- 9 hours ago
Dadilja Sa Sela -Epizoda 44 - Domaca serija
Category
ðš
TVTranscript
00:00To be continued...
00:30We have to prepare something romantic, when Ziza calls him.
00:33That's right.
00:34I said to Victor, I'm going to finish the day.
00:36Good.
00:38You guys are not really normal.
00:39I'll see you.
00:41Hello.
00:42How's your life?
00:44Okay.
00:45What?
00:46Who asks?
00:48Who would like to ask?
00:50No, no, no.
00:53Wait, wait.
00:54You always thought we would not talk about Zizi?
00:57From when I'm interested in love and life, Tonino?
01:01Is it not?
01:03I'll be honest with him.
01:06All right.
01:07All right.
01:08All right.
01:08All right.
01:10Ziza, this is why I'm here.
01:14I don't think I'm doing this.
01:16I don't do this.
01:18And you're hiding.
01:21You want something, but you don't know just what you want.
01:26You don't have any real boys who come up and stand up and say,
01:29Hey, that's what I want to talk about.
01:31I'm talking about it.
01:32All right.
01:33All right.
01:33All right.
01:34All right.
01:35All right.
01:35All right.
01:35All right.
01:36All right.
01:37All right.
01:50All right.
01:51All right.
01:57All right.
01:57All right.
01:59All right.
02:01All right.
02:02All right.
02:03All right.
02:05All right.
02:05All right.
02:08All right.
02:08All right.
02:11All right.
02:11All right.
02:12All right.
02:13All right.
02:15All right.
02:16All right.
02:17All right.
02:18All right.
02:21Pascal Mica, dadi lha sacela
02:25Pascal Mica, dadi lha sacela
03:08Pascal Mica, dadi lha sacela
03:38Pascal Mica, dadi lha sacela
03:59Pascal Mica, dadi lha sacela
04:20Pascal Mica, dadi lha sacela
04:34Pascal Mica, dadi lha sacela
05:23Pascal Mica, dadi lha sacela
05:53Pascal Mica, dadi lha sacela
06:00Pascal Mica, dadi lha sacela
06:12Pascal Mica, dadi lha sacela
06:18Pascal Mica, dadi lha sacela
06:43Pascal Mica, dadi lha sacela
06:53Pascal Mica, dadi lha sacela
07:23Pascal Mica, dadi lha sacela
07:53Pascal Mica, dadi lha sacela
08:23Pascal Mica, dadi lha sacela
08:25Do you know that when I'm alone, something happens with circulation?
08:29Is it just like a young man, and the blood pressure is spread?
08:33I don't know.
08:34What are your vene?
08:36Vene? I don't have to spread it, it's still a little bit.
08:48What?
08:52Something.
08:56It's okay, nothing.
09:00And Konstantin?
09:05He works in the hospital.
09:08He makes a statement about the secret of his relationship with Dadil.
09:16What relationship?
09:18I don't know, you tell me.
09:20I don't know.
09:58What do you mean?
10:01I don't know.
10:03I'm a dead man.
10:05I don't know.
10:08I don't know.
10:54I don't know if you're alive.
10:55I don't know.
10:56I don't know.
10:58I don't know.
11:01I don't know.
11:12I don't know.
11:15I don't know.
11:32I don't know.
11:57I don't know.
12:27I don't know.
12:28I don't know.
12:30I don't know.
12:39I don't know.
12:42I don't know.
12:53I don't know.
13:02I don't know.
13:05I don't know.
13:06I don't know.
13:07I don't know.
13:09I don't know.
13:10If you haven't met them, I don't know.
13:12I don't know anything to tell them in Kosovo.
13:14The short term ECO IRC, nothing will mean.
13:17ECO IRC.
13:19Wait, wait.
13:21The European Commission for the construction and development committee.
13:26Yes, I already told you.
13:33Is everything okay?
13:38Yes, but I think that this is not cut.
13:43It is not cut.
13:45It is confitified from dehydrated pechorak,
13:49in spume of drganja,
13:51in spume of sorbet from tartufa
13:53and in tranche from lisiÄarka.
13:55Yes, lisiÄarka.
13:56It is not cut.
13:58Look at this.
14:00You are reserved for 4 people.
14:02There are 2 people.
14:03Do you have any questions?
14:05No, no, no, no.
14:07I will try it with satisfaction.
14:21Believe me, this is fantastic!
14:24Every time.
14:26Every time.
14:26Yes.
14:39This is a fork.
14:41Good food.
14:43Mmm.
14:47Mmm.
14:47It's really genial.
14:49I'll try it with a cup of tea.
14:53Mmm.
14:56Mmm.
14:57Mmm.
14:58Mmm.
14:58Mmm.
15:05Mmm.
15:10Mmm.
15:11Mmm.
15:17Mmm.
15:18Mmm.
15:21Mmm.
15:24Mmm.
15:24At one moment, he came to the office, and he was welcome with us.
15:32Yes, it was like that.
15:35But now I don't know.
15:37Tell me, Konstantin, did you talk with Mica,
15:43so humanly, open, as it should be?
15:48What do you think?
15:49What do you think about it?
15:51Well, I can start wrong. Let's do this.
15:55What did you talk about and what did you talk about?
16:02During these romantic nights?
16:05We talked about you, mainly about you.
16:08I mean, about you and about you.
16:10Can you stop playing with this microphone?
16:15What microphone?
16:16Microphone.
16:17Microphone.
16:20It's really a microphone.
16:22Where is my microphone?
16:27Boosh.
16:29Why are you in the face?
16:31I?
16:34And now you tell me.
16:37Thank you very much.
16:38I'm just going to welcome you. I'm here with someone.
16:40You know what?
16:44Yes, there are people.
16:47That's the people.
16:49That group of people left.
16:51They're standing there.
16:53They're dressed up.
16:54They're dressed up.
16:54They're dressed up.
16:55They're dressed up.
16:56They're dressed up.
16:58Yes.
16:58That's right.
16:59It's the same thing.
17:01It's the same thing too.
17:03Yes.
17:04Yes.
17:06Yes.
17:06Yes.
17:06Yes, I invite you to the place.
17:08Yes.
17:09Yes.
17:10Yes.
17:11A horse?
17:12A horse?
17:12A horse?
17:13A horse?
17:14Yes, a horse.
17:15Do you know how many times he tried to apply for contact with him?
17:20It's so closed.
17:21It's closed.
17:22It's closed.
17:23Is it?
17:23The name of the company is closed.
17:26Eko Kiriki.
17:28Kiriki?
17:29Yes.
17:30Well, I'm very slow.
17:33But...
17:34I want you to know.
17:38You're sitting here.
17:39Where are you?
17:40There.
17:41There.
17:41There.
17:42There.
17:43There.
17:43There.
17:44There.
17:44There.
17:49What are you doing?
17:53I'm going to call you.
17:54I'm going to call you.
17:57I'm going to call you.
17:58You're a little Turkish.
18:00Turkish?
18:01Yes.
18:03You're a rich.
18:06You're a rich.
18:07I'm going to call you.
18:14You're a rich.
18:22I'll call you.
18:23I'm going to call you.
18:27I go.
18:29I don't know what's going on.
18:30How is it?
18:31Good.
18:32Can I do something else before you finish?
18:35What's this?
18:38What's this?
18:40Listen to your face.
18:42Where is this man?
18:43Can I do something else?
18:47No, no, no, no, no.
18:50Two.
18:51Three.
18:52For the king.
18:53Where is it?
18:55What's the king?
18:55You're not sure.
18:57I'm going to be here.
18:59I'm going to be here.
19:00I'm going to be here.
19:02I'll go first.
19:02I'll be back.
19:03Let's go to the evening.
19:05We didn't have to risk with some other conferences.
19:09That's a queer.
19:11Is it possible that you can stop?
19:15I've always been amazed by the artists,
19:18the public actors, the opera singers.
19:21We don't want to talk.
19:22You know, I wouldn't be able to talk.
19:24I wouldn't be able to talk.
19:25I wouldn't.
19:26I'm very afraid of the public response
19:28when I take a microphone.
19:30There are millions of people.
19:31I need something to sing.
19:32I don't have that capacity.
19:34I often love to sing and sing songs,
19:37but I wouldn't be like that.
19:39Never.
19:42What do you want?
19:44What did you say?
19:45Eko?
19:46No.
19:47I'm going to talk about Konobar.
19:51Good evening, ladies and gentlemen.
19:53And, of course,
19:55the guests of the delegation of Eko Irka.
19:58It's a pleasure to be your guest.
20:01Good evening.
20:02Good evening.
20:03Good evening.
20:04Good evening, Konobaru.
20:05Good evening.
20:06Good evening.
20:10Good evening.
20:12Good evening.
20:13Good evening.
20:17Good evening.
20:19Thank you very much.
20:20thank you very much.
20:20It was a fun place.
20:21And then the whole house
20:23was masked up in a long way.
20:28It was a very intense place.
20:29Very nice.
20:31And then,
20:32I'm remembering,
20:33that Konobaru said.
20:37After that, Mr. Hadji BiberoviÄ is not here, he is in the name of me.
20:41Dear guests, welcome to the name of...
20:44Just to say something...
20:47Mr. Hadji BiberoviÄ is an amazing figure, my great mentor and inspiration,
20:54who does not look at me.
20:56We are connected through the work, through the work...
21:00Wait...
21:00I'm sorry, Mr. Hadji BiberoviÄ is an emotional figure.
21:03Sorry, just to say...
21:05Do you listen to me? Sorry, please.
21:08And such a crowd of men deserves a soloist concert.
21:13You know, I'm playing in a free time, so I'm playing a song for him,
21:19which is called Hadji BiberoviÄ.
21:21Can we start?
21:23Wait...
21:23That's it!
21:24That's it!
21:25Thank you!
21:26Come on, maestro, come on.
21:29Can we?
21:33Hadji BiberoviÄ...
21:35Hadji BiberoviÄ, nam je sve i si ja.
21:38Idemo svih!
21:39Hadji Bi!
21:40Hadji Ba!
21:41Hadji Ba!
21:42Hadji Ba!
21:43Äekaj, Äekaj!
21:45DobroveÄe, Beograde!
21:47Pusti me, DobroveÄe!
21:49Idemo sada svi!
21:50Hadji Bi!
21:52Hadji Bi!
21:52Hadji Ba!
21:54Hadji Ba!
21:54Hadji Ba!
21:58Hadji Ba!
21:59Hadji Ba!
22:03Hadji Ba!
22:04Hadji Ba!
22:04Hvala naÅĄem gostu!
22:05Ma Äeka ispo kabel, ÄoveÄ!
22:07Hvala naÅĄem gostu!
22:08DrÅūi!
22:08Hvala naÅĄem gostu!
22:09Da li se Äujemo?
22:11Hvala naÅĄem gostu!
22:13Hvala naÅĄem gostu!
22:14Hvala naÅĄem gostu!
22:15Hvala naÅĄem gostu!
22:15Hvala naÅĄem gostu!
22:15Samo da vam kaÅūem!
22:17Samo izvinite molim vas, ja nisam gost, ja sam struka!
22:20Znate, Konstantin MaksimoviÄ, arhitekta i estradni umetnik!
22:26Da i samo bih imao da poruÄim neÅĄto ovima iz Eko Irka!
22:32Viktorija, ja vam opraÅĄtam!
22:34Znate, to ÅĄto nas niste primili u Älanstvu, mi vam opraÅĄtamo!
22:42I to uz pesmu!
22:48Hvala naÅĄem!
22:52Honio Hvala naÅĄem!
22:59Hvala naÅĄem so molim profilomi
23:11JeÅūete nekaj gaated ignorisi
23:28I can tell you that it sounded a lot better, son, as soon as I got out of my head.
23:34What do you say?
23:37I mean, it's not that bad. I mean, it's bad, but as a singer, you have a better future than
23:48as an architect,
23:50and again, after such a transition to the European Commission.
23:53Okay, thank you very much. I really appreciate your opinion, because you are a musician, and you know music, and
24:02you sing well.
24:04Thank you very much.
24:06And let me ask you, are you talking about something concretely?
24:11Concretely?
24:16We've talked a lot about the danger.
24:22But until then, it was nice.
24:24And then the governor came from Kembo, the car, and everything.
24:28And then we came home.
24:31And then we came home.
24:32And everything.
24:44Mr. HadÅūi BiberoviÄ, good evening. I am Konstantin Maksimovic. I ask you to open it.
24:49When I ask you to open it, we won't be laughing.
24:51Open it! Open it!
24:54Open it!
24:55You know, I want to forgive myself for everything I've done.
24:59I want to tell you that I'm angry.
25:01Maybe I don't know, but I want to express my emotions. That's right.
25:04But I want to do this whole life with you.
25:09I?
25:10I?
25:11I?
25:12I don't need anyone else in my life.
25:14Only you, Mr. HadÅūi BiberoviÄ.
25:18Neither me, nor me!
25:22Don't do this.
25:24Don't do this.
25:24Don't do this.
25:25What do you want to do?
25:26No, I won't be able to live.
25:28If I don't forgive him, Mr. HadÅūi BiberoviÄ, for the damage I've been given to him before the European Commission.
25:36Let's go back and go.
25:37What will he do?
25:39What will he do?
25:39Konstantin!
25:40Mr. HadÅūi BiberoviÄ!
25:43Mr. HadÅūi BiberoviÄ!
25:45Mr. HadÅūi BiberoviÄ!
25:46Mr. HadÅūi BiberoviÄ!
25:46Mr. HadÅūi BiberoviÄ!
25:46Mr. HadÅūi BiberoviÄ!
25:48Mr. HadÅūi BiberoviÄ!
25:55Mr. HadÅūi BiberoviÄ!
25:57Mr. HadÅūi BiberoviÄ!
25:58Mr. HadÅūi BiberoviÄ!
26:03Mr. HadÅūi BiberoviÄ!
26:05Mr. HadÅūi BiberoviÄ!
26:05Mr. HadÅūi BiberoviÄ!
26:06Mr. HadÅūi BiberoviÄ!
26:09Mr. HadÅūi BiberoviÄ!
26:10Mr. HadÅūi BiberoviÄ!
26:14Mr. HadÅūi BiberoviÄ!
26:18Mr. HadÅūi BiberoviÄ!
26:18Mr. HadÅūi BiberoviÄ!
26:19Mr. HadÅūi BiberoviÄ!
26:20Mr. HadÅūi BiberoviÄ!
26:22Mr. HadÅūi BiberoviÄ!
26:22Mr. HadÅūi BiberoviÄ!
26:24Mr. HadÅūi BiberoviÄ!
26:25Mr. HadÅūi BiberoviÄ!
26:28Please, please, please, calm down.
26:31Maybe there's a camera, we'll shoot everything here.
26:34What if there's a camera?
26:35You won't go to the day.
26:37No, but you won't go to the police.
26:39The microphone, Vlado, don't do it.
26:41I'll go to the police.
26:42I'll go to the police.
26:47Come on, I'll go.
26:49Let's go.
26:49Vlado, I won't go to the life of the night.
26:51I won't go to the life of the night.
26:54I'll go to the life of the night.
26:56Come on!
26:59Come on!
27:00Come on!
27:01Come on, Vlado.
27:02Help you!
27:03Don't go to the police, please.
27:05Don't go there, Vlado!
27:07It's the other police!
27:08Another police!
27:09The other police!
27:10Take a look, Vlado.
27:12Where's my mother?
27:13Come on!
27:23Hurry up, hurry up, hurry up!
27:24I'll wait for a second, I'll wait for a second.
27:27I'm not going to die.
27:28That's it, that's it!
27:29Hurry up, hurry up!
27:30That's what Constantine said!
27:35Who are we here?
27:37My brother!
27:40What are you, brother?
27:41My brother!
27:42That's it, brother!
27:44You had to think about it before you went there and did not allowable work.
27:50Where are you?
27:52Yeah...
27:53See, Srki.
27:56Srki,
27:59are you maybe in contact with H.G.B. BeroviÄ?
28:03H.G.B. BeroviÄ?
28:04I'm not.
28:05I'm not.
28:06He contacted me near dispatcher.
28:09Well, let's say dispatcher.
28:10I'm not.
28:12I'm not.
28:13I can tell him to call me.
28:17I'm not saying anything about it.
28:19I'm not saying anything about it.
28:20I'm not saying anything about it.
28:21Like this.
28:22What am I doing?
28:27Hello, hello, srÄane!
28:29Mica, look at her!
28:30E, Mica, Mica, and you are the boys of Baraba
28:34who are not allowed to do this?
28:37No, I wanted to say a couple of words.
28:42How did you say that?
28:44Let's say, let's say to me,
28:45and I'm going to write it nicely,
28:47and I'm going to do this.
28:48The way, this way,
28:49there is a lot more confusion,
28:51and that's a little bit more and more
28:54and more to go...
28:56What?
28:59And more to go...
29:00...to go...
29:01...to go...
29:03...to go...
29:05...to go...
29:05...to go...
29:07...to go...
29:07...to go...
29:09...to go...
29:09...to go...
29:09...to go...
29:12You're the most famous here,
29:14you should be able to do that
29:18Where are you?
29:19Let's talk about it.
29:20In the restaurant, brother.
29:22What restaurant?
29:23In the cafe.
29:24In the cafe.
29:26Okay, I know in the cafe,
29:28what is this?
29:30They have excellent pecs.
29:33You have to try them.
29:35Pecs?
29:37Pecs?
29:38No, brother.
29:40Can you please me this time
29:43and let you go through a little problem.
29:46That's not a problem.
29:47You have to go through a little bit.
29:49Let's go through a little bit.
29:52Do you know what I'm looking at here?
29:54Wow!
29:57Good, people.
29:59Wait.
30:00Why am I looking at you here?
30:01You look beautiful.
30:04You look beautiful.
30:05You look beautiful.
30:06You look beautiful.
30:07I see КаÐī...
30:07Oh!
30:08You look beautiful.
30:10I see that...
30:11I saw the dumb shit.
30:12I get several things.
30:16And I saw the dumb shit.
30:17Do you see that?
30:19Bro, brother.
30:19You look beautiful.
30:21Good.
30:22Over here are the dumb shit.
30:23Here's my recommendation.
30:25Here's my recommendation.
30:27Where's my recommendation.
30:36No, I wasn't in the house.
30:38You're a lot of me.
30:40Let's go, let's go, thank you.
30:42Let's go, let's go, let's go.
30:43Hi, hi, hi, hi!
30:45I don't sleep.
30:52See?
30:54All the lights are lit up in the house.
30:56And in that house they are lit up in the house.
30:59There's no one.
31:01I don't sleep.
31:02Goxie!
31:07It's always lit up in the house.
31:08There's no sleep.
31:10It's clear to her.
31:13Do you know me?
31:14I don't know.
31:16And then you know Salsu.
31:18I don't know Salsu.
31:19I wanted to write to me in the house.
31:23I didn't know Salsu.
31:24I didn't know Salsu.
31:25I don't know.
31:26I don't know.
31:29They are great friends.
31:31They are friends.
31:32They are a little girl.
31:33What?
31:34It's clear that Barbara is a friend.
31:38What do you want to say?
31:42I don't know Salsu.
31:45I don't know Salsu.
31:48I don't know Salsu.
31:52I don't know Salsu.
32:00What are you doing?
32:02You don't have to hear that.
32:04What are you doing?
32:05I don't know Salsu.
32:05I don't know Salsu.
32:06I don't know.
32:07I don't know Salsu.
32:16I'm wrong.
32:17I'm wrong.
32:17We're wrong.
32:19I'm wrong.
32:21We're wrong.
32:25People are wrong, but they're wrong.
32:33One.
32:36And the other.
32:37Do you know that between a million pahuljica there is one,
32:43which is rare and unique between all the other pahuljica and pahuljica?
32:51Aha.
32:52Then we have to find this one in a million.
32:59If we have a house, we have this one in a million.
33:04What?
33:07What?
33:08Because it's a very important pahuljica.
33:13A million pahuljica.
33:15And we have to find this one because it's very important.
33:21Aha.
33:22Then we're going to ask if we don't find this one in a million pahuljica,
33:28and we have this way with these pahuljica.
33:31And I don't want to forget this one in a million pahuljica.
33:39Between all the pahuljica.
33:43No.
33:49Do not know the pahuljica.
33:51Do not know the pahuljica.
33:51Do not know that one more.
33:51Do not know that one of millions of these dollars.
33:52And we'll find this one in a million.
33:53Do not know that.
34:00Do not know that.
34:01I'm not.
34:01Wait, wait, wait, wait, wait, wait.
34:04I'm so mad.
34:06I'm so mad.
34:07We'll find a band, a band of chocolate, and chocolate.
34:11Band of chocolate, and chocolate...
34:13I don't have a comment!
34:15What are you doing?
34:16What are you doing?
34:17What are you doing?
34:17What are you doing?
34:19What are you doing?
34:23What are you talking about?
34:24What are you talking about?
34:26Let me tell you!
34:28Just put it in the way, hold it!
34:29What are you talking about?
34:30Now, wait, wait!
34:31Let me tell you!
34:32I'm talking about this one,
34:33and I'm talking about it!
34:35You mean that?
34:39Wait!
34:44I'm talking about this one!
34:46I'm talking about this one!
34:47I am.
34:49He said that they were children from Barbara,
34:52and that she was able to take it.
34:53It was nice to us.
34:57So Barbara was a child.
35:02That means that we are the next one.
35:05We?
35:07Yes.
35:07We are the first one.
35:11But wait,
35:12the governor said that Barbara were the best friends.
35:19He said it.
35:27We want to be smart.
35:30We are going to be smart.
35:34We are going to be smart.
35:34Like dogs.
35:39We will be smart.
35:42We will be smart.
35:42Like...
35:43Victoria.
35:45Victoria.
35:50Okay.
35:51What do you mean?
35:52No.
35:53That means that they are children from this house.
36:02I know what Barbara is like.
36:08Oh.
36:18With the
36:19Now, now, now, now.
36:21Now, now.
36:22Now, now.
36:23Now, now, now.
36:23Now, now, now...
36:23Now, now.
36:23Now, now, now, now.
36:24Now, now.
36:27Now, now, now, now.
36:36Now.
36:36Yes!
36:38Yes!
36:51KovÅĄaj!
36:53When Vara comes and starts like Nedli,
36:57she will fall on her.
37:02Yes, yes, yes, no one will stay here like a castle.
37:05A castle, bro.
37:09And then, when it will be a castle
37:12and we accept it,
37:15she can't go.
37:16No one will.
37:23Now we have to go to Korana
37:26to save the Vlade, the child.
37:30Let's go.
37:38Let's go.
37:40Let's go.
37:54Let's go.
38:02Let's go.
38:03Let's go.
38:06Let's go.
38:07Let's go.
38:08Let's go.
38:17Let's go.
38:19Let's go.
38:20Let's go.
38:29Let's go.
38:32Let's go.
38:34Let's go.
38:43Let's go.
38:49Let's go.
38:51Let's go.
39:02Let's go.
39:15Let's go.
39:18Let's go.
39:44Let's go.
39:46Let's go.
39:49Let's go.
39:50Let's go.
39:51Let's go.
39:53Let's go.
39:55Let's go.
39:57Let's go.
39:57Oh.
39:58Let's go.
39:59Let's seek out.
40:01Let's go.
40:03What are you doing?
40:05What are you doing?
40:07What are you doing?
40:07Ah, yes.
40:09After all these situations,
40:12we are continuing to put
40:14the gates for the barb.
40:15The gates for the barb.
40:22Interesting.
40:24Yes.
40:29Let's put the gates under the basin.
40:33When Varvara goes to the basin,
40:36she doesn't have to skip her.
40:41Let's prepare the gates under the basin.
40:48The mothers have to be
40:50from the vault.
40:52Let's open it.
40:53It can be.
41:02Let's go.
41:05Three...
41:06Four...
41:08Three...
41:09Four...
41:10Four...
41:11Four...
41:11Four...
41:21Four...
41:23Five...
41:24I don't see a secret.
41:34I'm jumping.
41:35I'm jumping.
41:39I'm jumping.
41:40Five...
41:40Four...
41:41I'm...
41:47Five...
41:49Four...
41:51Yes, and then we were so cold and fell in the house.
41:57We fell in the castle with a bit of a mess.
41:59Yes, and then I felt some humor and I don't know what to do.
42:11Wait, we were lying on the sofa and sleeping.
42:14I remember that.
42:16Yes, there is no more cafe for them two.
42:19No, no.
42:20No, no, no, no, no.
42:20Nema kafane bez pratnje odraslih.
42:23Pa, mi smo i Äekali pratnje odraslih.
42:25Samo se neko nije pojavio.
42:27Mhm, i nije bio dostupan celu noÄ.
42:30Eko, Konstantine, nemoj da prevacujeÅĄ kridicu na druge.
42:34To ne ponosi.
42:35Jurota, deca ÅĄta su morali da gledaju jutro kad su iÅĄli u ÅĄkolu?
42:40Plus, kroz ÅĄta Äe sve morati da prolaze u Åūivotu kad je meni uniÅĄtena karijera.
42:46I'm all overpriced in Hadji Biberaj.
42:52Yes, I'm overpriced in Hadji Biberaj.
42:54It's scary.
42:56It's not so scary.
42:58It's not scary.
42:59Why are you overpriced in Hadji Biberaj?
43:00Just wait for me to get Hadji BiberoviÄ.
43:04Let's go.
43:05Here he is.
43:06He doesn't want to go to you.
43:08Let's go.
43:09He's a man like this.
43:10He's a man like this.
43:11Here he is.
43:12Good day. Asistent, Gospodine Hadji BiberoviÄ.
43:14What are you saying?
43:16Sorry, excuse me.
43:20Why are you calling me?
43:23I'm on my side.
43:24I'm on my side, Gospodine Hadji BiberoviÄ.
43:27Good day.
43:28I'm on my side.
43:29I'm on my side.
43:29I'm on my side.
43:32If something needs, I'll do it.
43:36If something needs.
43:37Gospodine Maksimovic, the thing is very delikat.
43:39The time is not.
43:41Here I am.
43:42I'm going to bring the most valuable ÐļзÐēÐļÐ―ised.
43:43Gospodine Hadji BiberoviÄ.
43:44And I'm going to go to that he'll be a better sense of all the mistakes that are going on.
43:50How are you doing?
43:53How are you doing?
43:54I'm going to give it.
43:55What are you doing?
44:00I'm going to give it to me.
44:03You're going to give it to me.
44:04You're going to give it to me.
44:04You're going to give it to me.
44:04You're going to give it to me.
44:05You're going to give it to me.
44:06That's true.
44:07Please go back to these dezinformations.
44:11What do you think about it?
44:14I'll say it.
44:16Some of the requirements are located in the restaurant,
44:18the vlasts of Mr. HadÅūivi VeroviÄ.
44:20They don't agree with standards,
44:21but they are not important for those of you.
44:23They are all concerned about it.
44:26Yes.
44:26What are the standards?
44:29I mean, what is it?
44:31I don't understand it.
44:32As I understood,
44:34the vlasts of Mr. HadÅūivi VeroviÄ
44:36are the ones that are in the house.
44:38You said you didn't have any problems?
44:42I?
44:44What?
44:45How many problems?
44:47Even the problems from the problems,
44:48I don't believe you.
44:50No, no, no, no.
44:52You had any problems?
44:55No.
44:57I came to bring you to Mr. HadÅūivi VeroviÄ
45:00to prevent all of the problems
45:02from the point of view of our restaurant.
45:06Really?
45:11Yes.
45:13I'll just tell you one thing.
45:15Your restaurant is my favorite restaurant.
45:18Not only my, but my...
45:21Yes.
45:23Yes.
45:24What happens in the house is
45:26in the house?
45:27It's still in the house.
45:30In the house.
45:32In the house.
45:33In the house.
45:34In the house.
45:45I hear you.
45:45They organize me the event
45:47and nobody will come to me.
45:49Look at him.
45:50He speaks his story.
45:52He doesn't speak.
45:54Here he is.
45:56Can I get a phone?
45:58Stop!
45:59Stop!
46:01Stop!
46:01Stop!
46:03Stop!
46:04Stop!
46:07Where is Marko?
46:09He's a little bit upset.
46:10Stop!
46:11Stop!
46:13Stop!
46:14Stop!
46:15Come on, we'll have to have a good time.
46:17We'll have to have a good time.
46:18This is my friend.
46:22She's our friend.
46:24Unfortunately, there is no one.
46:25No one.
46:25No one.
46:26No one.
46:27No one.
46:28No one.
46:28No one.
46:31This is Philip.
46:33He's a great man.
46:34He's a good man.
46:35Okay.
46:36Don't worry.
46:37What did you remember?
46:39One.
46:39You have to be married.
46:41Two.
46:42You have to be married.
46:43You have to be married.
46:44One.
46:46One.
46:48One.
46:50One.
46:51One.
46:52One.
46:53One.
46:54One.
46:56Ah, what?
46:57Yeah, you're in connection with me.
46:59No, sorry.
47:01I'm sorry.
47:01I'm going to ask you.
47:02I'm not.
47:03I'm not.
47:04I'm not in connection with me.
47:05You're not in connection with me.
47:06I'm not.
47:06I'm not.
47:07Yeah, I'm not.
47:07It means everything is shown.
47:07I'm not in connection with you.
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