- 1 minute ago
First broadcast 14th June 1977.
George Mangham, a middle aged, debt ridden bass player in a jazz band, falls in love with the wealthy and much younger blonde singer Terry, much to the distress of her father.
Edward Woodward - George Mangham
Jane Wymark - Terry
Ronald Fraser - Charlie
Betty McDowall - Beth
Mary Kerridge - Mrs. Merino
Jeremy Sinden - Nigel
Eddie Reindeer - Larry
Sam Kydd - Max
Stanley Lebor - Lenny
Barry Linehan - Platt
Brian Haines - Father Denham
Billy Milton - Pianist
William Dysart - Drummer
Robert Hartley - Art Dealer
Richard Aylen - Goon 1
Jeff Hall - Goon 2
Marcia Warren - Barmaid
Chris Sullivan - Taxi Driver 1
Peter Thornton - Taxi Driver 2
Mischa De La Motte - Butler
George Mangham, a middle aged, debt ridden bass player in a jazz band, falls in love with the wealthy and much younger blonde singer Terry, much to the distress of her father.
Edward Woodward - George Mangham
Jane Wymark - Terry
Ronald Fraser - Charlie
Betty McDowall - Beth
Mary Kerridge - Mrs. Merino
Jeremy Sinden - Nigel
Eddie Reindeer - Larry
Sam Kydd - Max
Stanley Lebor - Lenny
Barry Linehan - Platt
Brian Haines - Father Denham
Billy Milton - Pianist
William Dysart - Drummer
Robert Hartley - Art Dealer
Richard Aylen - Goon 1
Jeff Hall - Goon 2
Marcia Warren - Barmaid
Chris Sullivan - Taxi Driver 1
Peter Thornton - Taxi Driver 2
Mischa De La Motte - Butler
Category
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TVTranscript
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00:01:15I mustn't go through with it just because we're getting a nice glass of wedding clothes.
00:01:36You're very beautiful, Nigel.
00:01:38Which I suppose is why Daddy bought you for me.
00:01:41He didn't buy me, Teresa.
00:01:42I wish you wouldn't say things like that.
00:01:44Last year it was a racehorse.
00:01:46This year it was you.
00:02:09I'm well in my twenties, Nigel.
00:02:11He wants me to start a family.
00:02:13I'm going inside for a minute.
00:02:14You'd better be good at providing him with male grandchildren.
00:02:17Otherwise, you know Daddy.
00:02:19He'll want a refund.
00:02:29I've lit a candle for St. Mary Magdalene and one for Mrs. Dewsbury.
00:02:33If you want to light one for anybody, go ahead.
00:02:35I don't think so.
00:02:36Not just at the moment, thanks.
00:02:37You're a Catholic now, Nigel.
00:02:38Yes, I know, but I thought I'd start slowly and sort of build up to it, you know.
00:02:42Mm-hmm.
00:03:06Who's Mrs. Dewsbury, Terry?
00:03:08What?
00:03:08I wonder if you did a candle for this afternoon, was she?
00:03:10She used to come and clean for us.
00:03:13She worked hard and lived decently and got cancer.
00:03:16There are crash courses in holiness which can be very unpleasant.
00:03:26It's a nice tune.
00:03:27It's a fabulous tune.
00:03:30There were two things I wanted to be that Daddy blew his stack over.
00:03:34A, a nun, and B, a singer with a band.
00:03:37Oh, no.
00:03:38Don't look at me like that.
00:03:39I've got a fair voice.
00:03:40Your father's got sense.
00:03:41He's also got a mate with a jazz club up London.
00:03:45It was all arranged.
00:03:46And then Daddy hauled me away on the grounds that it wasn't a dignified occupation for the daughter of a
00:03:51gangster.
00:03:52He's not a gangster.
00:03:54He thinks he's a gangster.
00:03:56He is the proprietor of a gaming club.
00:03:58You have to employ a bouncer or two, that's all.
00:04:01Do you think so?
00:04:02Well, in three days' time, love, when you make those marriage vows, you'd better mean it.
00:04:06Otherwise, he'll break both your elbows.
00:04:11I won't let him.
00:04:13You know that, don't you?
00:04:31How long's she going to be in there?
00:04:34You've got a butterfly mind, you have, Lenny.
00:04:36Hold the horse a minute, she says.
00:04:39You've only had that horse ten minutes.
00:04:41You're bored with it already.
00:04:42They're not as predictable as the internal combustion engine.
00:04:46Yeah.
00:04:47They're not as predictable as the internal combustion engine.
00:04:52I thought it might be nice to have coffee in here.
00:04:55You thought you'd better keep me out of the blistering distance of your husband's language.
00:05:00Oh, I'm sorry, Father.
00:05:03Are they still circling each other?
00:05:06Oh, yes.
00:05:08And in full throat, it appears.
00:05:10He's wasting his breath.
00:05:12The more he shouts, the more stubborn she gets.
00:05:15I daren't look, and in case she starts stroking her eyebrows.
00:05:18That's always a prelude to one of her mutinies.
00:05:21Hot buttered toast, madam.
00:05:24It's the butler.
00:05:25I'm not at all sure how to work him.
00:05:28He's one of Charlie's ideas.
00:05:33Thank you, Potterton.
00:05:37Tax deductible.
00:05:57How's Nigel taking instruction?
00:06:01Like medicine.
00:06:02He swallows the articles of faith by holding his nose and rushing for a drink afterwards.
00:06:07Oh, poor boy.
00:06:08It's been very complicated for him, becoming engaged to Terry.
00:06:12You're too heavy, sir.
00:06:15I don't know why I call this pitted this against battering women.
00:06:18Oh, dear.
00:06:24Come back here.
00:06:26Don't you.
00:06:27Come on, shut up.
00:06:27I'm talking to you.
00:06:29Come back here.
00:06:37Hello.
00:06:38See you, Nigel.
00:06:40Come on.
00:06:42Come on.
00:06:58What the hell did you let her go for, you stupid blinding b...
00:07:02Charles!
00:07:02Charles!
00:07:03Say good morning to Father Denham.
00:07:05Good morning, Father.
00:07:08You let her go?
00:07:10You just stood there and let her go?
00:07:12What could we do, boss?
00:07:14We were watching the horse, Mr. Weston.
00:07:16Yeah.
00:07:17We was watching the horse.
00:07:19Yeah.
00:07:20What could we do?
00:07:21Your own daughter?
00:07:22You want me to tell her I should tell her she can't take the car?
00:07:25Right.
00:07:26It's shiny, damn new, without a scratch on the paintwork, and she drives like a bitch.
00:07:31I beg your pardon, Father.
00:07:34And I want you to tell her she can't have my car.
00:07:37In fact, come to think of it, if it's chapped out and knackered, I want you to tell her she
00:07:41can't have my car.
00:07:44Would you like me to chase after her, Mr. Weston?
00:07:46Bring her back?
00:07:47Oh, no.
00:07:48Forget it, Nigel.
00:07:49Look, son.
00:07:50I'll tell you what.
00:07:51We'll let her cool down.
00:07:53We'll let her burn all that nonsense out of herself.
00:07:56Then we'll get you two married in that extravagant, glossy style that my wife thinks of as
00:08:01colossal bad taste.
00:08:03Now, what do you say to that?
00:08:04Well, it's great for my image when she takes off like this.
00:08:06How far can she go with a pair of riding breeches?
00:08:09I mean, I ask you, how far can she go?
00:08:11I mean, I'll let her blow her up.
00:08:12I'll let her blow her up.
00:08:28I'll let her know.
00:08:29It's great for my wife.
00:08:35I'll let her go.
00:08:38I'll let her know.
00:08:38I'll let her know.
00:08:38Oh, okay.
00:08:44So, what are you waiting for?
00:08:46Customer, let me show you an appreciation, mate.
00:08:57What's that number?
00:08:59What?
00:09:00Oh, uh, GLW656J.
00:09:11Oh, man.
00:09:17Well...
00:09:19Sit down with you.
00:09:32What's that number?
00:09:36Oh, dear, oh, dear, oh, dear.
00:09:43Oh, dear, oh, dear, oh, dear.
00:09:48Oh, my God.
00:10:00We need to get to eat.
00:10:01Oh, my God.
00:10:01Oh, my God.
00:10:02Oh, my God.
00:10:24Oh, hello.
00:10:25Listen, it's Mangum here. I want to speak to Benny.
00:10:28OK, please.
00:10:29Will you stop shouting down the phone, please?
00:10:31Listen, grab this number.
00:10:33Look, don't give me the old heave-ho.
00:10:35I realise, Einstein, that you have been programmed
00:10:37with very, very simple instructions,
00:10:38but I think you'd better check with Benny
00:10:40because I've got a feeling he wants to talk to me.
00:10:42I've got a brace of his goons camping outside on my doorstep.
00:10:48Benny?
00:10:50Benny, whilst it must be admitted that I do owe you a moderate sum,
00:10:54this is getting very unethical.
00:10:56Oh, come on, Benny.
00:10:58Call off the frighteners, will you?
00:10:59I've got these two Dobermen of yours outside in the street.
00:11:02They're looking very sinister.
00:11:05Yeah, all right, all right, all right.
00:11:06All right, so it's more than a few quid.
00:11:09But can't we maintain a civilised posture about this?
00:11:13Look, Benny, you know, don't you,
00:11:15that I'm contemplating marriage with Mrs. Marino.
00:11:18And if that doesn't show good faith,
00:11:20I don't know what the hell does.
00:11:24Benny, look, I'm practically heir
00:11:26to all those pet food goodies.
00:11:29I mean, there's not only smackles, Benny,
00:11:31there's kittykins, jawbone, scrunch.
00:11:36Scrunch, Benny.
00:11:38No, no, she won't let me have an advance.
00:11:40She really does run a very tight purse.
00:11:43However, I do think it would be inept
00:11:45to start redesigning my face at this juncture.
00:11:50Benny, you have a barbarian's grasp
00:11:53of the bookie-client relationship.
00:14:19Fluffy, do you think we could go somewhere quietly
00:14:21where you could write me out a check?
00:14:22I will not underwrite your gambling debts.
00:14:25My dear Fluff, they're the only kind I've got.
00:14:31I have been meaning to ask you to sit in the middle
00:14:39and the dog to have the window.
00:14:40I'm going to go to the window.
00:14:41Don't be a sore ass.
00:14:43You're in his place.
00:14:49Don't be a sore ass.
00:14:55You're in his place.
00:14:58Oh, Caroline, Mrs. Foley, of course.
00:15:00Yes, yes. Hello, Caroline.
00:15:02Look, is Foley there?
00:15:05No, no, no, I'm fine, fine.
00:15:08Yes, yes, I know. It has been a long time, hasn't it?
00:15:10But you know how it is.
00:15:11If you keep drinking enough, the days just go by, don't they?
00:15:14Oh, you're joking.
00:15:16No, really? Well, I mean, they can't be that old.
00:15:19I mean, the last time I saw them,
00:15:20they were so high and extremely sticky, if I remember.
00:15:23Listen, Caroline, I am ringing from my doctor's surgery
00:15:27and there is a man here in a spinal jacket
00:15:29waiting bravely for the phone.
00:15:31So could you just put that husband of yours on the blower?
00:15:35Stop yapping, you tiresome bitch.
00:15:41Hello, Foley?
00:15:42Listen, life is bleak enough
00:15:44without finding your wife on the end of the phone.
00:15:46What the hell have you done to her?
00:15:48I mean, she used to be a reasonable boff with long legs.
00:15:51Yes, yes, well, I understand all that, Foley.
00:15:53Very commendable of you to idolise the way she walks all over you,
00:15:57but don't you think you're creating a monster there?
00:15:59Anyway, listen, enough, enough of these pleasantries.
00:16:03I don't want to keep you from your household duties, Foley,
00:16:06but I just call to say that if you were thinking
00:16:09about repaying that two-ton you owe me like now
00:16:12would be a very, very harmonious time.
00:16:16Foley, are you still there?
00:16:18Yes, I know, I know it's a bit tactless out of the blue like this,
00:16:21but stiffen the sinews, old chap, will you?
00:16:23Because I am in a heavy mire.
00:16:24I really need the money.
00:16:26So I should be grateful, Foley,
00:16:27if you could hock a few items
00:16:28or send Caroline out on the batter or something.
00:16:31Do you like this one?
00:16:33Good God, woman, it's hideous.
00:16:35That settles it. I'll take it.
00:16:36Foley?
00:16:37You have astonishingly a reliable bad taste, darling.
00:16:40Yes, yes, well, my bookie seems to think so.
00:16:42You've got a fine investment there, Mrs. Marino.
00:16:44I want this wrapping very carefully.
00:16:45You're not happy, Mangum.
00:16:47Happiness requires a much lower IQ
00:16:49than I've been lumbered with.
00:16:51I'd give you money for anything except your gambling.
00:16:53I don't need money for anything except my gambling.
00:16:56Mrs. Marino?
00:16:57I won't marry you unless you stop.
00:17:00I love the way the wealthy
00:17:01have this spontaneous impulse towards caution.
00:17:04I should be sorry not to marry you, Mangum.
00:17:07How much did you say?
00:17:095,000 guineas, madam.
00:17:11Well, I couldn't have lived with that picture, anyway.
00:17:14Here, take the dog.
00:17:16Watch your legs.
00:17:19I can't understand her at all.
00:17:20It's very unsettling.
00:17:22Pre-bridal nose boy.
00:17:24You laugh about it on your honeymoon.
00:17:26I never thought she'd run away from me.
00:17:29She hasn't run away.
00:17:30She does these things occasionally.
00:17:32She knows I'm unattractive.
00:17:33Can I pay, sir?
00:17:45Let's not have any false modesty about this.
00:17:48There are circles where I'm considered something of a dish.
00:17:50Eat.
00:17:51I couldn't eat a thing.
00:17:55Two, six, seven, nine, four.
00:17:58That's right.
00:17:59Transfer the charge, please.
00:18:09Western here.
00:18:13Yes, I'll accept the charge.
00:18:15Put her on.
00:18:15Terry.
00:18:17Terry.
00:18:19Where have you been?
00:18:20What are you doing?
00:18:20Have you been in the car?
00:18:22No, look, I want the truth.
00:18:23I haven't bent the car.
00:18:25The car's in good shape.
00:18:27Any half-competent idiot with a hammer should be able to take a few dents out of a wing.
00:18:36I'm pulling your leg, Daddy.
00:18:39Now, don't worry about me.
00:18:40I'll be back in plenty of time.
00:18:42Don't interrupt.
00:18:43I know you're still not a Catholic, but I love you over the phone.
00:18:47It's just close to you I get a bit unbearable.
00:18:50The car is fine.
00:18:52It's run out of juice, that's all.
00:18:54I've abandoned it.
00:18:56But that's what I'm calling for.
00:18:58To tell you where it is so you can get Max to fetch it.
00:19:01Now, wait a minute.
00:19:02Look, wait a minute.
00:19:03Not so fast.
00:19:03Not so fast.
00:19:04Look, I can spell it.
00:19:05You don't have to spell it for me.
00:19:07I can't keep this paper soup.
00:19:09Look, Nigel, put your finger on this paper, will you?
00:19:12If you can, catch it the next time it comes past.
00:19:15I've got it.
00:19:20Terry, give me that again, will you?
00:19:22Yeah?
00:19:24Turn left at the third junction, yeah?
00:19:27Yeah?
00:19:29Wilkinson's garage on the A340...
00:19:31Well, it's nearly in London.
00:19:33Now, listen.
00:19:34Don't leave the car.
00:19:35It'll take a couple of hours to get there.
00:19:38What do you mean you won't be there?
00:19:41Where are you going with no clothes and no money?
00:19:44Tell Mother not to worry.
00:19:46Give her my love.
00:19:47Tell her I'll call her tomorrow.
00:19:49Now, you pass that message on, Charlie,
00:19:51and don't be agnostic about it.
00:19:53Theresa?
00:19:55Now, listen to me.
00:19:56I want to know where you're going.
00:19:59And don't call your father, Charlie,
00:20:01when he's shouting at you!
00:20:03Now, look, Theresa, wait a minute, please.
00:20:05Please, wait a minute.
00:20:07Look, Nigel wants to say hello.
00:20:09Go on.
00:20:12Hi, sweetheart.
00:20:13Hello, Nigel.
00:20:16Hello, Nigel.
00:20:26Hi, guy.
00:20:42I love you.
00:20:52Oh, my God!
00:21:00Oh!
00:21:08Oh!
00:21:11Oh!
00:21:13Oh, Jesus, lady!
00:21:15What were you trying to do here, Steve?
00:21:18Go on, stupid!
00:21:47Oh!
00:21:48Not again!
00:22:19You're Charlie Weston's daughter, aren't you?
00:22:21What the hell are you doing down here in that outfit?
00:22:24I came on an impulse.
00:22:25If you take time and pack a bag, you change your mind and never make it.
00:22:28Yeah.
00:22:30You know, in my experience, horsewomen are quite capable of nailing people over stable doors,
00:22:35just for luck.
00:22:36That's a high moral tone coming from an area of strip clubs and dirty bookshops.
00:22:40You've been looking?
00:22:41At the pictures of the strippers.
00:22:43They're quite large ladies.
00:22:45One of them had a snake.
00:22:47Would that be a grass snake, do you think?
00:22:50Hmm.
00:22:51It smokes all the time.
00:23:10You don't have to pick a bag, you don't have to think it is a man.
00:23:13So, you need to pick a bag.
00:23:13I asked him some of this stuff.
00:23:27There are two people who have missed him in the room.
00:23:27There are two people who have lost and witnessed that there are waiting to be eaten.
00:24:29You'll make something of him, girl.
00:24:32Uncle Larry, I want to sing.
00:24:34Just for the hell of it.
00:24:36Just for one time before I get old and married and boring.
00:24:40Does Charlie know you're down here?
00:24:42That depends on what you tell him when he rings up looking for me.
00:24:48Marriage.
00:24:51I'm only doing it for my bookie.
00:24:54It doesn't seem to realise that one's expected to give up horses and dogs
00:24:58and the kind of women that run around with musicians.
00:25:02All right, lover boy, you got us here at this ungod now?
00:25:05Let's run, sir.
00:25:08This is Terry.
00:25:10She's going to sing tonight.
00:25:11Hi.
00:25:11Hello.
00:25:12Hello.
00:25:13Hello.
00:25:15What does the horse do?
00:25:19Okay, smart mouth.
00:25:20So you don't like the way she's dressed.
00:25:22Well, take a taxi to some boutique and get her what she needs.
00:25:26It's not safe for me out there, Larry.
00:25:28Mangum, with your mouth, it's not safe for you anywhere.
00:25:32Anyway, I'm a bad risk with money, Larry.
00:25:34At this moment in time, I'm a very bad risk with money.
00:25:36Do you know why I have the confidence to trust you with this?
00:25:39Because she's going with you.
00:25:43And, Mangum, I want the change.
00:25:52Are you coming or not?
00:25:57What's wrong?
00:25:58Have you lost your white stick?
00:26:00Just go and get us a taxi, right?
00:26:13You want to sit in the back or right-side, saddle lady?
00:26:16You can shut up for a start.
00:26:17I've heard enough jokes today.
00:26:32I've heard enough jokes today.
00:26:35Well?
00:26:38Oh, yeah.
00:26:39Beautiful font.
00:26:40What are you hiding from?
00:26:42Would you believe the 20th century?
00:26:44Those two gorillas, they were chasing you.
00:26:47Shut up.
00:26:48Rubbish.
00:26:49I ought to know.
00:26:50I was trampled on by both parties.
00:26:53Who are they?
00:26:53Music lovers.
00:26:55You're in trouble.
00:26:56It's a living.
00:26:58Well, if you won't talk, I don't see how anyone can help you.
00:27:01You know, if there's one thing that really does get up my nose,
00:27:03it's a social worker.
00:27:04I hope they catch you.
00:27:05I don't think you could stand all the blood.
00:27:07For yours, I'd make an exception.
00:27:09You know, it's always disappointing
00:27:10when a name you've seen for years on record sleeves
00:27:12turns out to be a squelch.
00:27:14Much as I...
00:27:16Much as I would love to prolong this moment
00:27:18of exquisite boredom,
00:27:19could we hurry it along?
00:27:21What do they wear?
00:27:22What do they wear?
00:27:23The female vocalists at your place.
00:27:26What's the form?
00:27:26Be helpful, damn it.
00:27:28Anything casual and quick?
00:27:30Oh, yes.
00:27:31Like Shirley Bassey.
00:27:32Thank you very much.
00:27:36Hey.
00:27:39That's ideal.
00:27:40Like hell it is.
00:27:43Like hell it is.
00:28:08Like hell it is.
00:28:12What is it now?
00:28:14Zip.
00:28:21Were you bottle fed or breast?
00:28:25What the hell's that got to do with anything?
00:28:27You sound more like bottle.
00:28:28Breasts tend to be more solid,
00:28:30placid, less neurotic.
00:28:31I bet they don't around you, dear.
00:28:32I know I'm talking a bit.
00:28:33When I get nervous,
00:28:35I have to talk.
00:28:36Yeah.
00:28:37How old are you, madam?
00:28:39When are you going to stop asking me questions?
00:28:41You needn't be embarrassed.
00:28:43I'm frank and forthright.
00:28:44You can ask me questions.
00:28:45Why don't you shut up?
00:28:47I'm nervous.
00:28:48I told you.
00:28:49It's not conversation.
00:28:50It's adrenaline.
00:28:51I'm getting screwed up gastrointestinally.
00:28:54What kind of audiences do you have?
00:28:56Oh, they're terrifying.
00:28:57Oh, you are a swine.
00:28:59No, no, no.
00:28:59They just sit there drinking blood.
00:29:05I've been trying to work out
00:29:06if you're as evil as you pretend to be.
00:29:08And I have every confidence that you are.
00:29:10Right, right, right.
00:29:11Don't you think that the universe
00:29:13is a bit awesome, huge, and chilly
00:29:15to be walking around so prickly in?
00:29:17We all need friends.
00:29:19And what do you know about awesome, huge, and chilly?
00:29:22You look like a survivor if ever I saw one.
00:29:24Do I look like a singer?
00:29:26Do you sound like a singer?
00:29:30You're a bit fatter than your photograph.
00:29:33What photograph?
00:29:34In an old melody maker.
00:29:36Yes, well, I didn't get much to eat in those days.
00:29:39It was the time when an olive in one's gin
00:29:41was considered a square meal.
00:29:43Is dissipation all that it's cracked up to be?
00:29:45Well, it beats trying to have a good time.
00:29:48Do you like the dress?
00:29:50You puzzle me.
00:29:52You've got so many advantages.
00:29:53Why can't you be satisfied?
00:29:55Well?
00:29:56What's the matter?
00:29:57You can't make a decision unless Daddy is here?
00:30:06Sorry I troubled you.
00:30:10Look, I'm sorry.
00:30:13I've just got a bit on my mind, girl.
00:30:15Forget it.
00:30:16I'll make up my own mind.
00:30:27I don't like it.
00:30:29I'll take it.
00:30:32Yes, thank you.
00:30:33And I'll want a skirt and a top.
00:30:34I'll need some shoes to go with this.
00:30:36I'll need some tights.
00:30:37And is there anywhere near here where I can get some makeup?
00:30:39I'll need some shoes to go with this.
00:30:40I'll need some shoes to go with this.
00:30:43I'll need some shoes to go with this.
00:30:43I'll need some shoes to go with this.
00:30:44I'll need some shoes to go with this.
00:30:47I'll need some shoes to go with this.
00:30:50I'll need some shoes to go with this.
00:30:52I'll need some shoes to go with this.
00:30:55I'll need some shoes to go with this.
00:30:56I'll need some shoes to go with this.
00:30:58I'll need some shoes to go with this.
00:31:00I'll need some shoes to go with this.
00:31:00I'll need some shoes to go with this.
00:31:01I'll need some shoes to go with this.
00:31:04I'll need some shoes to go with this.
00:31:16are you ready kid i think so are you quite sure you want to do this i want to do
00:31:21it uncle larry
00:31:22all right then 10 minutes and you're on does manham still write music music
00:31:28so the only little notes he writes are to his bookie
00:31:35very difficult position i can't eat very thought what do you mean you can't you've got no you have
00:32:04got it you've got a saint for every day of the week to turn to let them do the worrying
00:32:10and you
00:32:10eat how can you eat when you we don't even know where she is because i've got the boys out
00:32:16looking
00:32:16for them because i've got a clear conscience that's why i broke my back for that girl
00:32:22interfere interfere i interfere every time she turns she falls over my money that's how i interfere
00:32:29pink is up near the cushion you think i'm wrong to ask
00:32:36look she'll be married tomorrow anyway you'll have to get used to us being alone
00:32:44just the three of us yes
00:32:48something good to look at as well as listen to an addition to our musical menu
00:32:54for the first time in larry's club terry weston
00:33:11skylock have you anything to say to me
00:33:18won't you tell me where my love can be is there a meadow in the mist where someone's waiting to
00:33:30be kissed
00:33:31skylock have you seen a valley green with spring where my heart can go adjourning
00:33:46over the shadows and the rain to a blossom covered lane
00:33:54and in your lonely flight haven't you heard the music in the night
00:34:03wonderful music faint as a will-o'-the-wisp crazy as a loon sad as a gypsy serenade
00:34:13the moon oh skylock i don't know if you can find these things but my heart is riding on your
00:34:28wings
00:34:29so if you see them anywhere won't you lead me there won't you lead me there won't you lead me
00:34:57there
00:35:05oh there you are you heard the applause they liked you and all the disasters
00:35:11oh come on do you want to bet how many of them out there even knew
00:35:23can you see her
00:35:27what the hell are you wearing those things for i can't see them
00:35:30i'll bet you can't even see the street i can see this see the street
00:35:35well listen she can't have got very far and you you made her feel about two foot tall big mouth
00:35:43get after her take the car
00:35:45ah but i haven't brought the car
00:35:47well take mine
00:35:58don't be predictable get into the car
00:36:17listen this is not the place to argue now will you please get into the car
00:36:21stop following me
00:36:23you will get me nicked for curb crawling will you please get into the car
00:36:27you don't write music anymore mangum is that why you're uptight
00:36:32where do you think you're off to
00:36:33home
00:36:35on foot
00:36:36i'll find the railway station
00:36:38you'll probably find a great number of railway stations
00:36:40which particular railway station do you require
00:36:43erm
00:36:44redford
00:36:45it's in knots
00:36:47i know the feeling
00:36:48i know the feeling
00:36:48get into the car
00:36:52what are you giggling at
00:36:56you do look funny with your head through the room
00:37:05hallelujah
00:37:05please get into the car
00:37:08please get into the car
00:37:13will you please get into the car
00:37:14please get into the car
00:37:18Stop giggling.
00:37:26Did you really write that lovely song?
00:37:28Did I write what lovely song? I've written lots of lovely songs.
00:37:31Cold City.
00:37:32Yes, I wrote Cold City.
00:37:35I think it's incredible.
00:37:38What is incredible?
00:37:41A grumpy old sod like you writing that haunting tune.
00:37:45Where's my bag?
00:37:46Oh, it's not your bag. Sorry, I'm sorry.
00:37:47Listen, I'm going to phone Larry, get your ticket,
00:37:51and then I'll go back for your bag, all right?
00:37:52Now, come on.
00:37:58Hello, Larry.
00:38:00This is Mangum here.
00:38:02I have got this idiot bird at St Pancras Station,
00:38:07and I'm about to put her on a train back to Daddy.
00:38:12And there's one in half an hour.
00:38:14No, no, no, no, she's perfectly all right.
00:38:15She says she's absolutely fine.
00:38:17Just a little bit off-key.
00:38:21It is her idea, Larry.
00:38:24She wants to go home, and she wants to go home by train,
00:38:26because it's a long, long walk.
00:38:29Here it is.
00:38:31Uh-huh.
00:38:33Do you want a word?
00:38:34Tell him he's lovely.
00:38:35Tell him thanks.
00:38:36Did you hear that, Larry?
00:38:37Tell him I'll call him from home.
00:38:39She said she'll call you from home.
00:38:41Yes, there's a train in half an hour.
00:38:42I'll put her on it,
00:38:43and then, Larry, I am going back home to sleep,
00:38:47and I will bring your car around tomorrow morning, all right?
00:38:50All right.
00:38:56It's Sunday already.
00:38:58So?
00:38:59Tomorrow's my wedding day.
00:39:01He has my deepest sympathy.
00:39:04He needs the steadying influence of a good woman.
00:39:07Ah.
00:39:09Well, perhaps when he's been married to you for some time,
00:39:12he might find one.
00:39:16I hear you're going to marry a Mrs. Piccolino.
00:39:19Marino.
00:39:19That's good.
00:39:20You need a woman to make something of you.
00:39:22Can I have a meat pie?
00:39:24Never mind your meat pie.
00:39:25I'll get your ticket first.
00:39:27Uh, there's something about my ticket that I think you ought to know.
00:39:29What is there about your ticket that could possibly interest me?
00:39:32You're going to have to lend me the money to get it.
00:39:36What?
00:39:37I'll send it back when I send what I owe to Uncle Larry.
00:39:40If you want collateral,
00:39:42I'll leave you my shoes or a pint of blood or something.
00:39:45Don't.
00:39:46Get snide.
00:39:48It is money well spent.
00:39:49There is just one thing.
00:39:51I do not carry a lot on me.
00:39:53And the reason I don't carry a lot on me
00:39:55is that I don't have a lot.
00:39:57Because we don't all have daddies.
00:40:00How much is your ticket?
00:40:03I don't know.
00:40:04About seven pounds.
00:40:07Seven pounds.
00:40:08Seven pounds.
00:40:12I haven't got it.
00:40:13Could you run to a meat pie?
00:40:19How long are we going to be in London, boss?
00:40:22Just as long as it takes to pick her up from Narys.
00:40:25As long as it takes to turn around and bring her back.
00:40:56I don't feel like sleeping.
00:40:58I want to talk.
00:40:59How long is it going to be in London?
00:40:59How long is it since you've written anything?
00:41:01Like at this time in the morning forever.
00:41:03Hope she drives you to it, Mrs. Piccolino.
00:41:05Marino.
00:41:06Don't shout at me.
00:41:07You don't have to shout at me.
00:41:08Why don't you just get back to bed?
00:41:10It's not very comfortable.
00:41:11When I said you could make me a bed on the couch,
00:41:13I had this wild idea of something without lumps.
00:41:15What are you getting to bed?
00:41:20How much do you owe your bookie?
00:41:21None of your damn business.
00:41:23All right, me pig-headed.
00:41:24You've discussed my financial problems with some dozy bitch
00:41:27who hasn't even got the price of a train fare.
00:41:30What do you feed your cat on?
00:41:31What the hell has that got to do with anything?
00:41:33He's been sick in the kitchen.
00:41:35Oh, no.
00:41:42Oh, no.
00:41:45You know something?
00:41:46You're a liar.
00:41:48I cleaned it up.
00:41:50Oh.
00:41:50Oh, well, thanks very much.
00:42:22Derek!
00:42:24Derek!
00:42:27All right, all right, all right!
00:42:29All right, all right.
00:42:31I've come to fetch her.
00:42:33Oh, Charlie!
00:42:34How are you?
00:42:35Oh, just a little view.
00:42:37Oh, well, you know how it is.
00:42:40Now, listen, Charlie.
00:42:41She's on her way home.
00:42:42She's on the train.
00:42:44She's all right.
00:42:45As right as rain.
00:42:47One of my people put her on the train about an hour ago.
00:42:50Now, listen, Charlie.
00:42:51Wait there.
00:42:52I'm coming down.
00:42:53Now, go by the bed, Larry.
00:42:55We're driving straight back home.
00:42:57Oh, well, won't you come in for a drink or something?
00:43:00Next time.
00:43:01And listen, Larry.
00:43:02Thanks for keeping an eye on her.
00:43:05Well, she's like my own.
00:43:07I sometimes wonder who the hell she is like.
00:43:15Well, unless you find that.
00:43:16Cleaned up a whole pile of stuff.
00:43:31I've forgotten all about this.
00:43:33Now you can finish it.
00:43:38It is finished.
00:43:40Well, you must do something with it.
00:43:41Oh, no way.
00:43:42That's either stupid or criminal.
00:43:45Well, it's not a question of choice, girl.
00:43:47Lose the faith, that's all.
00:43:49You wake up one morning, you find there's no more music left in you.
00:43:52One of the last illusions to go, but it goes.
00:43:54Along with all the other romantic notions one carries around in one's head.
00:43:58I think that's the sorriest thing I've ever heard.
00:44:01I didn't say I liked it, did I?
00:44:03I found there was enough real pain in the world without writing it down for amorous purposes.
00:44:09That's love you're dismissing.
00:44:11As if it's just a state of ignorance.
00:44:13Child, it is a state of ignorance.
00:44:17I am now going to bed.
00:44:20To sleep.
00:44:23To sleep.
00:44:28To sleep.
00:44:28To sleep.
00:44:56which reminds me don't forget the women of the ashtray
00:45:00where is she what's in here is it they were two an hour ago no british blinding rail
00:45:09where do you keep the station would you like me to do it mr wester easily do it
00:45:26are you asleep soundly what are you so mardy for mardy what kind of word is mardy for god's sake
00:45:39that girl is an idiot that's what she is she is a first-class idiot how an idiot
00:45:53oh my
00:46:07drink yourself to sleep cheers
00:46:10it never occurred to you to ask if i might like one you drink neat whiskey sometimes
00:46:15she drinks neat
00:46:17of course don't you know she probably drink strychnine as well
00:46:21oh god i heard you do that
00:46:32thank you
00:46:37oh
00:46:38oh god this stuff makes your eyes water
00:46:43it's important bourbon
00:46:44why don't you just make it in your own bathtub
00:46:46that stuff costs fourteen quid a bottle
00:46:49no wonder you couldn't afford my train fare you've got no sense of proportion manham
00:46:54i economize on soda
00:46:55your taste in women sounds just as irrational you've got a chaotic lifestyle i mean what
00:47:01are you going to do for an encore
00:47:02i intend to grow old disgracefully
00:47:04you'll probably make it
00:47:07why is your eye twitching
00:47:09i don't know is it twitching
00:47:11it's twitching
00:47:12well don't go to pieces they do sometimes you
00:47:14i knew it i knew it you are aesthetic and you are going to have a seizure
00:47:18i am not
00:47:19i knew it i knew it i knew it
00:47:20don't be ridiculous
00:47:21god almighty where in the hell am i going to get qualified help at this time in the morning
00:47:24stop getting agitated manham sit down it's only a reflex tremor
00:47:28i just want you to know that i have had one hell of a night
00:47:31i'm sorry
00:47:32you forced your way in here
00:47:35i said i'm sorry
00:47:36i thought we'd talk music
00:47:38i thought you'd tell me about the life
00:47:40stories about the people you'd met
00:47:42i thought it would be something i'd remember
00:47:44oh my god it's something i hardly remember
00:47:46i think that's sad
00:47:48very probably very probably
00:47:50but in the wee sleepless hours of the early morning
00:47:54that is my kind of music
00:47:56something melancholy with a counterpoint of gallows humour
00:47:58there is nothing that so dignifies the human spirit girl as gallows humour
00:48:02god save us from seriousness
00:48:04but the world is serious
00:48:06that's only because it takes itself so damn seriously
00:48:14would you like another
00:48:16no thank you
00:48:19well you
00:48:21you'll probably find some gin or something somewhere if you look around
00:48:24i do sometimes drink sweet cherry
00:48:28good god
00:48:29well it's not a felony
00:48:33how old is he
00:48:35who
00:48:35oh this his fellow you're gonna marry
00:48:41poor love
00:48:42i think he's aged considerably since we met
00:48:45yeah i bet
00:48:50sorry
00:48:51no sweet sherry
00:48:52you've no sweet anything
00:49:12that's quite a rock
00:49:20good night
00:49:21good night
00:49:23good night
00:49:25good night
00:49:47good night
00:49:49good night
00:49:55he's the most part of it
00:49:55that's the size of it
00:49:55she's beginning to tittle me off larry
00:49:58yeah
00:49:59yeah you do that
00:50:00as soon as i'll put the phone down
00:50:02you might enquire and bring me straight back
00:50:04my mother's going to pieces here
00:50:08who's going to pieces
00:50:09well you're a mother you ought to be going to pieces
00:50:11well i don't like it any more than you do
00:50:13but I trust her discretion she's a capable Catholic girl get the telephone
00:50:36will you thank you thank you very much answering the telephone saves me
00:50:58getting out of bed just when I got off to sleep hello what the hell are you doing on the
00:51:04line
00:51:04wherever you are at this time of the night oh god Larry I know I know she's not on the
00:51:12train
00:51:12she's here sleeping on my couch like she's been hibernating it's not that kind of situation now
00:51:18why don't you just go and wash your mind out I couldn't I could not put her on the train
00:51:23for
00:51:23the simple reason she didn't have the money for the train fare so just relax I'll drop her on your
00:51:28doorstep tomorrow morning what what do you what do you mean is she all right of course she's all
00:51:33right I mean she's a lunatic isn't she and they've got special dispensation from Providence now will
00:51:37you please get the hell off
00:51:39all right
00:51:44ah
00:51:47ah
00:51:50ah
00:51:50ah
00:51:51ah
00:51:51ah
00:51:51ah
00:51:51ah
00:51:51ah
00:51:53ah
00:52:15she spent the night with whom she spent the night with whom not who yes she spent the night with
00:52:21whom
00:52:21oh
00:52:22the bass player oh my god oh never mind that ice king queen like is she on the pill
00:52:27what of course she's not on the pill oh my god oh leave it to me Larry I'll attend to
00:52:33it from this
00:52:33end
00:52:37Nigel well what's happened to Nigel nothing yet but I expect him shortly to live up to his reputation of
00:52:43complete
00:52:43stupidity by marrying your shop so you don't
00:52:47Charles
00:52:48Charles
00:53:02how do you feel like going back to luck
00:53:04golly wolf
00:53:04you can take it in turns to drive look here fetch her back and bring that string plucking
00:53:09Charles
00:53:11bring that musical twat back with you who's that chief
00:53:14the brace player I want him bring him back here
00:53:17no no no don't stand there with your mouth open go and get him
00:53:33oh
00:53:34oh
00:53:35oh
00:53:35oh
00:53:35oh
00:53:36What?
00:53:37Ah!
00:53:38God!
00:53:39Oh!
00:53:39Ah!
00:53:39Ah!
00:53:40Ah!
00:53:40God!
00:53:40What have you done now?
00:53:41You knocked it out of my hand.
00:53:42Oh, my dear!
00:53:45It's not boiling.
00:53:46I put a lot of milk in it.
00:53:47It's hot!
00:53:48You're mad!
00:53:48You are stark staring, raving bloody mad, you silly woman!
00:53:51Stop making such a fuss.
00:53:52It's only a bit of warm tea.
00:53:54I am barbecued!
00:53:56Rubbish.
00:53:57Well, don't just stand there.
00:53:58Get out so I can get these damn things off.
00:54:00Put this thing around you.
00:54:00God!
00:54:02Stupid woman!
00:54:04I only tapped you on your shoulder.
00:54:06You must be riddled with guilt, man.
00:54:08I'm leaping about the way you do.
00:54:09I am riddled with scalding tea.
00:54:12It wasn't scalding.
00:54:13I deliberately made it cool so you could drink it straight away.
00:54:16You haven't got time for door-dingersy, because I want to go to math.
00:54:19Fine, fine.
00:54:19Why do you need me?
00:54:20Well, I want something for the collection.
00:54:22Do you want...
00:54:24God!
00:54:26Ah!
00:54:27Oh, where the hell is it?
00:54:29Here.
00:54:31Take that.
00:54:33Take something out of that.
00:54:34There.
00:54:35And some pound notes.
00:54:37I know you're searching for salvation.
00:54:39Do you have to go first class?
00:54:41Wait, wait.
00:54:42I don't know where the next lot is coming from.
00:54:44You'll get it back.
00:54:44I'm keeping count.
00:54:45Thank you very much.
00:54:46Thank you very, very, very, very much indeed.
00:54:48You all lot have already got St Peter's Rome.
00:54:51They really need my baked bean money, do they?
00:54:53They've got the world's oldest and noblest institution,
00:54:55so that it's always there when people come to realise they need it.
00:54:58Well, get dressed.
00:54:59You'll have to take me in the car.
00:55:01I've run your bar.
00:55:06Oh, my God.
00:55:20Oh, it's much too soon to end a perfectly lovely party.
00:55:24I'll go up and surprise Mangum and bring him down and we'll start all over again.
00:55:31Oh, silly car.
00:55:38I want to hear you splash, Mangum.
00:55:40Don't go to sleep in there.
00:55:42Chance will be a fine thing.
00:55:47Surprise, surprise.
00:55:50You must be Mrs. Piccolino.
00:55:53Marino.
00:55:56Have you slept here?
00:55:58He needs a home life and stability, not partying all night.
00:56:02And yes, I've slept here.
00:56:04Although we never closed our eyes until Lord knows what time in the morning.
00:56:07I'd like a word with him in private.
00:56:10I don't think that would be a good idea.
00:56:12As things are at the moment, he's not wearing a stitch of clothing.
00:56:15Don't look so shocked.
00:56:18Freedom is now.
00:56:20The word is liberation.
00:56:22Tell him I'll be in touch.
00:56:30Who was that?
00:56:32Jehovah's Witnesses.
00:56:49Let's go.
00:56:50Let's go.
00:56:50Let's go.
00:57:00Let's go.
00:57:02Let's go.
00:57:04Let's go.
00:57:18Let's go.
00:57:53You're an idiot, madam. You're to get away from here. You need a stable home life.
00:57:58I need 12 hours sleep.
00:58:00You'll thank me one day.
00:58:02What for?
00:58:04Never mind. I'll see you in about half an hour.
00:58:20I'll see you in about half an hour.
00:58:21Sanctuary!
00:58:22Fuck!
00:58:23Here, here.
00:58:28Benny wants a word with you, madam.
00:58:30If you'd be kind enough to accompany us, mate.
00:58:34How's it going, Ernie?
00:58:35Yeah, you leave off, Benny.
00:58:37And don't you give us a hard time.
00:58:38Still working for Benny, then?
00:58:40Yeah. And you know what he's like.
00:58:42Give him Mr. Western's regards.
00:58:44Tell him this is Charlie Western's punter you've got hold of here.
00:58:48Explain that Charlie wants him.
00:58:54Never fence intended, Benny.
00:58:56And none taken, Ernie.
00:59:02Where are you taking him?
00:59:09Look, will you tell these two dumbos that I am not going anywhere?
00:59:11Your father wants to see him, Miss Terry.
00:59:14That's right, Miss Terry.
00:59:16Your father wants to see him.
00:59:17Will you please tell them I haven't done you any harm?
00:59:20You'll have to stop off at his flat first to pick up his cat.
00:59:24She's mad.
00:59:25Look, don't listen to her.
00:59:26She's mad.
00:59:26I'm not going anywhere, right?
00:59:27It's for your own good, Mangum.
00:59:30Go and fetch his cat and pick me up here after mass.
00:59:34I'm not going anywhere!
00:59:35I'm not going anywhere!
00:59:44I'm not going anywhere!
00:59:48Good, we're in time for the procession.
00:59:51Where the hell have you been, Carl?
00:59:52Oh, don't start now, Charlie.
00:59:54I'll explain later.
00:59:55This is Mangum.
00:59:57This bum, he's old enough to be your father.
01:00:01If I was her father, I would prevent her running loose all over the countryside to the discomfort
01:00:06of the inhabitants thereof.
01:00:09Are you all right, darling?
01:00:10Yes, love, I'm all right.
01:00:12I can see how you lot put the fear of God in him.
01:00:15Yeah, now what?
01:00:17Now, Nigel.
01:00:17Now, Nigel.
01:00:18Calm down, Nigel.
01:00:20Father Denham's waiting, Charlie.
01:00:22Bring the men.
01:00:23Not now.
01:00:24I want a word or two with this fellow.
01:00:26Now!
01:00:28They look as if they could do with a good walk.
01:00:30Will you be joining us, Mr. Mangum?
01:00:34Happily, ma'am.
01:00:36Come on, now.
01:00:37I want us all to keep an eye on this cat, Fensier.
01:00:42Come.
01:00:43Come on.
01:00:44Faith and perfection
01:00:46May thy passion be
01:00:51Follow, Mr. Jesus
01:00:55Dear and our love be
01:00:59Deep in thy wounds, Lord
01:01:04Why did she sleep last night?
01:01:15On the couch at my place.
01:01:17Quite safely.
01:01:20Is that the idiot she's going to marry?
01:01:22It is if you haven't blown it.
01:01:23Thank you very much.
01:01:25Who says he's an idiot?
01:01:29Of course, the thing was, could I get on with the parents?
01:01:31It wasn't just Mum and Dad, you know.
01:01:33There was the Pope.
01:01:35And someone called St. Margaret Mary Alacoque, would you believe?
01:01:40In the real emergencies, when the chips were all well down,
01:01:42they used to wheel out St. Jude.
01:01:44Oh, you were going to marry a Catholic?
01:01:46I don't know if he's going on or not.
01:01:47Oh, I'll call Mary a Catholic.
01:01:48It's not easy.
01:01:49One minute they're there, the next minute.
01:01:50No, thank you.
01:01:51Not a Catholic.
01:01:52Hotel life's no love for anybody without a pill.
01:01:55Who would you like to fill that up again?
01:01:58Have one yourself.
01:01:59Oh, thanks very much.
01:02:00Have a small brandy.
01:02:01Keeps a chill out.
01:02:02Who wants to drink alone?
01:02:03Quite right, dear.
01:02:04I don't have to drink alone.
01:02:07It's my stag night.
01:02:09Do you know, there's a room reserved not a million miles from here
01:02:11that's shortly to be filled with a cross-section of my thirstier friends.
01:02:15There he is.
01:02:17There he is!
01:02:18Steady night.
01:02:18Marriage!
01:02:19We can't just talk about this, Nigel!
01:02:21Excuse me.
01:02:22Stop him, you full-stop, Nigel!
01:02:24That hurt!
01:02:26Oh, leave them.
01:02:27All right, sir.
01:02:28All right.
01:02:29Have you got a pack of blankets?
01:02:30See?
01:02:31Get him out!
01:02:33All right, Nigel.
01:02:34Take your glasses off.
01:02:35I'm taking my glasses off, Nigel.
01:02:36Yes.
01:02:37All right, now, if you want to get your face all bruised up
01:02:39for your wedding tomorrow, all right?
01:02:40All right.
01:02:43See?
01:02:44Who said anything about a wedding tomorrow?
01:02:46Well, I did, you idiot.
01:02:50You, you twat!
01:02:51Have you no scruples?
01:02:53Well, it's great coming from a filthy old man who steals another fellow's bribe.
01:02:56You male model!
01:02:58Can't even stand a damn girl!
01:03:00You mean that?
01:03:00Of course I mean that!
01:03:02Ah!
01:03:08Now look what you've done!
01:03:09Well, let's go.
01:03:14a drink? Yeah.
01:03:34We're not right for each other
01:03:39So they say, so they say
01:03:42We'd only fight with each other
01:03:47So they say, so they say
01:03:51We'd take flight from each other
01:03:57Row all night with each other
01:04:01Just no good for each other
01:04:04So they say
01:04:08They tell me
01:04:10If you're chalk, then I'm cheese
01:04:15If I'm a bee, you're not the knees
01:04:19If you're players, I'm not please
01:04:22And if I were the tropics, you'd freeze
01:04:28Maybe we might with each other
01:04:31Whatever they say
01:04:34Whatever they say
01:04:36Make it right with each other
01:04:40Come what may
01:04:43Come what may
01:04:45Hold on tight to each other
01:04:50Make dark light for each other
01:04:54Burning bright for each other
01:04:58Come what may
01:05:09Those glasses make you look ancient
01:05:14They are just glasses
01:05:16They're not a surgical aid
01:05:17I thought you were in such a hurry
01:05:19To get away from here
01:05:21There's not a train till 4am apparently
01:05:24Your father has ordered me a taxi
01:05:26And given me a handsome compensation
01:05:28Which of course you accepted
01:05:30Which of course I accepted
01:05:31You are a swine
01:05:33Yeah
01:05:35Why don't you go back to bed?
01:05:36I can't sleep
01:05:38Think about Nigel
01:05:39That should act as a soporific
01:05:41You hit him when he wasn't looking
01:05:45I wish you luck with Mrs Piccolino
01:05:47Marino
01:05:48You are going to need it
01:05:50What about you?
01:05:51He's basically a sweet person
01:05:54Yours is just a bitch
01:05:55Correction
01:05:56A rich bitch
01:05:59Which fills me with a sense of tolerance
01:06:01For all her other shortcomings
01:06:05My father said I could help myself
01:06:06To a drink
01:06:08He didn't mean it was compulsory
01:06:17You want to make yourself useful?
01:06:20Find me a box for my cat
01:06:26A box for the cat
01:06:38These bridal nerves have quite ruined your appetite
01:06:41I never get married on an empty stomach
01:06:44Do you want anything?
01:06:45What is it?
01:06:46Liver sausage
01:06:48You really are a fairy creature aren't you?
01:06:50All gossamer and tinsel
01:06:52I suppose at your time of life you haven't got the digestion for it
01:06:55Bitch
01:06:56Temper
01:06:59Anyway you haven't even tried to sleep
01:07:01Yes I have
01:07:02Oh yeah?
01:07:03Well look at you
01:07:03Look at your hair
01:07:04What's wrong with my hair?
01:07:06Nothing
01:07:07That's just it
01:07:08Not a damn thing
01:07:09Just brushed it
01:07:10Well of course I brushed it
01:07:12It was all over the place
01:07:13You have no right to brush it
01:07:15What are you talking about?
01:07:18On your wedding eve
01:07:19You come down here
01:07:20Still warm from your bed
01:07:22Your hair all brushed and glossy
01:07:24And dressed
01:07:25Ready to slay all masculine scruples
01:07:27Oh rubbish
01:07:28It's just the first thing I grabbed
01:07:30He's grabbing you back again very adequately
01:07:31I mean you sneak down here
01:07:33I did not sneak
01:07:34In the dead of night
01:07:35This small desperate hour
01:07:36This is my home
01:07:38I'm entitled to move about freely
01:07:41In curlers you are entitled to move about freely
01:07:44In front of casual house guests
01:07:46In curlers woman
01:07:47Or in some hideous face mask
01:07:50Not rigged out like that
01:07:54Looking absolutely stunning
01:08:00You think I'm stunning?
01:08:03Of course you're stunning
01:08:06Now damn well you're stunning
01:08:11I had no idea you considered me stunning
01:08:16Rubbish
01:08:17It's not rubbish
01:08:19All you've ever done is moan at me
01:08:31Any damn fool
01:08:33Can see how absolutely gorgeous you are
01:08:52Oh this is awkward
01:09:01Your father is going to kill me
01:09:04Yes
01:09:05Yes
01:09:06I think you could have argued just a bit
01:09:13Why didn't you say something?
01:09:15What were you going to do?
01:09:16Wait until I got to the altar?
01:09:17Damn you girl
01:09:19This is absolutely stupid
01:09:20It's bloody ridiculous
01:09:21You're old enough to be my father
01:09:23Stop saying that
01:09:27I'm getting married in
01:09:31Seven hours time
01:09:32Oh for God for God's sake
01:09:33Don't start eating
01:09:34I mean not now
01:09:35You see how impossible you are?
01:09:37What a temper you've got
01:09:38How could anyone fall in love with you?
01:09:40Well it hasn't been easy falling in love with you
01:09:41I'll tell you
01:09:41It's been an uphill battle all the way
01:09:43You are totally self-centred
01:09:44And you are spoiled rotten
01:09:45Completely unreliable
01:09:47You are one of the world's great, great interferers
01:09:58What are we going to do?
01:10:00I don't know
01:10:00What about Nigel?
01:10:01Oh Nigel
01:10:03I can't imagine why you got involved with a prawn like Nigel in the first place
01:10:06She's not a prawn
01:10:07And who are you to criticize?
01:10:09Look at Mrs Piccolino
01:10:10Marino?
01:10:11Oh Lord, she's going to sue me
01:10:14And she was going to pay off my gambling debts
01:10:15Listen, you do realize, don't you
01:10:16If you come away with me
01:10:17Your father is going to cut you off without a penny
01:10:19Of course
01:10:20And you are going to represent a considerable financial sacrifice
01:10:22Oh, flatterer
01:10:26And you have torn me wide open, girl
01:10:29Sometimes you scare me, Mangan
01:10:32Sometimes you make me so damned angry
01:10:35And if that isn't love, I don't know what the hell is
01:10:44Tell her what you do
01:10:45You go upstairs, you pack a bag
01:10:48Quickly
01:10:49Taxi should be here in about 30 minutes
01:10:50I'm almost packed
01:10:51I was going on honeymoon, remember?
01:10:54Where?
01:10:54Rome
01:10:55Rome?
01:10:56Well, you'll have to see the Pope some other time
01:10:59No joke's about the Pope, Mangan
01:11:01If you're going to marry me, he'll be your Pope too
01:11:20Oh, Kurt
01:11:22It has been a weird weekend
01:11:25It's going to get weirder
01:11:28I know
01:11:28I know
01:11:29I know
01:11:29I'm old enough to be her father
01:11:31I know it, I know it, I know it
01:11:32Don't you stop it
01:11:36My only defense is that she is a wild-looking girl
01:11:46I've left the big case in the hall
01:11:47And the classic farewell note on my dressing table
01:11:53Better go and burn it
01:12:10Well, I knew Mangum, I'll be able to say
01:12:12He believed in very short engagements
01:12:15Tell you what I don't believe in
01:12:16This
01:12:17Us
01:12:21I mean
01:12:22We were dreaming
01:12:24And we're going to feel damn silly in the morning
01:12:27It's a big day for you tomorrow
01:12:30I think we're just caught up in the emotional overspill
01:12:34Oh, I see
01:12:35We were overcome by all these romantic associations in the kitchen
01:12:40Oh, come on
01:12:43Look at us
01:12:44Look at me
01:12:46Face it
01:12:49And what did you do on the night before your wedding, Miss Weston?
01:12:56Bridal nerves
01:12:58Normal standards will be resumed as soon as possible
01:13:01Do you really think that I can walk out now in the morning and marry Nigel?
01:13:05It's a marriage of convenience
01:13:09I've never said you've loved him
01:13:11No, you've got courage, you've got grit, you've got drive
01:13:17You'll make it work somehow
01:13:20You always know so damn much stuff, Mangum
01:13:29You know that
01:13:30That poor prawn is not going to know what hit him, is he?
01:13:35He should never have stopped to pack that damn bag
01:13:39I told you the first time we ever met
01:13:41Terry
01:13:44It wouldn't have worked, love, it wouldn't have worked
01:13:46And the time to realize it is now
01:13:50No
01:13:51You don't know
01:13:53I know
01:13:54I know
01:13:56I know that a gambling man like me needs bigger odds
01:13:59Better odds than we would have had
01:14:02I know that
01:14:06You go to bed, right?
01:14:07It's going to be a mess in the morning
01:14:20Terry
01:14:23I had intended
01:14:25My decline
01:14:28To be one of
01:14:30Comparative calm
01:14:33It was confidently anticipated
01:14:35In the asinine follies of the bowels
01:14:38Mangum was finally flame-proof
01:14:58It was turned on
01:15:00It was an awful thing
01:15:06It was a lot of fear
01:15:07And you can't tell the uncertainty
01:15:07It's about to go and to go
01:15:07To the new one
01:15:07To the new one
01:15:07To the new one
01:15:17The new one
01:15:18It's about to fall
01:15:39Lord God, look kindly on that idiot, Mangham.
01:15:58Well, not a bad day for a wedding, Max.
01:16:00Not a bad day at all, Gull.
01:16:02Do you know, I was married in fog, thick fog.
01:16:06If Mrs. Wesson hadn't been in white, I doubt if I'd have found her.
01:16:10She was the only one who turned out clear on the wedding photos.
01:16:14And there was no roles there, Max.
01:16:16Yeah.
01:16:17I was selling a few cars at the time, and there was like gold to get hold of.
01:16:22There was a two-year waiting list.
01:16:23The punters had snatched your arm off.
01:16:26You know, we went to church in this big old ex-army Umber, still in camouflage.
01:16:31Even so, I'd still sold it by tea time.
01:16:34We went on honeymoon by train, and we had to stand all the way.
01:16:39Still, Max, if you find the right woman, you can put up with a bit of inconvenience.
01:16:44Yeah.
01:16:46I don't seem able to hold on myself.
01:16:48Them Roman Catholics have got some funny ways, but I'll tell you what, Max.
01:16:52They stick like glue.
01:17:02If he's no good to you, I'll kill him.
01:17:06Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
01:17:11ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
01:17:11ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
01:17:12ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
01:17:13ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
01:17:20ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha
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