- 8 ore fa
Halo 5: Guardians - Video del making of "The Sprint" - Episodio 4.
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00:01Il nostro corso di Halo
00:02Il nostro corso di un gioco di Halo
00:03prende molti persone con diverse skilli
00:05una visione
00:07e tempo
00:08e tempo
00:09un tempo
00:11Ma prima di un gioco
00:12il nostro corso di un gioco
00:13il team deve creare mille di aziende che sono attraverso
00:16che sono attraverso due week di deadline
00:17che si chiamano
00:19343 Industries
00:20invitiamo a te unire in il nostro corso
00:22creando Halo 5 Guardians
00:23da l'inizio
00:25un pittang, sound, e line of code
00:28al momento.
00:29Questo è il sprint.
00:40Demos sono un grande negozio per la team.
00:42Abbiamo bisogno di continuare.
00:43Ecco che è arrivato fino a 2 anni.
00:46Per lo si è iniolo in la settimana,
00:48ma inzioni alla prossima bisogna
00:49presente un'altra cosa faccia
00:50e' piuttosto fino a 15 anni.
00:51Abbiamo un certo punto in zero
00:53per questo tempo in cui gambo
00:55quindi i nostri stai.
00:56E3 happens right smack in the middle of that so it's super fun so that's why
01:01everything's so busy right now all of the missions are in heavy production
01:05right now right literally the whole campaign war zones had their first
01:08playable milestones you know a few months ago and they're getting into polish
01:11phase and we're going to show that at E3 as well the E3 demo needs to be
01:17crafted in some way right we have to actually get a lot across that wouldn't
01:21normally be in a mission like we're collapsing it all right it's all these
01:24big things that you're going to get over the first like three hours of the game
01:27we have to kind of squeeze in here we actually kind of acted out we go through
01:32and and start storyboarding the different moments that we want it's something that
01:36people will watch mainly right they won't not a lot of people will play it so it
01:40needs to be entertaining to view
01:50okay do you guys want to try to take a stab at our new path stumble through okay on the
01:56count of three
01:57one two three just go ahead guys let's keep on going
02:06yeah now the grunt is not timed properly we're doing prep and dry run for our E3 stage presentation
02:17so we're trying to make sure that the flow is correct that we have everything paced well
02:21there's a lot going on in the demo so we just need to make sure that we're on okay I'm
02:26going in
02:28destruction alley I see the Guardian okay I see it I'm looking somebody hit the trigger there's a lot
02:37of rust okay let's get going guys go go go go go go veil okay I'm unveils back pocket all
02:48right I'm
02:48sliding I'm in the ICS I'm hanging I'm looking down okay you guys get going all right TJ get to
03:00your mark
03:00yeah we've got Atlas pose okay I'm looking up and around I'm checking it out okay the crawlers are
03:12coming in I'm going to move to my mark all right Buck get going slide out like we talked about
03:25yep
03:26that's good shoot shoot shoot okay it's down all right so the soldier should be coming in I can see
03:33the effects there's the first one the second one punches me then I forgot to shoot shotgun you guys
03:42go to the left we're gonna go to the right okay I'm gonna grab the plasma caster you guys are
03:53off screen
03:53we're shooting at the soldiers I killed Buck or somebody killed Buck that that that's a crazy all
04:04right just move to your positions the warden should be coming in hey there he is we're all looking at
04:10him in his glory damn he's got me he's bringing me in what the skybox is going mental
04:24is he good no okay let's go through our laundry list the grunt on fire so was that too late
04:34that it
04:34happened yeah I don't know why it fired too late okay fleeby's my name's that guy fleeby did you just
04:40this trigger like effects to play off of his head his head's on fire
04:47um and then when we go in the interior you guys saw that hologram in there now yeah so we
04:52have to talk about
04:53if we want that there or pull it out it's getting better it's getting closer to I think what uh
04:58what
04:58our final will be but I know that lighting's still going I think there's a lot of effects work that
05:03still has to be done yeah
05:07Kenny looks lost Kenny do you really have to reload the whole thing if you take it out
05:14oh wow there's no lighting in there oh it didn't it didn't uh there's no light in there that's
05:21probably why the skybox is broken too there's no lighting anywhere like in the whole level yeah
05:26in the whole level who controls the brightness of the hologram I do so can you dim it way down
05:30oh yeah
05:30the main problem for me right now is that I need to on Wednesday Thursday Friday do cinematics
05:36um so I have no time to react to things because cinematics needs help a lot
05:45the skybox is bananas what texture is it there I don't even it looks like a cruiser
05:50like a guardian or something video games
06:18right now I'm just building sounds mostly for the new forerunner vehicle the VTOL and um also
06:24different visual effects for forerunner characters a warden and soldier so I'm just trying to get these
06:30kind of like glitchy kind of zippy elements that I could kind of mix in with all these different
06:35animations of their little bits and pieces breaking apart forming back together this is the Eurorack
06:40format it's basically just a modular synthesizer and you can pick and choose all the little
06:46different different pieces of hardware and kind of form your own instrument and you just get a lot
06:51of interesting textures that you normally wouldn't get when you're kind of just working inside the
06:55computer I really like this approach because it's it's just infinite it's like an open wormhole and
07:02uh you can go down there and come out with some really amazing incredible but sometimes you can
07:09kind of get lost in there as well sending this basically into a mixer and then splitting that out
07:17into multiple effects so the output of that mixer goes out into all these other effects and then output of
07:24those effects go back into the mixer and it's just kind of this continuous loop of never-ending chaos
07:30I'll start here with just like this contact microphone which will just take the actual
07:36like physical vibrations from my hand and that will be the actual sound source
07:44I'd basically just have a little mason jar with two magnets basically tracking to each other and that
07:52way I can just kind of move this along and kind of get these nice little interesting textures of the
07:56of the actual magnets sliding against the little ridges of the glass and kind of get all these nice little
08:02glitchy actions going
08:25this is basically just a circuit light sensor as a photo photo diode on it and basically it just picks
08:32up the intensity of lights and then it translates that into audible frequencies can we cut this light here
08:47it could be time-consuming but it's always kind of worth it because it's just that little bit of unique
08:52element that only you have
09:01yeah there's definitely some interesting textures to get out of there even those zaps that you kind of get
09:06when I release from it it's really interesting
09:26some of the really interesting stuff is probably more of the deep drone-y stuff that I can kind of
09:32conform into some nice
09:34different loops for vertical acceleration and horizontal pitch and all that stuff so I think a lot of that stuff
09:42will will yield very beneficial for some of the
09:45VTOL source tomorrow check it out
09:59oh there's fog coming flying here that they have added
10:02and the hair is obviously being hit by more than eight dynamic lights and you can see the fog coming
10:09in and the hair is rendering above the fog
10:12there you see there you see the hair doesn't get affected by the effect
10:15this fog was specifically requested by Brian so and he wanted it to look very
10:21we will but we will patch a fog okay not with effect because that can't render with the hair
10:26okay awesome
10:28so why we have four five TVs in here is because the consumers have different TVs and every TV has
10:36a little bit different saturation
10:38color more blue more green because they have decided that they like that more
10:44so we just want to have a large range of different TVs to see exactly how our game will look
10:54it's the wall zone
10:57okay look at those pelicans with sunlight hitting them
11:00yeah
11:00oh yeah
11:02I don't think it looks like streaming dude
11:04I think it's a shader
11:05it's gone now
11:06yeah
11:07this level is important
11:08the cafe level people will just see at home or whatever
11:11this people will play play and play and play
11:15we'll record videos and we'll watch the video
11:17yes and they will see how how if the gameplay is good or not
11:22first of all this looks amazing
11:23what's he gonna say this looks really nice
11:25could you go back it looks like he wasn't getting the cascading shadow from that bridge
11:30what he did on one part and then
11:35yeah
11:36yeah it's not hitting him
11:37in the internal words of Kenny
11:39what
11:41what is that where is that coming from
11:44if you look up to the
11:46to the yeah
11:49getting a sliver of sunshine
11:51funny
11:53Mike just came over and told me earlier and this is feedback from Sparth
11:56I don't know if it's signs in this hallway
11:58in this hallway
11:59yeah
12:00where they flash to green
12:02yeah he wants it to be
12:03he wants the green to be less green
12:05yeah
12:05oh right there it's green
12:08so we have three weeks until ZBR for this map
12:13for all the other bugs we have until August
12:17oh is that the water ball you're seeing in the distance that like aqua green thing
12:20yeah
12:21yeah it has the whole story of like everything's flooding
12:24you know and all the mining stuff's playing everybody's getting out of there
12:27that's funny yeah
12:28I can't really see it right now
12:29except for the 24 guys who are you kicking it out for the garage
12:31yeah
12:32we're like hey let's shoot each other in the face
12:33just for shits and gigs
12:34I mean for poop and fun
12:35we're good
12:37I think we're good we don't have to look at anything more
12:39Kenny no no we're going to look at SKU this week
12:42no we're not going to look at SKU because we have to relight it
12:44okay who's yeah who's relighting SKU
12:48no
12:49I was the only one here who prepared an hour ahead of time
12:52you're not going to look at my shit
12:53I'll look at SKU
12:54Kenny I'm so disappointed
12:55but we don't have to look at it
12:56I've looked at it so many times
12:59have you though?
13:00I have
13:02we're fighting right now
13:03yeah
13:05you want to join?
13:06no we need this
13:07I was going to fit this room booked at 2.30
13:09okay so then we have to go
13:10good perfect
13:12I'm very sorry Olga
13:15I'll give you some nice presents or something
13:24the Beetle is super important vehicle for Halo 5
13:29but this is a flying vehicle
13:31the flying vehicle needs like a
13:33some consistent looped sounds
13:36like a
13:37just imagine the jet sounds
13:39you know
13:42it's consistent
13:43very noisy loop
13:45so
13:46that kind of sound
13:47will
13:48make our mixing
13:49totally broken
13:50super easily
13:51you know
13:52we couldn't hear
13:53any like
13:54enemies gunshot or explosion
13:55or any important feedback
13:57or even video
13:59pretty much working on
14:01this sound design
14:02for pretty much two years
14:03so yeah I just have a bunch of different ones here
14:05and kind of just check them out
14:11yeah this one
14:12this is cool sound
14:15okay
14:16the second one please
14:26I don't like this one
14:28high frequency one
14:29can you back to the first one?
14:34hmm
14:35I mean this thing you know
14:36it kind of sounds funny by itself
14:38but like
14:39with everything else
14:40kind of going on top of it
14:41kind of
14:42it really kind of cuts through
14:45yeah
14:47that makes sense
14:49so the kind of last part of the video
14:51for Kenny Toy Guy
14:52it's actually Banshee
14:55hmm
14:57yeah high frequency
14:58and super low frequency
14:59hmm
15:05hmm
15:06hmm
15:06hmm
15:06hmm
15:06kind of things
15:06why
15:07the Banshee sound
15:09does work
15:10very well in the game
15:11is actually
15:12kind of static sound itself
15:14it's pretty quiet
15:15you know actually
15:16and
15:17this like
15:18boost sound itself
15:20is
15:20clearly more powerful
15:23and
15:23probably we should bring
15:25a pretty much
15:26kind of similar approach
15:27to the Vito
15:29so
15:29on top of this
15:31like a bass sound
15:32you will
15:33work on the firing sound
15:34as well
15:35yeah
15:35yeah
15:37yeah
15:37yeah
15:40I think you guys should just do
15:41just record all of these mouth sounds
15:44that's great
15:45my English is
15:46not so good
15:47you know
15:47I'm still learning English
15:49and
15:50sometimes
15:50I got
15:51some noises
15:52by mouse
15:53like
15:55it's very
15:56helpful
15:58totally
15:59it's like an international language
16:01right
16:01exactly I mean that's the cool thing about sound
16:10that's Fleeby
16:11that's Fleeby
16:11Luke
16:12has a habit of
16:14improvising for Fleeby's name
16:16oh he's one
16:16cup cup
16:17fleeby floating
16:19flat yeah
16:20is that
16:20floody?
16:21Fleeby?
16:24fire team floating
16:27cup cup's in the game though
16:28is he not?
16:29we've been in this room too long
16:31that's what's happening right now
16:32the war hotel?
16:34yeah
16:34on three
16:35one
16:36two
16:37three
16:37okay I'm looking at my mark
16:40okay we got the grunt
16:42Floeby
16:43the Fleeby
16:45hologram shrink
16:47going outside
16:49soldiers coming in
16:50soldiers
16:55switching targets
16:56tracking
16:57gotta read it
16:58keep on going
16:59so far so good
17:01all right
17:01go go go
17:05much better
17:06okay hanging looking down
17:09I'm okay
17:10keep going
17:11thank god
17:12man they got jacked up there
17:15fuck light it up
17:16you got it
17:20straight on down
17:21Tanaka help bail
17:22on it
17:23on your feet Spartan
17:24but you
17:26your passage is denied
17:33it's coming together
17:34it's coming together
17:34it's looking great
17:35every time I look over an artist's shoulder
17:37it looks amazing
17:38yeah it's super impressive
17:39so everybody's feeling really good about where we are right now
17:45at this point we've had all eyes on the project
17:47we've had almost everyone at 343 come in and give Warzone a play test and tell us what they think
17:53the team has been just absolutely killing it with the long long hours as we push towards this E3 demo
17:59we can get their court
18:00we can get their court
18:00red team's pushing garage
18:02we've got to push it harder
18:03push it Eric
18:04this is Warzone not arena
18:09this is a high punch though
18:12summer has hit Seattle and it is a great time to just take a break and a load off
18:15as we kick those final bugs out for E3 and then finally push towards ship
18:44that's all right
18:46you
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