- 15 minutes ago
George has won a lot of money at the races but he's paid with counterfeit money. He sets about tracking down the criminals himself.
George Formby - George Gullip
Googie Withers - Mary Brown
Gus McNaughton - Bill Pike
Garry Marsh - A.G. Brady
C. Denier Warren - Maj. Hopkins
Beatrix Fielden-Kaye - Housekeeper (as Beatrix Feilden-Kaye)
Joss Ambler - Lord Redhill
Ronald Shiner - Bridgewater
Martita Hunt - Madame Berdi
Joan Benham - Woman in Racecourse Bar
Ernest Borrow - Police Sergeant
Esma Cannon - Maid
Hal Gordon - Brewery Truck Driver
James Knight - Brewery Foreman
Phyllis Morris - Cleaning Woman
Basil Radford - Guest at Madame Berdi's
George Street - Detective Inspector Carey
Tiger Tasker - Self
Harry Terry - Race Card Seller/Slush Passer
Jack Vyvyan - Policeman Playing Cards
Elsie Wagstaff - Mrs. Hopkins
Freddie Watts - Bridgewater's Henchman
Director - Anthony Kimmins
George Formby - George Gullip
Googie Withers - Mary Brown
Gus McNaughton - Bill Pike
Garry Marsh - A.G. Brady
C. Denier Warren - Maj. Hopkins
Beatrix Fielden-Kaye - Housekeeper (as Beatrix Feilden-Kaye)
Joss Ambler - Lord Redhill
Ronald Shiner - Bridgewater
Martita Hunt - Madame Berdi
Joan Benham - Woman in Racecourse Bar
Ernest Borrow - Police Sergeant
Esma Cannon - Maid
Hal Gordon - Brewery Truck Driver
James Knight - Brewery Foreman
Phyllis Morris - Cleaning Woman
Basil Radford - Guest at Madame Berdi's
George Street - Detective Inspector Carey
Tiger Tasker - Self
Harry Terry - Race Card Seller/Slush Passer
Jack Vyvyan - Policeman Playing Cards
Elsie Wagstaff - Mrs. Hopkins
Freddie Watts - Bridgewater's Henchman
Director - Anthony Kimmins
Category
🎥
Short filmTranscript
00:00:00The End
00:00:39The End
00:01:05Last week, Cardiff. The week before Newcastle.
00:01:08Six months now they've been getting away with it. What have you discovered? Nothing.
00:01:11We've proved it's the work of one gang, sir.
00:01:13The Daily Sun doesn't seem to think so.
00:01:14Of course, sir, if you prefer to back the judgment of a pack of news hawks to our...
00:01:17No, no, no, I'm not saying that. We've got to face facts.
00:01:19These Sun reporters are always discovering slush one town ahead of us.
00:01:22Yes, I know, sir.
00:01:23Well, for heaven's sake, get busy. They're making a laughingstock of us.
00:01:26And I won't have my police organization laughed at by the Daily Sun or any other newspaper.
00:01:33How can I set this up if I can't read a word of it?
00:01:36Who made these filthy monks?
00:01:37Not me, sir. Couldn't say, sir.
00:01:39Oh, somebody must say it.
00:01:40Well, you'd better ask George Gallup.
00:01:42Gallup?
00:01:42Yes, he thinks he's Sherlock Holmes, Sexton Blake, role in the one.
00:01:46He'll find out anything.
00:01:48Gallup?
00:01:49Yes, sir.
00:01:54Oi!
00:01:55Beg your pardon?
00:01:57Yes, sir.
00:01:58So, you're a bit of a detective, eh, Gallup?
00:02:01Well, you see, sir, with my news...
00:02:02See those marks?
00:02:04Oh, yes, sir.
00:02:05Show me who did them and you can pack up a quarter of an hour earlier tonight.
00:02:10Well, it's elementary, my dear Watson.
00:02:12What?
00:02:13Look, another one.
00:02:15So it is.
00:02:17Look, another one.
00:02:18Huh?
00:02:20Look.
00:02:23Another one.
00:02:26Look.
00:02:27There's another one.
00:02:29Look.
00:02:30There's another one.
00:02:33Look.
00:02:34The criminal.
00:02:36Where?
00:02:36There.
00:02:43What's the idea?
00:02:44Well, look.
00:02:44You can see them ink marked on Puss's feet.
00:02:46That's right.
00:02:47So you can.
00:02:47That's right.
00:02:48But how do you get the ink on his feet in the first place?
00:02:50I put it on.
00:02:51You put it on?
00:02:53Yes, you see, with my patent crime detector.
00:02:55Then you can take that to Mr. Brady and tell him why I can't read it.
00:02:58But I...
00:02:59Mr. Brady!
00:03:00Quick!
00:03:02How the devil do you want?
00:03:03Well, it's about your copy, sir.
00:03:05Well, what about it?
00:03:06Well, I've invented a sort of a detector that if you...
00:03:08Now, wait here.
00:03:09Wait here.
00:03:10Ah.
00:03:12Yes, sir?
00:03:12What's the meaning of all this sludge business?
00:03:15Slush, sir, not sludge.
00:03:16This counterfeit money business.
00:03:17Who told you to run it on the front page?
00:03:19It's a great stunt.
00:03:20Nonsense.
00:03:21No public appeal.
00:03:21Thousands of I...
00:03:22You heard what I said?
00:03:24I did.
00:03:25Hey, I haven't finished with you yet.
00:03:27Very good, sir.
00:03:29Tell my secretary to cancel that slush copy.
00:03:31Come here, Brady.
00:03:32Coming, sir.
00:03:33Cancel.
00:03:33Slush.
00:03:34Go on.
00:03:36Hey, look out.
00:03:36Look what you're doing.
00:03:38Hey, what's the idea?
00:03:39I'm just going to see Miss Brown.
00:03:41Well, don't practice on me.
00:03:45But, Professor Ashton, you can't do that.
00:03:48It's one of the most popular features in the paper.
00:03:52Oh, all right.
00:03:53I'll tell, Mr. Brady.
00:03:55Hello.
00:03:56Miss Brown, Mr. Brady said you had to cancel the slush copy.
00:03:59Oh, did he?
00:04:00And there's this.
00:04:02Oh, yes, that's about slush too.
00:04:03Well, that won't be needed either.
00:04:05Oh, thank goodness for that.
00:04:06What are all these marks on it?
00:04:08Oh, that's from my detector.
00:04:10Detector?
00:04:11Yes.
00:04:12Look, if they'd let me use their ads and catch the slushes for them.
00:04:15You would?
00:04:16Yes, well, you see, through working in the printing shop,
00:04:18we get to know quite a lot about inks,
00:04:19and I've been mixing them up a bit,
00:04:21and this is the solution I've got that won't come off.
00:04:23Go on.
00:04:24Yes, well, when I say that,
00:04:25it comes off on your finger, all right,
00:04:26and it comes off on anything that you touch with your finger.
00:04:29But it stays on your fingers just the same.
00:04:32Do you mind saying that again very slowly, please?
00:04:35Well, I'll show you.
00:04:37You see, this is the ink I've mixed.
00:04:38Now, I'll put a bit on your finger and you'll see.
00:04:41Now, go on, mark something.
00:04:46See?
00:04:46Yes.
00:04:47Needs a mark.
00:04:48Well, of course.
00:04:48Now, you try and get it off your finger.
00:04:52Well, come off.
00:04:53Of course it won't,
00:04:54and it'll stay there for a whole week.
00:04:55What?
00:04:56Here, and I'll know everything you've been doing by the mark you leave.
00:04:58Well, I don't think that's very funny.
00:05:00No, no, I didn't mean it that way.
00:05:02Look, I've got a special bottle of antimacassar that'll bring it off.
00:05:06I mean, I wouldn't do it to you, Miss.
00:05:08Brown only do it to slushes and things.
00:05:10Mark slushes, you see?
00:05:11What the devil are you doing here?
00:05:13I was explaining to Miss Brown.
00:05:14Well, get out.
00:05:15You finished that typing yet?
00:05:16Oh, nearly.
00:05:16Now, come on, hurry up.
00:05:17Take those things off my desk.
00:05:19I'm being quick as I can, sir.
00:05:21Thank you, sir.
00:05:23Good night, Miss Brown.
00:05:24Get out!
00:05:28It'd be a lot easier for everyone
00:05:29if Lord Redhill kept to his own job of owning the paper
00:05:31instead of trying to run it.
00:05:34The noise of that typewriter's driving me crackers.
00:05:36Everyone else in the building is one of the silent ones.
00:05:38Why haven't I?
00:05:39I'm sorry, Mr. Brady, but the stores have made a mistake.
00:05:41You see, they issued the last silent one.
00:05:43Then stores have better put it right.
00:05:44Take that one back.
00:05:45Very good, Mr. Brady.
00:05:47Did you cancel that slush, Nina?
00:05:48Yes.
00:05:50Oh, and Professor Ashton phoned up.
00:05:51He's had a dash off and examined a prehistoric skull or something
00:05:54who won't be able to get his copy through in time.
00:05:56He can't do that.
00:05:56His daily horoscope's read by thousands.
00:05:58Yes, I know.
00:05:58Why don't you have to vamp it up yourself?
00:05:59Yes, but that's impossible.
00:06:00Well, someone's got to do it.
00:06:02Blinking lordship's in a bad enough temper as it is.
00:06:04Very good, Mr. Brady.
00:06:07Yes, sir?
00:06:08Give this to the head storekeeper.
00:06:09Yes, sir.
00:06:11Oh, hello.
00:06:12Can I help you?
00:06:13Oh, thanks.
00:06:14I'm taking it to the storeroom.
00:06:16Oh, I'll wait here for you, Romeo.
00:06:18Here.
00:06:20I was wondering if you'd come out and have a drink with us.
00:06:22Oh, I'm sorry.
00:06:23I can't.
00:06:23Mr. Brady's given me some extra work to do.
00:06:26Mr. Brady insists on having one of those silent runs.
00:06:29I'll do my best, miss.
00:06:30Good night.
00:06:31Good night.
00:06:32I was wondering if I could be of any help.
00:06:35I don't suppose.
00:06:36Do you know anything about horoscopes?
00:06:38Well, not much, but I can try.
00:06:39All right, then.
00:06:40Two heads are always better than one, aren't they?
00:06:42Of course, yes.
00:06:42However empty.
00:06:43Yes.
00:06:45It's along here.
00:06:48Beats me how you worked this thing.
00:06:56Oh, I wish this was real and I was following up a murder.
00:07:00Oops.
00:07:00Tried to bite me.
00:07:02Tell you what.
00:07:03We'd better pick some out of the back numbers and trust to luck.
00:07:07What's that?
00:07:08This is a cover for my disguises.
00:07:10I'll show you.
00:07:12King of Norway.
00:07:14The other way.
00:07:16And I always thought you were a keen musician.
00:07:18Well, I am.
00:07:19All right, then you play something while I get on with the horoscopes.
00:07:21All right, and I might be able to help.
00:07:25I can read the future and tell if fate's unkind.
00:07:30The stars I've read, I'll look ahead and this is what I find.
00:07:36Climbing last week, a big mountain peak.
00:07:40I slipped down a rocky slope.
00:07:43I cried as I fell.
00:07:45I'm on my way to bed.
00:07:47I can tell it by me horoscope.
00:07:50My brother Joe pulled a wishbone with flow and said for the best, let's hope.
00:07:58Then he whispered, ooh, me wish is coming true.
00:08:01I can tell it by me horoscope.
00:08:05There's lucky colors, lucky stones, lucky numbers too.
00:08:12Lucky eight, as sure as fate, will always pull me through.
00:08:19My cousin Kate is putting on weight.
00:08:23I said you're beyond all hope.
00:08:26Nature's unkind.
00:08:28Your future's all behind.
00:08:29I can tell it by your horoscope.
00:08:33Once an old maid said I'm afraid.
00:08:37My future brings no hope.
00:08:40I said don't give way.
00:08:42The troops are home today.
00:08:44I can tell it by your horoscope.
00:08:48Early one morn, a baby was gone.
00:08:51His father said please don't moat.
00:08:55Let's jump for joy.
00:08:57I know that it's a boy.
00:08:58I can tell it by his horoscope.
00:09:02There's lucky colors, lucky stones.
00:09:06There's lucky numbers too.
00:09:09Lucky eight, as sure as fate, will always pull me through.
00:09:16I study stars, Venus and Mars.
00:09:20For Venus there isn't much hope.
00:09:23She's all wrapped in gauze with a pair of flannel socks.
00:09:27I can tell it by your horoscope.
00:09:29I can tell it by your horoscope.
00:09:49I can tell it by your horoscope.
00:10:14Oh, that was lovely.
00:10:16Will you play again for me sometime?
00:10:18Anytime you like.
00:10:19Good.
00:10:20Well, I suppose I'd better be taking our horoscope along and hope for the best.
00:10:24And I'll better be getting up back against the bill.
00:10:29Good night.
00:10:30Good night.
00:10:31Happy dreams.
00:10:39For 15 years I've been henpecked and I never realized it.
00:10:42You don't say so, sir.
00:10:43And then today being my birthday, I happen to glance at my horoscope.
00:10:47In domestic matters, you display a lack of willpower which is at odds with your true character.
00:10:51This weakness must be vanquished at all costs.
00:10:53At that moment, in comes my wife, nagging as usual.
00:10:56I pick up the hairbrush and...
00:10:58Oh, send for Ashton.
00:11:01I owe him a lot of thanks.
00:11:02And I'm afraid he's away for a few days, sir.
00:11:05Really?
00:11:05Well, then, who wrote this morning's brilliant horoscope?
00:11:07Oh, well, as a matter of fact, I...
00:11:08It was mostly George Gullop, sir.
00:11:10Gullop?
00:11:10Never heard of him.
00:11:11He works in the composing room, sir.
00:11:13Composing room?
00:11:14Hello, hello.
00:11:15Put me on to the composing room.
00:11:17Gullop?
00:11:18Not really, he'll want you.
00:11:19Mr. Brady's office.
00:11:20What?
00:11:21Me?
00:11:22What part?
00:11:23The sack, I owe.
00:11:25Oh, I'm...
00:11:26Well, I'll tell you, mother, your last thoughts were of her.
00:11:28Oh, goodbye.
00:11:31From now on, I'm going to reorganize my home life completely.
00:11:35Now I am.
00:11:37You sent for me, sir?
00:11:39Are you Gullop?
00:11:41Gullop, sir.
00:11:43Come here, Gullop.
00:11:47So you wrote today's horoscope, did you?
00:11:52Disgraceful fraud, you don't deny that.
00:11:55Scandalous betrayal of the ethics of journalism, eh?
00:11:58And, of course, you knew it was my birthday.
00:12:00Oh, yes, yes, he did, sir.
00:12:02Well, it always be my policy to give youth a chance.
00:12:05What's your ambition in life?
00:12:07Crime, you worship.
00:12:08I mean, lordship.
00:12:10Committing?
00:12:11No, detecting, your lordship.
00:12:12Well, reporting crime often amounts to the same thing, Gallop.
00:12:16Gullop, sir.
00:12:17Oh, yes.
00:12:17We'll give him a chance one of these days, Brady.
00:12:19Be interesting to see what he can do.
00:12:20Certainly, sir.
00:12:21Thank you, sir.
00:12:22When it was up?
00:12:23You heard what he said, Gullop.
00:12:24One of these days.
00:12:26Now, Hobbit, I'm busy.
00:12:27Get out!
00:12:32We'd better get some lunch, otherwise we'll be late for the races.
00:12:35I'll make you at the main entrance.
00:12:36Okay.
00:12:43You know, you are a pal.
00:12:45Am I?
00:12:46This is the chance of a lifetime, and I owe it all to you.
00:12:48Oh, nonsense.
00:12:49Yes, I'll be able to use my detector now.
00:12:50I can show Mr Brady how it works on Monday.
00:12:52Oh, do you think you should?
00:12:54Of course you, why not?
00:12:55Well, listen, George, it's a great idea, but after all, how are you going to be able to mark anybody
00:12:58who doesn't want to be marked?
00:12:59Hey, I've thought of all that.
00:13:04Well, you see, it's like this.
00:13:05Now, you choose anybody you like.
00:13:07Yes?
00:13:08I'll ink a sixpence.
00:13:09I'll put it near them.
00:13:10They'll pick it up and then mark the thumb.
00:13:12Oh, I see.
00:13:14Well, how about that man over there in the black hat?
00:13:16It's in the back.
00:13:18I've got a story here, packed with thrills, tears, and laughter.
00:13:21Doubtless so, but all manuscripts must be submitted through the post.
00:13:24A man of my reputation?
00:13:26Ring the fiction editor.
00:13:27Very good, sir.
00:13:29Isn't that nice, isn't it?
00:13:31You watch.
00:13:32Sorry, sir.
00:13:33He says you must submit it by post.
00:13:35Ridiculous.
00:13:36Why should I waste a perfectly good sixpence?
00:13:38Oh, excuse me.
00:13:40Is this your sixpence?
00:13:41Funny, aren't you?
00:13:44Well, I nearly got them.
00:13:45Very nearly.
00:13:46Well, you'd better go and get your sixpence back.
00:13:51I'd like to speak to the news editor, please.
00:13:53Major Hopkins.
00:13:53I'll ring through, sir.
00:13:55Anything wrong?
00:13:56Yes.
00:13:56Have you seen a round sixpence here?
00:13:58Eh?
00:13:59I mean, have you seen a sixpence round here?
00:14:01No, I haven't.
00:14:02But I'm sorry.
00:14:03Sorry, Major Hopkins.
00:14:04The news editor's out.
00:14:05All right.
00:14:05I'll ring through later.
00:14:06Good day.
00:14:11Fair luck.
00:14:12Well, never mind.
00:14:13I've got another sixpence.
00:14:14I'm going to prove my detective.
00:14:15It costs me everything I've got.
00:14:20What about the Queen of Sheba?
00:14:22Yes.
00:14:28I wish to speak to your musical critic, Viet.
00:14:30His name's Wilson, madam, and not Viet.
00:14:33Whatever his name is, tell him that Madame Verdi is here.
00:14:35I think he left for the Stockholm Music Festival.
00:14:38I'll make sure.
00:14:38Now.
00:14:43I won't look.
00:14:44You tell me.
00:14:47Look, she's in it.
00:14:50You won.
00:14:51Good for you.
00:14:52Quick, go and get your sixpence.
00:14:57Good for you.
00:14:57What is it?
00:14:59Nothing.
00:15:02Oh, you poor thing.
00:15:03You are unlucky.
00:15:04Well, never mind.
00:15:05It was worth it to prove it to you.
00:15:07Hey, what are you doing here?
00:15:08I was just showing Miss Brown, my detective.
00:15:10Oh, you what?
00:15:11Would you like to see it?
00:15:11No, I shouldn't.
00:15:12Where would you like to go, dear?
00:15:13Majestic Palace, anywhere you like.
00:15:26Hello, George.
00:15:26Hello.
00:15:27Was it the sack?
00:15:28No.
00:15:29What are you looking so miserable for?
00:15:31Well, it's that fella Brady.
00:15:33I mean, taking Miss Brown out to lunch.
00:15:35What chance have I got when he's exit the Majestic Palace?
00:15:38I can only afford a fish and chip shop.
00:15:40Say, George.
00:15:41What?
00:15:42How much money have you got saved up?
00:15:44About a couple of quid.
00:15:45That's grand.
00:15:46You've got the money.
00:15:47I've got the information.
00:15:48We can make our fortune this afternoon for races.
00:15:51I'm having nothing to do with it, no.
00:15:53Now, George, I've got a tip for this afternoon that can't go wrong.
00:15:56We split 50-50.
00:15:57You can make enough money to take the girl wherever you want to take her.
00:16:00No, no, and no, I'm having nothing to do with horses.
00:16:03But, George.
00:16:04No.
00:16:07What, er, what's its name?
00:16:21Hello, Kerry.
00:16:23Oh, hello, Brady.
00:16:23Not hoping to pick up any clues here, are you?
00:16:25You'll never know.
00:16:26Anything would be better than nothing.
00:16:27Better than that.
00:16:28Between you and me.
00:16:29Okay, I won't use it.
00:16:30Good luck.
00:16:31Thanks.
00:16:32Race card.
00:16:34Race card.
00:16:36Race card.
00:16:37Thank you very much, sir.
00:16:38Hello, Steamroller.
00:16:40New line for you, isn't it?
00:16:41What's wrong with selling race cards?
00:16:42Nothing.
00:16:43As long as you're only selling race cards.
00:16:45Why don't you leave me alone?
00:16:46All right.
00:16:47Race card.
00:16:47All right.
00:16:48Race card.
00:16:49Hey, old lady.
00:16:50Race card.
00:16:52Race card.
00:16:54Race card.
00:16:56Hey.
00:16:57Race card, sir.
00:16:58Race card.
00:16:59Two-thirty's the race.
00:17:00We're backing every horse.
00:17:01What, all of them?
00:17:02Yes, all of them.
00:17:03We cover as many bookies as we break the money.
00:17:05But the Phantom can't lose.
00:17:06We've got all the slush on the Phantom.
00:17:08And we get all the more real doing the winners.
00:17:10You do as you're told.
00:17:11I'm not taking any chances.
00:17:12Even with outsiders.
00:17:14All right, then.
00:17:15Race card.
00:17:16Race card.
00:17:23Number five.
00:17:24Let's lollipop.
00:17:25That's bound to get late.
00:17:27Ha-ha.
00:17:27Chickle-chickle.
00:17:28Well, I thought it was funny.
00:17:30Hadn't we better be getting our money on?
00:17:32Shh.
00:17:34All the results.
00:17:35Arm use are straining.
00:17:39Draw number eight.
00:17:44Number eight.
00:17:45Golden boy.
00:17:47There you are.
00:17:48Told you so.
00:17:48All the best.
00:17:49Look, golden boy.
00:17:50Fire cap and sleeves.
00:17:53There it is.
00:17:56There's the horse that's going to make our fortune.
00:17:59Fair enough.
00:18:02What are the luck in that?
00:18:03Just a lot of mud.
00:18:04That's all.
00:18:04Give me the money.
00:18:05Hand it over.
00:18:06Of course you would.
00:18:08Make it more difficult for me.
00:18:09Why lock up in a money box?
00:18:11Well, I mean, that's the place.
00:18:12What do we do now?
00:18:13Well, I'll be off any minute.
00:18:15Ah.
00:18:16Ha-ha-ha.
00:18:18Ooh.
00:18:19Hey.
00:18:20Hey.
00:18:21Why don't you have the key?
00:18:22Oh.
00:18:24Will you go in the stand and find a place where I get the money on?
00:18:28Go on.
00:18:32Give me two dollars, stand it.
00:18:34Finishing the drive down to Mr. Brady.
00:18:36Hold it.
00:18:36Ah, Brady.
00:18:37I see you've got your typewriter with you.
00:18:39Well, I...
00:18:40Tell me, who's that very attractive woman over there?
00:18:43Your bag.
00:18:46Thank you very much.
00:18:47Not at all.
00:18:49Well, that's Madam Beardy, the singer.
00:18:51Oh, is he?
00:18:51Yeah, she's very angry with the sun.
00:18:53Wilson described her voice as almost as stunning as her looks, and she took it the wrong way.
00:18:57Oh, good heavens, I must apologize at once.
00:18:59Introduce me.
00:19:00Sure.
00:19:06Come on, George.
00:19:07What do you think of that?
00:19:08Thirty quid to come.
00:19:10See?
00:19:10Then we've won thirty quid.
00:19:11Almost.
00:19:12Look out.
00:19:13I'll soon be off.
00:19:15Right.
00:19:16Of course we've done right.
00:19:18Thirty quid.
00:19:20Look.
00:19:21Eight.
00:19:22Eight.
00:19:22Eight.
00:19:23That proves it.
00:19:25Why, look, look.
00:19:26Violet.
00:19:27And eight.
00:19:28It's in the stars.
00:19:30Oh, then we're all right, then.
00:19:31Yes.
00:19:32Ashton's never off.
00:19:33At least never on Saturdays.
00:19:35Oh, that's good, because now the time is in.
00:19:38Did you see Ashton?
00:19:39Yes.
00:19:40Let's have a look.
00:19:43What's the matter?
00:19:44I still didn't write that.
00:19:47I wrote it.
00:19:50My bell.
00:19:51It's not a little joke.
00:19:52Oh, it's true.
00:19:53No, it's true.
00:19:54That's why Lord Reddell sent for me in his office this morning.
00:19:56Yes, I know.
00:19:58What?
00:20:02Come on, boy.
00:20:04Come on, boy.
00:20:07Come on, boy.
00:20:08Come on, boy.
00:20:09Come on, boy.
00:20:09Come on, boy.
00:20:09Come on, boy.
00:20:09Come on, boy.
00:20:10Come on, boy.
00:20:12Come on, boy.
00:20:19Come on, boy.
00:20:19Come on, boy.
00:20:21Come on, boy.
00:20:28Come on, boy.
00:20:30Come on, boy.
00:20:31Come on, boy.
00:20:32Come on, boy.
00:20:34Come on, boy.
00:20:36Come on, boy.
00:20:43No one's there coming through.
00:21:12One to pass out, sir?
00:21:14What one?
00:21:15Children boy.
00:21:22What?
00:21:26Get me!
00:21:28Hey, what do you think you're doing?
00:21:34What are you laughing?
00:21:35Come on, boys, I'll play.
00:21:36I'll play.
00:21:42Eight, eight, eight, eight.
00:21:43Eight, eight, eight.
00:21:44Give your number, but eight, eight, eight.
00:21:45We'll never find it.
00:21:46Oh, we've got to find it.
00:21:48Oh, my fingers are stuck.
00:21:49Okay.
00:21:51Oh, don't do that.
00:21:52Eight, eight, eight.
00:21:52Eight, eight.
00:21:53Hey, haven't we enough for no ladling more to it?
00:21:55What are you doing?
00:21:56Eight, eight.
00:21:58Oh, eight, eight.
00:21:59Every number, but eight, eight.
00:22:00I've got it, I've got it.
00:22:01Then give it to me.
00:22:06Here we are.
00:22:06Thirty quid.
00:22:07Right.
00:22:10Ten.
00:22:11Twenty.
00:22:12There you are.
00:22:12Thirty.
00:22:13Oh, George, look.
00:22:15Thirty quid.
00:22:17Now for a drink.
00:22:18And what a drink.
00:22:19Oh.
00:22:22There's somebody over there I particularly want to see.
00:22:24Will you be all right for a minute?
00:22:25Yes, of course.
00:22:26Right there.
00:22:30George!
00:22:34Well, what are you doing here?
00:22:36I've made a fortune.
00:22:37I've made a fortune.
00:22:38Come on, George.
00:22:39All right.
00:22:39I'd like you to come too, Miss Brown, will you?
00:22:43Well, all right.
00:22:46Take the order, my dear.
00:22:47Drink all round on me.
00:22:50What about a tune, Governor?
00:22:51Why not?
00:22:55Hello, Miss Brown.
00:22:56Has he told you what I've done for him?
00:22:57He definitely has.
00:22:59Aye, and he's right too.
00:23:02Can't help winning.
00:23:03I've been winning.
00:23:04Had a real good do.
00:23:06And now I'm telling you.
00:23:08Grey skies are turning blue.
00:23:10What a racket.
00:23:12What a packet.
00:23:13What a packet.
00:23:14I have one today.
00:23:15Trouble's over.
00:23:17I'm in clover.
00:23:18Everything's okay.
00:23:20I feel like a millionaire.
00:23:22I'm all deluxe and how.
00:23:24I'm in the money.
00:23:26Tasting the honey.
00:23:27Hitting the high spots now.
00:23:29All my frowns have turned to smiles.
00:23:31No wrinkles on my brow.
00:23:34I'm stepping out more.
00:23:35Getting about more.
00:23:36Hitting the high spots now.
00:23:38Life is what you're making.
00:23:40So make it worthwhile.
00:23:43Whatever comes, just take it.
00:23:45You gotta swing along and get in rhythm.
00:23:48I'm on top of all the world.
00:23:50I'm making good and how.
00:23:52Turning the switch on.
00:23:53Putting the ritz on.
00:23:54Hitting the high spots now.
00:24:33I've been living like a lord.
00:24:36The lord knows who or how.
00:24:38I'm in the right school.
00:24:39Going to night school.
00:24:41Hitting the high spots now.
00:24:43Horses, women, wine and song.
00:24:45And greyhounds to bow wow.
00:24:47When there's a shirt on.
00:24:49Putting the shirt on.
00:24:50Hitting the high spots now.
00:24:52Life is what you make it.
00:24:54So make it worthwhile.
00:24:57Whatever comes, just take it.
00:24:59You gotta swing along and get in rhythm.
00:25:01In the fed society.
00:25:03I soon will make my bow.
00:25:06Dressed up tricky.
00:25:07With a clean shirt on.
00:25:08Hitting the high spots.
00:25:10I'll be a big shot.
00:25:11Hitting the high spots now.
00:25:15Good boy George.
00:25:16That was Bram.
00:25:18Do you like it Miss Brown?
00:25:19How about Mary for a change?
00:25:21Do you mean I can call you Mary?
00:25:22Why not?
00:25:23Well, Miss Brown, Mary.
00:25:26Now that I've got a lot of money.
00:25:29I feel daft saying it.
00:25:31Do you think you'd come out with me sometime?
00:25:34I'd love to.
00:25:35Do you mean you would?
00:25:36Yes.
00:25:39Well I think I'd better be getting back now.
00:25:41Mr. Brady will be wondering where I am.
00:25:43Of course he will.
00:25:44Well, cheerio everybody.
00:25:46Good luck.
00:25:47Good luck.
00:25:48Good luck.
00:25:49Goodbye.
00:25:50Bye-bye.
00:25:51A tenner.
00:25:52Oh, haven't you got anything smaller?
00:25:54Sorry, nothing smaller.
00:25:55I've got survivors.
00:25:56How much do you want?
00:25:57Well, thirty quid.
00:25:58Oh, that's easy, my lad.
00:26:00Goodbye.
00:26:01That's great.
00:26:02Have a drink, old pal.
00:26:03No thanks.
00:26:04A little mug.
00:26:05Here you are, dear.
00:26:06That's better.
00:26:06Pipe down.
00:26:08Aye, aye.
00:26:08Just a minute, just a minute.
00:26:09Who do you think you are?
00:26:10Detective Inspector Carey.
00:26:11Wasn't a real detective.
00:26:13Thought so.
00:26:13Slush.
00:26:14Slush?
00:26:16Well, what about our money?
00:26:17We don't have to confiscate that.
00:26:21Well...
00:26:22Hello, what's the matter?
00:26:23That's Laurie going.
00:26:24I've got to open it.
00:26:25Quick.
00:26:25Right.
00:26:28Well, now I'll not be able to take Miss Brown.
00:26:30I mean, Marriott after all.
00:26:32I can only get me hands on him.
00:26:35Look.
00:26:38That's him.
00:26:39That's all right.
00:26:40What's the idea of him?
00:26:41Come on, General Roy!
00:26:42What's the idea of him?
00:26:43Make him out.
00:26:43What the places?
00:26:44Do not make him out.
00:26:46Do not make him out.
00:26:51Do not make him out.
00:26:52Do not make him out.
00:26:53Do not make him out.
00:27:00Do not make him out.
00:27:06Brinking craft round here, isn't there?
00:27:09You said I was getting a clone.
00:27:10Cloomey foot.
00:27:11He's got our money, that's all I know.
00:27:13But first stop, I'm going to hand him over to the police.
00:27:16No, you can't do that. It'll spoil everything.
00:27:18We've got to track him.
00:27:19What for?
00:27:20Well, he'll lead us to the headquarters of the gang, the Slushers.
00:27:23And on the way, I'm going to march him with my detective.
00:27:27Hey!
00:27:47Half a mo, half a mo.
00:27:49Well, we want to see a man about...
00:27:50So do a lot of others. You pay at the pay box.
00:27:52Oh, we'll have to wait till he comes out.
00:27:54I say, how much have you got left?
00:27:56Two and tuttles.
00:27:57That's a ceiling each, we can just make it.
00:27:58Ah, but that only leaves me with tuttles.
00:28:00Now, listen.
00:28:00I'll stay at the exit so he doesn't get out.
00:28:02You go and see if you can find him in the swimming bath.
00:28:04Swim?
00:28:04It means you can get out.
00:28:05It means you can get out.
00:28:05No, I mean...
00:28:06Now, don't tell me you can't swim.
00:28:08Yes, no.
00:28:09Well, yeah, I...
00:28:13Yes, I can swim like a duck.
00:28:15Well, what are you worrying about?
00:28:17Better than suit six from section.
00:28:18I've only got tuttles.
00:28:20Oh, never mind.
00:28:20Go and get the tickets anyway.
00:28:21Tickets.
00:28:23These are drawing in a bit, aren't they?
00:28:24Won't be long before we see Christmas now.
00:28:25Forget to hang up the old stocking.
00:28:27Got the tickets?
00:28:28Yeah, but it's a waste of two, Bob.
00:28:29Straight on.
00:28:30Straight through.
00:28:31Open up, will you?
00:28:31All right.
00:28:33Now, listen.
00:28:34Just duck inside and get changed while I scout round a bit.
00:28:37Don't be, Duff.
00:28:37I haven't got a costume.
00:28:38Costume.
00:28:42No.
00:28:42Well, can you put it on?
00:28:44Oh, I don't mind.
00:28:45But what size do you take?
00:28:4632.
00:28:4732.
00:28:4932 it is.
00:28:4940, I take.
00:28:50You go inside.
00:28:51With you.
00:28:52Yeah, but I...
00:28:52Don't worry.
00:28:53You swim like a duck, don't you?
00:28:55Yeah, but Dr. Donald Duff costume.
00:28:56That's right.
00:28:56You get inside.
00:28:57I'll see you later.
00:29:18No swimming.
00:29:19No mate.
00:29:20Saturday's wrestling night.
00:29:21But if you want to go at the tiger, he's taking on all comers.
00:29:24That's very kind of him.
00:29:27Yeah.
00:29:34Yeah.
00:29:35Of all the crazy halfwits, what do you want to go and do anything like that for?
00:29:38You let him down and that's like a ton of bricks.
00:29:39So didn't we know him, Gotley?
00:29:41Listen, you could have let him know.
00:29:42Ha!
00:29:46Ha!
00:29:49Ha!
00:29:52Ha!
00:29:53Ha!
00:29:53Ha!
00:29:55Ha!
00:29:56Ha!
00:29:57Ha!
00:29:57Ha!
00:29:57Ha!
00:30:01Ha!
00:30:02Ha!
00:30:04Ha!
00:30:07Ha!
00:30:28There's a price for five quid, five beautiful quid for the person who stands up to the terrible tiger for
00:30:37three minutes.
00:30:37Three beautiful minutes.
00:30:51Been in?
00:30:52Not likely.
00:30:53Too cold?
00:30:54Too hot.
00:30:55Too hot?
00:30:55Oh, I like it hot.
00:31:01Aha! The answer to a maiden's prayer. Come along, sir. We need you. Me?
00:31:07I can see at a glance you're going to wipe the floor with the poor old tiger.
00:31:12Me?
00:31:13Won't you?
00:31:14No!
00:31:15Oh, you!
00:31:16Oh!
00:31:17No!
00:31:24Your name, sir.
00:31:25your name, sir.
00:31:28Ladies and gentlemen, Mr Aber Aber, challenges the terrible tiger for five beautiful quid.
00:31:35Look, look, look, look!
00:31:37Now listen!
00:31:38No biting, no bowing, or no hair pulling!
00:31:42Don't tell me, tell him!
00:31:44Any oil? Any grease?
00:31:47Look, look, look, look!
00:31:48Hello?
00:31:49What's this?
00:31:50Well, I put these on because...
00:31:51Look, me, no, me not by him, no!
00:31:53No, no, no!
00:31:54No, look, look!
00:31:55I didn't want to, you see?
00:31:56Yeah, I've drawn them down, I'll tell you!
00:31:58I mean, I...
00:31:59Look, look!
00:32:00Okay, okay!
00:32:02Hey, get away!
00:32:03Somebody stop and move!
00:32:04Hey!
00:32:05Hey!
00:32:06Get away!
00:32:07Get away, you cheeky pasker!
00:32:09Go ahead!
00:32:10What are you doing, tiger?
00:32:14Get up!
00:32:21What are you doing, tiger?
00:32:24Hey, mother!
00:32:25Get away!
00:32:26Hey!
00:32:30Hey!
00:32:31Why don't you get away from me?
00:32:33Come on out of here, before the light finishes!
00:32:44Hey!
00:33:05Oh, I can't look, I can't look.
00:33:10Oh, I can't look.
00:33:15He wants a party.
00:33:21Hey, get away, get away.
00:33:25Oh, Ricky.
00:33:28Oh, oh, oh, oh, oh, oh, oh, oh.
00:33:36I'll stop the fight.
00:33:37Like a smoke, pal.
00:34:03Whoa, whoa, whoa, whoa, whoa, whoa, whoa.
00:34:15No.
00:34:17No.
00:34:18Hey, jump in.
00:34:20Come in.
00:34:20Come on.
00:34:25Stop.
00:34:27Why don't you stop?
00:34:29Put the camera in.
00:34:30Sit down.
00:34:32Come on.
00:34:32Pop it.
00:34:37Oh, oh, oh, oh.
00:34:42Oh.
00:34:47Oh.
00:34:49Oh.
00:34:49Oh, oh, oh.
00:34:52Oh.
00:34:55Oh!
00:34:56Oh!
00:35:01What are you doing, dogger?
00:35:03Give him up.
00:35:12He didn't think that worked.
00:35:13He can't get that happen.
00:35:15Get away!
00:35:16Move up!
00:35:17Whoa!
00:35:18Whoa!
00:35:19Whoa!
00:35:21Whoa!
00:35:21Whoa!
00:35:23Whoa!
00:35:25Whoa!
00:35:28Don't believe him!
00:35:35Eight!
00:35:37Nine!
00:35:38Out!
00:35:42Think of the cards.
00:35:43You win five quid.
00:35:44That's two pounds ten each.
00:35:45Yes, but what about the slushet?
00:35:47They've gone.
00:35:48Gone?
00:35:48Gone.
00:35:49You mean it's a shame?
00:35:50Well, I've been going through all that.
00:35:51You let them go?
00:35:52Congratulations, my boy.
00:35:53You can take on the world.
00:35:54The world's old world.
00:35:56Do you mean that?
00:35:57Yes!
00:35:59Not me, George.
00:36:00Not me!
00:36:01Not me!
00:36:02Not me!
00:36:13Oh, well, see that you do.
00:36:15Mary?
00:36:16Yes, Mr. Brady?
00:36:19What's been the matter with you all day?
00:36:20Something upsetting you?
00:36:21You know perfectly well.
00:36:23Oh, don't tell me it's still that gullip.
00:36:24Well, after all, I do think it's a shame when he's just got the chance...
00:36:28Oh!
00:36:28Just look at this.
00:36:29I cleaned up a couple of hundred on the last race at Morton, and now my bank manager tells
00:36:33me that most of it's slush.
00:36:34Slush, sir.
00:36:35Counterfeit!
00:36:36No question about it.
00:36:37Me!
00:36:37I!
00:36:38Redhill of the sun!
00:36:39Riddle Luke!
00:36:40Riddle...
00:36:41Head for a month!
00:36:42But, sir, you've run a front page.
00:36:45Lord Redhill to rid racecourses of slush racketeers.
00:36:49Offers 500 pounds for anyone giving information that'll lead to the arrest of the gang.
00:36:53A very generous offer, sir.
00:36:54Yeah.
00:36:55I'll get busy right away, sir.
00:36:56And if I may say so, I...
00:36:58Oh, yes, yes, yes.
00:36:58I know what you're going to say, and I admit I was wrong.
00:37:01From now on, sludge...
00:37:03Slush...
00:37:03Is going to be the main feature of the paper.
00:37:05I'm going to fix this gang once and for all.
00:37:07It's a national disgrace!
00:37:09George!
00:37:10Lord Redhill has offered 500 pounds for anybody who can find the slush gang and bring them to justice.
00:37:14He has?
00:37:15Yes, and look at this.
00:37:16Oh, what about it?
00:37:17A dead fiber that was paid out to him at the races.
00:37:19And look, your mark.
00:37:21So it is.
00:37:22But how did it get there?
00:37:24I know.
00:37:25The women are marked.
00:37:26That's right.
00:37:27Madame Baird, the opera singer.
00:37:28For her and the slush records.
00:37:30Oh, don't make me laugh.
00:37:32Come to think of it, I saw her betting heavily with five-pound notes.
00:37:35There you are.
00:37:36I'm going to tell Mr. Brady.
00:37:38George!
00:37:39And let him get the reward?
00:37:41Oh, no, you're not.
00:37:42You're going to have it yourself.
00:37:43Am I?
00:37:44Well, what are we going to do?
00:37:45Well, first of all, you've got to make sure that it is this Madame Baird.
00:37:48But how?
00:37:49Well, get another fingerprint and compare it with this.
00:37:51You'll have to get into the house somehow.
00:37:53What?
00:37:53Me?
00:38:00Oh, Baker.
00:38:02This stuff you give me is absolutely useless.
00:38:04Well, the chemist guaranteed it.
00:38:06But what am I to do?
00:38:07All these important people are coming and I look as if I come out of a coal hole.
00:38:11What's that?
00:38:11Not one of the guests already?
00:38:13Oh, no, no.
00:38:13Probably extra waiters from the agency.
00:38:15Oh, stop fidgeting, George, and try and look like a reporter.
00:38:18Well, what are we going to interview her about?
00:38:20Should girls wear pyjamas or old-fashioned nighties or anything?
00:38:24Or anything?
00:38:25Oh, I couldn't ask a lady a question like that.
00:38:29Oh, don't worry.
00:38:30I'll do all the talking.
00:38:31All you have to do is take the camera out.
00:38:33While you're posing her for a photograph, get her to mark a piece of paper.
00:38:38Good evening.
00:38:39Oh, I was afraid you were going to be late.
00:38:41Follow me.
00:38:42Late?
00:38:43Get inside.
00:38:46Put your things in there.
00:38:47Yes.
00:38:48Oh, you'd better change in the cloakroom.
00:38:49Change?
00:38:50You don't usually wait in lounge suits, do you?
00:38:53Wait for what?
00:38:55Ah, George, we'll have a little joke.
00:38:57Well, keep it to yourselves.
00:38:58You're hired as waiters, not entertainers.
00:39:00What do you want?
00:39:01Madam shouting for you.
00:39:03When you've changed, go into the kitchen.
00:39:04OK, miss.
00:39:06Hey, what's to do?
00:39:06What's going on here?
00:39:08Don't you see?
00:39:08She thinks we're a couple of hired waiters.
00:39:10Let her think.
00:39:11All easy to get the mark.
00:39:13We're going to get her thick here if we're not careful.
00:39:15We can't wait.
00:39:16We'll have to have black suits and I want a dicky.
00:39:18Yes.
00:39:19Don't worry.
00:39:20Hey, what are you going to do?
00:39:21Leave it to me.
00:39:22I'm going to see the hall porter.
00:39:24Hey, look, the waiters.
00:39:25Hey, quick.
00:39:26In the kitchen.
00:39:27Keep them busy.
00:39:27What, me?
00:39:28Take their photos.
00:39:29Anything you like.
00:39:29Only give me time to deal with the waiters.
00:39:31Well, what are you going to do?
00:39:32Don't worry.
00:39:33Get inside.
00:39:41Turned out nice again, hasn't it?
00:39:42Has it?
00:39:43You ought to be changing.
00:39:45Yes, I know.
00:39:46But, you see, my palette is a bit shiny.
00:39:48Doesn't like anybody watching while he's changing, you see.
00:39:51What are you going to do, then?
00:39:52Dress here?
00:39:53Yes.
00:39:53No, no, no.
00:39:55I thought, you see, while I was here, I could take your photograph.
00:39:59Oh, look.
00:40:00Here we go.
00:40:00What a funny thing for a waiter to carry around.
00:40:03Yes, well, you see, the places I work, I mean, nightclubs and...
00:40:06Nightclubs?
00:40:07Do you know the underworld?
00:40:08Well, no, I've never met her...
00:40:11Oh, underworld.
00:40:12Oh, yes, I can show you.
00:40:17Up the west end, that's the best end, where the nightclubs thrive.
00:40:22Down into a dive you go.
00:40:26Now there's a jazz queen, she's a has-been, has-been, lord knows what.
00:40:31Every night she's there on show.
00:40:36She dances underneath a magic spell.
00:40:41She's full of charm and beer and stout as well.
00:40:46She's sixty-six, but she looks sixteen.
00:40:49Her friends don't know her, now her face is clean.
00:40:51That's Fanlight Fanny, the frowsy nightclub queen.
00:40:56See her glide around the floor, then glide around into the pub next door.
00:41:01That's Fanlight Fanny, the frowsy nightclub queen.
00:41:05She looks well in the lime, a queen all the time.
00:41:08You get your money's worth.
00:41:11By day you'd say it's the second time on earth.
00:41:16Every morn at the break of day, they call for the empties and they can't away.
00:41:21Fanlight Fanny, the frowsy nightclub queen.
00:41:25By text she's followed and when she's collared, the judge she always cheeks.
00:41:30Twice a month, two weeks, she'll do.
00:41:35She's often boasted, she's been toasted, toasted by her friends.
00:41:40She ought to be cremated too.
00:41:45You can't tell if she's brunette or a blonde.
00:41:50She's like something you drag out of a pond.
00:41:55Now she's a peach, but understand she's called a peach.
00:41:59Because she's always canned.
00:42:00That's Fanlight Fanny, the frowsy nightclub queen.
00:42:05When she's dressed, she's like Mae West.
00:42:08She wears two saucepan lids upon her chest.
00:42:10That's Fanlight Fanny, the frowsy nightclub queen.
00:42:15She looks well in the lime, a queen all the time.
00:42:18You get your money's worth.
00:42:20By day you'd say it's the second time on earth.
00:42:24She waltzes in the west end shops.
00:42:28Then she waltzes out in between two cups.
00:42:30That's Fanlight Fanny, the frowsy nightclub queen.
00:42:33a tea.
00:43:02Face the tea.
00:43:14Sorry to break up the party, ladies, but my friend's got to come and change.
00:43:17Out.
00:43:21Oh, I think he's beautiful.
00:43:24Oh, get on with your work.
00:43:26There you are.
00:43:28What's these?
00:43:29Your clothes.
00:43:30Well, what's happened to the waiters?
00:43:31Oh, they're hanging around.
00:43:33What does this mean to...
00:43:35Oh!
00:43:36Oh, murder!
00:43:38Oh, just a couple of taps and the bean.
00:43:40They'll be all right.
00:43:40Oh, come on.
00:43:41Coming.
00:43:42Get changed.
00:43:43Quickly, quickly.
00:43:47He won't be a moment.
00:43:48Well, tell him to hurry.
00:43:49Madam will be down to any moment, and her nerves are very much on edge.
00:43:52Oh, something upset her.
00:43:53Tarsen's stain on her finger that nothing will get off.
00:43:56You may tell Madam she need to have no further worry.
00:43:58Why?
00:43:59My friend in there is a brilliant farmer...
00:44:02farmer cutelist.
00:44:03A what?
00:44:05Removing stains is his speciality.
00:44:07Oh, I'll tell Madam at once.
00:44:09Splendid.
00:44:11I won't do it.
00:44:13What, and throw 500 quid down the drain?
00:44:15What am I going to say to her?
00:44:16Get her to mark a piece of paper.
00:44:18Yeah, but how?
00:44:19Tell her to test.
00:44:20Just to see what sort of a stain it is.
00:44:22When you've got that, remove the stain.
00:44:23It's too easy.
00:44:24Well, why don't you do it?
00:44:26Madam will see him at once.
00:44:27Oh, here.
00:44:28Take your bottles.
00:44:30I'll put your clothes in here.
00:44:31Leave this in the hall in case we have to make a quick getaway.
00:44:33Oh, oh, oh.
00:44:35Well, I've got...
00:44:36Oh, this way.
00:44:37Those are all the implements you carry.
00:44:39Well, you see, this is a secret process of my own.
00:44:41Oh.
00:44:43Madam will be here in a minute.
00:45:05Oh, I'll be here in a minute.
00:45:14Well, do you think you'll mind me being an ear?
00:45:16No, no, no, no.
00:45:17Wagner Opera.
00:45:18Oh.
00:45:19Oh, well, that's different, isn't it?
00:45:21So you are the expert, yes?
00:45:22Yes, I'm the expert.
00:45:24Well, then, come along, come along, come along.
00:45:25What are you waiting for?
00:45:29What's the matter?
00:45:30You'll catch your death a call.
00:45:31Oh, don't be so silly.
00:45:32Sit down, hurry up.
00:45:35Well, now, first of all, I must ask you to make an impression.
00:45:38What?
00:45:39Me, Madame Berdy, to make an impression on you.
00:45:41No, no, no, on the piece of paper.
00:45:44See, I'll show you.
00:45:45Oh, I see.
00:45:48For one moment, I thought you meant.
00:45:50Oh, couldn't be better.
00:45:51What?
00:45:52I mean, I've got the stuff to take it off with.
00:45:54Then stop wasting time with that piece of paper.
00:45:56Take the mark off my thumb.
00:46:00I suppose that liquid is something very special.
00:46:02Oh, yes, it's my own private invention.
00:46:04Naturally.
00:46:05Look, it's coming off.
00:46:06Of course, if you know how to do it, it doesn't take long.
00:46:08It's gone.
00:46:10Oh, thank you so much.
00:46:12Thank you, thank you.
00:46:14Yes?
00:46:15Oh, boy.
00:46:16Oh, is that you, darling?
00:46:18No, don't be so silly.
00:46:20Of course, I'll be there.
00:46:2311.30?
00:46:25Maxime?
00:46:26Goodbye, darling.
00:46:28Ah.
00:46:33Oh, no, you mustn't do that.
00:46:35How dare you?
00:46:37Well, I was...
00:46:37So you're what they call a peeping Thomas, yes?
00:46:39No, it's that paper I was...
00:46:40What do you mean get out of here?
00:46:40I mean, hurry.
00:46:41But I want...
00:46:41Get out!
00:46:44But you don't understand...
00:46:45Get out!
00:46:51Like, um, it's a long way down this lift.
00:46:53There we are.
00:46:59Can we manage?
00:47:01I hope so.
00:47:02Mind, it's hot.
00:47:03Hey, you're telling me.
00:47:06Excuse me.
00:47:07Can we?
00:47:07Can we?
00:47:09Excuse me?
00:47:12Clumsy, idiot.
00:47:13Well, it was burning me fingers.
00:47:14I thought you removed stains, not made them.
00:47:17Go and hand round those drinks.
00:47:19Ah, that's better.
00:47:20I'm glad of that, sir.
00:47:22Where's my handkerchief?
00:47:23In your overcoat, probably.
00:47:24Through there, sir.
00:47:25Straight through.
00:47:26Well, did you get it?
00:47:27Well, no, you see, it was like this.
00:47:28I was just good.
00:47:29Why aren't you handing round those drinks?
00:47:31Come along.
00:47:32Do hurry.
00:47:33You're quite too slow.
00:47:34I'll tell you later.
00:47:37Drink, missus.
00:47:40Divine!
00:47:45Drink, missus.
00:47:49Goodbye.
00:47:57Well, uh, just one, perhaps, strictly against doctor's orders.
00:48:01Indigestion, sir.
00:48:04Hallucinations.
00:48:06Divine!
00:48:17This should be an interesting party, don't you think?
00:48:20Should be, dear lady.
00:48:21Well, isn't it rather unkind of Madame Berry to be so late?
00:48:25Well, these prima donnas do get detained.
00:48:28Oh, my dear professor, how nice to see you again.
00:48:31Well, I don't get very far from my work these days, you know.
00:48:34Oh, dear lady man, how nice to see you.
00:48:36How are you?
00:48:37And how is your husband?
00:48:38I saw someone the other day who knew him so well.
00:48:41Oh, dear, Mrs. Brickson.
00:48:48Who?
00:48:49Oh, Mrs. Brickson, I thought I should see you here.
00:48:51I know how devoted you are, Léon.
00:48:59Why aren't you selling those drinks?
00:49:00Well, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh.
00:49:02That's enough out of you.
00:49:03Get busy.
00:49:13Good evening, everybody.
00:49:16How can you ever forgive me for being so late?
00:49:18How are you, Madame?
00:49:19How are you?
00:49:20And I thought you'd have to get it.
00:49:22Ah, Sir William.
00:49:24Well, did you get the mark?
00:49:25Yes, I got it on a piece of paper.
00:49:26Well, what are we waiting here for?
00:49:27Look, she put the piece of paper on the top of her stocking.
00:49:30What?
00:49:31Yes.
00:49:31Well, we have to get another.
00:49:33Well, we can't. I've taken the stain off her thumb.
00:49:35You would.
00:49:36Well, I did.
00:49:37You idling again?
00:49:39Take this through the ground.
00:49:41Come on.
00:49:47As I was saying to the French ambassador,
00:49:49only this afternoon.
00:49:50You can say what you like about these other prima donnas,
00:49:53but there are none who can compare with Madame Baird here.
00:49:56How sweet of you.
00:49:57Fruit, Mrs.
00:49:59You nothing. Look what you've done.
00:50:01My apologies, Madame.
00:50:02Here's your very good help.
00:50:04Get under the table and get that paper.
00:50:06Oh, I couldn't do that.
00:50:07It's your own fault for not getting it the first time.
00:50:09Oh, oh, oh.
00:50:10In under.
00:50:12Yes, indeed.
00:50:14Some of the others may have beautiful voices,
00:50:16but none can come within a mile of it, my dear.
00:50:19You flatter me, Sir William.
00:50:20Not at all.
00:50:21When it comes to feeling, there's something about your lower register.
00:50:25I don't know what it is.
00:50:27I can't even describe it.
00:50:29But it seems to raise one to a higher, a more spiritual plane.
00:50:33Sir William, you are drunk.
00:50:35I beg your pardon?
00:50:36Might I possibly have a word with you in private?
00:50:41Certainly, Professor.
00:50:42But what have I done?
00:50:44You know perfectly well.
00:50:46Sir William, how nice to see you again.
00:50:50Do you know, I saw a great friend of yours the other day,
00:50:54who was with you through all the horrors of the Russian Revenue.
00:51:03I can hardly describe the horrors of that winter of 1918.
00:51:07As I lay there in my prison cell, I could hear the firing squad at Woodland.
00:51:12How shall I forget both?
00:51:14Hey, what's to do?
00:51:15Wrong table, you fool.
00:51:16She's moved over there.
00:51:18Oh, absolutely.
00:51:18Go on, it's worth 500 quid.
00:51:20Well, I'm sure.
00:51:29You tough thing.
00:51:31And I can assure you that there is no more deserving charity.
00:51:37Good evening, sir.
00:51:38Good evening.
00:51:40Haven't I seen your face before somewhere?
00:51:42Well, sir, I have a twin brother, sir.
00:51:46I'll put your hat and things in the cloakroom, my lord.
00:51:52How dare you?
00:51:54I beg your pardon.
00:51:55Once again, I am insulted.
00:51:58Oh, my dear Madame Verde.
00:51:59It's so sorry to be late.
00:52:01I hope I'm not butting in.
00:52:02Oh, by no means, not at all.
00:52:05May I join you?
00:52:06Please do, Lord Raphael.
00:52:08I shall be delighted.
00:52:09Do you care for some soup, my lord?
00:52:10Soup, thank you.
00:52:11Yes, that would be very nice.
00:52:12I hope you're a more agreeable companion than the average Englishman.
00:52:15Don't worry, my dear.
00:52:16I've spent most of my life on the continent.
00:52:17Ah!
00:52:19What's the matter?
00:52:20Nothing, madam, nothing.
00:52:23I hope you will enjoy this soup.
00:52:24I have ordered it specially for you.
00:52:27May I talk to you very confidentially?
00:52:32A dear woman, my wife, but she doesn't understand me at all.
00:52:39It's very lonely when one's not understood.
00:52:43That's why it's such a pleasure to meet a broad-minded person like yourself.
00:52:50Oh!
00:52:53Well, now...
00:52:54I suppose that is what you call the freedom of the press.
00:52:57I've never been so insulted in my life.
00:52:59I should leave this house at once.
00:53:07I've got it.
00:53:08I've got it. Look.
00:53:09Help!
00:53:10Murder!
00:53:10The waiters!
00:53:11Oh!
00:53:12Quick!
00:53:12Find me down the farmer's gate.
00:53:17Where's that?
00:53:18Oh!
00:53:19Oh!
00:53:21Oh!
00:53:22Oh!
00:53:26Oh!
00:53:27Oh!
00:53:28You need to hear it somewhere.
00:53:29Oh!
00:53:32Oh!
00:53:33Oh!
00:53:33We're here somewhere.
00:53:38Oh!
00:53:45Oh!
00:53:45Come on now!
00:53:46Come on!
00:53:47Oh!
00:53:47Oh, Gullip!
00:53:49No, Gullip, Sam!
00:53:51Stop him! Stop him!
00:53:56There he goes!
00:54:22Ah!
00:54:23Ah! Never touch me!
00:54:30May we come in?
00:54:31Oh, hello.
00:54:32What on earth are you in those clothes for?
00:54:34Oh, just one of our disguises.
00:54:36Yes, but they're all messed up.
00:54:37Well, we've had a bit of a dust-up with the gang,
00:54:39but they couldn't stop us from getting what we went for.
00:54:40You've got it! Well done!
00:54:42Are they the same?
00:54:43Of course they're the same.
00:54:44Well, let's have a look in the magnifying glass.
00:54:48Oh, look, they're both exactly...
00:54:51...different.
00:54:52But they can't be.
00:54:53Do you mean to say after I risked my neck the visit...
00:54:55Oh, now, now, Bill.
00:54:57I've got it.
00:54:57It must have been that thorough amount by mistake.
00:55:00That's right!
00:55:00What was his name?
00:55:02Oh, Major.
00:55:03Oh, George, you must remember.
00:55:04It must be him.
00:55:05It can't be anybody else.
00:55:07It started with F.
00:55:08F?
00:55:08Phillips.
00:55:09No, no.
00:55:10Something to do with fruit.
00:55:11Raspberry?
00:55:12No, that's a noise.
00:55:14Hops.
00:55:15Hopkins.
00:55:16Major Hopkins.
00:55:16Good old Bill.
00:55:17Well, I mean to say after all, what's your head for?
00:55:19What are you that done?
00:55:20Here we are.
00:55:21Here we are.
00:55:22Major Hopkins.
00:55:2317 Cambermouth Manson.
00:55:27I've never known such a day.
00:55:28What with telephone calls and tradesmen.
00:55:31And now, on top of it all, this error of eightpence in the account.
00:55:34Well, my dear, eightpence isn't going to break us.
00:55:36It's the principle of the thing.
00:55:38I simply shan't rest till I find it.
00:55:41Now, you'll find it in the morning.
00:55:42Eightpence.
00:55:43Such an odd amount.
00:55:44Now, you get along to bed.
00:55:47I believe it was...
00:55:48No.
00:55:50No.
00:55:50I paid that.
00:56:01Well, what do you want?
00:56:03Good evening, sir.
00:56:04It's turned out nice ago, hasn't it?
00:56:05We represent the Daily Sun.
00:56:07Oh?
00:56:09We're running a new column.
00:56:10Candid opinions from the far side.
00:56:12And we thought...
00:56:13Well, you can think again.
00:56:17That's torn it.
00:56:18Did you see it?
00:56:18What?
00:56:19Pines of notes on his desk.
00:56:20Slush?
00:56:21Yes.
00:56:21Let me get off here, quick.
00:56:23Careful.
00:56:24Steady, steady.
00:56:27Oh!
00:56:28Slush!
00:56:28Slush!
00:56:32He's putting it away in his safe.
00:56:34He's probably going to bed.
00:56:35You daft thing.
00:56:37George.
00:56:37Well, somehow or other, we've got to get those notes out of the safe
00:56:40and take them to police headquarters.
00:56:46Yes, who is it?
00:56:47Inspector Carey here, sir.
00:56:49Have you had time to examine that bundle of slush I sent round?
00:56:52Yes.
00:56:52Hardly a flaw in it.
00:56:53The more expert they get, the more difficult they're going to be to track down.
00:56:57I can't help that.
00:56:59As I told you before, I will not have my police organization laughed at.
00:57:03Somehow or other, you've got to get results.
00:57:11But suppose anyway...
00:57:12Stop arguing, George.
00:57:13Here have I practically got you the reward.
00:57:15All you can do is to argue.
00:57:16Well, why can't you do it?
00:57:17What's the matter with you?
00:57:18You told me yourself.
00:57:19He left the window open.
00:57:19No, I did.
00:57:20But I would...
00:57:20Well, all you've got to do is to go along the fire escape.
00:57:22Fire escape?
00:57:23I can't...
00:57:23Enter the window and open the door for me.
00:57:26Yes, I know, but...
00:57:26While I do the difficult part of getting the tools to open the safe.
00:57:29But I can't stand heights.
00:57:31Get out.
00:57:31And Bill...
00:57:32No, Bill...
00:57:33No, no...
00:57:33No, you...
00:57:35Bill!
00:57:36Bill!
00:57:38Oh!
00:57:41Oh!
00:57:43Bill!
00:58:11Oh!
00:58:14Oh!
00:58:17Oh!
00:58:20Oh!
00:58:28Alfred!
00:58:28Alfred!
00:58:40Ah!
00:58:45Oh...
00:58:46Oh!
00:58:47Oh!
00:58:48Ah!
00:58:57Oh!
00:58:58Oh!
00:59:09Oh, somebody save me.
00:59:11I'm slipping. Somebody stop me.
00:59:13My dear Agnes, do stop worrying about that wretched eightpence.
00:59:16It's the principle of the thing.
00:59:31Good night, my dear.
00:59:36Oh.
01:00:05Everything all right?
01:00:06Yes.
01:00:07We'll have to hurry up.
01:00:08I only borrowed these.
01:00:09Who flow?
01:00:10A fellow outside, meeting the tram lines.
01:00:12Where's Major Hopkins?
01:00:14In there.
01:00:14Right.
01:00:16Shh.
01:00:25Why don't you...
01:00:26Hold it.
01:00:27Get away.
01:00:28Shh.
01:00:35It's all right.
01:00:36He's going to sleep.
01:00:37Come on.
01:00:37Shh.
01:00:43Shh.
01:00:45Oh, quiet.
01:00:46Shh.
01:00:55Look, let me have a do.
01:01:05You're right.
01:01:05It's locked.
01:01:06Well, we'll have to get busy on the hinges.
01:01:08Take your coat off.
01:01:12Here you are.
01:01:13Hold these.
01:01:15I'll take it.
01:01:16Now, then.
01:01:17You hold it.
01:01:18I'll hit.
01:01:18No, you hold it.
01:01:19Now, then.
01:01:20Don't argue.
01:01:21Hold it.
01:01:24Oh!
01:01:27Oh, we'll have to use the blow lamp.
01:01:29Oh, that's a good idea.
01:01:29Oh, that's a good idea.
01:01:40Oh!
01:01:41Oh, stop jumping about.
01:01:42Well, what about.
01:01:44Shh.
01:01:45Now, stop shushing.
01:01:46You're drowning me.
01:01:47Here.
01:01:47If we can only burn through, that is a cinch.
01:01:50Now, quiet.
01:01:50Shh.
01:01:54Shh.
01:01:54Hurry on, George.
01:01:55I'm going to investigate.
01:02:13How's it coming?
01:02:14Won't be long now.
01:02:15Well, hurry up.
01:02:16Hurry up.
01:02:16Hurry up.
01:02:17You daft thing.
01:02:17You know I'm ticklish.
01:02:19Mind.
01:02:20See if it's coming loose.
01:02:25Come on.
01:02:27Well, how can I shoot when you keep on burning holes in me?
01:02:54Eipon, Eipon, Eipon, Eipon.
01:02:59Shut up, you fool.
01:03:01Eipon.
01:03:02Shut up.
01:03:03Eipon.
01:03:04Shut up.
01:03:09Eipon, Eipon, Eipon, Eipon.
01:03:12I think she's sleepwalking.
01:03:14Well, what are you going to do?
01:03:15Make sure.
01:03:17How?
01:03:17Well, leave it to me.
01:03:22Eipon, Eipon, Eipon.
01:03:32Oh!
01:03:37Oh, what did you want to do that for?
01:03:39I couldn't tell you.
01:03:41Just in time.
01:03:42Oh, look at the slush.
01:03:43Put it in the sack.
01:03:46Eipon, Eipon.
01:03:47You're funny back again.
01:03:48Eipon.
01:03:49It's 20 quid.
01:03:51Eipon.
01:03:52Eipon.
01:03:52You pop it up.
01:04:16Oh, stop it, will you?
01:04:18No, I'm ticklish.
01:04:19Put him up.
01:04:19There you go, kid.
01:04:21Oh!
01:04:21Oh!
01:04:23Don't shoot, please.
01:04:24Don't!
01:04:25Give him to police headquarters.
01:04:26I didn't...
01:04:26I didn't...
01:04:29You've murdered him.
01:04:30You've killed him.
01:04:31He's all right.
01:04:32Well, what do we do now?
01:04:35I know.
01:04:35Put him in the sack.
01:04:37What far?
01:04:37Take him along to police headquarters.
01:04:40Oh, yes.
01:04:40Look, another way...
01:04:42Don't make me laugh.
01:04:43The head of the slush racket in that sack?
01:04:45Well, let's have a look at him.
01:04:46Not until you get the chief of the police.
01:04:49There's a 500-pound reward for this,
01:04:50and no one's butting in.
01:04:54Lie down and speak when you're spoken to.
01:04:58What's this?
01:04:59These men say they've got the head of the slush racket.
01:05:01What?
01:05:01Yes, the mastermind.
01:05:03Are you the chief of police?
01:05:04He's at home in bed.
01:05:05Well, can he get him up?
01:05:06Course not.
01:05:07Very good.
01:05:08For you, sir.
01:05:09Major's flat.
01:05:10Sounds important.
01:05:11So happens this is the chief.
01:05:13Hello.
01:05:14Major Hopkins.
01:05:15He's been kidnapped.
01:05:16In his pajamas.
01:05:18Don't worry, Mrs. Hopkins.
01:05:19We'll soon get him back for you.
01:05:22Warn all cars.
01:05:23Major Hopkins kidnapped.
01:05:24Every conveyance to be searched.
01:05:27Major Hopkins kidnapped.
01:05:28Sent two men round to his flat at once.
01:05:31Did...
01:05:32Did you say Hopkins?
01:05:34Yes.
01:05:35Who?
01:05:35Have every barrier watched at every station.
01:05:3917 Candlemass Mansion?
01:05:40Yes.
01:05:42Well, we'll see you in the morning.
01:05:44I can see you better now.
01:05:45We'll come back again.
01:05:48Oh, now that's Zach.
01:05:49Well, you see, we didn't meet...
01:05:51What happened?
01:05:52Well, we were...
01:05:52We're the blazes, I'm on.
01:05:53But we...
01:05:56Turned out nice again, hasn't it?
01:05:58So, you thought you'd caught the head of the slush racket, eh?
01:06:01Yes.
01:06:02Yes, I thought it was in the bag.
01:06:11Hello.
01:06:13You still here?
01:06:14Yes.
01:06:15I'm waiting for someone.
01:06:16Oh.
01:06:17Not George Gollip, the printer's error.
01:06:19If you knew what he was doing at this moment, you might not think he was such a joke.
01:06:23Oh, now let me guess.
01:06:24I know he's at wapping downstairs, capturing a gang of crooks single-handed.
01:06:27And that's not so far off, either.
01:06:28Or better still, he's running the slush gang to earth.
01:06:31Got it.
01:06:31In two guesses.
01:06:33So, you're not pulling my leg, are you?
01:06:35Well, who are they?
01:06:36The leader of the gang is a man called Hopkins.
01:06:38Hopkins?
01:06:39Yes, George rang up just now.
01:06:40They actually discovered him working on the slush.
01:06:42Not Major Hopkins.
01:06:44Why, yes.
01:06:45Do you know him?
01:06:46Do I know him?
01:06:47My dear, he's only chief of police.
01:06:49What?
01:06:50Where's that galley proof?
01:06:51They were just doing an article on him.
01:06:53Yes, but that's impossible.
01:06:54He left his mark on the note and everything.
01:06:57Mark?
01:06:57What mark?
01:06:58George's detector.
01:06:59And the only two people whose fingers he marked were Madame Beardy and Hopkins,
01:07:02so it must be one.
01:07:15I think I'd better be getting home now.
01:07:19I'm getting rather late.
01:07:20Just one minute.
01:07:23You're quite sure you're going straight home?
01:07:25Why, yes.
01:07:27Of course.
01:07:28You weren't thinking of calling in at a police station by any chance?
01:07:34Ah.
01:07:37You know, fingerprints are remarkably damning things.
01:07:41I'd like to point out, in case you want to scream or anything, that I've got a gun in my
01:07:44pocket.
01:07:47Don't forget it.
01:07:50Riverbank 2814.
01:07:52What made your friend George suspect me enough to mark my finger?
01:07:55I didn't know he had.
01:07:57Oh, don't talk nonsense.
01:07:58You were in here with him the other morning when he upset his bottles over the bell push.
01:08:03Oh, I see.
01:08:05Oh, I see.
01:08:08Oh, I see.
01:08:08So it was a mistake.
01:08:10Dear George Gulloch doesn't suspect me after all.
01:08:13Uh, Blue Star Brewery?
01:08:16Bridgewater?
01:08:17Mrs. Brady here.
01:08:19I'm bringing a visitor down.
01:08:21A young woman who's remarkably well informed.
01:08:25I've persuaded her she needs a sea voyage.
01:08:28Yes.
01:08:29Just a couple of months while we get things cleared up.
01:08:31All right.
01:08:32I'll be down right away.
01:08:33Goodbye.
01:08:42Sorry, sir.
01:08:43I thought you were gone.
01:08:44We have.
01:08:50I bet she'll have a fur coat before long.
01:08:54Wear a couple of mugs if ever there was one.
01:08:56You know, I phoned Mary and told her that we were coming back to collect the reward.
01:09:00If that police chief hadn't beaten a decent fellow, we wouldn't be coming back at all.
01:09:03I know that.
01:09:04Here.
01:09:05Brady's car.
01:09:11Good.
01:09:11Then he'll not be able to sack me till the morning.
01:09:17Come in.
01:09:20Oh, excuse me.
01:09:21Have you seen her?
01:09:22Oh, Mary.
01:09:22Miss Brown.
01:09:23I mean, Mr Brady's secretary.
01:09:24They went out together a few minutes ago.
01:09:26Together?
01:09:27Couldn't have been closer together if they'd tried.
01:09:30Almost made me blush.
01:09:32Come on.
01:09:33See if we can get a drink.
01:09:34Here.
01:09:35Beer pan and answer it.
01:09:36I don't understand them things.
01:09:41Hello.
01:09:41Who's there?
01:09:42Lord Redhill.
01:09:44Oh.
01:09:45Hello.
01:09:46Lord Redhill.
01:09:46Yes, sir.
01:09:47No, I'm sorry.
01:09:48Mr Brady's gone out.
01:09:49Could I take a message, sir?
01:09:51Yes, sir.
01:09:52One moment, please.
01:09:54Piece of paper, Bill.
01:09:56Just a moment, Mr Lordship.
01:10:00Yes, sir.
01:10:02I'm on my way with police officers to charge two of my staff, George Gallop.
01:10:09No gallop, sir.
01:10:11Oh.
01:10:12Here.
01:10:12Let's get out of here.
01:10:14Here.
01:10:14Haven't I enough to clear up in the chain?
01:10:15Don't.
01:10:16That's in the tray.
01:10:17In the tray.
01:10:19Good heavens, it's Mary.
01:10:21She's in danger.
01:10:21Come on.
01:10:22Let's go and get her.
01:10:22Not me.
01:10:23I've had enough for one night.
01:10:24She's at the Blue Star Brewery.
01:10:26That's different.
01:10:28Oi!
01:10:40Hello?
01:10:41Hello?
01:10:42Who?
01:10:43Can't hear.
01:10:45Who?
01:10:46Oh.
01:10:47Good evening, Your Lordship.
01:10:49They've just nipped it to the Blue Star Brewery.
01:10:58Well, what do we do now?
01:10:59Shh.
01:10:59Don't make such a noise.
01:11:02Look out.
01:11:03It's the Blue Star Van.
01:11:13Bill.
01:11:14Bill.
01:11:14Bill.
01:11:14It's the chap that drove the van at the races.
01:11:16Sit.
01:11:18Come on.
01:11:19Jump to it, mate.
01:11:21All right.
01:11:22All right.
01:11:33All right.
01:11:38Come on, boys.
01:11:39Come on, boys.
01:11:40We ain't in the game, boys.
01:11:40Come on, boys.
01:11:411-1-0-0-0-0-0.
01:11:43Come on, boys.
01:11:43Come on, boys.
01:11:43There's two games, boys.
01:11:48All right.
01:12:09Brady, with the fellow who passed the slush.
01:12:13There's something fishy going on here.
01:12:23I don't like the look of it.
01:12:25Here we've got a classy little brewing concern.
01:12:27They won first-class reputation, and you start unloading kidnapped women on us.
01:12:30It's asking for trouble.
01:12:31Shut up.
01:12:32I tell you, there's not the slightest danger.
01:12:34Even if the police walk in, they never discover the presence.
01:12:36I dare say, but that doesn't make that girl any less dangerous.
01:12:39You get her out of here before daylight.
01:12:40Where'd you park her?
01:12:41In the waiting room.
01:12:42Waiting room?
01:12:43Quick, we've got to get her out of there.
01:12:45You'll be back at the daily sun tomorrow morning as usual.
01:12:47We shall need your stories to keep the police off the scent more than ever now.
01:12:50Yes, but...
01:12:50Don't argue.
01:12:51Get that girl on board the blue horizon.
01:12:53She says at daybreak.
01:13:15Chelsea, they've let me down week after week.
01:13:18Come on, useless.
01:13:20Okay.
01:13:24Is that all you've got to do?
01:13:25Go on, get on with your work.
01:13:35George!
01:13:40You go and fetch the police while Bill and I find where the presses are heading.
01:13:43Yes, but I can't.
01:13:43Now go and fetch the police.
01:13:44Yes, but you can't.
01:13:45Go and fetch the police.
01:13:45You go and fetch the police.
01:14:02Better leave all the talking to me.
01:14:04Then you keep a quiet in there while I see about the boat.
01:14:15Hey, Bert, where's she gone?
01:14:19Hey, Bert, where's she gone?
01:14:38Well, it won't take long if you put your backs into it.
01:14:40Better move this lot first.
01:14:42Over there.
01:14:43Okay.
01:14:54Now come on.
01:14:54If we're quick, we might still catch her.
01:14:56Okay.
01:15:05Hello?
01:15:06Hello, police headquarters.
01:15:07I'm speaking from the other Blue Star Brody.
01:15:10I...
01:15:11Hello.
01:15:12Hello.
01:15:18Don't make him let me go.
01:15:20He's hurting me.
01:15:21He'll hurt you a lot more if you don't keep quiet.
01:15:22Help!
01:15:23Help!
01:15:25Suspense it, boss.
01:15:26Good, bring her inside.
01:15:27Okay.
01:15:40Why haven't you started?
01:15:41We have.
01:15:42Looks like it.
01:15:43Yeah, but we...
01:15:43That's enough from you.
01:15:44Get on with it, both of you.
01:15:46Well, it beats me.
01:15:55Now keep her the other side of the far door.
01:15:57Okay.
01:16:03Don't worry.
01:16:04She won't see nothing.
01:16:05She's just fainted.
01:16:06Oh, you must have breathed on her.
01:16:07That's right, mate.
01:16:11Close down that bit of rope.
01:16:13Right?
01:16:15If you want any help, let me know.
01:16:17Okay.
01:16:35Well, we don't seem to be making much impression with this lot.
01:16:38Jim, you want it in the printing room.
01:16:40What for?
01:16:40Something wrong with the press.
01:16:42They want to print all the slush they can.
01:16:44What's that?
01:16:46Must be those onions, half for supper.
01:16:48How many more times am I going to send you to shift these crates?
01:16:51Well, it's like this...
01:16:52Don't argue.
01:16:52Get on with it.
01:17:00Hey!
01:17:03Who the devil are you?
01:17:04I don't know.
01:17:06What are you doing here?
01:17:07Well, you see, it was a mistake.
01:17:08We were wandering around and we took the wrong turning.
01:17:15What's the matter with the lights?
01:17:17Oh, they're probably changing over at the main.
01:17:20Come on.
01:17:22Quick, now.
01:17:26Quick, someone in the storeroom!
01:17:29Bloody!
01:17:33Well, we'll have to be getting along.
01:17:35Yes.
01:17:35Good night.
01:17:36Good night, boys.
01:17:37Good night.
01:17:43Oh!
01:17:47Oh!
01:17:49I caught them in here a few minutes ago.
01:17:52Oh, it's you, is it?
01:17:53Are they dangerous?
01:17:54I'll say so.
01:17:56Get them, boys.
01:17:57Come on, come on.
01:18:04Come on.
01:18:06Let's go.
01:18:53Oh, quick, creep up and overturn the crates on top of them.
01:18:58Oh, oh, oh!
01:19:14There they are!
01:19:16Come on, after them!
01:19:17Come on, after them!
01:19:25Come on, after them!
01:19:28Come on!
01:19:29Oh!
01:19:32Middle side up!ê³ !
01:19:33Go on,
01:19:33get over there! Bill! Bill!
01:19:35whoa!
01:19:38Whoa!
01:19:39Whoa!
01:19:39Go on,
01:19:40after them!
01:19:41Go there! Whoa! Whoa!
01:19:50I'll get back and look after that girl.
01:19:52That's a mug's job.
01:19:58Where's that pal of yours?
01:20:00I don't know.
01:20:03Cops, now keep your heads.
01:20:05Any questions? You're the ordinary night shift.
01:20:11One word from you and it'll be your last.
01:20:14Take it away.
01:20:15Ah, so there you are, Gallop.
01:20:17Oh, Gallop, sir.
01:20:19Oh, Gallop, then. Take him away, officer.
01:20:21Well, I've...
01:20:23I didn't mean any harm, sir.
01:20:25Harm? What do you call this?
01:20:27I was unconscious for an hour and a half.
01:20:29Well, I was...
01:20:30Ah, Brady, childwoman told you too, eh?
01:20:32Yes, that's right, sir.
01:20:33Oh, now I'm going to tell, even if I don't live to get the reward.
01:20:36Reward? What on earth are you talking about?
01:20:39Well,
01:20:41I found the slushes.
01:20:42Oh, obviously, you lunatic.
01:20:44Take him away.
01:20:45I'm not as daft as a luke.
01:20:46I've got a witness.
01:20:47Bill!
01:20:48Bill!
01:20:50I hear you call...
01:20:57There you are.
01:20:58You know all about the slushes, don't you, Bill?
01:21:00My old pal, Lord, Renniel.
01:21:02Bill, pull yourself together.
01:21:04Here, take him away.
01:21:05Come on.
01:21:05Well, if you don't believe me, ring up police headquarters.
01:21:08Miss Brown will be there by now.
01:21:09Come on, will you?
01:21:10No, you can't.
01:21:10No, you mustn't.
01:21:11No, you can't.
01:21:12I'm tired of your excuses.
01:21:13Take him away.
01:21:14Look!
01:21:18Look, the presses, I told you.
01:21:20Miss my soul.
01:21:23Quick, get him in.
01:21:27Open that door.
01:21:28Open the door.
01:21:28Quick, up the ladder.
01:21:30Come on, Bill.
01:21:31Come on.
01:21:33Quick, up, go.
01:21:39Hurry up.
01:21:40Hurry up.
01:21:41The patches, hurry up.
01:21:43Come on, quick.
01:22:08Oh, so Gallop was right after all.
01:22:10Well, what are we going to do?
01:22:11What about an old game of find the lady?
01:22:12What, look for women at a time like this?
01:22:15Far out.
01:22:17Oh, Bill.
01:22:20Hold him.
01:22:24Quick, friend.
01:22:26I think he'll be all right.
01:22:29No, no, I'll break it in.
01:22:33I'll go on to the police.
01:22:35Hurry up.
01:22:37Are you ready?
01:22:38George, I think you're wonderful.
01:22:39Come on.
01:22:46Whoa.
01:22:51Go on.
01:22:53Whoa.
01:22:58Whoo.
01:23:00Oh.
01:23:02Whoa.
01:23:04Oh.
01:23:06They must be here somewhere. Search the barrels. Come on, quick. Come on, hurry up.
01:23:20I've got him, boys. Let's have him. Okay.
01:23:52There she is. Find the queen, and the money's yours.
01:23:55I'll have two bob on that one. Wrong.
01:23:58Come on, Arthur!
01:24:04Oh, come on!
01:24:08Oh!
01:24:17Come on, Arthur!
01:24:45It's all right, Bill. Man is on the way for the police, and they're all in the van.
01:24:49That's what you think.
01:24:51Oh!
01:24:53Oh!
01:24:55Oh!
01:24:57Oh!
01:24:59Oh!
01:24:59Oh!
01:25:03Oh!
01:25:06Now, where is she?
01:25:07I'll have my last quit on that one.
01:25:10Wrong again.
01:25:15Oh!
01:25:16Oh!
01:25:18Oh!
01:25:21They all fell free!
01:25:23Come in, Bill! Come in!
01:25:26Help!
01:25:27Oh!
01:25:32Oh!
01:25:34Oh!
01:25:34Oh!
01:25:35Are you all right?
01:25:36I'm jumping.
01:25:37Where's the rest of the gang?
01:25:38There!
01:25:39Oh!
01:25:44They come in.
01:25:45What about Lord Redhill?
01:25:47Oh, yes.
01:25:48Oh!
01:25:51Look!
01:25:54Now, wait a minute. Wait a minute. Wait a minute. Wait a minute.
01:25:58I'll have 50 quid on each other.
01:26:02Oh, we're saved!
01:26:03But, George, you must be exhausted.
01:26:06Oh, I'm all right.
01:26:07You certainly won the reward, Gallop.
01:26:09Oh, for the last time.
01:26:10Gullet, sir.
01:26:11Perhaps in future I'd better call you George.
01:26:13I know you're talking.
01:26:14Come on.
01:26:17Great boy, that.
01:26:18I'll certainly take my hat off to him.
01:26:20Yes, I'll take mine off, too.
01:26:22Oh, George, I think you're marvelous.
01:26:25Well, I think you...
01:26:26What?
01:26:27I don't like seeing this.
01:26:29Oh, God.
01:26:29Oh...
01:26:30Well, I don't like...
01:26:33Oh!
01:26:36We...
01:26:36Whoopee!
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