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Watch Museum of Innocence Season 1 Episode 7 online in HD on Dailymotion (2026).
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Short filmTranscript
00:21Everyone reading the newspaper article was now laughing at my foolishness.
00:27I couldn't stop thinking about it.
00:33I couldn't stop thinking about how hurt Fasun must have been when she saw the news.
00:38I was humiliated by all the things I had done out of love for her.
00:45Everyone was going to make fun of me, laugh at my expense.
00:50The kindest among them were going to pity me.
01:11Are you okay?
01:12Mom!
01:15Come on!
01:17What was that?
01:19I jumped right out of my bed!
01:21There was an explosion close to us.
01:22Oh my God!
01:23Oh my God!
01:24Oh my God!
01:25Who knows where the bombs are heading now?
01:30We thought the explosion was one of the bombs that were being thrown at coffee shops,
01:35bookstores, and public squares.
01:37But the truth was something else entirely.
01:39This just in, we have learned that on the night of November 15, 1979,
01:44around 5.30 in the morning, a Romanian oil tanker named Independenta collided with a Greek ship
01:49named Evreale.
01:50The oil that leaked into the sea has ignited a series of explosions and caused an ongoing fire.
01:56The explosions could be heard even from the farthest districts of Istanbul.
02:09Oh my God!
02:10For days, crowds of curious people, both rich and poor, came from all over the city,
02:15traveling by car, by bus, or on foot, just to see the fire.
02:19They all watched it burn.
02:21Hey, tea guys!
02:23To the vendors, I turned the park into a marketplace.
02:29I came to the park every night for a week, until the fire began to lose its intensity.
02:34I watched the Independenta oil tanker go down in flames,
02:38as if I were watching the disaster of my own life unfold.
02:42As the days passed, the flames finally began to die down.
03:07Mr. Kamal?
03:09Come in.
03:11Come in.
03:12Come in.
03:20What's up now, Kamal?
03:22Nothing, really.
03:24I've been working a lot, so I haven't had time to come.
03:30She greeted me with an imitation of a happy woman.
03:34Her idea of one.
03:35But her heart wasn't in it.
03:37She couldn't convince herself.
04:03Mr. Gamal.
04:11Uh, go on, dear.
04:16Go get us some Rocky for our guest.
04:18Oh.
04:20Go.
04:22Have a seat.
04:24Here, please.
04:25Please, sit down.
04:26Take a seat.
04:31Yes, Mr. Sandler.
04:34If you bring me the usual Rocky funding,
04:36then I can savor the happiness of returning home.
04:40Oh, we really missed you.
04:48But when she looked away,
04:50I realized she had been crying for days,
04:52just like after the engagement.
05:05Fasun.
05:07It's really been a while.
05:09I'm curious about that painting of yours.
05:12Oh, the painting's all done now.
05:15Feridun just found a nice picture of a swallow,
05:17so that's what I'm painting.
05:18This one's the most beautiful so far.
05:30Come.
05:45Darling,
05:46I love you so much.
05:49what a deep sorrow it is to be far from you.
05:54I wish I could have said that.
05:58It looks amazing.
06:00I'm so proud of you.
06:02People all the way to Paris should admire it.
06:09Kamal, you know this is just something to do.
06:18These were the most difficult years of our lives.
06:21Fasun still wasn't a movie star,
06:24and I couldn't get any closer to her.
06:29This impasse left us both humiliated and disgraced.
06:33If things continued like this,
06:34I realized it would be impossible
06:36for either one of us to build a new life.
06:40We both understood that.
06:47We have a script ready,
06:48and it's passed the censorship board.
06:51If I have to work for money,
06:52I may as well do that.
06:53It's a bit risque,
06:54but a good opportunity.
06:56Is this Fasun's kind of part?
06:58It isn't.
07:00Papatia would work.
07:02Papatia?
07:03I don't get it.
07:03It's a suggestive role.
07:05The lead actress,
07:06she might show some skin,
07:07you know?
07:08Fasun must not be aware.
07:10She's aware.
07:20Who's the male lead?
07:23Tahir Tan.
07:26Tahir Tan?
07:27But Mr. Kamal, I get it.
07:28But come on,
07:30it's just a film.
07:37Tell me what it's about.
07:38A wealthy man
07:40seduces his young
07:41and beautiful distant cousin
07:43and then abandons her.
07:45Since he had taken her virginity,
07:47the girl becomes a singer
07:48to take her revenge.
07:50All of the songs
07:51were written for Papatia.
07:52Hayao Hayati
07:53was going to direct it,
07:54but when Papatia
07:55refused to be a slave,
07:56he opened Quint,
07:56and the script was dropped.
07:58What an opportunity
08:00for us both, huh?
08:08What's the title?
08:09Shattered Lives.
08:16Do not smile
08:17or look at the camera,
08:18people, understand?
08:19It's not here.
08:20Please don't sleep on set, either.
08:22I don't want to have
08:23to tell you again.
08:24No talking!
08:26Listen, you guys,
08:27you're wealthy folks
08:28coming to a music hall
08:29to have a little fun.
08:30Everybody, be quiet.
08:31When filming starts,
08:33don't talk out loud, all right?
08:34Just the lips move.
08:35Get ready to start.
08:36Come on, let's start.
08:37Are we ready again?
08:38Ready for you now, sir.
08:38Then come on.
08:39All right.
08:41Come on.
08:41Here we go, everybody.
08:43Okay.
08:47Lights.
08:50And action.
08:52Action.
09:15Diyorlar ki, sen delisin hiç bu kadar.
09:21Sevinir mi?
09:25Sevinir mi?
09:25Değmecek bir içim kurur yere.
09:32Sevinir mi?
09:36Değmecek bir içim kurur yere.
09:42Sevinir mi?
09:44Bir ateşe.
09:48Bir ateşe attın beni.
09:50Alem, alem yattın beni.
09:55Alem, alem yattın beni.
09:55Bir ateşe attın beni.
10:00Alem, alem yattın beni.
10:05Değensin beni, benim aşkım.
10:10Gele mi?
10:12Kele mi?
10:13Bir altın beni.
10:21Et!
10:42That was the first time I realized
10:44there was something serious
10:45between Ferdin and Papatia.
10:48I was somehow relieved
10:50that Fasun wasn't part
10:51of this world and its people.
10:53But also sad on her behalf
10:55that she was missing out
10:56on all the excitement.
10:57I began to feel bound to her
10:58by a sense of camaraderie
11:00and shared defeat.
11:22High interest rates
11:23are all anyone's thinking
11:24of these days.
11:26Poor and rich people alike now.
11:29That's normal, dear.
11:31Inflation's gone sky high.
11:33They want their money
11:33invested quickly.
11:35That's how you protect its value.
11:36It's smart.
11:37But, Dad, everyone's just blindly
11:38pulling their money
11:39from their accounts
11:40and going to the bankers
11:41with everything.
11:42Oh, Mr. Kamala's a company, man.
11:44What do you think?
11:45Back alley bankers
11:46aren't where I'd put my trust, sir.
11:49Understood.
12:00With the film shoot
12:01as his excuse,
12:03Ferdin rarely ever came home.
12:05Ferdin wasn't giving Fasun
12:06any of the money
12:07I'd put into Lemon Films.
12:20It was then that I started
12:21leaving money in place
12:22of the different items
12:23I'd taken from her home.
12:40Everything I took
12:41had been touched
12:42by my beloved's hand.
12:43The scent of roses
12:44lingered on them.
12:48Every time I touched them
12:50at the Muhammad building,
12:51I was able to fully
12:52relive all of it.
12:53The joy of sitting with her,
12:55her eyes locked
12:56across the table.
13:02Here you are.
13:05I hope you enjoy it.
13:07Thank you, Anasabai.
13:10Dear Mr. Kamal,
13:12I think you've seen
13:13that little dog figurine
13:15we put on the TV, right?
13:16Mm-hmm.
13:16It seems he vanished.
13:18Oh, really?
13:19Uh-huh.
13:20It doesn't matter to me
13:22that much what happened
13:23to him, no.
13:24Except that Tariq,
13:25he keeps asking me
13:26to find out where it's gone.
13:28Oh.
13:28Terrible shame.
13:33I'm sure I can manage another.
13:37I saw these at the dollar store
13:39while I was walking
13:40through Beoglue.
13:40It's like they're made
13:41to be on the TV
13:42as long as that Anasabai
13:43thinks so.
13:43Oh, just look.
13:44These are so nice.
13:46You spoil us
13:46buying us such things.
13:47Well, I was sad
13:48when he told me
13:49he was missing.
13:49And I was sad
13:50that he used to stand
13:51there alone earlier,
13:52so...
13:52Oh, you do keep
13:54things interesting,
13:55don't you?
13:55He worried about the dog
13:56being lonely on me.
13:58I feel sorry for objects
13:59that are tossed or misplaced.
14:00Bless your heart.
14:01You got me laughing now,
14:02Mr. Kamal.
14:03You're so funny.
14:07Want them to be
14:08looking forward at you
14:09or at each other?
14:13The left one pointed towards us
14:15and the other should face him.
14:17That way,
14:17they won't get as bored
14:18and they can still be friends.
14:20They can see each other
14:21but still watch over us,
14:22you know?
14:24And they can become
14:24part of the family,
14:25you know?
14:38At times,
14:39I would forget where I was.
14:41I would lose myself
14:42in the moment
14:43as if I were alone
14:44and gaze at Fassoon
14:45with all my endless love.
14:50At times,
14:51Fassoon would quietly stand
14:52from the table
14:54and gaze out the window
14:56like she was longing
14:57for someone.
14:58Seeing that
14:58would break my heart.
15:01At times,
15:02Aunt Nessabé would forget
15:03that she had a cigarette
15:04in the ashtray
15:04and light another one
15:06in the kitchen.
15:09At times,
15:10I'd struggle to keep myself
15:12from reaching out
15:12to touch Fassoon.
15:20At times,
15:21Fassoon would get so lost
15:22in a film,
15:23so completely taken in by it
15:25that I would long
15:26to be the hero in it.
15:30At times,
15:31fireworks would go on
15:32and we'd all get up
15:34from the table
15:34to watch the colors
15:35in the sky.
15:49Good evening, everybody.
15:54My dear Keskin family.
15:58Oh,
16:00so Mr. Kamal
16:01came to see us.
16:02Typical.
16:04Glad you made it back.
16:17Faridin,
16:17welcome, son.
16:19Yes, a pleasure.
16:23Oh, son,
16:24you must still need supper.
16:25Should I make you something?
16:26Don't go to any trouble for me.
16:29I'm full,
16:30don't bother.
16:36Fassoon?
16:43Fassoon, come on.
16:53Okay, Fassoon.
17:29Fassoon, come on.
17:50Fassoon, come on.
18:11Fassoon, come on.
18:14Fassoon, come on.
18:49That night, I realized Fusun and I would get married.
18:53Mr. Faridin, I'm calling from Mr. Basmocky's office.
18:56He's asked that I inform you that sadly he won't be attending tonight's premiere.
19:03Fusun, as the director's wife, and I, as the producer of the film,
19:07should have attended the premiere.
19:10But neither of us went.
19:15Churumlar, anlaşmazlıklar, buzu kurmuş önümde.
19:20Kurtar desem de, sen vazgeçsen de, dönüp gitsem de, sevgi mahkum elinde.
19:30Kurtar desem de.
19:50Fusun, as the director's wife, and I, as the director's wife, and I, as the director's wife, and I, as
19:51the director's wife, and I, as the director's wife, and I, as the director's wife, and I, as the director's
19:51wife, and I, as the director's wife, and I, as the director's wife, and I, as the director's wife, and
19:52I, as the director's wife, and I, as the director's wife, and I, as the director's wife, and I, as
19:52the director's wife, and I, as the director's wife, and I, as the director's wife, and I, as the director's
19:52wife, and I, as the director's wife, and I, as the director's wife, and I, as the director's wife, and
19:52I, as the director's wife, and I, as the director's wife, and I, as the director's wife, and I, as
19:55the director's wife, and I, as the director
21:03Haven't you met her?
21:05Can we trust the woman or not?
21:07Beats me.
21:08She's got nothing but her talent.
21:10Why do you ask?
21:12We're making a big investment.
21:13She messes up a marriage like this.
21:15And nobody will support her.
21:17She's after Frassoon's husband, I hear.
21:20Who's accusing Federt then?
21:22Look, never mind.
21:23Tell me who.
21:24No one's saying anything.
21:27The Avendooks and Mangreli's.
21:31They lost it all investing with Denise, the banker.
21:34Wiped out.
21:35Put any money with the brokers?
21:37Not me or the company's money.
21:38I wouldn't do it.
21:42Papathia should go sing the Meltem song at Mehmet and Nerjehan's wedding for us.
21:46All the press will lose their mind.
21:47Wait, hold up a second.
21:50Mehmet and Nerjehan have a date picked?
21:51When is it?
21:52You aren't welcome there.
21:55But I assumed you knew that.
22:01So why am I cut off?
22:03Well, they talked it over and argued a lot, too.
22:06As you might have guessed, Sabelle doesn't want to see you.
22:08She won't come if you're there.
22:10Sabelle's Nerjehan's best friend.
22:11But I'm best friends with him.
22:13And I got the both of them together.
22:14Why's Sabelle get her way?
22:15The entire crew knows Sabelle's the wrong party, Kamal.
22:21I mean, you got engaged to her, then you took her to your bed, and then you left her.
22:26You're the boogeyman in the story mothers tell their daughters.
22:32Sabelle had our condolences, okay?
22:34Don't start being upset we support her.
22:37I can't say I like my friends betraying me, Zayim.
22:46Kamal, listen.
22:49Sabelle is a truly gorgeous and charming woman whose heart you broke, okay?
22:54So stop with the nasty looks and own up to what you did.
22:59And let me tell you this advice as a good friend.
23:03No one has turned their back.
23:05You did that to them.
23:07Explain it, then.
23:10It became pretty apparent that our world bored you.
23:15Turns out you were prioritizing that special connection.
23:22You decided that girl was worth it.
23:31Perhaps it's something even simpler.
23:36We were just having sex.
23:38But I was consumed.
23:41It happens with love.
23:44It's got nothing to do with you.
24:04Mr. Mehmet is calling again.
24:06The excuses aren't working.
24:07I can't put the gentleman off again.
24:17Yes, Mehmet.
24:18Kamal?
24:20Kamal, I'm so ashamed.
24:23I'm really sorry I couldn't invite you to the wedding at the Hilton.
24:33Are you there?
24:36I hear you.
24:37Okay.
24:38I'll say this one last thing and then hang up.
24:41Long time.
24:46I wanted you to know.
24:47It's why I couldn't invite you to the wedding.
24:53Kamal, are you there?
24:56Hello?
24:59Hello?
25:01Kamal?
25:09Hello?
25:10Kamal?
25:10My fellow citizens.
25:13My appearance this morning is to repeat that the armed forces have been compelled to take control of the former
25:19administration
25:20in order to restore the prosperity and happiness that so rightfully belong to those of the noble Turkish homeland.
25:26To ensure lasting solidarity of this, our nation, the great land of our forebears,
25:31to reinvigorate and uphold all the noble principles of Ataturk, which of late have increasingly been undermined.
25:37To shore up the democracy we've lost on ground that is stable and reestablish the lapsed authority of the state.
25:45Commanders, officers, petty officers, and soldiers, we dedicate everything we have to ensure the continued well-being and prosperity of
25:54our beloved country.
25:56You'll be here.
25:57We're here.
26:24My passion is one and one is to surrender.
26:25I don't know.
27:00I guess Fedodon doesn't care to bring photos anymore.
27:03So now instead, I've been painting them like this in life.
27:06I refuse to draw bars here.
27:09It should be uncaged, don't you think?
27:20Listen, my love, we can move on from this place.
27:23It's time.
27:26Life is short.
27:28We're letting the days and years run out.
27:31Believe me, we both belong in some happier place, Fedodon.
27:39It's all right. There's no reason to be scared.
27:44You and me, let's be together.
27:49In some place that's meant for us.
27:51Let's build a home for us, a perfect place.
28:04You're 25 years old.
28:07So spend the next half century beside me, all right?
28:10We deserve a little happiness.
28:12I mean, we endured enough.
28:14Let's quit resisting this.
28:16But that's news to me, Kamal.
28:18Resisting what, Preetal?
28:25Watch your hand, please.
28:26You're scaring the bird.
28:33No, I'm not.
28:37Let's find the best place for her, right in the heart of the house.
28:41I bet my father's asked about us.
28:56You okay, Kamal?
28:58Movie's boring you?
28:59No, I'm liking it.
29:01But you don't like the subject matter.
29:03The opposite.
29:12By the way, Grace Kelly was bad at math, too, apparently.
29:16Is that a fact?
29:18And her career began with modeling as well.
29:22That's nice.
29:22But then last year, sometime, on the road where they shot this, she crashed at that bend and died.
29:28Yeah?
29:32But I still envy her driving around like that.
29:40And why is that?
29:42Because behind the wheel, she's so...
29:44so in control.
29:46So totally in charge, you know?
29:48Maybe that's why.
29:50Great. Let me teach you how. I'm glad to.
29:53No, it's just...
29:55No, no, I'm not...
29:56For soon you can do this. I know it.
29:58Just give me two weeks to teach you.
30:00And you'll get your license and be driving all around Istanbul.
30:05Don't feel embarrassed.
30:07It just takes a little bit of, uh...
30:09patience and discipline.
30:14I'm a very patient woman.
30:41The sun was slowly emerging from behind the clouds
30:44after what had been such a long, dark winter.
31:12This way, this way.
31:14Stop and pull over there.
31:18Go see your IDs.
31:23They'll be inspecting ID.
31:29ID cards.
31:33It's late. Why are you both out?
31:35It's nearly curfew already.
31:37Get out of the car.
31:38Get out.
31:43Stand at the front.
31:44Right here.
31:48Raise your hands.
31:58So, whose is this?
32:01Mine?
32:04What's it for?
32:11So, what's this supposed to do then, hmm?
32:13What is it, man?
32:14Right then, I couldn't tell him it was just a quince grader.
32:17If I told him that,
32:18I was scared he'd see it immediately.
32:21My obsession with Fassoon,
32:22that for years I visited her family four or five times a week
32:25just to see a married woman.
32:26And he'd suspect I was some kind of dangerous freak.
32:31Hey, start talking.
32:32Explain it to me.
32:34What is this?
32:38Does this belong to you, sir?
32:40It does.
32:42So then, what is it?
32:45Let me explain, sir.
32:46It's a quince grader, see?
32:51So then, why didn't he tell me that?
32:55We're under martial law here.
32:58You heard me, right?
32:59I'm sorry, sir.
33:00This road is closed.
33:03Pardon.
33:04See, Mr. Kamal here has been out of sorts the last few days.
33:07Why is that?
33:13Just get back in the car for now.
33:37All right, both of you can go now.
33:39But what if they stop us again
33:40for being out during the curfew?
33:41Tell them we already stopped you.
33:43Thank you, sir.
33:59I'm sorry, sir.
34:01Could I get the quince grader back?
34:02Well, look at that.
34:03I guess you can speak, huh?
34:05It seems you're not deaf either.
34:07Look with you.
34:08Go on.
34:09Now, please.
34:10Head home, sir.
34:25You got it, Matt.
34:39Mirror check.
34:41It had been eight years
34:42since the two of us had been alone together.
34:45Start.
34:49Remember the gear.
34:57Pull it towards you like this.
34:59And then down.
35:13This wasn't just about passing the driver's license test.
35:17We both knew it was the intimacy between us
35:20that was really being put to the test.
35:23Keep going then, Fasun.
35:25Take your foot off the clutch
35:26and press the gas for the other.
35:32Just like that.
35:36It's okay.
35:37Try again.
35:40Watch that again.
35:45I can't do it!
35:47Ugh, enough!
35:49I'm never gonna pass it.
35:51I give up, okay?
35:52It's not meant to be a driver, apparently.
35:54Oh, no.
35:58Whoa!
36:07I'm going to be back here.
36:09I don't know.
36:12I don't know.
36:31How about you grab tea with me?
36:39Tea is here, people!
36:41Tea!
36:41All right, then try to answer this question.
36:43What is a highway?
36:45Mimic, come on!
36:46What is it?
36:47A highway is an area of land open to public use that allows for the progress of traffic
36:51in general transit.
36:54But then, what is traffic?
36:58Traffic?
36:59Uh, it's trucks and vehicles.
37:01Wait, that's wrong.
37:02What?
37:03Traffic consists of any cars, vans, cargo trucks, tractors, buses, or pedestrians that are on
37:08the highway and using it.
37:09In accordance with the state of law's hearing for travel.
37:14My turn to pick a question.
37:16What is love?
37:25What is it?
37:30So tell me.
37:33Love is the name they chose to describe this.
37:37It's the feeling Kamal gets every day, as soon as he can see her.
37:41His own sweet Fassoon going about her day, getting a cup of tea or just strolling along.
37:47Or grabbing a bite to eat in town, because he is utterly devoted to her.
37:58That's sweet Kamal.
38:02But what happens when I'm apart from you?
38:06It becomes an obsession, then.
38:09A sickness you cure.
38:23Fassoon passed the written test after getting every single question right.
38:26And now, it all rested on the driving test.
38:36Fassoon, Keskin?
38:37That's me.
38:39Go ahead, Miss Fassoon.
39:03Now, pull over slowly, Miss.
39:19You may drive on now.
39:28You didn't check the mirror.
39:30Sorry, what?
39:31Stop the car right now.
39:32Why?
39:33Stop the car now, I said.
39:38Look, Miss Fassoon, pay close attention to the road.
39:40A driver can't just turn to look back at someone.
39:51If you want to pass the driving test and get your driver's license,
39:54you're going to have to sign up for one of the private courses offered.
39:58I know it's going to be a bit expensive, but there's really no other way.
40:01Otherwise, you'll be stuck here for quite a long time, I hate to say.
40:06Well, thank you.
40:08You're welcome.
40:13I wouldn't give a single dime to them.
40:16Why not keep doing our own lessons until my next exam?
40:18It'll be fine.
40:23They say that life is short, yet it's still beautiful.
40:26So don't be hurt by anything they say.
40:28Do you think that all women are bad drivers?
40:31I don't think that, but they do.
40:33It's what everyone thinks.
40:35Honey, please don't be stubborn now.
40:37I'm not being stubborn about anything, Kamal.
40:40You have to hold your head high when your honor and dignity are being trampled in the dirt.
40:45Here's your bill, sir.
40:54Let me say something now, and please take me seriously, all right?
40:58Of course.
40:59I'm determined.
41:00I'll get my driver's license myself.
41:02So don't you dare pull any strings behind my back.
41:04I'll know and get angry.
41:05Okay.
41:07Plus one other thing.
41:09Hand over the car keys.
41:10I'll be driving it now.
41:23After failing the driving test three more times, Vasun finally passed and got her license.
41:29The men giving the test eventually grew weary of her and decided to let her pass it.
41:36Three nights later, I decided to take her and her parents out to celebrate
41:40to the Mosean Center concert being held at the Maxime Musical.
41:51Mr. Kamal, my condolences.
41:55Mr. Tariq passed away.
42:03Yes, I'll bring it.
42:06Mr. Tariq died of a heart attack at home alone after learning that his banker,
42:12with whom he'd invested, went bankrupt and fled the country.
42:36I spent the whole night at Vasun's place.
42:40Faridin didn't come home all night.
42:55I'll head to the funeral, but your tin will bring you later.
42:57No, I'm not coming today.
43:02Why not?
43:03I won't be coming because if I attend, you'll marry that girl of theirs, right, son?
43:09That's not true.
43:09She's married all night.
43:10Kamal, just stop.
43:11Be honest this once.
43:12It's time.
43:13I knew.
43:20So just let me say,
43:22if you do go ahead with marrying her,
43:24it won't go over well with anyone, you can be sure.
43:29And what does it matter what people really think?
43:32At the end of the day, maybe it doesn't.
43:34But there is something that matters most of all.
43:37And it's our honesty about how we feel,
43:40our authenticity that truly matters.
43:42Believe me, honey, I'm not against this.
43:44Unprincipled.
43:45You love someone?
43:45Good for you, then.
43:47I'm asking if she loves you back.
43:51It's been eight years.
43:55Eight years of this.
44:00Why then hasn't she gotten a divorce before now, then, Kamal?
44:06I knew all along,
44:08Mohammed apartment is where you take her, right?
44:10You wanted the keys, and I gave you them.
44:13I'm not proud of it now,
44:15but I saw right then you had your father's weakness,
44:17so I warned you, begged you to be careful,
44:19and just look at what happened.
44:20You didn't listen to me.
44:22All right, but Aunt Nassibay has never harmed you.
44:25She never harmed me?
44:28She never harmed me?
44:31For eight years.
44:33She has kept on like this,
44:35tormenting my son with her daughter.
44:37It's totally unforgivable, that harm.
44:39I can't go.
44:40I'll make up an excuse, then.
44:42Son, you will never find any happiness,
44:44not if you cling to that girl.
44:45If you could be happy together,
44:47you would have been by now.
44:50It's just a dream.
44:52There's no such thing as love in turkey, my son.
44:55Not in a place that keeps women and men separate,
44:57and just talking looks suspicious.
44:59And why is that?
45:00You don't know?
45:01Fine, I'll explain.
45:02In our country, any girl,
45:04whether she's kind or cruel,
45:05lovely or ugly,
45:06no one cares at all.
45:07Around here, men only see her as a target,
45:09like wolves tracking prey.
45:10And they imagine it's called love,
45:12but it isn't.
45:14But love isn't like that.
45:20It's time you quit lying to yourself about that.
45:37After the funeral,
45:39Aunt Nesabay called and asked me
45:40not to come to the apartment for a while.
45:42The dealers from Anatolia
45:43are coming to Istanbul this week.
45:45What's the plan, Miss Anna?
45:46I can put together an event proposal.
45:49I'll keep you informed, of course.
45:51Hello, ma'am.
45:52Welcome.
45:53How can we help you?
45:54Uh, Aunt Nesabay?
46:05It's all getting resolved now.
46:08Fassoon and Faridin will divorce soon.
46:11If you leave the film company to Faridin,
46:14things can wrap up smoothly.
46:16I hope you know Fassoon wants this, Mr. Kamal,
46:19and I expect you'll both talk about settling things.
46:24Uh, Faridin and me, you mean?
46:26Not at all.
46:29Fassoon and you, dear.
46:43Lemon films can be Faridin's at Nesabay.
46:53I'm so happy.
46:59You know the description, that is.
47:02Yes, it's true.
47:03Faridin is a plain one.
47:05He's also happy.
47:08Not as I say,
47:09but as I say,
47:17we only realize how much time has passed
47:19when we lose the comforting sight
47:21of a familiar storefront that has since shut down.
47:26Eight years earlier,
47:27I had seen a Jenny Cologne handbag
47:29in the window of Champs-Elysees Boutique.
47:32And now,
47:34coils of Italian salami were on display there.
47:40Those glasses look amazing.
47:57You spoke with my mother?
47:59It's time you and I spoke.
48:02Once me and Faridin are divorced,
48:04I'd like to get to know all your acquaintances and relatives
48:07so they become my friends, too.
48:11There's no big rush.
48:13We can take it slow.
48:14Of course, Fasuna.
48:17Of course.
48:20And before that,
48:21I think that your mother should call my mom
48:23and extend a sincere apology
48:25for missing her husband's funeral.
48:30She's very sick.
48:32I'm well aware.
48:38Then she'll have to ask for my hand in marriage.
48:46Yes, our mother should get along great.
48:58And I expect you to believe this
49:00and to act appropriately.
49:03Any intimacy will not happen
49:05between us before marriage.
49:09Don't push me, okay?
49:14Nothing like that will happen,
49:16so don't bother.
49:29There's something more I want.
49:33Actually, this was your idea, not mine.
49:36Go on, darling.
49:37I've been thinking it'd make me happy
49:39to go on a road trip to Europe.
49:41While in Paris, we can see the museums,
49:43all the art.
49:44Let's buy things for our new home there, too.
49:49Then let's invite everyone to the Hilton
49:51for our wedding,
49:52just like everybody's been doing, you know?
50:02For soon, I'd be happy to do it.
50:17I'm going to go on a road trip to Europe.
50:19I'm going to go on a road trip to Europe.
50:20I'm going to go on a road trip to Europe.
50:20I'm going to go on a road trip to Europe.
50:21I'm going to go on a road trip to Europe.
50:21I'm going to go on a road trip to Europe.
50:22I'm going to go on a road trip to Europe.
50:23I'm going to go on a road trip to Europe.
50:23I'm going to go on a road trip to Europe.
50:25I'm going to go on a road trip to Europe.
50:27I'm going to go on a road trip to Europe.
50:30I'm going to go on a road trip to Europe.
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