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Watch How to Get to Heaven from Belfast Season 1 Episode 5 online in HD on Dailymotion (2026).
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00:28Transcription by CastingWords
00:58CastingWords
01:06CastingWords
01:15my god she's done it she's done it my name's marco you did very well you're a very clever girl
01:27so don't hurt me she thinks she's stupid that's not true he won't come now he's never coming now
01:36he won't come yeah god you don't think you're clever he is a gun grab to a fake and term
01:45she says i said
01:47i knew you were watching i'd like to keep working with this one the other child nothing i can do
01:55for
01:55the other child
02:00so
02:04so
02:09so
02:14so
02:20so
02:28so
02:35so
02:43so
02:45so
02:49so
02:52so
03:22did you break
03:24that
03:25they do like an inventory babes i'm never going to hear the end of this
03:29my last woman she threw a fridge out of one door and we were like seven stories up it was
03:35a whole
03:35thing
03:37you're scared i get it this is a really shit really stressful time for you but things don't
03:43have to get all you know like greek
03:47who the fuck are you
03:52i'm phoenix i'm phoenix i'm your new best friend you drug me
03:59you undressed me
04:00uh-uh
04:01you're making it sound creepy
04:02you're making it sound creepy
04:03it is fucking creepy
04:04where are the clothes you had on
04:07gotta burn them i'm afraid mostly because it's like procedure but also well they're kind of horrific babes
04:15oh coffee's ready
04:18i want to talk to booker
04:20booker's gone babes
04:22when will she be back
04:23he won't see booker again
04:24i take things from here
04:25what
04:29look how cute these wee cops are
04:34i don't understand
04:35if you have questions when i land on the scene everyone's full of this
04:40i couldn't be dealing with that last night
04:42so you stuck a syringe in my neck
04:44i'm gonna move on from the syringe thing babes
04:47it was late you needed some sleep i had shit to do i made an executive decision
04:54now will you please just sit down and have some coffee and a wee tiny gold cup
05:03why should i trust you
05:09because there's no one else here
05:14yep we are 100% not making it off this flight of life
05:17what exactly is she gonna do to us in a confined space with loads of witnesses
05:20she seems to really want that box
05:22so as long as we have
05:24hang on where is that box
05:25i'm sorry ladies
05:27your overhead locker is a little stuffed
05:35the box is in that bag isn't it
05:37it is yeah
05:37for fuck's sake
05:41linda
05:42what are you doing lovely
05:43the uh locker was over capacity
05:45did it close
05:47yes
05:47then it's fine
05:49drink surely
05:50now
05:53sorry about that
05:54these agency stand-ins are always messing with procedure
05:56actually can i just grab something out of that really quick
06:00it's
06:01er
06:02it
06:04it's our mother's ashes
06:06yeah
06:07yeah
06:08of course lovely
06:13thank you
06:15right
06:15let's get used to your drink
06:17linda
06:18linda
06:18linda
06:19linda
06:31linda
06:46linda
06:47linda
07:10linda
07:12linda
07:16linda
07:17that too soon. I never know if I should delete
07:19and start again when that happens or if that looks
07:21a bit.
07:24Sorry I did it again there.
07:26I think maybe I just have really big
07:27fingers.
07:30Anyway, look, so
07:31I spoke to Margot. She didn't know
07:33anything about Jodie for it or so she says,
07:35but she did tell me something which was a bit...
07:38I don't believe this.
07:40Me again. Anyway,
07:42I spoke to Margot. She told
07:43me when she was pregnant she was reading this book.
07:45The author was a psychiatrist she admired.
07:48Greta Gancále.
07:49So she, Margot that is,
07:51she decided she'd name her child after her.
07:53But here's the thing.
07:56Jesus Christ.
07:57Sorry, here's the thing.
07:59This woman should only publish one book
08:01and it was written more than a decade after Greta was born.
08:03So that can't be right, can it?
08:05I'm not really sure what it means, but...
08:08How the fuck
08:09have you done that again?
08:11Maybe just give me a call back, sure.
08:13Ladies and gentlemen,
08:15we'll shortly be starting our descent into Dublin Airport.
08:17Please fasten your seatbelts
08:19and place your seat...
08:21Excuse me.
08:27Right, let's do this.
08:28Ready?
08:30No.
08:31Great.
08:35Why would we scatter her in the sea?
08:39Sure she hated getting her her back.
08:40Oh, well, do you know what she hated?
08:42You never saw her.
08:44You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark.
08:48She loved it.
08:49There was her happy place.
08:50I'm going to have to ask you all
08:52to take it down a notch for me, girls.
08:53I can deal with this
08:54if you want to let the pilot know what's going on.
08:55Well, sure.
08:56I'll open the door to the cockpit now.
08:57Who the hell trained you, Linda?
08:59Al-Qaeda?
09:00You always give her bad advice.
09:01Seatbelt.
09:02Now.
09:02Well, you were always ripping the back out of me.
09:04Back down.
09:04Well, current for her was the worst decision you ever made.
09:08It only exacerbated your avoidant personality
09:10and gave you an excuse to never put yourself out there
09:13and live your own life for fear of rejection.
09:29We're not drunk.
09:30Not really.
09:31We were acting.
09:32It was an act.
09:33Girl, if you are going to subject us
09:35to any kind of breathalyzer type scenario,
09:37I should say I've had a few Prosecco's.
09:39That woman was trying to kill us.
09:40She's a psychopath.
09:41She locked us in a boat.
09:42A big boat.
09:42She blew it up.
09:43She blew that big boat off.
09:44If it wasn't for Dara's banana,
09:46we'd all be standing here dead now.
09:47Impersonating a member of Cabin-Groestaff.
09:49She did not know what she was doing
09:51during that safety demonstration.
09:52And where's the real Linda?
09:53That's what I want to know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit!
10:10Look!
10:14Okay, we have to go now.
10:16Without our bags.
10:17No chance.
10:18I brought a Max Amara bikini
10:19that cost me 300 quid.
10:21I'm sorry, Robin,
10:22that is actually immoral.
10:23Absolutely cracker looking on me
10:24is what it is.
10:29Okay.
10:30Okay.
10:36Right.
10:37Come on.
10:48Hello.
10:49Hello.
10:50All right, lops.
10:53Thank you, joker.
10:54Oh, yeah, yeah.
10:55Of course.
11:19this uh person who called this woman she said uh greta knew your father
11:25that she knew something about his disappearance yes but the caller they didn't identify themselves
11:31no and that was the only time they contacted me what day did you receive this call the night of
11:36this month the day greta died i've since learned as much yes that's strange
11:50so did your wife ever mention my father or talk about having any dealings with a journalist
11:55no never would have been a long time ago she didn't mention anything
12:00well she she would have been a teenager when he went missing around the same age as your daughter
12:06perhaps my daughter yes what do you know about my daughter well i i tried your house you weren't in
12:14but she was and i briefly leave my daughter out of this sorry i mean whatever this is you leave
12:19my
12:19daughter no i didn't even speak to her mother has just died my wife has just died i didn't i
12:24didn't
12:24mean and you come in here with this insane story it's not a story inspector ennio it's a fact
12:34someone did call me and someone gave me your wife's name
12:48i don't know i have time for this
12:55i understand i apologize sir it's not the right time perhaps
13:05i can wait
13:17yeah
13:20anything i can help with no
13:25no it's no it's it's fine
13:36by a lovely prison walls i heard a young girl calling
13:46maybe it's time we talk to the guards maybe we should just tell them everything yeah but you
13:51see we can't tell them everything can we dar it because there's some bits we need to keep to
13:54ourselves like some quite big criminally type bit oh that name guy he might help but my phone's
13:58worked oh shit my tea oh robin's works for fuck's sake jim i don't remember his number why is jim
14:05ringing me i don't know robin maybe because he's your husband and the father of your children
14:09how you love how's things great yeah all under control here
14:16how is portugal
14:24in the name of i've got to go deal with this right we need to focus girls okay what do
14:29we
14:29actually know what are the facts okay so we know that this thing belongs to judy we know that judy
14:34and greta grew up together we know that they were connected what was the name of that tiny game
14:39uh come on tashban tashban that's right why are you talking about narnia what tashban it's from
14:45the chronicles of narnia yeah jack's reading it i forgot how messed up it is i i i i gotta
14:53go love
14:53okay right bye bye bye bye yeah love you bye
15:00jesus christ jesus christ what was it he was right what are you talking about yeah they couldn't have
15:07come from tashban because tashban doesn't actually exist girls every single thing she told us was a
15:15fucking lie
15:28and with that it's goodbye jody perfect a passport pick is everyone on their best day it looks great
15:36like this by the way babes if i do say so myself the truth is you don't have to do
15:41that much what's that
15:42thing they say about lying a good lie stays close to the truth like with your name i always think
15:50it's best to go for something that sounds similar that way when someone calls you or you have to
15:55sign something it's less of a leap like psychologically so i'm thinking grania grania i think it's suchy
16:04grania i honestly do you it's like an echo of the person you once were i like that like a
16:12ghost of
16:13yourself that's actually quite profound that's me babes no it's the surname we have less freedomless
16:20we have to work off a list that's been cleared what i must have left it upstairs let me run
16:25and grab it
16:28gotta take the hardware with me i'm afraid babes it's not that i don't trust you it's just better
16:35safe than sorry type thing and i've been stung before people are like i just want to talk to my
16:41paniel just once just to hear their voice and i'm like i get it babes but now you've been the
16:48whole
16:48operation and i'm starting to decide with whoever it is the one she did you're on the other side of
16:56things now i guess what's that well earlier you said that you were evaporated too
17:03oh right yeah but i was so young how young 13
17:12yeah my parents they were both god i still haven't found a better way of putting this
17:22like they were kind of murdered babes i'm so sorry you don't need to know all the details
17:29trust me it will kill the crack overnight my environment became well not the safest
17:38and bicker heard what happened and she decided to help me
17:45bicker saved me i owe her everything i guess that's why i'm here doing what i do
17:56that's something else we have in common
18:00what is well you were young too when that marco woman stepped up on me
18:11you know about that you know what happened with my mother we know everything babes
18:23i'm
18:55You've got to kick the shit out of those doorway packers.
18:58Yeah!
19:04It's not St. Patrick's Theatre, soaps.
19:23For fuck's sake, I'm not even wearing green.
19:26It's supposed to bring you bad luck.
19:29I think it'll be ready.
19:30Yes.
19:36Run!
19:59It's not St. Patrick's Theatre.
20:06It's not St. Patrick's Theatre.
20:24It's not St. Patrick's Theatre.
20:29She's here.
20:31Why is she doing that?
20:34Go, go, go!
20:53Oh, thanks.
20:55Sure you think I want one?
20:56I'm grand.
20:57That's not very Irish, are you?
20:59That's quite offensive.
21:00He's no crack.
21:02Don't say crack.
21:04Sorry.
21:04Great man, St. Patrick.
21:06Single-handedly drove the English out of Ireland, you know.
21:09No way.
21:10Not the English.
21:11Snakes.
21:12Jim, that's two things.
21:13Wait, you know, Donald.
21:14You're quite upbeat for a fellow with a missing dad.
21:17He went missing when I was a baby.
21:19Settled into it.
21:23Mmm.
21:24Would you like a straw?
21:26Do you think I could ask one?
21:27No.
21:32So, why all of these questions about my meeting with your boss?
21:35Just curiosity, really.
21:37Okay, well, I don't trust him.
21:42Really?
21:45I've seen you before.
21:47Sorry?
21:47I called at Owen's house yesterday.
21:50I walked there.
21:51I, uh, I saw him lead you out.
21:53Saw you get in your car and drive away.
21:55You didn't see me.
21:56Neither did he.
21:58But, anyway.
22:00When I reached the door, there's no answer.
22:03For some reason, he didn't want to speak to me.
22:06Why don't you trust him?
22:07What makes you think I don't trust him?
22:10The fact that you're sitting here.
22:13All right, fine.
22:15In the meantime, let me show you this.
22:17So, these are my father's old notebooks.
22:21I've, uh, been trying to decode them.
22:24Decode?
22:24Yeah.
22:25He interviewed paramilitary members, intelligence agents.
22:27When you said he was a journalist, he was an actual journalist.
22:30So, a few times, he talks about what I thought was something like sad girl or mournful woman.
22:36But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:43Do you know there are probably a hundred skills in Ireland with that name?
22:46Yes.
22:47But then there's this.
22:50What does it mean?
22:52No idea.
22:53It feels religious.
22:55It's my instinct, anyway.
22:59I, uh, went to Greta's old school for a look.
23:02And there's this whole area of the grounds that's just sort of abandoned now.
23:06And there's an old caretaker's cottage.
23:10This isn't all just a coincidence.
23:14Greta O'Neill was connected to my father.
23:19How did you find out that was Greta's old school?
23:21Oh, well, when I spoke to her friends, they mentioned it.
23:24And Greta, well, she'd have still been there the year that my father disappeared.
23:30Did you say you spoke to her friends?
23:35Hey, Saoirse.
23:36So, uh, I just had a chat with Andrew.
23:39You remember, Andrew?
23:40English lad.
23:41He, uh, spoke to you about the fact that his father disappeared.
23:44About how he thinks Greta was involved.
23:46Now, here's what I'm wondering.
23:48I'm wondering why you didn't mention any of this.
23:50I want you to call me back.
23:52I want you to tell me what the hell is going on here.
23:54Fuck it.
23:55I'm coming to Belfast.
23:56See you at the studio.
24:22If this is how it ends,
24:25if I die today,
24:30then I want my conscience to be clear.
24:33You're not dying, Saoirse.
24:36My head is banging.
24:37I might have some painkillers in my bum bag.
24:40Okay.
24:40At some point, we need to address the fact
24:42that you've started wearing a bum bag.
24:45Now, these are mums.
24:46They're prescription only.
24:48They are really strong.
24:50We need backup.
24:51I'm calling Jim.
24:52What's Jim going to do to that male bitch?
24:54I'll have Jim for breakfast.
24:56How's it going?
24:57You've reached Jim's phone.
24:58Where the hell is he?
24:59I'll just drop to the beep.
25:01He's gone out.
25:02Who the hell does he think he is?
25:05Wait, you're tracking Jim.
25:06Obviously.
25:06I haven't trusted him since the whole affair thing.
25:09There was no fucking affair thing.
25:12Shit, she's tracking us.
25:16She's tagged us somehow.
25:18It could be on her clothes and her hair.
25:21You know what that means.
25:22On her hair?
25:24She's on her way here.
25:37Robin, stay beside that door.
25:39I don't want a priest walking in here
25:40and seeing my Fandango.
25:42What's your Fandango doing out?
25:43Can everybody just keep their Fandangos under wraps, please?
25:50Shh.
25:51Listen.
26:09Grab a weapon, quick.
26:17Come on.
26:23We're ready for a fucking exorcism, maybe?
26:29Who is she, girls?
26:31Is she playing at night?
26:42Moving on to scene 32A.
26:44Let's have cast on set in five minutes, please.
27:05I feel like I need mass.
27:06It's terrible.
27:07It's so obvious.
27:08Excuse me.
27:09Yeah, I'm going to have to see the brain.
27:10Excuse me.
27:11Scene 32A.
27:13Crew show, people.
27:14Crew show.
27:15So, I'm not sure if you remember me.
27:18Cop, I remember.
27:19I'm looking for Saoirse.
27:21I bet.
27:23Why would I know where she is?
27:24Well, because you work together and also...
27:27aren't you engaged?
27:28Well, I'm sure you've seen a lot more of her than me recently.
27:31What?
27:32You think I don't know what's going on?
27:36There's nothing going on.
27:37Look, I don't mind.
27:38You don't mind?
27:39I'd just like to be involved.
27:44Involved?
27:44I think you'll find I have a lot to offer in that department.
27:47Okay.
27:48Well, you genuinely don't know what you're talking about?
27:50And I'm kind of afraid to ask.
27:52Oh, come off here.
27:53It explains why she's been AWOL for days.
27:56What does?
27:57She's storylining season five, and you're helping with research.
28:02Oh, no.
28:03Pushing me out again.
28:05So much for TV being collaborative.
28:07Listen, boss, why are you in the wrong uniform?
28:09No, he's a guard.
28:10We're shooting those scenes next week.
28:11That's all location.
28:12Costume.
28:13Yeah.
28:13This agent's in the wrong uniform.
28:14No, he's not.
28:15I'm not an actor.
28:16I'm a real person.
28:16Oh, and actors aren't real people?
28:18He's an actual guard, okay?
28:19He's helping Saoirse storyline season five.
28:21Really?
28:22We're going to have to swap out scene 15.
28:23This friend's not stopping anytime soon.
28:25Oh, no.
28:26Could you just have her call me?
28:27Seb, darling, my car's here.
28:28Take that god-awful tele-interview.
28:31Love you, darling.
28:32What's 15 again?
28:33Exterior school.
28:34Bearing of the body.
28:36Okay, fine.
28:39Hey, Ed.
28:40Sorry.
28:41Do you have a script?
28:44Can we get a move on, people?
28:51What is she playing at?
28:53She knows we're in here.
28:57Sanctuary law.
28:59She is obeying our right to claim sanctuary.
29:02So long as we're in here, she won't touch us.
29:04So why the fuck would we leave?
29:27I don't want to hurt you.
29:33She tried to kill us.
29:34The boat.
29:35That was a warning.
29:38If I really wanted you dead, you would be.
29:40I just want the box.
29:43Why?
29:45What's in it?
29:46What's all this got to do with Grandma?
29:49Knowing that will infect you like a disease.
29:52A fatal one.
29:54All you have to do is come out here and hand me the box.
30:03Do that, and I promise you will never see me again.
30:10After a while, you'll begin to question if any of this actually even happened.
30:17If I ever actually existed.
30:22What will it be?
30:40Let me do it.
30:41All right.
30:45Let's go.
30:55Let me do it.
30:58What's in it?
31:23Why didn't you come inside?
31:26I don't do business in God's house.
31:30I don't trust him.
31:32I see.
31:40Well, we don't make deals with the devil.
31:53Oh, that's so cute.
31:57We charge a shop number.
31:59You've got to get the balance right with this stuff.
32:02It's more time consuming, but every stitch you own can't be brand new.
32:06I'll sort the basics, because they haven't told me where you're going yet.
32:10So I don't know what conditions we're dealing with.
32:14Will you travel with me?
32:15They'll send the midwife.
32:17The what?
32:18She delivers you to your new life.
32:21When?
32:23Sin.
32:24Too sin.
32:25It was my understanding that when I'm settled to my daughter, she could join me.
32:28Oh, come on, babes.
32:30I get that there's a lot to do.
32:31Well, that's one way to put it.
32:33I thought if I could get a sense of any of the timeframe.
32:34You're giving me cause for concern here, babes.
32:37You're concerning me.
32:39I'm concerned.
32:40You don't need to be.
32:41A timeframe.
32:42Just roughly.
32:42This is a very delicate procedure.
32:45I get that.
32:46With no guarantees.
32:47But if everything goes to plan-
32:49With no guarantees!
32:52She's my daughter.
32:54And she thinks I'm dead.
32:58What is in her best interests?
33:07You'll be okay.
33:10Will I?
33:11Some people are about to survive.
33:17That's what Bicker told me when my parents died.
33:21She said...
33:23She knew I was deafening because I cleaned it all up.
33:27Most adults couldn't have managed that, she said.
33:32Cleaned what up?
33:33The mess, babes.
33:36There was such a terrible mess.
33:39They were stabbed, you see.
33:42Thirteen times between them.
33:45Oh, my God.
33:47It's fine, honestly.
33:51They wouldn't have known anything about it.
33:54What do you mean?
33:57They were fast asleep.
34:04Thirteen times?
34:06A wound for every miserable year.
34:11Oh, don't look so shocked.
34:14You recognized it in me.
34:16I saw it in you two.
34:18Before I'd read a word.
34:21It takes one to know one, doesn't it, babes?
34:28You'll be okay.
34:31You'll survive.
34:33People like us always do.
34:40I guess you shouldn't have called somebody.
34:43Yeah, all right, love.
34:44You okay?
34:53Exactly what part of the plan were you unclear on, Dara?
34:55I'm telling you, I was chilling.
34:57I was standing there, looking her right in the eyes, and it was like she had no soul.
35:02It's like you're in the presence of evil.
35:05Actual evil.
35:06How might someone like that react to you bashing her face in, I wonder?
35:09She was never going to let us walk away, Robin.
35:11She was lying.
35:13What's this cue for, exactly?
35:15I have no idea.
35:16But I'm thinking, if we're hiding behind lots of people, she'll have to kill them first.
35:20Jesus, Robin.
35:21Even I think that's dark, Robin, and I'm morally quite sketchy, like I work in television.
35:25Oh, speaking of which, Seb's been trying to get you.
35:29He wants to know how many scripts to give Liam, now that he's a consultant.
35:32What the fuck is he asking for scripts?
35:34He'll need them if he's a consultant.
35:35He's not a consultant, Dara.
35:38What is going on here?
35:40Uncle Easy News.
35:42Tickets.
35:43Or what?
35:44The Late Late Show.
35:46Oh, my God. The Late Late Show.
35:48I love Patrick Hilty.
35:50I love Patrick Hilty.
35:53Oh, yeah.
35:55I mean, I suppose he's good at what he does.
35:57I just don't get what all the fuss is.
36:00Fine, I love Patrick Hilty.
36:02Jesus.
36:04She can't kill us on live TV.
36:08Okay, can you guys move us out, please?
36:11Uh, we don't have tickets because these are the competition winners.
36:14What are you talking about?
36:16She'll be on your list.
36:17Jesus, I emailed about this yesterday.
36:19What list are you working from?
36:22Who put you in the door?
36:23Cara.
36:24Ah, typical.
36:25Aye.
36:26Well, tell me that you at least have some house seats back.
36:29Yeah, of course, always.
36:30Right, soon.
36:31Shall we?
36:32Mmm.
36:34Tickets.
36:35Seen a lot of 30 Rock.
36:37But you've yet to watch one episode of my show.
36:41Show's not funny.
36:42How would you know?
36:44We're just down the end there.
36:45Sorry, thanks.
36:47We're just down the side there.
36:48Thank you very much.
36:54Alright, we'll play.
36:55We should be okay.
36:56We'll be back.
36:57We'll be right back, all right.
37:05We're good I like that later.
37:19We'll be back, all right.
37:22We're fine.
37:24You're okay.
37:25fø conflicts
37:35Hello, ladies. Welcome to the Late Late Show.
37:38Thank you for our band, folks.
37:41Look at Jonathan there.
37:42Hey, would you ever turn that bollocks off?
37:47And happy St. Patrick's Day.
37:55Also on the show tonight, he went viral this week
37:58when he rescued a blind sheep stuck in the mud
38:01halfway up the Wicklow Mountains
38:03and carried it down on his back to safety.
38:06His name is Sean O'Kelly.
38:09Ah, couldn't man yourself, Sean.
38:11Where was he, Jeff?
38:13What a strange show.
38:15She plays Detective Emma Fierce
38:17in the smash-hit, multi-award-winning television series Murder Code.
38:21Let's have a huge welcome for the one and only Marnie Mullins!
38:29You're shitting me.
38:31Isn't that those three Belfast ages we questioned?
38:35God, I think you're right.
38:36Are you sure?
38:37Sure, I'm sure.
38:39I'd recognise you weren't anywhere.
38:41This thing's still alive, right?
38:42Oh, God, yeah.
38:43You cannot whack it.
38:44Now, the show has such a huge following.
38:48Shall we all love a bit of Murder Code?
38:52When you first read the scripts,
38:53did you know it was going to be such a massive hit?
38:55Do you know what, Paddy?
38:56Here we go.
38:57No.
38:58I actually struggled to see what the big deal was,
39:01but then I realised it was the audience's attachment
39:05to my character, Emma.
39:07My character, Emma.
39:09That was the big pull.
39:10So I made a few suggestions...
39:12The tag words.
39:12...to make her relatable,
39:14and the scripts were definitely elevated after that.
39:19I mean, we did a lot of work on them.
39:20We.
39:21And after all that,
39:22I think we knew we'd made something truly special.
39:25Well, special is right.
39:26I mean, what was it,
39:27something like 10 million viewers tuned in
39:30to see you catch the elusive career killer
39:34in your own home?
39:36Actually, actually,
39:38a lot of that scene was improvised.
39:41That is it.
39:43That is it.
39:48Oh, my God.
39:51That's our writer, Saoirse Shaw.
39:55Surprise!
39:56Saoirse Shaw, writer of Murder Code.
40:00Ladies and gentlemen, let's get her down here!
40:12Look!
40:13Look, Mummy's on TV.
40:15She really is.
40:16Ah, lads, we just stopped.
40:17Your mum's in Portugal.
40:24So, Saoirse.
40:26Patrick Kielty.
40:27Paddy.
40:28Patrick.
40:28Paddy Kielty.
40:29P.K.
40:29Paddy.
40:30Mr. Paddy.
40:30You take a breath.
40:31Yes.
40:33Jesus.
40:34Jesus.
40:35So, tell us, uh, tell us this.
40:37Where do you get your inspiration?
40:39All these complicated plots and twists and turns.
40:43I guess, uh, I...
40:44Lots of things inspire me.
40:47Books.
40:48Yeah, look, Seb, just calm down.
40:49I'm just loading up now.
40:51Give me a second.
40:53Yep, got it.
40:55Films.
40:56News stories.
40:59Uh, history.
41:01Uh...
41:01Oh, what the fuck is she doing?
41:04How many of those bloody pills did she take?
41:07Oh, for God's sake.
41:08Yeah, sort of a matter of things that happen in real life.
41:12Even.
41:13Let's talk about that.
41:15Talk about...
41:15Give us an example.
41:18Well...
41:18Oh, maybe I shouldn't say that.
41:21Go on, now.
41:22Don't be a tease.
41:23Oh!
41:26When we were young, my friends and I, we did this pretty terrible thing.
41:32But only because we were...
41:34We were trying to protect someone.
41:38Go on.
41:39Oh, I get in trouble here.
41:40Sure, isn't that what live TV's for?
41:45I think this is a bad idea, Patrick Gilday.
41:49Tell us.
41:51Tell us!
41:53Tell us!
41:54Tell us!
41:55Tell us!
41:56Tell us!
41:57Tell us!
41:58Tell us!
41:58Tell us!
41:59Tell us!
42:00Well, turns out the person we were trying to protect, she was...
42:05Lying.
42:08So now we've done this terrible thing, but we don't even...
42:11We don't even know why.
42:13If this were murder code, and you were Emma, I mean, what would you do?
42:20Well, I suppose...
42:22Well, I suppose Emma would realise that she's overlooked something small,
42:30something that she initially thought was insignificant.
42:35But it turns out...
42:38That it was the key to unlocking the case.
42:43The key to unlocking the box.
42:46Locks.
42:47She had it all alone.
42:50I had it all.
42:51She already knew the answer.
42:53I already know.
42:54I already know.
42:55Of course you do.
42:57You've seen it.
42:58Where have you seen it?
43:00I don't know.
43:02Think.
43:08I don't remember.
43:10I can't remember.
43:11Picture.
43:12Picture.
43:12Picture.
43:13A painting.
43:14A painting.
43:15Picture of a painting.
43:23I've got it.
43:24Paddy, it was actually a pretty challenging shoot.
43:27I assume.
43:28I had these sort of panic attacks, but I had someone...
43:30I really must get her some media training.
43:32Back at five.
43:33Don't go anywhere now.
43:35Roll it down.
43:40Big fan of your work.
43:41Right.
43:42Hello.
43:42Let's go.
43:43We've got to get you.
43:44Let's go.
43:58I saw Patrick.
43:59We solved it.
44:02Me and Patrick, Katie.
44:04I love Patrick, Katie.
44:07Oh.
44:09Oh.
44:11We already saw the answer.
44:14We had it right in front of us.
44:17What?
44:19Symbol in Portugal.
44:21What's it going?
44:21Did you take a picture?
44:24Wait.
44:27Um.
44:31Was there a number on it?
44:33Yes.
44:34Yes, there was a number.
44:35It's a date.
44:36I'll call it out.
44:37Um.
44:38Two five.
44:39Zero one.
44:41Nine seven.
44:45Okay.
44:59Oh, my God.
45:15What happened to her?
45:17Baby, when you left me like this
45:20And when you hold me like that
45:23You were strong with the wind
45:26But it's all coming back to me
45:29When you see me like this
45:30What the hell is going on here, girls?
45:33It's actually quite difficult to know where to start.
45:36Charles Samson.
45:37Start there.
45:38What do you know about Charles Samson?
45:40Watch out!
45:47Holy shit.
45:49Step out of the car!
46:18What do you want?
46:21What do you want?
46:21Don't you want me right now?
46:31You got me the car!
46:36I'll do it!
46:38Touch out!
46:52You keep going to our television stop.
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