Tggrt. 32. Legends. Part 1 of 2.

deaddogsdam

First broadcast 2nd/9th/16th November 1995.  The re-release of a track by sixties rock group The Adders sees the murder of the lead guitarist in bizarre circumstances that sends Jardine's team into the seedy world of rock and roll and drugs.  James MacPherson - DI Mike Jardine Blythe Duff - DS Jackie Reid Iain Anders - Supt. Jack McVitie Robert Robertson - Dr. Stephen Andrews Colin McCredie - DC Stuart Fraser Barbara Dickson - Marie McDonald Michael MacKenzie - Larry Bain Ben Robertson - Alec Veerman Benny Young - Roddy Ferguson Natalie J. Robb - Kate McCready (as Natalie Robb) David McGowan - Ian Garvey Harley Loudon - Shelagh Ferguson Paul Morrow - Kevin Faulkner Graeme Dallas - Benny Docherty Andrew Barr - Alan Mann Ashley Collishaw - Hospital Doctor Clunie Mackenzie - Landlady Katy Hale - Caroline Buchanan Julia Cotton - Janey Lynne Killin - Jessica Buchanan Gabriel McTurk - Rick Mullvey (as Gabriel MacTurk) Gordon Munro - Desk Sergeant Jamie Adair - Boxing Coach Mark McDonnell - Club DJ Owen Gorman - Constable Muriel Romanes - Margaret Rennie Paul Young - Patrick Liddell Annie Bruce - Louise Mullvey Stewart Porter - Johnny Paterson Andy Bradford - Tony Balmoral Ashley Collishaw - Hospital Doctor Iain Stuart Robertson - Island Constable - (as Ian Stuart Robertson) Rebecca Rodgers - Hospital Sister Craig Smith - Cemetery Caretaker Gordon Cree - Restaurant Pianist Glen Michael - Ventriloquist

Transcript

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00:03:42Rick!

00:03:47Oh, my God.

00:04:12Oh, my God.

00:04:22That's a picture.

00:04:24Oh, shoes.

00:04:34Hey!

00:04:42I have had enough.

00:04:48Fancy a takeaway?

00:04:50I fancy my bed.

00:04:52This will be done tomorrow.

00:05:06Just leave it, eh?

00:05:08Let night duty deal with the bees.

00:05:38Hold it.

00:05:40Hold it.

00:05:42Good for you.

00:05:48When I was out

00:05:49of the love,

00:05:51it was in your eyes,

00:05:56oh, you still love me

00:05:59tomorrow,

00:06:03I like to go

00:06:09and go

00:06:13and go

00:06:17and go

00:06:21and go

00:06:25and go

00:06:29and go

00:06:33and go

00:06:37and go

00:06:39and go

00:06:41and go

00:06:49do

00:06:53You said that I'm the only one

00:07:01But I'll turn my heart and be back again

00:07:13When the night meets the light of the morning sun

00:07:21You're alone

00:07:28You're alone

00:07:34You're alone

00:07:38So sweet

00:07:42You're alone

00:07:49You're alone

00:07:51You're alone

00:07:58You're alone

00:08:00You're alone

00:08:02You're alone

00:08:03You're alone

00:08:05You're alone

00:08:07You're alone

00:08:08You're alone

00:08:09You're alone

00:08:10You're alone

00:08:11You're alone

00:08:12You're alone

00:08:13You're alone

00:08:14You're alone

00:08:15You're alone

00:08:16You're alone

00:08:17You're alone

00:08:18You're alone

00:08:19You're alone

00:08:20You're alone

00:08:21Oh, oh, oh, oh, oh.

00:08:51Oh, oh, oh, oh, oh.

00:09:07Through that, Lyson.

00:09:08Cheers.

00:09:12Oh, dear.

00:09:21Stephen?

00:09:30Oh, hello there, Michael.

00:09:32Checky.

00:09:34Not to worry.

00:09:35The electricity is about to be restored.

00:09:38What happened?

00:09:40Quite a complicated one, it seems.

00:09:43The mail could have been electrocuted.

00:09:47God.

00:09:49Turn it off.

00:09:52Yes, the girl had multiple stab wounds.

00:09:55The man has none.

00:09:58Well, it certainly wasn't an accident.

00:10:01Don't you feel like I'm crying?

00:10:07Don't you feel like I'm crying?

00:10:12Oh, here I am, I'm running.

00:10:14Come on, come on, I'm happy.

00:10:17Don't you feel like I'm crying?

00:10:22Quack, quack, quack, quack...

00:10:38This way.

00:10:40It's been Heldon at Rotten Bot.

00:10:42All373, we continue to go event.

00:10:51I'll make a star of you, yeah, Kate.

00:11:11We need to go up market every bit, though, don't you think?

00:11:13No.

00:11:14At least it pays the rent.

00:11:17That's about all it pays.

00:11:19It could always move in with me.

00:11:21You don't give up, do you?

00:11:27Oh, my, you've got a rare pair of lungs, hen.

00:11:31Come on, back to the house for a wee thing.

00:11:33Here, you behave yourself, darling.

00:11:35Come on.

00:11:48You two haven't seen Ian, have you?

00:11:50No.

00:11:52I warned you it was no good, Kate.

00:11:54Little bastard's probably outpicking up some scrubber right now.

00:11:58See you later.

00:12:07Rick Mulvey was a member of a pop group back in the 60s.

00:12:10Liverpool had the Beatles.

00:12:12We had the Adders.

00:12:13We're talking Scottish folklore here.

00:12:15Didn't know you were into the popular music scene.

00:12:18I could have been another Ringo Starr at one time.

00:12:19So what made you join the first year?

00:12:21I lacked a sense of humour, sir.

00:12:24Never mind your cheek.

00:12:27So where are the other members now?

00:12:28Sir?

00:12:30The Adders.

00:12:32Disappeared off the scene years ago.

00:12:34The girl who sang with them?

00:12:35Jenny Connolly.

00:12:36Didn't she commit suicide or something?

00:12:38Fell from a hotel balcony in Blackpool after one of their gigs.

00:12:41That was why the group split up.

00:12:44Without her, well, they were nothing.

00:12:46You got those statements together, yeah?

00:12:48No, sir.

00:12:49I might need to go back tonight.

00:12:51I still haven't found the weapon.

00:12:52Searched everywhere.

00:12:54Call yourself a detective.

00:12:55You should have stuck to playing the guitar.

00:12:58It was the drums, actually, sir.

00:13:01Keep me informed.

00:13:02No, it's just not like him at all.

00:13:24No message, nothing.

00:13:25I'm just scared something's happened to him.

00:13:31Right, okay, I'll try David then.

00:13:33Thanks, anyway.

00:13:34Bye.

00:13:54Morning, Michael.

00:13:56Jackie.

00:13:57Any results?

00:13:58Not yet, I'm afraid.

00:14:00Time of death, roughly the same for the two of them.

00:14:04Could she have died first by any chance?

00:14:07Couldn't say at this stage, Michael.

00:14:09The small amount of water in the middle of his lungs suggests that he died from the electric shock, rather than browning.

00:14:15Although the post-mortem may disagree.

00:14:18It's a grey area.

00:14:19But I'd say that the cause of death may simply turn out to be cardiac arrest.

00:14:25Why do you say that?

00:14:27Well, there's no focal lesion on the body.

00:14:29And with a wide expanse of water like this, an electric chard would, uh, well...

00:14:35So do you think it was one of those kinky sessions that went wrong?

00:14:39Well, that wouldn't explain death.

00:14:40Um, any sign of the murder weapon?

00:14:44No, uh, not yet.

00:14:46Oh.

00:14:51Hardly allowance book.

00:14:53Found in the girl's bag.

00:14:54Well, what's her name on it?

00:14:56Erm, Caroline Buchanan.

00:14:58114 Everscott House.

00:15:00Yep, I know who that is.

00:15:01Right, you go over to the address then.

00:15:04Oh, thanks a lot.

00:15:05Good morning.

00:15:17Good morning.

00:15:22Way for our survival.

00:15:25Will we ever find the cancer?

00:15:29Only find your revival.

00:15:32Will it ever be?

00:15:34You say electrocution?

00:15:48That's what it looks like.

00:15:49I found the stereo in the pool, and the fuse box had been tampered with.

00:15:53And the plug?

00:15:54Wrong fuse.

00:15:55Someone who knew their way around the house?

00:15:59I'm sure of it.

00:16:00No sign of a break-in?

00:16:02No.

00:16:03Nor the murder weapon, either.

00:16:07A killer with an innovative mind.

00:16:12Perhaps the killer was with them.

00:16:14They'd been drinking heavily.

00:16:16And they'd gone back to Mulvey's house for a bit of fun.

00:16:19Come.

00:16:19If we could just find out what Mulvey and the girl were doing earlier that evening.

00:16:23Jackie's had an accident.

00:16:24I tried to stop her.

00:16:28I just didn't see him.

00:16:34Mulvey was recently separated from his wife.

00:16:36She shouldn't be too difficult to find.

00:16:37Look, I know something's wrong.

00:16:39Six o'clock last night isn't 24 hours.

00:16:41He could have gone to see a friend and not told you about it.

00:16:43I bet he would have told me.

00:16:44He's a grown lad.

00:16:45Tom, family lunch potatoes.

00:16:51Good job.

00:16:53Look, I'll make a note.

00:16:55I'll let you know if something comes up.

00:16:56Please, I must know.

00:17:10There's nothing you can do.

00:17:11Look, just give me a few minutes.

00:17:14It's going to be all right.

00:17:18I don't even know his name.

00:17:20You've got the all clear.

00:17:22I take a few days off.

00:17:23Look, I didn't see him.

00:17:24Not until the last moment.

00:17:26Go home.

00:17:27I don't even know his name.

00:17:29I don't even know his name.

00:17:30I don't even know his name.

00:17:31I don't even know his name.

00:17:32I don't even know his name.

00:17:33I don't even know his name.

00:17:34I don't even know his name.

00:17:35I don't even know his name.

00:17:36I don't even know his name.

00:17:37I don't even know his name.

00:17:38I don't even know his name.

00:17:39I don't even know his name.

00:17:40I don't even know his name.

00:17:41I don't even know his name.

00:17:42I don't even know his name.

00:17:43I don't even know his name.

00:17:44I don't even know his name.

00:17:45I don't even know his name.

00:17:46I don't even know his name.

00:17:47I don't even know his name.

00:17:48I don't even know his name.

00:17:49I don't even know his name.

00:17:50Detective Inspector Jardin, Maryhill Police.

00:18:00Yes.

00:18:01Has Caroline Buchanan left here?

00:18:03Why?

00:18:05Does she left here?

00:18:06What do you want to know for?

00:18:09Can we come in?

00:18:09She's not in any trouble, is she?

00:18:20Excuse me, where will I find a taxi?

00:18:32You'll find one there, just at the rank.

00:18:35Let me get this straight.

00:18:37You're Caroline Buchanan.

00:18:40So who's the girl we have in the mortuary there?

00:18:44Jessica.

00:18:46Jessica?

00:18:48My sister.

00:18:50She borrowed it.

00:18:56Borrowed it?

00:18:58You don't want me to say she stole it.

00:18:59Is that what you want?

00:19:03Caroline.

00:19:05She was with a man.

00:19:07They were both murdered.

00:19:09I'm not interested in a family in this book.

00:19:18I need to know who she was with.

00:19:20Any friends she had?

00:19:23Boyfriends.

00:19:24You need to tell me everything.

00:19:31Jessica was a dancer.

00:19:33She'd been out of work about six months.

00:19:34A dancer?

00:19:35Told her sister she was going to be introduced to a showbiz celebrity.

00:19:39We might be able to help her.

00:19:40And who was going to make the introduction?

00:19:42You remember that stag night we had at the rugby club?

00:19:45The one that went wrong?

00:19:46I don't wish to remember.

00:19:49Well, the cabaret was arranged by a man who called himself a theatrical agent.

00:19:54Ex-second-hand car salesman come ticket to it with convictions for fraud.

00:19:58Weirman.

00:19:59Yeah.

00:20:00Some cabaret.

00:20:02Stand-up comedian who didn't get a laugh because we'd arrested him three days earlier for indecent exposure.

00:20:08Oh, yes, I remember Weirman.

00:20:10Alec bloody Weirman.

00:20:11Of course I read the papers.

00:20:14No problem.

00:20:14The deal still goes.

00:20:18Look, my best advice to you is to change your act.

00:20:21Well, I'll call you if I hear anything.

00:20:22Cheers.

00:20:24Alec, I need help.

00:20:26Problem?

00:20:27It's Weirman.

00:20:28He's too confident.

00:20:30Did he say anything about Rick?

00:20:31No.

00:20:32That's what worries me.

00:20:34What if the police start asking questions?

00:20:36Well, worry about that when it happens.

00:20:38I don't like this one, little bit.

00:20:40Oh, don't be such a wimp.

00:20:41I'm trying to protect you.

00:20:42We're in debt.

00:20:43Don't you realise that?

00:20:44Since when has that ever bothered us?

00:20:46Look, this is too big a chance to miss, Larry.

00:20:48There's no going back.

00:20:50There's no going back.

00:21:20I'm glad he's gone, Kate, to be honest.

00:21:27I love him, Alec.

00:21:29I want him back.

00:21:30A couple of days, you'll forget all about him.

00:21:35Come back later, Kate.

00:21:36There's a good girl.

00:21:42She's got talent.

00:21:43Go far.

00:21:45What can I do you for, gentlemen?

00:21:47Oh, we're not gentlemen.

00:21:48Not where you're concerned.

00:21:50Ah, I remember.

00:21:52The rugby club, police stag night.

00:21:54You promised to put me out of business.

00:21:57A promise I wish I'd kept.

00:21:58I gave you her money back, didn't I?

00:22:00Hi, lads.

00:22:16Can I take my keys?

00:22:17I can't let you have the car yet.

00:22:20Why not?

00:22:21If the lad dies, I've got to issue in a report.

00:22:28Maybe if I had some more facts, I could...

00:22:33Jackie.

00:22:36A drink.

00:22:41Whiskey.

00:22:42Jessica Buchanan.

00:22:44Who?

00:22:44A dancer.

00:22:45She's on your books.

00:22:47You arranged for her to meet Rick Mulvey last night.

00:22:50You do know who Rick Mulvey is, don't you?

00:22:53Aye.

00:22:54They were found murdered.

00:22:56Murdered?

00:22:57But the papers said...

00:22:59that it was an accident.

00:23:01So you do know who we're talking about?

00:23:02Look.

00:23:04I don't want to get involved.

00:23:07But you are involved.

00:23:09You could be the last person that saw them alive.

00:23:12In fact,

00:23:13you could even be the killer.

00:23:15Now, wait a minute.

00:23:16Unless you can convince us otherwise, that is.

00:23:20They left the pub about 10.30.

00:23:22Which pub?

00:23:22The Melville Bar.

00:23:24I didn't leave till closing time.

00:23:25Then I went on to a private function.

00:23:27Well, there are at least 30 people there.

00:23:29They'll tell you.

00:23:30And I'll be contacting every one of them.

00:23:33You can bet on that.

00:23:35I want to help.

00:23:44Cheers.

00:24:02Hi.

00:24:04Just that I've come and nailed off chance.

00:24:06I can't say for sure, but there is a possibility.

00:24:08Hold on.

00:24:09We know that Jessica left home about 7 o'clock.

00:24:18She told her sister she was going for a drink.

00:24:20And we can place her in Melville's bar between 7.15 and 10.30 when she left with Rick Mulvey.

00:24:30So, not only do I want everyone who was in that pub interviewed, but also all the minicabs and the taxi companies as well.

00:24:40Any questions?

00:24:40Oh, uh, for those of you who don't know, Rick Mulvey was the lead guitarist with the 60s pop band, the Adders.

00:24:51Yes, Stuart?

00:24:52All I was going to say was, did you know that Adders entered the charts this week at number 49, with their re-release of the single two of us?

00:25:00It's the group's 25th anniversary.

00:25:02Maybe a piece of useless information, but I thought I'd just mention it anyway.

00:25:06Shut the door, Stuart.

00:25:18You're obviously into the pop scene, Fraser.

00:25:23Now, who would you go to if you wanted to find out a little more?

00:25:27This man.

00:25:29Roddy Ferguson.

00:25:31The editor.

00:25:32He's well-respected in the music business.

00:25:33I don't know him personally, but when I was younger, he sold second-hand musical instruments.

00:25:40Go on.

00:25:41I tried to buy a drum kit from him.

00:25:43I don't expect he remembers me, but it might be worth a try.

00:26:03Sergeant Reed.

00:26:17I'm sorry to trouble you.

00:26:18How are you feeling?

00:26:19A bit better.

00:26:22He...

00:26:23He's in theater.

00:26:24He has a blood clot.

00:26:26There's something I want to show you.

00:26:28You don't remember me, do you?

00:26:35Should I?

00:26:37I tried to buy a second-hand drum kit from you.

00:26:39Sorry.

00:26:41Well, you've certainly come a long way since then.

00:26:44Yes, well, we published three music magazines.

00:26:48Pop, country, and popular classic.

00:26:51Is that your car?

00:26:52Yes.

00:26:53It runs a new model.

00:26:55Oh, really?

00:26:55It's got a better engine.

00:26:56A V6, 2.9 liter, with 190 brake horsepower.

00:27:00Look, Mr. Fraser, I'm rather busy.

00:27:02If I've committed some traffic, I say...

00:27:04No, no.

00:27:05I'd like to ask you a few questions about the adders.

00:27:11Mulvey, lead guitar, Marie MacDonald, keyboards,

00:27:14Alan Manon drums, Tony Balmoral bass,

00:27:17and, of course, Janie Conley,

00:27:19the group's singer, songwriter, and figurehead.

00:27:21She was terrific.

00:27:23Janie.

00:27:24Janie was a poet, very, very talented.

00:27:27Her death was a great loss.

00:27:30Rick Mulvey.

00:27:31Both of them.

00:27:39Hi.

00:27:40Hello.

00:27:41Approved of the Bob Dylan interview.

00:27:43My stepsister, Sheila.

00:27:45Nice to meet you.

00:27:46Hello.

00:27:47Mr. Fraser's a policeman.

00:27:49Stuart.

00:27:50Please, call me Stuart.

00:27:52Nothing wrong, I hope.

00:27:54Stuart.

00:27:55Just reminiscing, that's all.

00:27:57I'll look up if you like.

00:27:59Oh, thanks.

00:28:01There's something that's been worrying me.

00:28:12I don't understand.

00:28:14You can see for yourself.

00:28:16I'm puzzled.

00:28:18Some of these injuries weren't caused by the accident.

00:28:22It's this mark here.

00:28:23It's from a ring.

00:28:26And I know whose ring caused it.

00:28:30I have all their photographs, but I think you might be more contrasted in this.

00:28:36A band in their heyday.

00:28:39Could I borrow that?

00:28:41It's a collector's item.

00:28:43I showed it myself.

00:28:44Just for a few days.

00:28:46You'll get it back.

00:28:47You'll know how the operation went in about an hour.

00:29:01He picked me up every night.

00:29:05They knew he'd be there, the bastards.

00:29:08Do you know their names?

00:29:09Kevin Faulkner and Benny.

00:29:15I don't know his other name.

00:29:17But he wears a large gold ring.

00:29:20It's a sovereign, I think.

00:29:23Right.

00:29:24Let's grab a cup of coffee and you can tell me all about it.

00:29:31Come on, Willie.

00:29:32Take me an eye on your opponent.

00:29:34Take your feet up.

00:29:35Have me off.

00:29:36Come on.

00:29:36Double jam.

00:29:38Double jam.

00:29:39Come on, him.

00:29:40Get off the ropes.

00:29:43Throw a right.

00:29:44Excuse me.

00:29:47Kevin Faulkner and Benny.

00:29:48Dorothy.

00:29:50Aye.

00:29:51We're getting changed.

00:29:54Right.

00:29:55Come on, you two.

00:29:56Let's see some real boxing.

00:29:58Come on, boys.

00:30:00Come on, boys.

00:30:02Come on, boys.

00:30:03Let's get the money.

00:30:05Right, who?

00:30:06Benny Doherty.

00:30:17Kevin Faulkner.

00:30:18Who wants to know?

00:30:21Benny Doherty.

00:30:24Yeah.

00:30:29And you'll be Kevin.

00:30:33Right, lads.

00:30:33If you want to get dressed, we're going down the station.

00:30:36What for?

00:30:38Just a small matter of assault.

00:30:41You can get stuffed.

00:30:43If I was you, darling,

00:30:45I'd be here where you can still walk.

00:30:47I wouldn't go moving, that, lads.

00:31:15Phone through here?

00:31:17Nah, come on.

00:31:20Go!

00:31:21Hey, Raph!

00:31:22What the hell?

00:31:23What the hell?

00:31:28Just do yourself a favour and stay out of it.

00:31:31Look, I'm responsible.

00:31:33I'm entitled to know.

00:31:34Don't push it, eh?

00:31:36I want to know what's going on.

00:31:38You better have a good explanation for all this.

00:31:40What's the score, Raph?

00:31:41Why didn't you let us out?

00:31:42And what's our game?

00:31:57I bet he wants to see you.

00:31:58I bet he wants to see you.

00:31:59What the hell got into you?

00:32:23The person I knocked down, sir?

00:32:34His name's Ian Garvey.

00:32:36You were booked off duty.

00:32:38I know, sir.

00:32:39It was stupid, irrational,

00:32:41and not what I expect of an officer of your experience.

00:32:44We are a team.

00:32:46I'm sorry, sir.

00:32:47Sorry?

00:32:47You're lucky you're still in one piece.

00:32:53Don't ever do anything like that again, Jackie.

00:33:01I'm not saying anything.

00:33:02It was Veermann that put them up to it.

00:33:05Could you prove that?

00:33:07Sir, Kate McReady is Ian Garvey's girlfriend.

00:33:12Veermann's warned him off on a number of occasions.

00:33:15Thinks Ian's trying to ruin her career,

00:33:16but the truth is that Veermann fancies her.

00:33:18Will she make a statement to that effect?

00:33:21Well, Veermann's trying to make his way in show business.

00:33:24He's organised this gala concert at Glasgow Green in need of a charity.

00:33:28A charity?

00:33:29Yet to be named.

00:33:30The main attraction was to be a one-off performance by the Adders

00:33:34to mark their 25th anniversary.

00:33:37Bring in Veermann.

00:33:38Well, he's not at his home or his office.

00:33:40We've had it checked out.

00:33:40Then find him!

00:33:44He looks like a freaking secret

00:33:46for us.

00:33:47Don't forget to watch this one!

00:33:49It's a bighui show!

00:33:51Dす pyro station

00:33:56Get over here!

00:33:59They talk like other things they do.

00:34:01They speak like other things...

00:34:05They talk like Ploppers level,

00:34:06she can look like normal things...

00:34:07Kids don't have products.

00:34:09I encourage them any other sociocand yaşam

00:34:10You dropped me right in it with the law.

00:34:32I didn't...

00:34:33Then how come they're sitting on my doorstep?

00:34:35Now come Benny and Kevin are banged up in the nick.

00:34:41After all I've done for you.

00:34:44Look, how did you get in here?

00:34:46I worked my ass off to get you a good gig and this is how you repay me.

00:34:50I wouldn't hurt you, Alec.

00:34:52Then why do it?

00:34:55They could have killed Ian.

00:34:59What do you want the most?

00:35:10I don't think he's the type to flee the country.

00:35:27I don't think he's the type to flee the country.

00:35:40What are we going to do with Faulkner and Daugherty, sir?

00:35:43Well, we're certainly not going to let them go, that's for sure.

00:35:45We need witnesses.

00:35:47Yeah, it's the ID.

00:35:49Yeah.

00:35:50It's the hospital for you.

00:35:52I'll take it at my desk.

00:35:56Thanks.

00:36:03Hello?

00:36:05Speaking.

00:36:09Right, thanks.

00:36:10I want to access all the information before we connect up to the aid system.

00:36:30Somebody told me you want to talk to me.

00:36:32I mean, I don't want to spend my career singing in a pub.

00:36:42I want to make something of my life.

00:36:46This might be the only chance I get.

00:36:50I'd be a fool to throw it all away.

00:36:56I'm so sorry.

00:37:02Would you like me to go?

00:37:06No, it's all right.

00:37:09Have I, I've spoken with the nurse?

00:37:12It's going to be okay.

00:37:13Yeah, I know.

00:37:14Is there something wrong?

00:37:16Yeah.

00:37:17Um, the men you arrested.

00:37:21Faulkner and Daugherty.

00:37:23I'm sorry, I made a mistake.

00:37:27A mistake?

00:37:30I made the whole thing up.

00:37:31And Vierman?

00:37:35I suppose that was a mistake too.

00:37:38I don't want to talk about it.

00:37:40What about Ian?

00:37:42Is he going to say it was a mistake?

00:37:47Ian wouldn't do anything that might harm me.

00:37:49And why should the girl say that you ordered Doherty and Faulkner to beat up her boyfriend?

00:38:01Kate said that.

00:38:02We have a statement.

00:38:03She has this thing about being a star.

00:38:05A figment of her imagination?

00:38:07I can tell you now.

00:38:09You're wasting your time.

00:38:10And this gala concert, is that also a figment of her imagination?

00:38:15She told us about the resurrection of the Addams.

00:38:18Great idea, don't you think?

00:38:20Two of the original group were dead, or had that escaped your attention?

00:38:24Old pop stars never die.

00:38:25They just re-release, didn't you know?

00:38:27You mean it's a cop?

00:38:29Look, I can put in a couple of look-alikes.

00:38:31All they have to do is mine to a couple of numbers.

00:38:34The public would stand for that?

00:38:35Of course.

00:38:36Nostalgia.

00:38:38It's the best-selling gang there is.

00:38:53Time you got up, you lazy so-and-so.

00:39:01There's someone here to see you.

00:39:03Alan!

00:39:15I'm sure he knows I'm here.

00:39:23Alan!

00:39:24Open the door!

00:39:30It's open!

00:39:33Clean inside.

00:39:52Look at you!

00:39:53What a waste!

00:39:55Clean inside.

00:39:56Clean inside.

00:39:58Clean inside.

00:39:58I want you to sign, Alan.

00:40:09Stop that bloody noise and listen to me.

00:40:15This is my future.

00:40:17I'm not going to allow you to ruin it.

00:40:21Alan, I know you.

00:40:24You're not as crazy as you'd like me to think you are.

00:40:27Sign, Alan, sign.

00:40:55Where have you been?

00:40:57At the hospital.

00:40:59That was vehement.

00:41:00We had to let them go because you don't have a case, Jackie.

00:41:09I know.

00:41:10He wouldn't sign.

00:41:27He wouldn't even speak to me.

00:41:29What do you expect?

00:41:30Well, there you go, folks.

00:41:56You know, my old man always said there'd never be anything like the Addams.

00:42:01But we've got a special treat for you tonight, ladies and gentlemen.

00:42:05Singing two of us.

00:42:07Please, welcome to the stage a sensational new singer, Miss Kate McCready.

00:42:13I remember falling for you so long ago.

00:42:29Is it worth the heartache?

00:42:32Maybe I'll never know.

00:42:35I don't want to turn you down if you feel you need to be free.

00:42:46Like the lovers in a book you gave me.

00:42:49Who would you dream of?

00:42:51What are you doing, Alan?

00:43:16You're doing.

00:43:17I'm doing.

00:43:19Cool.

00:43:24All familiar senses flood in my mind again.

00:43:35Can I play out a fantasy every now and then

00:43:43And away from everything

00:43:49Like we used to do before

00:43:51Tell the truth when you're with another

00:43:57Who do you dream of?

00:44:01What do you see when you close your eyes

00:44:05Just the two of us

00:44:06Walking on and on together

00:44:10Just the two of us

00:44:14Gazing in your eyes forever

00:44:18Just the two of us

00:44:22Watching the sun going down on another day

00:44:26Just the two of us

00:44:30Playing the gulfs of the past

00:44:33And it's gone and you're far away

00:44:36Clean and tight

00:44:38Clean and tight

00:44:41Clean and tight

00:44:44And then

00:44:49We'll go

00:44:51And it's gone and out

00:44:55We'll be back

00:44:56We'll be back

00:44:57We'll be back

00:44:58We'll be back

00:44:59I don't know.

00:45:29It's horrendous, isn't it?

00:45:35What the hell did that?

00:45:37A corrosive laboratory cleaner forced into the mouth.

00:45:41As you can see, spillages on the face and neck tighten and burn the skin.

00:45:45That's Alan Mann.

00:45:47The drummer?

00:45:48He's been working nights here for three years.

00:45:51Apparently he's unreliable. Steals things.

00:45:54When he does turn up, he's usually out his head on drink or drugs.

00:45:59Why do they employ him, one wonders?

00:46:01Well, the boss was an old Adder's fan.

00:46:05Well, obviously someone doesn't want them to get together again.

00:46:09Come on. Let's get out of here.

00:46:30Come.

00:46:32Think of Trace Mrs Mulvey, sir.

00:46:34You think?

00:46:35Almost sure.

00:46:36When you're positive, let me know.

00:46:39Sure.

00:46:42Where's Inspector Jarden?

00:46:44Alan Mann's lodging, sir.

00:46:45Lazy so-and-so.

00:47:02Ode me rent.

00:47:04Didn't he ever do any washing?

00:47:05Offered.

00:47:06But I was lucky to get a word out of him.

00:47:09Do you know he was a pop star at one time?

00:47:11Pop star?

00:47:12Lay about more likely.

00:47:13Did he have any friends?

00:47:15No.

00:47:17Although a woman did visit him yesterday.

00:47:19A woman?

00:47:21Smart.

00:47:22Well-dressed.

00:47:23Did she give a name?

00:47:24No.

00:47:25She came in one of those jeeps.

00:47:27Jeeps?

00:47:28He looked like a farmer.

00:47:30Who looked like a farmer?

00:47:31The man who was driving it, of course.

00:47:34He was wearing one of those waterproof coats that farmers do.

00:47:37That's better.

00:47:45I'll have you back on your feet in no time.

00:47:49Okay.

00:47:50She's been in quite a few times to see you.

00:47:53Don't worry.

00:47:54They'll all come back to you in good time.

00:47:56The most important thing now is for you to get some rest.

00:47:58Man's place was an absolute tip, sir.

00:48:08It's doubtful whether he owned more than one pair of socks.

00:48:10Friends and associates?

00:48:12He had one visitor yesterday.

00:48:15Smart woman in her forties.

00:48:17She left after a few minutes.

00:48:18She was with a man.

00:48:20He was parked outside in a jeep of some sort.

00:48:23He was like a farmer type.

00:48:24He wore a wax jacket.

00:48:25Is it on the computer?

00:48:27No, not yet, sir.

00:48:28Then do it.

00:48:34I think she needs a few days off.

00:48:36I've tried telling her, sir.

00:48:38Do we have that film copied, dear?

00:48:39I'll chase it off.

00:48:41Just a minute, Michael.

00:48:48This came in this morning's post.

00:48:49Read it.

00:48:52Whoever wrote that letter knows something we don't know.

00:48:55Oh, come on, sir.

00:48:57It's anonymous.

00:48:58I can't afford to ignore it.

00:49:02It means digging up case notes from over 25 years ago.

00:49:06Yes.

00:49:07But we'd better find out who wrote it first.

00:49:09Fantastic.

00:49:29Fantastic.

00:49:29Hi, Kate.

00:49:58Oh, I'm sorry to trouble you.

00:50:01Please, not now.

00:50:04Who is it?

00:50:06Who are you?

00:50:08Look, now's not a good time.

00:50:11So is he.

00:50:18Try and understand.

00:50:20I understand.

00:50:22It's okay.

00:50:24Jackie, I don't want you to think.

00:50:27You don't have to explain.

00:50:29I don't want you to get the wrong idea.

00:50:31Look, Ian wants to see you.

00:50:33He's conscious.

00:50:35Don't throw it all away, Kate.

00:50:38Ian needs you.

00:50:40It's not as simple as that.

00:50:41I don't want you to.

00:50:54I don't want you to.

00:50:55I don't want you to.

00:50:55Oh, God.

00:50:56Can I help you?

00:51:26Margaret Rennie?

00:51:28Yes.

00:51:31How did you find me?

00:51:34Your name and address are imprinted on the letter sent to Superintendent McVitie.

00:51:41Well, you'd better come this way.

00:51:48In that letter, you allege that Janie Connolly was murdered.

00:51:53I did, didn't I?

00:51:56They pumped her full of drugs, you see.

00:52:01Who pumped her full of drugs?

00:52:02Someone in the group.

00:52:03Let me get this straight.

00:52:04You're saying someone in the group murdered Janie?

00:52:07Yes.

00:52:08Well, why didn't you tell us at the time?

00:52:09I didn't want my husband to know.

00:52:15To know what?

00:52:17Janie and I were lovers.

00:52:20Lovers?

00:52:22Being a lesbian is not a recent phenomenon, you know.

00:52:26I'm sorry.

00:52:27I want to show you something.

00:52:35So, do you know when that was?

00:52:39Roughly.

00:52:41June 1971.

00:52:44Yeah.

00:52:45That'll be fine.

00:52:46Great.

00:52:46Cheers.

00:52:47Sir.

00:52:48Sir.

00:52:52Marie MacDonald.

00:52:53The group's keyboard player.

00:52:56Yes.

00:52:57Married Larry Bain.

00:52:59And who is Larry Bain?

00:53:01The group's manager.

00:53:03June 1971.

00:53:04Registry Office, Edinburgh.

00:53:05That was just after the group broke up.

00:53:10D.C. Fraser.

00:53:12Hi, Roddy.

00:53:15The Hilton.

00:53:18Excellent.

00:53:20Sure.

00:53:22Okay.

00:53:23Bye-bye.

00:53:27The Hilton.

00:53:28I've been invited for lunch.

00:53:30Information, sir.

00:53:31I thought the Hilton was exclusive.

00:53:33I promised not to tell anyone, sir.

00:53:41It may be a little dusty.

00:53:48The Adders were not only a pop group.

00:53:50They were an industry.

00:53:52I don't understand.

00:53:54I ran the group's fan club.

00:53:57It was a full-time sales and marketing job.

00:54:01Nobody knew them better than me.

00:54:10Hi.

00:54:11How you doing?

00:54:12Quite good afternoon, sir.

00:54:14I'm with that gentleman over there.

00:54:17Of course.

00:54:17Yes, certainly.

00:54:18Would you like to come through to your table?

00:54:19Sure.

00:54:20Some place, eh?

00:54:23Food looks excellent.

00:54:25Hi.

00:54:27How you doing?

00:54:28Stuart.

00:54:28This is Rick's wife, Louise.

00:54:32Forgive me.

00:54:32I'm absolutely starving.

00:54:34No problem.

00:54:36Nice to meet you.

00:54:38Sorry it's under such circumstances.

00:54:41Whatever else I am, I'm not a hypocrite.

00:54:44Let's get that straight from the start.

00:54:46Stuart.

00:54:47Sit down.

00:54:48Please.

00:54:48The only reason I asked for this meeting was because I knew sooner or later you would find

00:54:57me.

00:54:57You didn't want to be found?

00:54:59Louise is having a somewhat delicate relationship.

00:55:02I don't want the media sitting on my boyfriend's doorstep.

00:55:05Tell me about Rick.

00:55:10I've read so much about him and admired him as a...

00:55:12Perhaps we should order something first.

00:55:20Can I try some lobster?

00:55:30Okay.

00:55:35I'm Jackie.

00:55:40Jackie.

00:55:45Where's Kate?

00:55:47She's working?

00:55:51Working.

00:55:57Wearing.

00:56:00Bastard.

00:56:01She's no way for me, is she?

00:56:09No, I shouldn't think so.

00:56:16Forget the crap about Rick being a nice, warm-hearted guy.

00:56:20He was a womaniser, a selfish bastard who beat me senseless when the mood took him.

00:56:25I stayed with him for one reason and one reason only.

00:56:29Money.

00:56:29And then the money ran out?

00:56:31Not at all.

00:56:32But eventually he made sure my share of it became less and less,

00:56:35so it was time to move out and leave him to his own delectable lifestyle.

00:56:39I can't believe you really hated him that much.

00:56:41Promise me something.

00:56:43When you catch the guy who did it, I'd like to shake his hand.

00:56:47What about Alan Mann?

00:56:49One of the good guys.

00:56:51You'd want to kill him.

00:56:53Probably the same person that killed Rick.

00:56:54Look, I'll probably need to speak to you again.

00:57:01Leave a message with Roddy.

00:57:02You'll be at the funeral?

00:57:03She must go on.

00:57:04She had a few tears, I should imagine.

00:57:06Oh, part the image, lovey.

00:57:08Now, if you'll excuse me.

00:57:08I'll, uh, see you at Louise.

00:57:23Margaret Rennie ran the group's fan club.

00:57:25She had a lesbian relationship with Janie.

00:57:29If she says that a member of the group killed Janie,

00:57:31well, I'm inclined to believe her.

00:57:33Perhaps we should exhum the body?

00:57:35I'm reluctant to seek an order on the word to one woman.

00:57:38How far forward are you in tracing the others?

00:57:52I'm waiting for confirmation.

00:57:54But I have on good authority that Tony Balmoral became a monk.

00:57:57A monk?

00:57:58Well, not a monk, exactly.

00:58:00Apparently he went to one of those islands

00:58:02where old hippies go to find themselves.

00:58:04Which island?

00:58:06I'm still trying to find out, sir.

00:58:08Marie MacDonald?

00:58:10I hope to get results soon.

00:58:11Come on, Stuart.

00:58:13I'm doing my best.

00:58:14But if these people don't want to be found,

00:58:16then it's not going to be easy.

00:58:17She's not going to know how to turn it off.

00:58:41See the guy who hasn't talked to Shutton?

00:58:43I used to go to school with him.

00:58:47He's a disc jockey.

00:58:49Probably wouldn't want to speak to me now.

00:58:52That's the way of it, Michael.

00:58:55His father was a minister.

00:58:58I'm very strict.

00:59:05Find out who that is.

00:59:06I'm going to go to school with him.

00:59:07I'm going to go to school with him.

00:59:08I'm going to go to school with him.

00:59:09I'm going to go to school with him.

00:59:10I'm going to go to school with him.

00:59:11I'm going to go to school with him.

00:59:12I'm going to go to school with him.

00:59:13I'm going to go to school with him.

00:59:14I'm going to go to school with him.

00:59:15I'm going to go to school with him.

00:59:16I'm going to go to school with him.

00:59:17I'm going to go to school with him.

00:59:18I'm going to go to school with him.

00:59:19I'm going to go to school with him.

00:59:20Oh, my God.

00:59:50Oh, my God.

01:00:20I suppose the widow has to be come from town.

01:00:32Is that what you call it, son?

01:00:35No wonder she didn't want the press turning up on her doorstep.

01:00:38She knows what she wants.

01:00:42Excuse me.

01:00:44She'll have you for breakfast.

01:00:47All in the line of duty, Sarge.

01:00:53It's not what you think, Mr Fraser.

01:00:55After watching you at the funeral, Mrs Mulvey, I'm sure you'll be nominated for an Academy Award.

01:01:04Mike Jordan.

01:01:07Thought I recognized you.

01:01:10How are you doing?

01:01:11Okay.

01:01:12You?

01:01:14Can't complain.

01:01:16I always thought you'd get into the church like your father.

01:01:19I never figured that you'd turn out to be a policeman like your dad.

01:01:23I will.

01:01:25There you go.

01:01:28Johnny Patterson must have been quite a catch.

01:01:31We're very much in love, actually.

01:01:33I don't want anything to spoil it.

01:01:35Aye.

01:01:35I'm sure you don't.

01:01:49Hello, Ian.

01:01:49How are we?

01:01:51Good girl, thanks for today.

01:01:53You're so popular, boy.

01:01:55I'm going to take your blood pressure, right?

01:01:56I'm going to take your blood pressure, right?

01:02:05I want everyone at the funeral identified, particularly our mystery man.

01:02:24So, let's go out and find him and bring him in.

01:02:29I've traced Marie MacDonald.

01:02:31She and Ben have a farm at Craig Maddy.

01:02:33South, one.

01:02:35Yeah.

01:02:35The Land Rover at the cemetery.

01:02:38It's licensed to South Lone Farms Limited.

01:03:01Harvester.

01:03:02I want that exclamation order.

01:03:05I want that exclamation order.

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