- 7 hours ago
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00:04I
00:41Zverio! Zverio!
00:46How do you find these people to go around the Balkan
00:52with a clear information to me back here?
00:55Why are you waiting?
00:56Wait!
00:57Wait where are you going?
01:00To meet Mrs. Hortensia and tell her that Mrs. Fana needs help...
01:08Go!
01:32And so...
01:33Miron Lucerov every day проверяя до къде е стигнал ремонта в магазина.
01:38Не можеше да види нищо, но това, което чуваше, го изпълваше с восторг.
01:42Трудовият процес в магазина течеше.
01:45По-скоро шумеше.
01:47Животът на Miron се промени от както се появиха италианците.
01:50Чувстваше се забележим.
01:51Където и да се появеше към него се насочваше цялото светско внимание.
01:56Нямаше как да бъде друго яче.
01:58След като гражданите научиха какви облаги ще има за всеки акционер.
02:02И още повече, че местата са ограничени.
02:05Нямаше човек в ръда, който да не иска да се запише.
02:08Та дори и след обяснението на Ангелина, че не се разбрали правилно
02:12и сумата за записване не е 10, а 20 хиляди лево.
02:16И така, от сутринта кандидат мерклейте за акционерство обсъдиха Хотел Балкан.
02:30СКАРМУШКО
02:35ИВАНОВА
02:40ДОЛГОКОРЕАНСКИ
02:41ДОЛГОКОРЕАНСКИ
02:42ДОЛГОКОРЕАНСКИ
02:4520 хиляди лева.
02:48Okay.
02:55Here you go.
02:57Yes.
03:08Keranka.
03:09Keranka.
03:11Keranka.
03:1420.
03:161000.
03:18Лева.
03:19Хорошо.
03:23Чистито.
03:25Вие сте акционер.
03:33Аксенти Манасиев.
03:35Може ли да измислим нещо?
03:37Аксенти Манасиев.
03:43Парата.
03:45Парата.
03:47Следващия.
03:54Парата.
04:05Парата.
04:17Парата.
04:18Парата.
04:22Стамате.
04:23Не е моят стегнен той.
04:25Няма ли друг път?
04:27Няма друг път.
04:28Това е пътя.
04:28Yeah, let's go there and go there, when the other people are out there.
04:33Good.
04:36I'm going to go home without seeing no one.
04:43Well, what are you saying?
04:47I'm thinking of the old ones who do it.
04:51Oh, I don't think so.
04:55I'm going to go home with the other ones.
05:00If you're going home with the other ones, you'll get to go home with the other ones.
05:04Yes.
05:06I'll take the money and go home.
05:09I'll go home and go home.
05:15Stay here!
05:17There are many people here.
05:18I'll go!
05:20Let's go!
05:21Here the animals are.
05:24Let's go!
05:28What do you think you're going to do with the other ones?
05:34What a mess of a mess of the other ones.
05:36What kind of mess of the other ones?
05:41Let's go!
05:43Let's go!
05:44Let's go!
05:46Let's go!
05:48Let's go!
05:50Let's go!
05:51Let's go!
05:52Let's go!
05:53Let's go!
05:53Let's go!
05:54Let's go!
05:54There is a war, but it will happen.
05:56There is no war to go.
05:59There will not be a war to go in the way.
06:00The Germans will lose the whole world, because they are all in the world.
06:06Don't go home.
06:06Then you might go home to the whole world.
06:10You are all about you.
06:12Because now you're going home, your dog.
06:14But you're going home as anARD state.
06:18You can open it for you for some times.
06:21You can open it for you.
06:24Oh yes.
06:26What you have to do with the men.
06:27What the hell are you?
06:28I'm a brother.
06:29I've been a crown.
06:31I've didn't give you back to him.
06:32Let's not give you anything more.
06:33The only two of you can see is that it's closed.
06:39What do you think of me?
06:43Come on, lambi!
06:45Come on, lambi!
06:48Come on! Come on!
06:50Come on!
06:51Come on!
06:52Come on!
06:53Lombi!
06:54C'est-tu-tu-tu-tu-tu!
06:57I'm going to find you an island!
06:59I'm on the island of the island!
07:00I'm going to go through a hill!
07:09The only one of you are to be on the island!
07:13The island of Trifunkel
07:14The island of Trifunkel
07:14The island of Trifunkel
07:20dressed in blue, with blue dots.
07:26And Eleonora, in its way of advertising,
07:30in the modern co-operations,
07:31she has hit the fire of all men.
07:37And on my mother, everything is called.
07:41The Kukaracha! The Kukaracha!
07:43The Kukaracha! The Kukaracha!
07:47The Kukaracha!
07:48The Kukaracha! The Kukaracha!
07:52The Kukaracha! The Kukaracha!
07:55The Kukaracha! The Kukaracha!
07:56The Kukaracha! The Kukaracha!
07:58Even the impunity of the hard work of the hard work of working himself
08:01to break up their soul.
08:07If you want a little child,
08:16And you'll be right back.
08:19Come on!
08:20Come on!
08:21Come on!
08:23Come on!
08:24Come on!
08:25Come on!
08:26Come on!
08:26Come on!
08:27Come on!
08:29Hey, buddy!
08:30Hey, buddy.
08:31Did you miss so much money on my life?
08:36I didn't die.
08:39No.
08:40I said to myself, because I got to miss my life.
08:43I don't know how much I can.
08:45But the money is going to miss my life.
08:49I'm going to make it out.
08:54One boy has to hide my eyes.
08:58I'm going to die and I find my money.
09:02It's a place under me on the soil.
09:04I'm going to take my hand up the way to get my hands.
09:07I'm going to get my hands up with my legs.
09:09I'm going to go to the house.
09:11You're going to go to the house and go to the house?
09:17No.
09:18I'm going to go to the house.
09:24Hey!
09:26Who are you going to join the fight now?
09:29Why are you going to be on the wrong side?
09:35Because...
09:36Because...
09:38Because...
09:38Because...
09:39Because...
09:40My life was hard.
09:43For the people.
09:44Yes.
09:46Yes.
09:56Yes.
09:58Yes.
09:59What are you watching?
10:07Yes.
10:18Yes.
10:20Yes.
10:21Yes.
10:22Yes.
10:24Yes.
10:24Yes.
10:24Yes.
10:25They are so shy, so they are so brave.
10:34They are so brave, so they are so brave.
10:37You can see that you can see you with a lot of people.
10:41You can see that you can see you with a lot of people.
10:44I'm going to go to the next moment.
10:56What do you know?
11:08Come on!
11:13In the city, there is a good news.
11:15The places for the actors are not only 20, but only 40.
11:20Prokopiev,
11:20a good news.
11:22You are signed as an actor.
11:26An actor?
11:28Are you dirty?
11:30Yes, dirty.
11:32How are you?
11:36What are you doing?
11:38Yes, a good news.
11:42With the name.
11:48What's the name?
11:50Spiridon Nakhma.
11:51Oh, but the places have been stolen.
11:56And there are no places.
11:58And there are no places.
11:59And there are no places.
12:01And there are no places.
12:02And there are no places.
12:04And there are no ways to do something.
12:05And there are no places.
12:07Yes, now let's see the list.
12:11With the reserves.
12:13All right!
12:15The seventh reserve.
12:17Thank you very much.
12:18Yes, thank you very much.
12:26Yes, thank you very much.
12:32Oh, my goodness.
12:32Oh, my goodness!
12:41Oh, my goodness!
12:43Yes, dear.
12:46What's going on!
12:47Oh, my goodness!
12:48Yes, thanks man!
12:49I came to live that Beach grande.
12:58He's waiting for nothing.
12:5951.
13:0651.
13:06Anybody in the city?
13:0763.
13:0964.
13:1064.
13:1164.
13:1364.
13:1364.
13:1364.
13:1499.
13:16100.
13:16100.
13:17Let's go, L'Ambria!
13:19Let's go, L'Ambria!
13:20Let's go! Let's go!
13:23Let's go, L'Ambria!
13:24Let's go, brother!
13:29Let's go!
13:31Let's go!
13:31Let's go with L'Ambria and Stamat.
13:39We don't have to go with the money.
13:40We'll see you.
13:42We'll see you later.
13:42You're going to go with me.
13:46You're not going to go with me.
13:49I told you, what I told you.
14:04Let's go!
14:06Let's go!
14:07Let's go!
14:14Let's go!
14:17Let's go!
14:18Let's go!
14:19Let's go!
14:20Let's go!
14:26Okay.
14:29Okay, come here!
14:30Okay, come here!
14:30Come here!
14:31Where did he go?
14:32It's a gun.
14:32And the other thing is to get him off the other side.
14:36We'll do it again!
14:37We'll do it again!
14:39I've eaten it!
14:40I've eaten it down and wrinked it down and down.
14:42I'll take it on the other side.
14:44Okay.
14:55Come here, someone will help you.
14:57Yes.
14:59Yes.
15:09Give him the money.
15:10What?
15:11Give him the money.
15:13Give him the money.
15:15Here.
15:17Give him the money!
15:18Why is it?
15:19Give him the money!
15:21Come here!
15:22Come here!
15:30Hello!
15:33Come here!
15:43Look carefully!
15:44Yes, he is paying for it!
15:46I will put it into the arm.
15:48But...
15:49Go here!
15:54Go!
15:56Go here!
15:57What do you mean?
15:57I will put it in the armhole!
15:58Look, what did you show up?
15:59Come here!
16:01You will put it in the armhole?
16:04Go here!
16:06Go here!
16:10Go here!
16:11Go here!
16:14Hey, that's what's going on!
16:17What's going on?
16:20What's going on?
16:22Good!
16:26Let's stop here!
16:28Come on!
16:33Come on!
16:34Come on!
16:34Come on!
16:41Come on!
16:42Come on!
16:43Come on!
16:45Come on!
16:47Come on!
16:49Come on!
16:51Come on!
17:00Are you ready for the ovaries?
17:05Here...
17:06Let's go there a little bit!
17:08Where are you?
17:09What are you doing?
17:11Why don't you put the car on the car?
17:14You're right!
17:17You're right!
17:18Stop!
17:25Get ready!
17:27Let's go!
17:30Let's go!
17:32Let's go!
17:37Let's go!
17:38Let's go!
17:48Let's go!
17:52There's a bloody...!
17:59Come on!
18:04Let's go!
18:05Let's go!
18:06I'm sorry, I'm sorry.
18:16And while the guys were wondering how to cut the eggs,
18:20the Italians, Claudio and Fabricio,
18:22left the hotel in a small hotel with a hot tub
18:24and turned around to the bridge and the clothes,
18:28which went back to the home.
19:07В базовата им квартира ги чакаше третият от групата, Мъндю, който днес се събуди от лек банкнотен Рому.
19:39Доброто настроение в такива моменти е неизбежно и, както се казва, дай Боже всеким.
19:45Ха-ха-ха-ха!
19:58I'm going to go to Moscow, I'm going to go to Moscow, I'm going to go to Moscow.
20:02I'm going to go to Moscow, I'm going to go to Moscow,
20:04and I'm going to go to Moscow, that there were all kinds of good news.
20:08Do you want to go, General?
20:10The diversification group, with the standard development and economic planning,
20:15the DGNRIP,
20:17and the DGNRIP,
20:17trying to check whether the beginning of the socialistic ideologies in Bulgaria,
20:21has successfully completed its mission.
20:23Hey, listen.
20:25Listen.
20:26And this time, General Balianov,
20:29decided to put on the other steel.
20:49What is it?
20:50It's a bunker.
20:51It's a bunker.
20:52We have to put on the inside.
20:55We have to put on the inside.
20:56We need someone to put on the inside.
20:57Valio, go.
21:03Come on.
21:07It's a bunker.
21:09It's a bunker.
21:20It's a bunker.
21:26It's a bunker.
21:32It's a bunker.
21:47It's a bunker.
21:47It's a bunker.
21:49It's a bunker.
21:50It's a bunker.
22:02Here.
22:12Bah, man.
22:20Oh, oh, oh, oh.
22:21Yeah, what's the number?
22:24What's the number?
22:30Yeah.
22:34Hey!
22:36Hey!
22:37Hey!
22:37Hey!
22:40Hey!
22:40What did you say?
22:41How did you say?
22:43Got it, let's go!
22:45We need to go to the hospital!
22:47We don't want him to go to the hospital.
22:51What?
22:52What's that?
22:53We need him to go to the hospital.
22:58What?
22:59What kind of problem?
23:01There is no problem.
23:03There are total reports.
23:04Our ones.
23:06As I say, I'm going to go to the hospital.
23:10Get out of here!
23:11Get out of here!
23:14Get out of here!
23:15Get out of here!
23:15They're going to get out of here!
23:20Let's go!
23:21It's not been used.
23:24It's not possible.
23:27Get out of here!
23:31Let's go!
23:32Let's go!
23:33Get out of here!
23:35Ah!
23:36What did you tell me,
23:38that they were talking about something?
23:41Get out of here!
23:44And you're going to get out of here!
23:47So you decided to...
23:50get out of here without me?
23:52No, no, no!
23:53Get out of here!
23:54Get out of here!
23:55Get out of here!
23:56Get out of here!
23:56Get out of here!
23:58Get out of here!
24:04Get out of here!
24:08Get out of here!
24:10You don't want to take your money without me!
24:12Get out of here!
24:14Hey!
24:15Get out of here!
24:17Get out of here!
24:18I hear my words!
24:20What?
24:21What?
24:21From today's past...
24:23...or someone left us.
24:26I'm sure I'll have the right to talk with him.
24:29Nobody of you can't talk with him!
24:31It's clear?
24:32If I am there, I can do it!
24:34Otherwise, not!
24:36It's clear?
24:40Hey, brother!
24:42You're doing money like this!
24:45My head hurts my head!
24:48I'm not going to tear you.
24:50I'm not going to tear you.
24:53There are more guns!
24:57Should I go to the army?
24:59Valu, help me !
25:00I'll help you out!
25:01I'm trying to pack the money,
25:02and I'll try to see that someone struck me again.
25:05Help me if you do not care of me.
25:07I'll take it on!
25:11I'll keep going.
25:21Hey, who are you?
25:23You can't, guns!
25:30Come on!
25:43I see you.
25:44Hey, I see you.
25:47And we're going to do it.
25:47The Trifon's plan to command the group
25:51to the place for the night of the night.
25:53In a black-and-white mood,
25:56Mr. Gosev,
25:57Mr. Gosev, was in the most important question.
26:00The spies from Moscow.
26:02For them,
26:03he still didn't have any information.
26:05Yes.
26:06He decided to show you character
26:08and to be strong.
26:09He knew,
26:11that Klaus always started from far away.
26:13Then Gosev wanted to protest.
26:15Mr. Gosev,
26:17Mr. Gosev,
26:17Mr. Gosev,
26:21Mr. Gosev,
26:22Mr. Gosev,
26:24Mr. Gosev,
26:26Mr. Gosev,
26:30Mr. Gosev,
26:32Mr. Gosev,
26:34Mr. Gosev,
26:37Mr. Gosev,
26:38Mr. Gosev,
26:39Mr. Gosev,
26:40Mr. Gosev,
26:41Mr. Gosev,
26:42Mr. Gosev,
26:45Mr. Gosev,
26:48Mr. Gosev,
26:49Mr. Gosev,
26:49Mr. Gosev,
26:50Mr. Gosev,
26:51Mr. Gosev,
26:52Mr. Gosev,
27:02and the most important thing is to teach him how to fight against the war.
27:06Because during the war it doesn't mean how much you are.
27:34. . .
27:34. . .
27:34. . .
27:41. . .
27:47. . .
27:54. .
27:55. .
27:57. .
27:58. .
28:01You stole that!
28:03You stole that!
28:52You stole that!
28:52Man, it's a tempo!
29:02What happened?
29:06They opened the secret.
29:11The bullets and everything.
29:13What did he kill?
29:16I don't know.
29:18Everyone can.
29:19And случайly.
29:21But this is what he does.
29:26You know,
29:28what did he do?
29:29What did he do?
29:31What did he do?
29:32Only you and Orlin know about the secret.
29:33Maybe Orlin is alive.
29:38What did he do?
29:45What did he do?
29:46It's alive.
29:48He is capable.
29:51You know, why you can give him a button?
29:57Orlin is you no longer able to give a letter.
30:03You can have, orlin?
30:05He is not able to you.
30:06I am only with Just Aik Danska.
30:10Orlin is only a mother.
30:16Who is it?
30:20Stop!
30:24Who is there?
30:32I'm going to shoot!
31:01I'm going to shoot!
31:01Marco!
31:04Marco!
31:05Marco!
31:05Marco, hold on!
31:15I'm going to shoot!
31:18And the king!
31:22Marco!
31:24Marco!
31:27Marco!
31:28Marco!
31:29Marco!
31:30Marco!
31:30Marco!
31:33Marco!
31:39Marco!
31:41I'm going to shoot!
31:42Marco!
31:43high-five dollars!
31:44rescue!
31:49Diego!
31:49Pillow!
31:54seventies!
31:55NO!
32:00Hey!
32:03Hey!
32:04Hey!
32:05What are you talking about?
32:06Yeah!
32:08And where are they?
32:17And where are they?
32:42What is this?
32:43How is it?
32:48In the house,
32:50no one had been given.
33:11When death is close to you,
33:15you understand your brokenness.
33:20Even alive,
33:21you know how long your mission is.
33:24You know how long your life is.
33:38You are only one of the trees in the city.
33:42You know how long your life is.
33:45You know how long your life is.
33:46You know how long your life is.
33:50You know how long your life is.
33:53You know how long your life is.
33:55You know how long your life is.
34:06You know how long your life is.
34:18You know how long your life is.
34:21You know how long your life is.
34:34You know how long your life is.
34:46You know how long your life is.
35:03You know how long your life is.
35:12You know how long your life is.
35:33You know how long your life is.
35:35in the Balkan.
35:38You're right, Vihar.
35:40You're right.
35:41We can only stay two, but we can only be one.
35:43But the struggle needs to continue.
35:45It needs to continue.
35:49We have to do more work in the Balkan.
35:53We go to the village.
35:57We have to go peacefully.
36:00We have to march.
36:10Shmenti, Capelli.
36:11It sounds good.
36:13It's written on the most familiar, Angelo.
36:16Marangozva, but he's big.
36:19Please, Angelo, take your money,
36:22and we will die.
36:23My innocent child is a god-dead,
36:25and we will die when we become a team.
36:27So take Marangozva,
36:29it needs to be two.
36:32From Klaudio and Fabricio,
36:33because you're in reserve.
36:35I'll take it, only to see the rest of you.
36:43You're talking to me.
36:44You're talking to me.
36:45You're talking to me.
36:47You're talking to me.
36:49Hey, hey, hey.
36:54Hey, hey, hey.
36:56Hey, Mom.
37:03Hey, we're talking to me.
37:07You're talking to me.
37:16You're talking to me.
37:18Fabricio.
37:36Mrs. Angelina says that it needs two paragraphs.
37:41Fabricio, there is no one.
37:44Fabricio!
38:03How do you feel?
38:08How do you feel?
38:10How do you feel?
38:11Acционер!
38:12The interesting thing about this is that in the beginning,
38:16the two sides feel happy.
38:18And they give everything from their own.
38:21What is it?
38:22It depends on me.
38:24It needs two paragraphs.
38:26One from Claudio, another from Fabricio.
38:28I'll pay twice.
38:29But I'll become an actor.
38:33If I need to, my mom will be there.
38:37Okay.
38:38I'll see what I'm going to do with my wife.
38:39We'll think about something.
38:55Fabricio!
38:56What a surprise!
39:09Claudio, surprise!
39:11Eze!
40:03Please, Angelina, you know what you have to do, you know.
40:08No, no, there's no place.
40:09Yes.
40:10Do you know how much I loved you always?
40:13When I was asleep for seven days, my eyes were crying.
40:20I was the most happy I was the most happy I was.
40:23I was the most happy I was the most happy I was the most happy I was the most happy
40:24I was.
40:26I pray to you, Angelina.
40:29Take care of your money.
40:32The whole town is playing with me that I wasn't being an actor.
40:36Oh, okay. Where am I?
40:40The first reserve.
40:43Oh, Angelina, you are the best.
40:45I'll give you a good save.
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