- 7 hours ago
Your Friends and Neighbors S01E05
Category
📺
TVTranscript
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00:17El Luxos MT, el mundo más avanzado, luxury, como...
00:25...es que cambiar la manera que piensa de la cama.
00:28¿A mí me da verdad, Cindy?
00:29Es correcto.
00:30Es heats, es cleansa, es deodorizas, es comes standard con Luxos' triple Tornado Plus system
00:37y es Smart Home Compatible.
00:39Y aquí a decirnos más sobre es Luxos Brand Ambassador
00:43y tres-times NBA All-Star Nick Brandon.
01:01This audience.
01:04I love you, too.
01:06Thank you, Cindy.
01:07Jim, my man.
01:08It is a pleasure to be here.
01:10You're an NBA champion.
01:12You are rich, you're handsome, everybody loves you.
01:16I'm sorry, is there a question in there?
01:17Because so far I can't argue with any of them.
01:20You have a string of successful businesses.
01:24Just tell us, why toilets?
01:26Oh, instead of sneakers or tequila?
01:28Exactly.
01:29Because they've been done before.
01:31See, I always say, why be late to the party when you can throw your own?
01:38Oh, speaking of party.
01:39Is that coming from there?
01:41It is.
01:42That's right.
01:43It's coming from the built-in Bluetooth speakers.
01:46Oh, no.
01:49Hey, hey, hey, hey, hey, hey.
01:52Show me what you got.
01:56Oh, no.
01:57No, she did it.
02:02So, bottom line, the Luxos MT is going to change the game.
02:05Sitting on one of these is like a little vacation you can book for yourself every day.
02:09Nick Brandis, everybody.
02:24Hey.
02:25Uh.
02:26Let's talk about it.
02:27What are you doing here?
02:29I really love toilets.
02:32I'm working.
02:33I know.
02:33Look, I just, the party, it was a lot.
02:39I acted like an asshole.
02:41Yeah, no argument here.
02:42Hey.
02:46I'm so sorry.
02:49It's the last time I throw you a party.
02:55I appreciate you trying to take care of me, even if sometimes I don't know what to do
03:01with it.
03:06Well, I can't say you didn't warn me.
03:10No, you can't.
03:11Look, I know this.
03:14Us, we shouldn't have happened.
03:16Or at least not the way it happened.
03:19I'm sure you have your regrets.
03:21Nick, I...
03:22No, no, no, no, no.
03:23I feel them.
03:24Believe me, I wish it had gone down differently, but just because it didn't start right doesn't
03:30mean it isn't right.
03:33This is real for me, Mel.
03:35Just wish you didn't feel like you have to try so hard.
03:38Yeah, that's what happens when you fall to the second round of the draft.
03:40You spend the rest of your career and life trying to make up for it.
03:44You don't have to do that with me.
03:51Do you have, like, a dressing room?
03:54Yeah, a nice one.
03:57Show me.
04:01I'm coming in fast.
04:03First place, you're coming in last.
04:05I'm in that, hitting that gas.
04:07I'm in that, hitting that.
04:09My body, I'm coming in fast.
04:11First place, you're coming in last.
04:13I'm in that, hitting that gas.
04:16I'm in that, hitting that.
04:17Come on shit.
04:19We call it an automation.
04:49¡Gracias!
05:10¡Gracias!
05:27¡Gracias!
05:33¡Gracias!
05:34¡Gracias!
05:41¡Gracias!
05:45What am I looking at?
05:47I know it looks like somebody wiping off their brushes,
05:50but this is a Lichtenstein.
05:52I know who Lichtenstein is,
05:54you baron.
05:54What I meant is why am I looking at a bad photo of it?
05:57Because I want to steal it.
05:58I don't mess with art.
05:59Neither do you.
06:00Come on, jewelry and watches can only get me so far.
06:03A score like this, way more upside for the exact same risk.
06:07Score? Who are you?
06:08James Caan all of a sudden?
06:10I'm sure you know someone that can move it.
06:12Rocco, what's my policy on paintings?
06:14No paintings!
06:16These art guys, they're a different breed.
06:18I'm telling you.
06:20They're savages.
06:21The last time this sold at auction,
06:24it went for over one million dollars.
06:27That was seven years ago.
06:29I've already been inside the house where it is.
06:30I steal it, I replace it with a forgery, nobody knows the difference.
06:33Easy.
06:33How do you know it isn't already a fake?
06:35Because the guy that owns it probably bought it from Larry Gagosian personally.
06:39He's an insecure narcissist whose entire self worth is wrapped up in what he owns.
06:43He doesn't care that it's beautiful.
06:45He cares that it's real.
06:46I know the type.
06:49Come on.
06:50I'll toss you an extra 10%.
06:52You don't have to lift a finger.
06:53I just need the introduction.
06:58I will have to lift a finger.
06:59And for that I'll take an extra 20.
07:01And if it goes sideways, I don't know you.
07:04But you have to hear me now.
07:05You do this.
07:06You do it the way I say.
07:08Pickpock.
07:09No improvising.
07:10Yeah.
07:11I hear you.
07:12Say it.
07:13Pickpock.
07:14Smartass.
07:15No improvising.
07:19Okay, get out of my store.
07:21I'll let you know when it's set.
07:25Rocco.
07:28So, it looks like we hit a shale shelf.
07:31And what does that mean?
07:33It means my guys are going to have to spend a few weeks breaking it up, pulling it out.
07:37Well, can't you just dig around it?
07:39Yeah, sure.
07:41If you want to move your entire house a hundred feet that way.
07:44I'm kidding.
07:45But I can't dig a foundation into solid rock.
07:48We gotta pull it out.
07:49Hey, Phil!
07:49Where do you want this loader?
07:51Yeah, I'll be there in a minute.
07:52So, just, Phil.
07:53So, how much is that gonna cost?
07:56Well, I can't give you an exact figure until we start demolition.
07:59See how far down the shelf goes.
08:01It's gonna be heavy machinery.
08:03Possibly some blasting.
08:04You're gonna blow up my backyard?
08:05Well, not me.
08:06I'm gonna bring in some specials.
08:08Ballpark, Phil.
08:11How fucked are we?
08:15Two hundred grand, give or take.
08:18Okay.
08:20Okay, maybe we should just press pause, you know?
08:22Get a surveyor out.
08:23You're checking with the architect.
08:24We should maybe do that.
08:26Well, hey, that's your call.
08:27But if we stop work, I gotta move my guys to the next project in line.
08:32That won't be necessary, Phil.
08:34Email us the quote.
08:35We'll work it out.
08:37Will do.
08:47Yeah.
08:48The world is so small.
08:50Till it ain't.
08:51Till it ain't.
08:52Till it ain't.
08:53Till it ain't.
08:53Till it ain't.
08:53Till it ain't.
08:54Till it ain't.
08:54I'm building up a...
08:57Hey.
08:58Sorry I didn't see you.
09:00Surprise.
09:04I love this song.
09:05I don't wanna keep you waiting.
09:07I don't wanna keep you waiting.
09:08I don't wanna keep you waiting.
09:09I hope I never keep you waiting.
09:19Where are you headed?
09:20Chemistry.
09:21Mm-hmm.
09:26Forget chemistry.
09:28You're coming with me.
09:39Yeah.
09:40Fuck me.
09:41Harder.
09:41God.
09:41Fucking dick is big.
09:44Harder.
09:45Harder.
09:46Harder.
09:46Harder.
09:46I'm gonna come.
09:47I'm coming.
09:49Oh.
09:50God.
10:06It's Henry's birthday on Saturday.
10:08Oh right.
10:08What is it?
10:09Almost six?
10:12Five.
10:13Yeah.
10:13Well that's a fun I hate you.
10:14Is he having a party?
10:15I'm taking him to Boston to see my parents.
10:18Nice.
10:19When will you be back?
10:20I'm not sure.
10:23I think I need to get away from everything for just a bit.
10:27Well, when you get back, if you want, we can maybe go around to the city, check in someplace.
10:32Get away from everything together.
10:35It's fine.
10:36We don't have to do that.
10:39I mean, I know we don't have to do that.
10:41We don't have to do any of this.
10:42That's true.
10:44And I'm thinking maybe we shouldn't.
10:47What are you talking about?
10:49I think maybe we've taken this as far as it goes.
10:51Let's not ride it till the wheels come off.
10:54I like you, Coop.
10:56A lot.
11:00Maybe too much.
11:03The thing is, I don't always like myself when I'm with you.
11:06Hey, hey, Sam.
11:07Look, I know I've been a bit preoccupied the last few days.
11:11You're not ready for anything real.
11:13At least not with me.
11:14I just can't be some wayward bachelor's midlife fling forever.
11:18That is not what I think of you.
11:20Come on, Coop.
11:21I'm giving you a guilt-free out.
11:23Just take it.
11:24Kind of sounds like I don't have much choice.
11:27Wrong again.
11:30Sam.
11:41Hey.
11:42Oh.
11:42A little afternoon delight with Sam, huh?
11:44Uh, yeah.
11:46Well, I'm afraid it might be the swan song for that.
11:50Aw, that's too bad.
11:53Right?
11:53I mean, it's fine.
11:56Okay, cool.
11:56Well, I will not miss the play-by-play.
12:01Oh, my God.
12:01Oh, right there.
12:02Yeah, that's the spot.
12:04Oh, fuck yeah, Coop!
12:05Oh!
12:07Fine.
12:08What do you want to talk about?
12:11Anything else.
12:11How's your new gig?
12:12It's good.
12:14Um, it was really good, actually.
12:16They offered me a regular slot.
12:18Four nights a week at the tap.
12:19Prime time.
12:20Poster in the window.
12:21I mean, the whole shebang.
12:22It's amazing.
12:23I'm so proud of you.
12:24Congratulations.
12:25Thanks.
12:25Wow, now one of us actually has a job.
12:29Well, for a guy who has no job, you, um,
12:31you sure are busy.
12:33I feel like...
12:34I feel like I have this place all to myself,
12:36like, every day.
12:38Yeah, well, not today, baby.
12:41TCM beckons.
12:45Okay.
12:46Excellent.
12:48Can we watch something that was made
12:50after I was born?
12:52San Francisco last night?
12:55No.
12:57Who was murdered?
12:58I was.
13:05I let my friend live upstairs
13:07in the spare room for a minute.
13:13We need a space.
13:16We need a space.
13:17We can't relate to all that in-aging,
13:19but we did it.
13:20I can't go back to the room.
13:22I can't go back to the room.
13:24I can't go back, yeah.
13:24I admit it, document.
13:27Look up.
13:29It's only been a year.
13:30You're still in the grief phase, you know?
13:32Imagining they'll get back together
13:33and everything will be like how it used to be.
13:35Once you let go of that little fantasy,
13:37you'll see divorce has its upsides.
13:40Like what?
13:41With two parents, you're unnumbered,
13:42but with one, it's way easier to slip under the radar.
13:45The real trick is playing them off each other
13:47to get what you want.
13:48I used to do that when they were still married.
13:52There's more to you than meets the eye hunter, Cooper.
13:55God, I hope so.
13:57Who's in there?
13:58Shit.
13:59Unlock this door.
14:00Immediately.
14:05Skipping class and trespassing
14:07are cause for concern as it is, but...
14:09Okay, trespassing?
14:10Come on.
14:11You make it sound like you have a ski mask and a bolt cutter.
14:14He was messing around backstage with his friends.
14:16I'm afraid this goes way beyond that.
14:18Hunter was distributing drugs to his peers.
14:21Excuse me?
14:21What?
14:22They were snorting his Adderall in the dressing room.
14:24Mayfield has a zero tolerance policy
14:26when it comes to drug dealing on campus.
14:28I cannot turn a blind eye.
14:30I'm afraid Hunter will be expelled.
14:32Wait, wait, wait.
14:32Just a second.
14:33Just a second, please.
14:34Look, our son is not a drug dealer, okay?
14:37He has ADHD.
14:38Now, do teenagers make bad decisions?
14:41Yes, it's baked into their DNA,
14:42but he's never gotten in trouble before.
14:44He deserves a second chance.
14:46Mr. Cooper, this isn't the first meeting
14:47we've had about Hunter's behavior this year.
14:49The absences, the missed assignments...
14:51What are you talking about?
14:52What is she...?
14:53Cooper.
14:54You had meetings without me?
14:55They were in your calendar.
14:57Why wouldn't you have called me
14:58and told me what was going on in these meetings?
15:00Okay, not now.
15:00Please.
15:05I understand the position our son has put you in.
15:09I see troubled kids every day in my practice.
15:12I always try to consider the mitigating circumstances.
15:15Maybe these older kids pressured him
15:18into sharing his prescription, right?
15:20He wanted to impress them.
15:21He wasn't selling drugs.
15:23He was trying to fit in.
15:25But he will be punished.
15:27We will personally guarantee nothing like this
15:29ever happens again.
15:31I'm afraid my hands are tied.
15:38Okay, Leila, I saw the big thermometer
15:40downstairs in the hallway.
15:44This year's fundraiser for the new athletic center.
15:46You're short.
15:50How much is it gonna take to put you over the top?
15:52Mrs. Cooper.
15:53No, Hunter's a good kid.
15:55You know it.
15:56We know it.
15:58And the school has needs.
15:59Everybody wins.
16:00So come on.
16:02What's the going rate for turning a blind eye these days?
16:06$240,000, Mel?
16:08Jesus Christ.
16:09Look, her son was about to get kicked out
16:12at one of the best schools in New York State
16:14and that would've killed his chances
16:15of getting into a decent college.
16:16And you know something?
16:17I didn't see you doing anything to fix it.
16:19We could've reasoned with her.
16:20We could've appealed to her.
16:21My God, she's only known us forever.
16:23She called him a truck dealer.
16:24And you rewarded her with a quarter million dollar pledge.
16:27Sorry, I really thought she was gonna say, like, $20 or $30.
16:30Maybe leave with that instead of with a blank check.
16:32Okay, guess what?
16:33You're the big hedge fund guy.
16:35Why didn't you negotiate?
16:37Because when you negotiate, you need leverage.
16:38Leverage is what you immediately gave away
16:40when you opened your mouth.
16:41You know what? That's not fair.
16:41What is the going rate for turning a blind eye?
16:44My God.
16:45Are you done?
16:46Because I've already got one child to deal with today.
16:50You.
16:54So you're suspended.
16:56And grounded.
16:57Forever.
16:58Mom.
16:58And it would be really smart
16:59if you don't talk right now.
17:02Bowie, huh?
17:02I didn't know you were into him.
17:04He's all right.
17:06Wow.
17:07Read the room, Coop.
17:08It's not the time to play the cool dad.
17:12Good luck, buddy.
17:23Gracias.
17:43Gracias.
17:44Mr. Pak, welcome.
17:46Gracias.
17:47How are your parents, Barney?
17:49About the same, sir.
17:51Do you still drink scotch?
17:53Oh, from time to time.
18:02This one is for special occasion.
18:05Forty-year-old country gold.
18:08Well, thank you, sir.
18:13Hi, Papa.
18:18Girls, inside the Harabaji?
18:21Yeah.
18:22Okay, girls, do you want to show the harmony and Harabaji the side door?
18:25Sorry about the mess.
18:26Construction's moving a little slower than we expected.
18:37So, what do you think?
18:40I don't know.
18:40I mean, with stuff like this, it seems like it's more provocative than meaningful in any real way.
18:47Who's gonna care about this stuff five years from now, right?
18:52I'm no expert.
18:54We're all wrong answers.
18:56That's the beauty of art.
18:58Yeah?
19:00Who told you that?
19:03When I was little, my aunt was a docent at the Villavar de Santo Domingo.
19:07I used to spend the summers with her.
19:09Watch her give tours.
19:11Hmm.
19:15Hey, are you sure you want to do this?
19:17For what?
19:20Any of it. All of it.
19:22Are you trying to call me out of this?
19:23No, no, not at all.
19:25Then what?
19:25Well, I'm just saying.
19:27If we get caught, I can talk my way out of it.
19:29I can lawyer up.
19:31What happens when you get caught?
19:35I don't need you to protect me.
19:36Well, good.
19:37Because I'd probably be pretty shitty at it.
19:40But aren't you putting kind of everything at risk?
19:43What are we putting at risk?
19:46What do you think I actually have to lose?
19:53Okay, partner.
19:56What about this thing?
20:03It's a lot to take in, isn't it?
20:06The artist was once an altar boy in Dusendorf.
20:11Likely molested.
20:13Definitely a prick.
20:17I'm Christian Thoroson.
20:19I'm the owner of the place.
20:20Oh.
20:20For better or worse.
20:21Of course.
20:22Nice to meet you.
20:22I believe we have a mutual friend.
20:25I believe you're correct.
20:26Well, I have to say she described you perfectly.
20:28Is that so?
20:29Yeah.
20:31And who's your date?
20:32Uh, his partner.
20:34Pleasure to meet you.
20:35Enjante.
20:38Partner.
20:40Excellent.
20:42I saw you looking at this piece.
20:45Yes.
20:45It's provocative.
20:48Yes.
20:49Most of this shit is.
20:51But is it actually any good?
20:54That feels like a trick question.
20:57Come with me.
20:58Let's talk arts.
21:08This piece was difficult to acquire, especially on such short notice.
21:14You mean someone already had this sitting around?
21:17I have a lesbian in Bushwick who sources all my pop abstracts.
21:21Impressive.
21:22You see the one looking at us now?
21:26It is as close to perfect as it can be.
21:30Hmm.
21:31The Magna acrylic paint Lichtenstein used is nearly impossible to source.
21:36Most modern-day acrylic paint is water-soluble, but the Magna was miscible with turpentine.
21:42Golden artist colors comes closest to Magna's high-gloss finish, but it's not an exact match.
21:50It'll hold up to scrutiny, but not chemical analysis.
21:53Oh, it won't be analyzed.
21:56How can he be sure?
21:57You know your job, and I know mine.
22:00You've never done this before, have you?
22:02I'm a quick study.
22:03You're a tourist.
22:04Tourists make me nervous.
22:06And yet, here you are.
22:07Yes.
22:08I am here.
22:10Lou believes in you, and I believe in Lou.
22:13But I'm still not convinced you can deliver.
22:15Well, the fact that you called your lesbian in Bushwick makes me think that you think I can deliver.
22:21Okay.
22:22So, we swap out the fake, bring you the original, and then what?
22:27Oh, after I authenticate the piece, I have two buyers interested.
22:32One crypto-grove who wants to move into tangible assets, and the other is former employer.
22:41It's deliciously messy.
22:44I expect the bidding to be heated.
22:46Sounds promising.
22:51What the hell?
22:56I have decided to like you.
23:00I appreciate it.
23:03Now, if you'll excuse me, I have some psychedelics to procure for some clients.
23:10Oh.
23:13Have fun.
23:30You've arrived here.
23:32You've come to a pool, right?
23:33You've come to a pool.
23:34You're so pretty.
23:36You've already got a pool.
23:40You've picked up a pool.
23:44You've picked up a pool, right?
23:45But...
23:46You're worried about it.
23:48You're worried about the hair, boring things like that.
24:17¡Suscríbete al canal!
24:21¿Por qué no?
24:23¡Suscríbete al canal!
24:25¿Por qué no?
24:28¿Por qué no?
24:29¿Por qué no?
24:30¿Por qué no?
24:58¡Suscríbete al canal!
25:12¡Suscríbete al canal!
25:24¡Suscríbete al canal!
25:27¿Por qué no?
25:43¡Suscríbete al canal!
25:49¡Suscríbete al canal!
25:51¡Suscríbete al canal!
25:54¡Suscríbete al canal!
25:56¡Suscríbete al canal!
25:58¡Suscríbete al canal!
26:14¡Suscríbete al canal!
26:25¡Suscríbete al canal!
26:40¡Suscríbete al canal!
26:42¡Suscríbete al canal!
26:44¿Por qué?
26:46Porque casi se ha expuesto. ¿Para que no te preocupa?
26:49No, no, realmente.
26:49¿Has visto los flamingos?
26:51¿Cómo que algo que no te va a rotar tu gut?
26:52¿Para que te lo haré un smoothie?
26:54No, gracias.
26:55Hey, quiero entender lo que pasó.
26:58No, no, no.
27:01No, no, no.
27:05¿Qué, qué?
27:05No, no, no.
27:08No, no, no, no, no, no.
27:09No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
27:10no, no, no, no, no.
27:11No, claro.
27:13No, claro lo único, no, no, no, no, no.
27:16Sí, no, no, no, no, no, no, no, no, no.
27:23Sí, sí, sí.
27:40Hey, brought to you a prezzy.
27:49So, uh, how does it feel being Mayfield's main character?
27:54A sophomore hottie sledding in your DMs or what?
27:57Yeah, totally.
28:14You make this?
28:16Yeah.
28:20Holy shit, Hunter.
28:21I think he might actually have a soul.
28:26Fuck off.
28:52Don't just walk.
28:55Run.
28:56Don't just talk.
28:58I need action.
29:01Uh-huh.
29:02I need more pace.
29:05Go hard.
29:06I want to see the heart racing.
29:09Okay, I ain't seen a gym in the world.
29:11Don't go.
29:12Don't go.
29:12Don't go.
29:12Don't go.
29:12Don't go.
29:13Don't go.
29:16Allie.
29:18Hey, I didn't know you joined.
29:20Oh, I'm just borrowing Andy's.
29:22He doesn't use it anymore.
29:23It seemed a shame to let it go to waste.
29:24Sorry, memberships aren't transferable.
29:27Neither are wives.
29:28And yet.
29:31Tell you what.
29:32Why don't you take her for a test drive?
29:34If you decide to sign up, we're running a friends and family promotion all month.
29:38Thanks, Nick.
29:39I am neither.
29:59A reasonable person might have seen a close call with the police and a flesh wound from
30:03a large dog as a flashing neon sign from the universe telling them to find a new line
30:08of work.
30:09But that wasn't really an option for me.
30:11Know what you're doing?
30:12No particular role.
30:14Canvas.
30:16All right.
30:17Stretch bars.
30:19I'm about to get it like this.
30:21I usually need to square the corners.
30:24Back door open.
30:34When it comes to American pop art, Roy Lichtenstein is in a dead heat with Jeff Koons as the favorite
30:39for buyers who don't actually give a shit about art, but regard it as a sexy investment.
30:43They're coins.
30:44Collectors only in name.
30:46This piece here, Square, from 1983, was most likely purchased as an appreciating asset rather
30:50than on its artistic merit, which is a shame.
30:53I always kind of liked Lichtenstein's work, especially the comic book paintings.
31:00It was becoming apparent that my expenses would always find a way to outpace me, so a
31:04few higher-priced scores like this painting would mean more money with fewer robberies.
31:08Higher risk, higher yield.
31:10Or maybe I was just starting to like it.
31:43I get a hundred bucks, but no, I get two chickens.
31:48I am not a chicken!
31:49All right, guys, can you calm down just a little bit?
31:51We're almost to Grandma and Grandpa's.
31:53Yay!
31:55Go!
31:56Okay, go.
32:00Dad!
32:01Dad!
32:03Oh, my God.
32:05Hey.
32:05Hey, boys.
32:07Hey, honey.
32:08Hey!
32:09I hear it's someone's birthday tomorrow.
32:11You know anything about that?
32:12He's turning five.
32:13Really?
32:14We better go see if we can find some cake.
32:16I don't see him.
32:16Look at that table right there.
32:18Thank you.
32:18Hey, who's presents?
32:25Everything okay?
32:26Oh, yeah, just a, you know, long car ride.
32:30Come on, then.
32:31Come on.
32:31Come over here.
32:32Come on.
32:32Dog?
32:33Yeah!
32:38Oh, hon.
32:43Hey, go.
32:51It's good to have you home.
32:58That's it.
32:59Okay, activate those glutes.
33:00Squeeze at the top.
33:02I want to see it.
33:03Nice.
33:04Good.
33:05Great class, everybody.
33:08Don't forget to stretch.
33:09I'll see you next week.
33:13Ali?
33:14Oh.
33:15Hey, Bruce.
33:17Uh, what are you doing here?
33:19Same as everyone else.
33:21Just trying to turn my ass into a legal weapon.
33:27I'm not stopping you if that's what you're worried about.
33:30No, of course.
33:32I've been staying with Andy.
33:34He had a couple of visitor passes.
33:36Hope that's not weird.
33:39You look good.
33:41Healthy.
33:42You mean, uh, not, uh...
33:47I guess the move's been good for me.
33:49I've been spending more time with Andy.
33:51I've actually been playing some gigs again.
33:53Oh, yeah?
33:54Yeah.
33:55At the tap.
33:56It's mostly just drunk locals talking over my socks.
34:01Heavy.
34:02Hey, you're out there doing your thing, playing music.
34:04Somewhere other than my lawn.
34:06Oh, damn.
34:07You went there.
34:09Honestly, I kind of miss it.
34:11I bet you do.
34:12I bet your wife does, too.
34:15I don't know.
34:15Maybe I should come back and take requests.
34:21Sorry, Dad duty.
34:23It's good to see you.
34:25Maybe I'll swing by the tap sometime.
34:27Cool.
34:29See you in ass class.
34:33See you in ass class.
34:46Oh, my God.
34:47I misjudged you, my friend.
34:49Yeah, I get that a lot.
34:50This tourist has balls!
34:53Yes!
34:53I love it!
34:55Okay.
34:56So, what happens now?
34:58Um...
35:00Give me a minute.
35:14What?
35:15You look really nice.
35:16That's because you're taking me to dinner after this.
35:20No.
35:24Okay.
35:25Okay.
35:26It'll take my people, uh...
35:28A few hours to authenticate.
35:31In the meantime...
35:33I see you're dressed to celebrate.
35:35So, let's...
35:37Celebrate!
35:40Don't stop the music.
35:44I can feel it.
35:47Don't stop the music.
35:51I can feel it.
35:55Don't stop the music.
36:06Hey!
36:09Here we go!
36:13Thank you.
36:14Thank you.
36:15Of course!
36:17Right on the table.
36:31Oh, uh, maybe later.
36:34I thought you Ivy League types loved the nose candy.
36:37Yeah.
36:42Hey, what about you, beautiful?
36:43You in?
36:46Sure.
36:56What? We're celebrating, right?
36:58I guess so.
37:02Give it, give it, give it, give it!
37:05Oh, my goodness.
37:08Yeah, good.
37:09Yes, indeed.
37:11I think I need to dance.
37:14Sorry.
37:19What a place.
37:20It's nice, huh?
37:23I'd love to come here, too.
37:26Huh.
37:28Yeah!
37:29I love it!
37:42Hey, so you and the girl.
37:44Oh, uh, no, we, we...
37:47we keep it professional.
37:48Ah, okay.
37:50That's probably for the best.
37:52I mean, you're a very handsome man,
37:54but maybe too old for some rides.
37:57Whatever you say.
38:01Ah.
38:03You want another bump?
38:04Oh, no, I'm good.
38:06Could always be better, though.
38:09Yeah.
38:17Yeah, I'm gonna, I'm gonna go, uh...
38:20And...
38:21I'll go, uh...
38:28...
38:28You're a little girl...
38:32...
38:32I'll get a seat.
38:32That's it.
38:34Hey!
38:36Oh, okay.
38:36Looks like you needed a break.
38:38Was it that obvious?
38:43Maybe I just know you better than you think.
38:46Sí, tal vez.
38:48Vengan, dan conmigo.
38:50No, no soy muy de un danza.
38:52Bueno, un mes de hace que tú eres muy de un teatro.
38:55Tal vez eres un danza, solo no sabes.
38:57Ok.
39:17Hey, ok.
39:19¿Vale?
39:19¿Vale?
39:20Sí, creo que eso es prácticamente la droga de hablar.
39:25No te preocupes, Coop.
39:28¿Qué te preocupes?
39:29No te preocupes.
39:30Siempre te preocupes.
39:33Lo veo detrás de tus ojos.
39:49Hey, I'm going to get another drink.
39:52Do you want anything else?
39:53I'm just going to stick with the bubbles.
39:55Ok.
39:56Yeah, I'll be right back.
40:16Elena.
40:19Hi.
40:21I thought you were you.
40:23You'd forgotten about me.
40:25Of course not.
40:26The whole reason we're here.
40:27I suppose I am.
40:29Yeah.
40:30But I'm thinking that maybe you and I are also here for a different reason.
40:37Oh, yeah?
40:37Yeah.
40:38What's that?
40:39Let me show you.
40:42Oh, no.
40:44Thank you.
40:51Easy, Chacha.
40:52Easy.
40:54Hey, hey.
40:56Easy is for kids.
40:57Guapa.
40:58I prefer hard.
41:04Hey.
41:05Hey.
41:06Hey.
41:06Everybody okay here, guys?
41:08Yeah, we just had a private moment.
41:10You okay?
41:11Yeah, I'm fine.
41:12You sure?
41:13I got it.
41:14I got it.
41:15Asked and answered, old man.
41:16I think maybe we should all just go back upstairs.
41:21Ow.
41:24God damn.
41:28Okay.
41:29Fuck, you look on me good.
41:30Okay.
41:31Okay.
41:31Take a deep breath.
41:32Hey.
41:36Come on.
41:42Stop squirming.
41:44You're drowning me.
41:45Ow.
41:46Okay, don't rub them.
41:47It's only going to make it worse.
41:49Oh.
41:51Is that better?
41:53Yeah, a little, I guess.
41:54I don't know.
41:54What the fuck were you thinking?
41:56Huh?
41:57You're welcome.
41:58I had him under control.
42:00Well, it didn't look like that to me.
42:01Do you know how many times I've had a guy press his dick up against me in a place like
42:04that?
42:05No, you don't.
42:06Of course not, because you're a man.
42:07Look, I was trying to help you.
42:08Okay, do me a favor.
42:09The next time you try to defend me, how about you wait until after we get paid?
42:13What?
42:13That's what you're mad at?
42:14Are you kidding me?
42:15It's not that big a deal.
42:16We can steal something else.
42:17I needed that money.
42:22You know what?
42:24You're just a rich guy who lost his money, and now you think you're fucked, but you have
42:28no idea.
42:29You've never gone hungry.
42:31Your kids will never go hungry.
42:33You just want what they took from you because all you know how to be is rich.
42:36Elena.
42:37You have no idea what real struggle is, Coop.
42:40The shit that you complain about?
42:44Most people would, they would kill for it.
42:47I'll make it up to you.
42:49Yeah, you fucking better.
42:52You're really just going to leave me here?
42:54I really am.
42:55Well, I forgive you.
42:58For the mace.
43:00Fuck you.
43:01It was pepper spray.
43:14I don't know.
43:14I do.
43:43Gracias por ver el video.
43:45Gracias por ver el video.
44:43Gracias por ver el video.
44:45Gracias por ver el video.
45:42Gracias por ver el video.
46:34Gracias por ver el video.
47:20Gracias.
49:23So, what'd you get up to last night?
49:26Oh, uh, you know, not much.
49:32How about you?
49:35Same.
49:38There you go.
50:04There you go.
50:12There you go.
50:14There you go.
50:16There you go.
50:20There you go.
50:37There you go.
50:37There you go.
50:39There you go.
50:53There you go.
50:55There you go.
50:56There you go.
50:57Gracias por ver el video.
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