribe teachers to provide them with confidential information
31:34about minors in their care.
31:36Do they?
31:38This would have been 2003 when he came here.
31:41Yes.
31:42Might it have been the 19th of April when you spoke to him?
31:45Definitely not.
31:46I remember that date because that was my colleague Father O'Brien's funeral.
31:49Have you any idea what Charles was looking for?
31:52In the files?
31:53None.
31:54I mean, Greta was clearly troubled.
31:58She was very vulnerable.
32:01I don't know what happened to her but something did.
32:04She always seemed sort of...
32:08What?
32:11Haunted.
32:14What became of her?
32:16She passed away recently I'm afraid.
32:31Do you still have it?
32:33I'm sorry.
32:35Are you for it?
32:36No.
32:37Right.
32:37Come on.
32:38Come on.
32:38What the fuck?
32:39Jesus!
32:40Don't look.
32:40Why can I not look?
32:42Come on.
32:44Jesus.
32:45Come on.
32:46Jesus.
32:47Jesus.
32:47Jesus.
32:47Hurry up.
32:48Jesus.
32:49Jesus.
32:50There we go.
32:52You alright?
32:53I don't think so.
32:55Good stuff.
32:55You're good.
32:56Come on.
32:57You're good.
32:59You're good.
32:59Come on.
32:59Come on, Sirsia.
33:00Hurry up.
33:02Please get it.
33:04Go on.
33:05Shift it, Sirsia.
33:06If you don't like me.
33:07You're good.
33:07I'll get to heaven.
33:16I've got it.
33:17Meow means heaven.
33:18What?
33:18I just remembered something Greta said years ago.
33:22This must mean Heaven's Veal.
33:25Heaven's Veal is a place.
33:26Hurry up girls.
33:27Before Trigger, Abbie gets back.
33:28Good point.
33:29Shift it, Sirsia.
33:30If I fall, will you catch me?
33:32Of course.
33:33Like fuck of all.
33:35Jesus.
33:37Oh.
33:38Oh.
33:38Hello.
33:38Excuse me.
33:39Excuse me.
33:40Um.
33:41Do you have a phone?
33:42Huh?
33:43A mobile phone.
33:44Do you have a mobile phone?
33:46Of course I have a mobile phone.
33:48You think we don't have mobile phones in Donegal?
33:50Is that it?
33:51Typical bloody patronizing Belfast people.
33:54Can I use it?
33:55Well, I don't have it with me.
33:56Robin, look.
33:57What's wrong?
33:58Whatcha doing?
33:59What's wrong?
33:59She's stuck.
34:00I'm stuck.
34:02I told you my arse wouldn't fit through this fucking thing.
34:06Well, just angle it a bit.
34:08Well, she's tried that.
34:09I tried that.
34:10No idea her arse was that big.
34:11No, it's very deceptive.
34:13Deceiving.
34:14Deceptive?
34:15I'd ring the fire brigade if I were you.
34:18On what?
34:18What?
34:21Here it is.
34:23We can destroy old documents after a certain period,
34:25but I always felt weird about that.
34:29Sister Thomas thinks I have a hoarding problem.
34:32But, I mean, she's got a being a massive arsehole problem.
34:36So, we all have our crosses to bear.
34:39It should be in here somewhere.
34:43Art Haney.
34:46Haney.
34:48Haney.
34:49Gratahaney.
34:52You can read it here.
34:54I'll wait outside.
34:58Um, she's got that wrong.
34:59My father wouldn't have blackmailed anyone.
35:03Let's just have a look.
35:04God.
35:05Yeah.
35:05What does it say?
35:13It's empty.
35:14No, that's...
35:16Greta Haney.
35:24Nora O'Hara.
35:32Sorry this has taken so long.
35:35I've never made blancmange.
35:38She's fucking unhinged.
35:40I read the files.
35:42I know you did.
35:44When I had to leave my daughter,
35:46I thought about you again.
35:49I actually felt sorry for you.
35:52I mean, you weren't perfect.
35:54Far from it.
35:56But I thought how hard it must have been for you
35:59to walk away from me back then.
36:02Easiest thing in the world.
36:03You sold.
36:05You sold me.
36:06You did it for the money.
36:08You were rotten inside.
36:11Still are.
36:13Heaven's veil infected you.
36:16That's her.
36:18The midwife's here.
36:24You're not really here.
36:25You're dead.
36:26Am I?
36:27You must be by now.
36:29You're just desperate to find out, aren't you?
36:33So why don't you?
36:35You know I am.
36:37You remember the number.
36:38You wrote it down.
36:40I'm.
36:56You're a man.
36:57You're a man.
36:58Oh, I was just.
36:59I wanted to check on the status of my mother, Nora O'Hara.
37:05Yes, I can wait.
37:10Well, you've given yourself away now, haven't you?
37:13Now someone knows you're alive.
37:16You'll never escape it.
37:18You can't run away from what you are.
37:20Ronya!
37:25Well, you seem to have a pretty good life here.
37:30I don't know what you want me to say.
37:32They locked me away.
37:35He told me.
37:38Like I was fucking contagious.
37:43I'm sorry.
37:44Are you?
37:46Really, I had no idea.
37:48Did you ever ask?
37:53Jodie feels that she's ready to talk about Heaven's Veil.
37:58That's insane.
37:59I am insane.
38:00Obviously, it would be better if you were involved.
38:02No, I told you I can't do that.
38:04I won't do that.
38:05No, it would be handled very delicately, Greta.
38:08I wouldn't reveal any details about your new lives, your identities.
38:14You'd be very safe.
38:15Not as safe as if we didn't talk to a fucking journalist.
38:17I can't believe you're being so stupid.
38:19Nobody ever listened to my side of things.
38:22There is no your side of things or my side of things.
38:25There is just what happened.
38:27And it's awful, but it happened.
38:29And it's over.
38:29And we can't change it.
38:30I want to tell my story.
38:33Your story is my story, though.
38:34You'll ruin everything.
38:36That's not fake.
38:37Fair.
38:38I'm sorry.
38:40You were able to move on.
38:43To put it behind you.
38:46To lock me in a box like a doll you don't want to play with anymore.
38:48But I couldn't.
38:50I am still there.
38:52In that place.
38:53On that night.
38:56There's no escape.
38:58I still have the scars all over my body.
39:02And every time I close my eyes, I see this fucking thing.
39:05It's you.
39:06I don't believe you.
39:09I didn't forget you.
39:14Look at this.
39:16I did this so I wouldn't.
39:20I couldn't.
39:27I kept you with me.
39:30Well, all this certainly taught you how to manipulate a situation.
39:33What does he mean?
39:34You want to talk about someone manipulating a situation?
39:37You're a fucking journalist.
39:38You're a grown man intimidating two vulnerable girls.
39:41I'm on your side here.
39:42Really?
39:42What they did was a horrific social experiment.
39:45Please leave us alone.
39:46I'm sorry, but people need to know.
39:49I just feel like...
39:52If I don't say it out loud...
39:54Or if I don't get the words out...
39:58Then they'll choke me.
40:04So, let's go.
40:04Take them.
40:06Okay.
40:07Let's go, man.
40:10Looking to the full ...ióx
40:12estava on a King. Sorry?
40:13What's
40:13this? Another one.
40:16The love of
40:16God. The love of
40:17God. The love of
40:18God. Greta.
40:19What? The
40:20love of
40:20God. The love of
40:22God. The love of
40:22God. You're earth.
40:26Take what's up.
40:26Inca He's been
40:27to me.
40:27I have got you the gift of the Lord.
40:32He doesn't have to trust you.
40:39I'm afraid she'll ever trust you.
40:48If you don't trust me anymore...
40:49I want you to stop.
40:53You'll never be ROMA.
41:01I don't know what to do.
41:05Okay.
41:06Um, what are you saying?
41:14Call him with him on an ear in an ancient.
41:17To him is a million.
41:20But he's not going to break.
41:22He's not going to break.
41:35I need to think.
41:38What did she say to you?
41:42She needs to think.
41:47Perhaps you should go.
41:55I knew it.
41:57That's your bike.
42:03I'm giving you a chance here.
42:05Both of you, a chance to control the narrative.
42:09She wants you to leave.
42:15No.
42:16You're making a mistake.
42:17Get out.
42:18Jodie.
42:19Leave.
42:20Hey, that's...
42:24Came with that.
42:25Yeah, I was about to.
42:29Now, come on.
42:30Come on.
42:36Oh, my God.
42:40What is that?
42:43Great.
42:45You're recording us.
42:47Did you know?
42:47Did you know he used to?
42:48Of course I didn't know.
42:50Give it to me.
42:53Fuck you.
42:56This is bigger than you.
42:58Give it to me.
43:00Give it to me.
43:02No!
43:03Come on.
43:03Come on.
43:04Give it to me.
43:05Give it to me.
43:06Stop fucking your mouth.
43:08Sarah!
43:09Sarah!
43:11Right now.
43:13Give it to me.
43:14Give it to me.
43:15Come on.
43:16Right now.
43:19Let's go.
43:20No!
43:36I didn't mean breathing.
43:41Can I have to stop?
43:43I'm gonna stop!
43:45I'm gonna stop!
43:46I'm gonna stop!
43:50I'm so sorry.
43:51I'm so sorry.
43:52I'm having so much.
43:54I'm so sorry.
43:59I'm so sorry.
44:00Is he dead?
44:02You've hurt me.
44:05You've hurt me.
44:21I'm so sorry.
44:23I'm so sorry.
44:24I'm so sorry.
44:25I'm so sorry.
44:27I'm so sorry.
44:29I'm so sorry.
44:29Where did you get the knife?
44:30What?
44:32The knife.
44:33It was just there.
44:35It was just there on the table.
44:38What the hell?
44:39What?
44:40Someone's coming.
44:41What are we gonna do?
44:42I can deal with them, but you need to leave.
44:44You need to leave now.
44:45Take this.
44:46Destroy it.
44:47Okay?
44:48Tell no one.
44:49Okay?
44:49You were never here.
44:50I was never here.
44:51Okay?
44:51Go.
44:51Go through the back bay.
44:52Through the window.
44:53They won't see you.
44:54Go.
44:54I'll run on down her.
44:58Go.
45:02Go.
45:09Rara.
45:27I just remember feeling in my hand.
45:32And I remember thinking I had one chance.
45:37So I took it.
45:43We have to go to the police.
45:46No, they won't believe me.
45:48He was harassing you, watching you, stalking you.
45:52And I attacked you. It was self-defence.
45:54You won't believe her.
45:55What?
45:56She'd been dating him.
45:58She met him here voluntarily.
46:00It wasn't her fault, Saoirse.
46:01This is Northern Ireland.
46:02If a woman is raped, gets pregnant,
46:05discovers having that baby will actually kill her.
46:07That woman has two choices.
46:09Has the baby and dies.
46:10Or finds a way to abort that pregnancy and goes to fucking jail.
46:14What else does she have?
46:21We'll help you.
46:37You don't believe it.
46:40Maybe it's just a shower.
46:43Maybe it'll stop soon.
46:47Time for Plan B then.
46:49What's Plan B?
46:52We bury him.
47:10Should I say a prayer?
47:14For him or for us?
47:17What now?
47:20We get ourselves cleaned up.
47:22We can change at the party.
47:23We can't go back to the party.
47:24We have to.
47:26All four of us, we have to go back to the party.
47:28Just in case.
47:28In case what?
47:33In case someone asked us where we were.
47:42It stopped raining.
47:44It stopped raining.
47:57It stopped raining.
48:07We should pretend to have fun.
48:12It just goes through you like a ghost
48:20And only half of this is everything
48:26Things will never be the same again.
48:30They'll never forget what happened tonight.
48:35No matter how much they want to,
48:38they'll be pulled back, dragged back,
48:41haunted by it forever.
48:44I know how these things go.
48:47I really believed I could become somebody else.
48:50But maybe I'll never be able to move on.
48:54If I can't run away from who I really am,
48:58maybe it's time to run towards us.
49:02So we won't get far
49:07And I don't want to call you
49:13But I need to go
49:26As I say, I've never made blemange before.
49:29Could go either way.
49:31I need to look at her notes.
49:32Sure thing, babes.
49:33They're all on the system.
49:37Shit!
49:49All the things you said is not enough.
50:11I've been serious, I feel totally lost
50:13If I'm asking for help, it's only because
50:16Being with you has opened my eyes
50:19Could I ever believe such a perfect surprise?
50:21I keep asking myself, wondering how
50:24I keep closing my eyes, but I can't look you out
50:27Wanna fly to a place where it's just you and me
50:29Nobody else, so we can be free
50:33Nobody else, so we can be free
50:35All the things you said, all the things you said
50:37Running through my head, running through my head
50:39Running through my head, all the things you said
50:42All the things you said, all the things you said
50:43Running through my head, running through my head
50:45All the things you said, all the things you said
50:49All the things you said, all the things you said
51:17And I'm all mixed up, feeling colder than worse.
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