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If.Its.Tuesday.Its.Murder.S01E06
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00:01Hello, everyone. How are you?
00:03My name's Cristina, and I'd like to welcome you on behalf of Prometeo Viajes.
00:07Fernando Paredes was definitely killed.
00:09You need to stop playing Sherlock Holmes.
00:11Well, I think Fernando stole the music box so he could find this room.
00:14And that's why he was killed.
00:15Someone is looking for that treasure.
00:18Someone has to stop.
00:19Three people have died in five days.
00:21This is really bad.
00:22You work for the police, and all you've done is lie to us, Alicia.
00:25Are you working a case?
00:26This is a steep hill. You should start slowing down.
00:28The brakes aren't working.
00:31Your name isn't Fabio Torres Lozano.
00:33You took the tool that killed Nicola.
00:35Then you have the Rooster Tower clue.
00:37You, Fabio Torres, you were there the day she disappeared.
00:40I don't know who disappeared.
00:41It was my niece.
00:43My real name is Victor Vega, and I'm just a comma thief.
00:46So I guess Fabio Torres is dead.
00:48I don't know if I'm going to have dinner with that man.
00:49Just go on your date. End of story.
00:52So right now, the only leap we have for sure is the second clue.
00:54But our time in Lisbon is coming to an end.
01:04You don't have to worry about Lisbon. It'll always be there.
01:07We'll just go next year, and that's that.
01:09Plus that lady Christina, the one who works at the travel agency,
01:12she's really very kind, and she'll understand.
01:15Because this is beyond our control.
01:17Don't talk to me about next year. I want you to go on this trip today.
01:20Not without you. I don't want to go there by myself.
01:22Would you stop already? For the last two months, you've been texting with that man.
01:26Be great.
01:28As for Eliseo?
01:30How long has it been since he looked into your eyes?
01:33Huh?
01:33I mean, really looked into your eyes.
01:44Oh, my sweet Pura.
01:48There are times when your wife is the smartest person in the room.
01:54And there are times when she's clueless.
02:15He needs routine, Christina. He can't function if he doesn't know where he's been asleep.
02:19Oh, darling, they're not going to listen to us. Daniel's been gone for ten hours or less.
02:22Well, all kinds of things could have happened to him in the last ten hours.
02:24True, but he's right. It's too soon for the police to activate any kind of protocol.
02:27Renata is asking people in the neighborhood. Someone must have seen him, surely.
02:31Or maybe he's still in the hotel?
02:33She's right. Like, has anyone bothered to check their broom closets this morning?
02:40Are we ready to go?
02:42Carmela, I know you're a little overwhelmed, but he'll turn up.
02:44A little?
02:45He took a change of clothes and his toothbrush with him, Christina.
02:47Yes, but that's wonderful. Now we know he wasn't taken against his will.
02:51But we don't know. He could still be in danger, right? I mean, there's a killer running around.
02:57All this is because of you.
02:58You think this is our fault? We weren't the ones who killed Fernando or Nicolau.
03:02And we didn't push that guy off the building.
03:03But you got him involved in this. He's just a kid.
03:06Yes, but he's smarter than all of us.
03:10My fault's exactly.
03:12Inspector.
03:13Glad to see you.
03:14Inspector, we were on our way to see you. Daniel's gone.
03:15Yeah, he deactivated the location sharing, but we know he used two apps last night. Maps and City Transit.
03:20He's wearing a green hoodie.
03:21Don't worry. We'll do everything to find Daniel.
03:24I told you everything would be okay.
03:26And when we do, we'll charge him with the murder of Nicolau.
03:29What?
03:29Wait, what? What? What did he say?
03:31See, Monica? I told you so, and you encouraged him.
03:34Hey, would you leave me alone already?
03:35I just knew something about that kid wasn't normal.
03:37And you were cozying up to that weirdo this whole trip.
03:41Mama.
03:42That kid could have hurt you as well.
03:45You're joking, right?
03:46I'm afraid not.
03:48We found his fingerprints all over the murder weapon.
03:52I got you, darling.
03:53Could someone bring me a chair, please? Help me. Help me, please.
03:56Oh, I can't believe this. What did you do?
03:58No, Alicia. He's wrong. Daniel didn't kill him. No.
04:03Although he definitely could have done it.
04:05Fabio did say he left the kid alone.
04:07But Daniel's incapable of hurting a fly.
04:10However, churning off his location thing is pretty bad.
04:12He doesn't want us to find him, and there can only be one reason for that.
04:16It's because he knows very well we won't like what he's doing, so that's...
04:21Hello?
04:25Oh, yes. Hang on.
04:33The coffee was absolutely disgusting.
04:39Is Fabio available?
04:47Well, one thing's for sure.
04:49We had no idea your girlfriend was coming to visit you.
04:52She's your girlfriend, right?
04:53I have to say, that girl is gorgeous.
04:55Well done, Fabio. Right?
04:57She showed up in the middle of the night.
05:00The police kept questioning her. She was scared and didn't know what to do.
05:03Yeah, she seemed really terrified.
05:05Hmm?
05:08I mean, you know...
05:09Well, Fabio... I'm sorry, Vicky.
05:12No, Fabio. I'm used to calling you that name.
05:14It's fine.
05:14I'm not saying your problem isn't important, you know.
05:17But right now, there's something bigger we need to take care of.
05:19Daniel's disappeared.
05:20And the police say his fingerprints are on the weapon that was used to kill Nicolaou.
05:24That's crazy.
05:27He's not coming back.
05:29I gave him the riddle yesterday, then he disappeared in the night.
05:34What are you doing?
05:36Do you really think the kid's a killer?
05:40He's definitely the smartest of us all.
05:42And if anyone could plan something like this...
05:45He can.
05:46We have to find him before Gonzalo does.
05:49So he can tell us why he did it.
05:51There has to be a reason.
05:53There just has to be.
05:56We have to retrace Daniel's whereabouts.
05:59How do we do that if we don't know where he went or what time he left?
06:02He left at 11 p.m.
06:04What?
06:05He left at 11 p.m.
06:07I remember the time because I was coming back for...
06:10Oh, it doesn't matter.
06:11Sure.
06:16I'll catch up with you.
06:17His son's not a killer.
06:18I understand what you're saying, but it's still suspicious.
06:20Hey, David. I'm sorry. How you feeling?
06:22Bad.
06:23Yeah.
06:26Daniel always wears his green hoodie, right?
06:28I think it was him that I saw.
06:30Yeah.
06:30But I was so lost in my own thoughts that I didn't...
06:32I get it, but did you see which way the person went?
06:36I think that way.
06:37Come on, let's go.
06:43This would have been packed with people last night.
06:45I don't think the kid would have gone this way.
06:54So now what?
06:57I don't know.
06:59We're wasting our time here, that's for sure.
07:01Plus, I don't think he would have taken the bus because of his fear of germs and all that.
07:05Clearly.
07:06He just wouldn't.
07:10Well, he took this one.
07:12Why did you say that?
07:13Where does this line go?
07:15To the School of Humanity.
07:18Fernando.
07:18To the School of Humanity.
07:21Hello, everyone.
07:22How are you?
07:23As you can see, I'm still in Lisbon.
07:26But I won't be showing you the hotel or anything touristy this time.
07:30I just want to send a message to a certain someone who I'm sure is going to be watching this
07:34post.
07:38They're saying you're responsible for everything that happened this week.
07:41And you're running away proves it.
07:44So please come back to the hotel.
07:47Tell you know who he's wrong.
08:01It's the same guard as the other.
08:03He'll recognize us.
08:08Any brilliant ideas like last time to get us in?
08:11Ideas? Yeah.
08:13But brilliant, you ask?
08:15No.
08:27If Daniel was here, I'm sure he'd touch something, and that something's out of place.
08:31He's so brave.
08:34This won't end well for Fabio.
08:36It won't end well for Victor.
08:41I stopped by your room last night to see if you wanted to talk.
08:46About what?
08:47About your niece.
08:50Fabio, I mean Victor.
08:53So Victor told me the rest of the story.
08:55You know, I don't really feel like talking about this right now.
08:58Sometimes it doesn't hurt to talk.
09:01Sometimes it's the only thing we can do to avoid losing our minds.
09:06You told me you didn't have kids, right?
09:09So, it's easy to imagine that...
09:12That your niece was your...
09:14Anna.
09:14Her name was Anna.
09:15Oh.
09:16Anna.
09:18Well, it's easy to imagine that Anna, she was more than a niece to you.
09:22It's also easy to imagine that the whole Fabio Torres thing was a great...
09:27What is important is finding information on the second clue.
09:30Talk to my boss, I'm sure he'll understand.
09:32Come on.
09:33It was important, Alicia.
09:34He was the only lead you had left.
09:37It's gonna be a lot harder to find another lead now to keep looking for her.
09:41I'll stop looking the day I stop breathing, okay?
09:46Have you found anything, yes or no?
09:48No.
09:49Everything seems to be where it was before.
09:51The only thing is that there's more dust.
09:53It's like these people never clean in here.
09:55What about this?
09:56What did you find?
10:17I don't want to take the wind out of your sails, but I'm not sure a book that was pulled
10:21out a little contains the answer to the next clue.
10:23And what does Vasco da Gama have to do with this?
10:25Thought you were an optimist.
10:26I am an optimist, but the kid is way ahead of us, by at least ten hours.
10:30The university only opened at eight, so he's not that far ahead.
10:33What do you mean?
10:36Fabio, what happened to you?
10:37You have something on your face.
10:39Wait, let me get you cleaned up.
10:42Hang on.
10:42Don't move.
10:43Stop, please, no.
10:44Please tell me you guys found something useful.
10:46Yeah, he got on the bus an hour ago.
10:49Impossible.
10:49I could believe the bus theory if maybe he'd gotten on one at dawn when it was empty, but at
10:54this time of day with all the germs and all?
10:55That's just it.
10:56If he took this one, when we know he despises buses, it was to go somewhere specific.
11:00So where does it stop?
11:01In a lot of places.
11:02I see he played a game on his cell phone.
11:04Wait, where did you get that?
11:06I took it from his dad in case we needed it.
11:11When I have to wait at the doctor's office, I get real nervous and start playing around with my phone.
11:16Yeah?
11:16The reason I'm saying this is because maybe the kid got on the bus, got nervous because of the people
11:20and the germs, you know?
11:23How long was he playing for?
11:25Twenty-eight minutes.
11:30Okay, so the riddle talks about a brother, but the Marquis of Pombal didn't have a brother, and Joseph I
11:35lost his when he was just two years old.
11:38Let's not forget there's the count. Danny would always insist on including the count. He said it was super important.
11:43Yeah, but we already talked about that. There were a lot of counts in 1755.
11:47Hmm.
11:50How much time is left?
11:52One minute less than the last time you asked me.
11:56So all we have left is the Ripper Street and the church where the 1506 massacre began.
12:02Call me crazy, but maybe we should be looking in normal places like the airport or the train station, and
12:07not at a bunch of famous crime scenes.
12:11Okay.
12:13Okay, Paco, let's go to Rua das Damas.
12:16I'm thinking of changing my business model, because there are more crime scenes than monuments here.
12:41What about now? How m-
12:58I left her there.
13:01You left who?
13:03I left Katya.
13:06When I saw the police had arrived, uh, when I was at Fabio's, I ran off and only thought about
13:12myself.
13:12I left Katya.
13:14She doesn't seem to hold it against you.
13:19Yeah, she's put up with a lot of things I've done to her. Too many to count.
13:24I guess she loves you.
13:26I guess she does.
13:27I guess I meant to hold it against you.
13:30I don't think I was like her.
13:30I'm going to come back.
13:30And you?
13:45I'm not-
13:48You do.
13:50I'm not gonna swing around now.
13:54I'm gonna do that delight.
13:55I'm gonna do that.
13:56You have a better place.
13:57Let's go bar hopping. Have a good time.
13:59And if we see the killer, we'll call the police and that's it.
14:02Girl, these shoes are killing me. I don't know why I bought them today.
14:06I'll return them tomorrow. I'll be right back.
14:08Okay.
14:56I'll be right back.
14:57Before he got off, it's got to be a snake.
15:00Well, who knows?
15:03We didn't account for traffic, so he could have gotten off one stop before or after this one.
15:10Sim, ele esteve aqui há uma hora.
15:12And do you know what he did? Did he talk to someone? Maybe he visited someone?
15:16Não sei dizer. Eu vi só de passagem e não era o meu turno.
15:20That doesn't help.
15:23E nós podemos ver uma lista dos residentes, dos avós, dos empregados de agora.
15:30Lamento, mas não posso fazer isso.
15:33É muito importante.
15:34Ele é só uma criança e qualquer coisa.
15:38Ele é só um dia.
15:48Ele é só um dia diferente.
15:49O que é?
15:49Sia, vamos.
15:50Vamos, Pura.
15:51Temos que sair daqui agora.
15:52Não, temos que ir agora.
15:54Vamos lá.
15:59Vámonos!
15:59Existe!
16:00Vamos!
16:01Vamos!
16:02Vamos!
16:02I am running.
16:06I think he must have followed us from the hotel.
16:09But we're no closer to knowing anything than we were this morning.
16:12We don't know why Danny came here or who we talked to.
16:14We know nothing.
16:15First, we have to solve the riddle.
16:16Danny's looking for it, so it'll be the best way to find him, right?
16:19Let me see this.
16:20Next to the well of his brother.
16:22Talk to God.
16:23Next to the well of his brother.
16:25Hey, let's get out of here.
16:25Hang on.
16:26Shh.
16:26We know the Marquis of Pumbo didn't have a brother.
16:29Maybe he had a close friend.
16:30Someone he would call that?
16:32Someone he called brother?
16:41Could it be a priest?
16:43A Mason.
16:44A Mason, yes, of course.
16:45They all call each other brothers when they're together.
16:48Ah, Mason.
16:49Daniel's not in Lisbon.
16:53Oh, wow.
16:54I've got vertigo.
16:59And why would Masons want to go down there?
17:02It's so cold and damp.
17:03It's not about going down.
17:05It's about going up.
17:07It was part of a ritual.
17:09You die, you're reborn.
17:11Then you ascend to the heavens.
17:17Hey, look.
17:18Isn't that Danny?
17:20Danny!
17:21Hey.
17:22Sorry, excuse me.
17:23Excuse me.
17:24Stop!
17:25We have to block him from the outside, this way.
17:29We just want to talk to you.
17:30Hey, would you stop for a second?
17:34Daniel!
17:35I had plans to meet up with another man.
17:37Hmm?
17:38Last night.
17:39When I crossed paths with Danny in front of the hotel,
17:41that's why I was distracted.
17:42Because I was coming back from a date.
17:44And I don't feel obliged to tell me anything about it.
17:46It's just...
18:00Well, anyway, yesterday was our first date, you know?
18:03And...
18:04And...
18:04He wasn't there.
18:06He was a no-show.
18:07So we've made new plans for us to meet tonight.
18:09You know?
18:09I mean, just to get to know each other.
18:11To talk.
18:12I mean, just to talk, of course, for now.
18:13At this point in the game.
18:15No.
18:15I mean, things...
18:16Pura.
18:17Things with my husband.
18:18No, I mean, it's nothing.
18:19Pura, don't.
18:19Listen, because sometimes you know what I say.
18:21I don't want to know.
18:21I'll tell you the truth.
18:22Nothing.
18:23And it's hard, because I have needs, too.
18:25You get it.
18:26Um...
18:26Well, I just need somebody who can...
18:28Who can make me...
18:29Don't.
18:30Who can make me see life through a different lens,
18:32because I want to feel that every day is different, that...
18:35Pura, that's enough.
18:36Okay?
18:36You're fine.
18:37Don't worry about it.
18:37Okay, I'm sorry.
18:40It should be this way.
18:50Nothing.
18:51Is that Daniel?
18:52If it was, the kid is really fast.
18:54Did he see you?
18:55He definitely heard me.
18:56And if it was him, he decided to run away.
19:00Do you think he has the next clue?
19:07It's possible.
19:10The riddle doesn't say you should talk to God from inside the well,
19:13but next to it.
19:18He's not here.
19:25He's not here.
19:27What is this?
19:28I don't know, but it looks like it's been lifted.
19:33Let me try.
19:40There was something here.
19:42It could be the next clue to find the treasure.
19:45Well, it looks like something round, like a coin or something like that.
19:49Do you think the kid took it?
19:56What should we do now?
19:57We can't do anything.
19:59Gonzalo's gonna end up finding him.
20:00And honestly, things don't look good for the kid anyway.
20:04And that's it?
20:06Well, we did everything we could possibly do.
20:08I'm going upstairs.
20:09I need to figure things out.
20:13But what about the kid?
20:14We know Danny isn't a killer.
20:16Alicia, come on.
20:17We can't give up now.
20:18We're a team, remember?
20:21Yeah.
20:22We were a team for like a minute.
20:24I hope you enjoy your date.
20:54So you decided to follow him to live?
20:56Yes, I did.
20:57It was a...
20:58Yes, I followed him to Lisbon and...
21:00And it turned out to be a dead end.
21:03Are you saying your potential witness is dead?
21:06Yes, yes, but you know, it doesn't mean anything, really.
21:11And on top of it, we still have lots of leads we haven't had time to look into yet.
21:15In fact, I think we should review some of the statements we obtained during our interrogations.
21:20Alicia.
21:21And yeah, and maybe re-interview everyone who was at the park that day.
21:25Alicia, you've been working on this for two years now, and I've supported you the entire time.
21:30I fought with everyone to keep this case open.
21:33Yeah, I know.
21:34I know, and I appreciate it very much.
21:37You said this lead was solid.
21:39And I told you it'd be the last one.
21:42Captain, Captain, please just let me keep looking a little longer.
21:45If we were able to find a lead after two years, I'm sure we can find more.
21:49I'm sorry, Alicia.
21:51Please don't do this.
21:52This case is now closed.
22:00Unbelievable.
22:03Yes, I wanted to talk to the inspector Gonzalo Mendes.
22:09I tried to call the phone, but it's not closed.
22:13Ah, he just went out.
22:16He's doing the visit.
22:17The visit?
22:20Who?
22:20Again?
22:22Claro que é preciso umas pinturas e é arranjar os móveis decentes.
22:26As miúdas já decidiram a cor dos quartos, não é?
22:29Se as pessoas, como é que elas são, não é?
22:30E há um colega meu também que está em mudanças.
22:34E vai-me arranjar assim, tipo, os móveis, não é?
22:37As mesas, as camas.
22:39E pronto.
22:41A tua mãe, claro, quer que elas fiquem lá.
22:44Mas temos que sair da casa dela.
22:45Daquela casa, senão ela nos dá um tiro, não é?
22:48Vocês acham-me aqui?
22:50Ah, é verdade.
22:53A Carlota...
22:56Desiste.
22:58Eu disse-lhe que o trouxe essa manhã, mas ela queria que eu te o recebesse hoje.
23:02É lindo, não é?
23:07Vou colocá-la aqui.
23:14Outro dia fomos os dois andando para ti.
23:17É a última vez.
23:19Eu batia contra um pilar e ia partindo a anca.
23:23Ela não, ela é uma artista.
23:27Ela é nisso.
23:28Se eu a ti no desporto,
23:31ensina-me as coisas.
23:38Especial.
23:47Tinha estrias especiais.
24:01Senhora, sente-se bem?
24:02Sim.
24:05É amiga do Gonçalo?
24:08Mais ou menos.
24:10Obrigada.
24:11Bem.
24:14O que é?
24:16O que aconteceu a mulher dele?
24:19Oh, teve um acidente de automóvel há dois anos.
24:22Oh.
24:23É um condutor embriagado.
24:26O que é?
24:44Alicia, are you going to look for him?
24:52You want me to go with you?
24:55I mean, I know it won't be very helpful, but, you know, sometimes it's better not to go alone.
25:35I mean, I traveled over 500 kilometers and you're gone all day, hmm?
25:39The least you can do is tell me that you're sorry.
25:43Well, yeah, of course, I'm sorry.
25:46It's just that one of the kids ran away and we all went looking for him.
25:52You know, my week was entertaining as well, hmm?
25:56Katya, come here.
26:02I really am very sorry.
26:04I know this hasn't been easy for you at all.
26:08You think, Victor?
26:10The police are about to figure out everything.
26:13They're talking to all our clients and they're well aware you've been stealing for years.
26:17But it was always very small amounts and always from people who would never even notice.
26:22So is that what you're going to tell the police?
26:25What?
26:28Because I'd also like you to tell them that I had absolutely nothing to do with the stealing.
26:36Well, I mean, maybe I did the stealing.
26:41But why are you talking about this now?
26:48How were those women who came here to see you this morning?
26:53Two tourists from the group.
27:05Oh, my God.
27:07I swear this is the last chance I'm going to give him before I call it quits.
27:11Listen, I'm at Charro's house for dinner.
27:12So if you call and I don't answer right away, it's because I'm looking for a private place to talk,
27:17okay?
27:17Wait, you're at Charro's for dinner?
27:19But she lives on the fifth floor.
27:21I'm pretty sure her elevator's been broken for months and still is.
27:25How are you able to get...
27:29Hey, Pura?
27:31Pura?
27:32Pura, are you there?
27:34Pura!
27:52You just said that the police were about to figure everything out.
27:59But that's the last thing Fabio Torres' widow would do.
28:02She'd never warn them.
28:07Fabio Torres was going to Lisbon to buy a stolen object,
28:09so warning the police is not something she would do.
28:14Holy Mary, Mother of God.
28:17What are you doing here?
28:20Hello, my sweetheart.
28:24What?
28:26Alicia, what are you...
28:28What are you doing in Lisbon?
28:33Who are you talking to, Conchini?
28:35Did you two set this up?
28:37Did you two...
28:40And why did...
28:41But why? I don't understand why.
28:44You do remember.
28:45We met her when the morgue brought us her husband's body.
28:50You said you had never been so afraid of anyone in your life.
28:56You also said you thought she was capable of anything to get her way.
29:02You said you thought she was capable of bribery,
29:06and would even go as far as murder.
29:12Katya.
29:15The thing is...
29:19You are...
29:25You are you.
29:27And you've outgrown the farm,
29:30and our town,
29:32and the Canary Islands.
29:38And us.
29:42And us.
29:44Tell me you didn't sell me out.
29:57I'm sorry.
30:07I'm sorry.
30:08Fabio, where the hell is my husband's treasure?
30:11You're so very smart.
30:15Like a lot.
30:18And I...
30:20I don't even know how to talk correctly.
30:23What are you talking about?
30:25Over the last few months,
30:27you've sent me the most beautiful texts
30:29that I've ever read.
30:32Was it Kung Chin?
30:33Did she write those words?
30:34No.
30:35I wrote every word.
30:36But by using another name,
30:38I was able to express myself.
30:41Hello, all three of you.
30:44Um,
30:45I don't really know how to start this message.
30:47Or even if I should be sending it.
30:50Daniel,
30:52I know you didn't kill Niccolo.
30:54I don't know you well,
30:55but I know you're not a killer.
30:58And you weren't running away.
31:00You were just asking us to try to follow you.
31:03That's why you left a trail of clues behind you.
31:05Those clues showed us where you'd been,
31:07and where you were headed.
31:11That's why I want you to find the treasure,
31:13and keep it for yourself.
31:16Because you've earned it.
31:18You know, I traveled all the way here.
31:23But you were expecting someone else.
31:29Well,
31:30I definitely wasn't expecting you,
31:33Alessio.
31:33But it wasn't to do anything wrong.
31:37Yes, maybe I wanted someone who made,
31:39who made me feel,
31:40I don't know, Alessio.
31:43But Conchini,
31:44she's going to get an earful.
31:45Hmm?
31:48You know, it's strange.
31:50We've been in Lisbon for six days,
31:51and this is the first time I'm really seeing it.
31:54I have the same view of Lisbon
31:56as the one we saw from the bridge
31:57when we first arrived.
32:00From up here,
32:00it looks really different.
32:04All of us together,
32:05we've changed the city.
32:11Danny, you're really special.
32:14You all are.
32:17And by the time you listen to this message,
32:19you'll have moved on.
32:23I'll miss you all very much.
32:28I was hoping that by doing this,
32:31it would teach us both a lesson.
32:33Alessio,
32:34will you excuse me for a second?
32:35I need to listen to this.
32:36It's important.
32:37I'll fill you in later.
32:41No.
32:45I need to go, Alessio.
32:46I need to go.
32:47Tell me what's wrong, please.
32:48Where are you going?
32:50And by the time you listen to this message,
32:52you'll have moved on.
32:54I'll miss you all very much.
33:01Please, I'm begging you,
33:02stop hurting him.
33:03Please let him go.
33:09I'll ask you one more time.
33:11Where the hell is that treasure?
33:14I don't know what treasure.
33:16Do I look like a pirate
33:18who's adding a treasure?
33:20Victor, come on.
33:21Just tell her where it is.
33:22I'm begging you, please.
33:23Taxi!
33:28Fabio, answer your phone, please.
33:30Come on, come on, Fabio.
34:00Alicia is going to kill herself.
34:03Oh, the treasure.
34:07I was just about to find it
34:09when you got here.
34:11Give me some time.
34:16I'll give you 24 hours.
34:22If you decide to run away,
34:24if you double-cross me once again,
34:26or if you are late by even one minute,
34:31she'll die.
34:33Understood?
34:45Fabio, Alicia is about to do something stupid.
34:49Call me back, please.
34:59Alicia!
35:04I know you're sad
35:05because you lost your niece.
35:09Honestly,
35:10I can't imagine for one minute
35:13what that must have felt like for you.
35:16What are you doing here?
35:18Hey, wait,
35:18how did you know where I was?
35:19You said you were somewhere high up,
35:23that you could see the April 25th bridge,
35:25and then I heard the airplane,
35:28so I knew.
35:36How old was Anna?
35:40Three years old.
35:43And what happened?
35:49My sister had a work thing,
35:50so that day I was in charge of watching her.
35:53I took her to the park
35:54where she played every day.
35:58It was five seconds.
36:01I looked at my cell phone,
36:02and when I looked up,
36:03she was gone.
36:05I'm sure she was a beautiful girl,
36:09and I'm sure she loved you very much.
36:14So you know what, Alicia?
36:16Just jump.
36:17What?
36:19If you think that's what it takes
36:20to bring her back,
36:21then jump.
36:22But before you do,
36:23I want you to know something.
36:25If you do that,
36:26you'll be leaving behind you
36:27a lot of people who need you.
36:29Fernando, Nicolaou, Danny,
36:32Fabio, or Victor,
36:33or whatever you want.
36:34And me, Alicia.
36:36I really meet you very much.
36:38Pura.
36:40I mean,
36:41I do have conching,
36:43but you know,
36:44there are just things
36:45I can't talk to her about.
36:47And I can talk to you
36:48about absolutely everything, Alicia.
36:50Pura.
36:50I know you never answer my questions,
36:52and I know you think
36:52I'm a pain in the butt,
36:54but I know you hear what I'm saying.
36:55Pura!
36:56Whatever you do,
36:57make sure she doesn't jump!
36:59Fabio?
37:04Oh, no.
37:05What happened to you?
37:07What happened to her face?
37:09I wish they had only hurt my face.
37:12Fabio's widow
37:14wants a treasure,
37:15and she promised to kill
37:18Katia if I don't find it.
37:21Alicia.
37:23I really need you too, Alicia.
37:29Not because I need your help
37:31to find the treasure.
37:40Well, yeah,
37:41I do need your help for that,
37:42but...
37:43what I'm trying to say is
37:46what I'm trying to say is
37:46we need to find Danny
37:47and we have 24 hours,
37:49so either we find him
37:49or I'll have to pray
37:51for another earthquake
37:52so the hotel can crush that woman.
37:53Well, you know, Fabio,
37:54I'm not sure we can find
37:55that treasure within 24 hours.
37:57I know, Pura.
37:58That's my point.
37:58We're wasting time.
37:59We don't have.
38:00The brothels.
38:01What?
38:02What?
38:03During the earthquake,
38:04all the churches in the city
38:05crumbled to the ground,
38:06but the brothels stood strong.
38:09So?
38:10So I know where the treasure is.
38:12It took you long enough.
38:15I figured that out yesterday.
38:25No, Alicia.
38:26Just go to your hotel,
38:27and I'll fill you in later.
38:28Don't worry.
38:33So now that we're together again,
38:35you need to explain yourself, Daniel.
38:37Why did you leave without telling us?
38:40You were going to slow me down.
38:43I'm glad you didn't jump, by the way.
38:45I wasn't gonna jump.
38:46You weren't?
38:48No, I was walking around,
38:50and before I knew it,
38:51I ended up here at the viewpoint.
38:53But...
38:53What about the message you sent us?
38:55It sounded like a goodbye
38:56you'd hear in a film.
38:57Yeah, well,
38:58it's because
39:00I was planning on leaving Lisbon tonight,
39:02and wanted to avoid saying goodbye.
39:03Oh,
39:05I'm sorry.
39:06Fine.
39:11I'm sorry.
39:14I swear.
39:21What's wrong?
39:44There's what the homeless man said to me.
39:46A one-armed man is watching the hotel.
39:49A one-armed man?
39:51You guys know who the killer is, too, don't you?
40:06Daniel!
40:07Mama, we don't have a lot of time,
40:09so I suggest you save the scolding and expressions of love for later.
40:13Listen to me carefully.
40:14Tell me.
40:16I know who the killer is.
40:59Jacob is a young man from the night.
41:00I have to do that.
41:00I am a young man from the country.
41:00I am a young man from the country.
41:03I have to Wimitow.
41:13I know who the killer is.
41:14He may worship the testimony.
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