- 15 ore fa
Halo 5: Guardians - Video del making of "The Sprint" - Episodio 2.
Categoria
🎮️
VideogiochiTrascrizione
00:01La scuola di Halo
00:02La scuola di Halo
00:03prende molti di persone con diversi skilli
00:05una visione
00:07e tempo
00:08e tempo
00:09e tempo
00:11ma prima
00:12la scuola della scuola
00:13la squadra deve creare mille di aziende
00:15che sono trattati a due week deadline
00:17che si chiamano
00:19343 Industries
00:20invitiamo a tutti i giorni
00:22per creare Halo 5 Guardians
00:24da l'inizio
00:24un pezzo, sound
00:27e una linea di posizione
00:30questa è la Sprint
00:42We're going down to LA today
00:45to shoot
00:46a lot of the character driven scenes
00:48We've been focusing a lot
00:50on mostly stunt and action
00:52sequences in the last couple months
00:55Typically
00:56we would shoot
00:58a little less in a normal 4 day shoot
01:00This 4 day shoot
01:01is going to be a little aggressive
01:03It's going to consist of
01:04two pretty robust rehearsal days
01:06and then two significant shoot days
01:09We move up tonight
01:12Again we were able to get everyone
01:13on set together for a limited time
01:15so we've kind of got to cram as much as we can
01:17in this 4 days as possible
01:19It's an ensemble cast this time so
01:22availability is tough to schedule sometimes
01:27We're shooting our opening sequence
01:29in the Pelican deployment bay area
01:31where we meet our team
01:32Osiris team for the first time
01:38Locke
01:38Tanaka
01:40Veil
01:40and Buck
01:43We'll shoot the briefing room scenes
01:44which are on the Infinity
01:47Again
01:48Again that's just a different challenge
01:49than Halo 4 altogether
01:51because the majority of those sequences
01:52are really about
01:53Chief and Cortana
02:03You go from maybe 2 or 3 characters
02:05and you jump to 6, 7, 8
02:07So technically
02:10that's 8 face setups on a day
02:128 audio mics
02:138 head cams
02:14You know
02:16More makeup people to come in
02:17and put dots on faces
02:18And then
02:20when you put all those actors on set together
02:22the sort of chaos factor
02:23kind of goes exponential
02:32Should be a good trip
02:41There's obviously an intro cinematic
02:42that would lead into
02:43it leads into every mission
02:45has one of them
02:45For E3
02:47we've actually cut things in
02:49from cinematics throughout the games
02:51to sort of build that story
02:52and build the mythos
02:53of what the mission is
02:54who the key players are
02:56but yeah
02:57we definitely had to edit out things
02:58so we didn't give away too much
03:12There's a test
03:13There's a test
03:14I might be
03:14This is still work in progress man
03:16but uh
03:16Yeah
03:19So let's see
03:20I don't know if you
03:21This is
03:22a little rough here
03:24but
03:25Oh my god
03:26It's like literally me
03:28F***
03:28Yeah
03:29Orny
03:30Out
03:31of the shadow
03:33But now you hunt another spartan
03:35The greatest of your clan
03:41That's crazy
03:41That's crazy
03:42That's crazy
03:43That's my face dude
03:43What the f***
03:45That is my face
03:46That is my face
03:50We fade down
03:51We fade up into
03:52where Osiris is
03:53and
03:54we have Buck and
03:55and Locke
03:56talking about
03:57the idea of going after Chief
04:00Effectively it has a front part of the scene
04:01and a back part of the scene
04:02but the front part of the scene
04:03it takes place in the briefing room
04:04and the back part of the sequence
04:06takes place in the infinity kind of hangar bay area
04:10Out that way
04:12is
04:12there's a large window
04:13we can see out into space
04:15Oh here, check this
04:17Roland's here
04:19Lasky's right there
04:19with the
04:20the zen
04:21right
04:22The monitors are behind you
04:24Here's our table
04:25which Roland is on
04:28And like I said
04:28this is back
04:29this is our window
04:30ok
04:34So we're doing a little something at the top here
04:36like
04:36am I
04:38am I like in the console
04:39Yeah we'll have like some screens that are up here
04:42between you and him
04:43so
04:43yes
04:44So I can be working on something?
04:45You should be working on something
04:46So this table is just a little bit too big
04:47so see how it's probably
04:48four inches on that side
04:51Yeah
04:51Yeah, maybe four to six inches on each side
04:54Can we get it
04:55closer
04:55dimension wise
04:56I mean if you wanna
04:58do some construction
04:59we certainly can
05:05Ready
05:07and
05:08action
05:10I tried to warn you this was happening
05:12He's gone in searcher
05:14You let him go
05:15How is it that
05:16Nobody lets the chief do anything
05:18He does what he wants
05:20Until 0631 this morning when he was declared
05:22Hapsing without Lee
05:23This isn't about the master
05:24John is not equipped emotionally to deal with her as a threat
05:28Hey
05:28Is anyone gonna answer me?
05:30You're out of line Roland
05:31Yes sir
05:31But so is everyone else
05:35And cut
05:37How'd that feel?
05:38Well
05:40My note to myself is it's worse than you think
05:44I don't know if that helps you
05:45It does
05:46Okay
05:47And is this like an I told you so moment obviously
05:50of like we've been through this before
05:52I feel like
05:53Is that what you're referring to
05:54Or do you mean something else?
05:54I told you you were stupid
05:57Like do I believe him there too?
05:59Am I kind of defending him?
06:00Like he might be on a mission that's
06:03Good
06:13Up up up
06:14Move Spider
06:15Come on
06:22Just don't die for the next 30 seconds
06:25I have to say that because Juan Carlos isn't good at it
06:28Maybe just work
06:29It's true
06:31Okay for the sake of this let's try to all get together
06:35At the beginning
06:36Yeah
06:37Before you go in
06:38Yeah bunch up in the archway
06:39And go through together as much as you can
06:42All right
06:43Three
06:44Two
06:45One
06:45Go
06:47There it is
06:48The Guardian
06:50I got teleported there
06:52Well you got popped into position
06:54Guardian's not leaving without us
06:55Hurry Osiris
07:06I don't know that didn't look too bad to me
07:08Do you want to show me where that dodgy looking thing was you supported?
07:13Yeah so if you stay behind and get close to where the platform falls
07:18If I stay behind and you'll see the far end of the platform
07:21You'll see geometrical lighting as it falls down
07:25You haven't come this far to let the Guardian slip away now
07:28I got trapped
07:30Okay on the right hand side
07:31Yes
07:32We'll bug it for Greg
07:35A lot of things have to come together for this sequence to play believably and reliably
07:41And we're just sorting out which components are solid and which ones are giving us trouble
07:50And trying to triage out what we're going to do about each
07:54We also want a good experience for all four players
07:57And so testing that in this type of environment allows us to play through it
08:03See everyone's point of view over and over again
08:06That's awesome
08:07Yeah to me most of the stuff plays really really well
08:10There's one section that I think we need to add a little bit more camera shake
08:14Yeah
08:14I should have asked you while you're in the air
08:16Yeah
08:18The lighting is getting really good though
08:20Whoa
08:21There's performance things to keep in mind too
08:26There is a lot of memory coming from environments from all of animations from effects and destruction
08:33So it's a pretty complex area
08:35Period
08:35We're really trying to make sure it doesn't turn into just another scripted video game experience
08:41Like we want the player to actually play it
08:44So
08:45It's a tall order
08:49Halo 5 is really very co-op centric
08:53The way we build the levels, the way we build the game itself
08:55And the way that we've constructed the characters that you play as in the game
08:59So we actually have two different teams in Halo 5
09:02You have Blue Team, which kind of all brothers and sisters brought back together from the Spartan 2 program
09:06And then you have the Spartan 4s
09:08Fire Team Osiris, which is Locke's team
09:10You know, we have Vale, who's our rookie
09:12We have Tanaka, who's a little bit more of a veteran
09:14We have Buck, who used to be an ODST
09:16So when you're playing as co-op, you're playing as each of these characters
09:19Rather than just generic, you know, alternates of Chief
09:22And so throughout the story you're alternating between both of those teams
09:27There's no visual hierarchy or attenuation in these wires yet
09:30So don't get too concerned with the fact that they're all like 100% full white
09:36You know, I'll organize them and push and fade them back
09:39So that, you know, maybe like the cradles, obviously the health bar
09:42Are a little more visible than things like the elevation
09:46Because that's just kind of fancy
09:47It's just like if you ever put on a motorcycle helmet
09:50You know, you're not really cognizant of like the detail and the padding up on your cheeks, you know
09:55The last one here was Kelly
09:59And she has the EVA visor
10:01And all this stuff, I mean, I definitely used her helmet as a template
10:05So actually, very conveniently, lines like this in the health bar actually match up perfectly with this little horseshoe in
10:12her glass
10:12So I tried to be very ergonomic about finding compliments, you know
10:17So I'm not really inventing too many false lines in any of these concepts
10:23I'm really working off of the truth in the model
10:27And that is all I have on Blue Team, I still need to do Fred
10:30Well, and Jeff actually has done some really interesting explorations
10:38Into projecting normals onto the glass
10:41And you actually got a lot of identity of who that Spartan is from the reflection on the glass
10:48Of the glass paneling
10:50And then we'd have wires on top of this
10:52But hopefully we can rely less on the wires and kind of rely on this stuff
10:57Because I think this captures better the overall shape of the helmet than like our static wires could do
11:02Yeah, I love this stuff. I love doing bold stuff like this
11:05We're all, you know, we're always going to be strapped with the
11:08How much to do of it, you know, and when it impacts gameplay
11:12And starts conflicting with the other stuff going on
11:14Because you have this, you have effects flashing, you have lens flares
11:18You know, the layers start getting crazy
11:20I think both with Jeff's demonstration here and with these illustrations
11:24I think we're being deliberately kind of heavy-handed just for proof of
11:27Just to kind of sell the idea
11:29But I think in practice this stuff, you're going to find this stuff like 50%
11:34Like to either tone down or pushed out
11:35Yeah, it just, it feels more interactive, it feels more modern, yeah
11:40Cool. Thanks. Sweet. Awesome.
11:43Yeah, thanks guys. Thanks guys for the review.
11:45Yeah, thanks.
11:55So the new dual camera setup that we have on Halo 5
12:00Lets us get a stereo view of all of Brian's markers so that we can see them with 3D coordinates
12:08That's going to make everything a lot more accurate and give us an even better facial solve
12:12What'd he say?
12:14Cool. What's that?
12:16You guys on standby?
12:17Oh yeah.
12:19Ready for trouble.
12:21With our wooden assault rifles
12:25This is the second part of 060 and it's basically Locke and Buck having a moment where Buck's really unsure
12:36and uncomfortable about the fact that they're going to go track Chief
12:41Travis, he's our backup Buck
12:46Travis is also our primary Fred as well on the team
12:50And we'll basically be taking his entire performance
12:53If we can't get Nathan Fillion in here
12:55And then we'll just have Nathan do some audio on top of his performance
13:01So there's, there's Locke
13:05So we're going to start here with Locke
13:07Walk around that side, the right side of the table
13:10Yep
13:10And then go to mid to volume
13:12Okay, sounds good
13:13Gas on one
13:16And action
13:18So you're okay with this?
13:22This isn't just another target
13:26Every target is just another target, Buck
13:29For you, maybe
13:34Look
13:36Every other spark
13:38Hell, every other soldier who knows we're after them
13:41They're going to hate us
13:42You know them, right?
13:45You're not the only one here because of him
13:52Let's cut there
13:53Let's cut
13:56Matt
13:57The timing of the, I'll take five is like
14:00Perfect
14:00Except for the approach
14:02Alright, so if we get
14:05We can't get this again
14:06Let me get that approach
14:07That'll give you enough fudge room to where to put the cut in, okay?
14:12Perfect
14:1260, Frank, seven
14:15And action
14:18Locke
14:21Every Spartan
14:21Hell, every other soldier that knows we're after them
14:25They're going to hate us
14:26They're going to hate us
14:26You know that, right?
14:29You're not the only one here because of him, Buck
14:48Can I see five, quick?
14:53You're not the only one here because of him, Buck
14:58Can I see five, quick?
15:00You're not the only one here because of him, Buck
15:01You're not the only one here because of him
15:09You stay exactly where you are
15:10That's perfect
15:11Do it exactly again
15:13Okay, we'll do one more
15:13Come on, come on, come on
15:15Every target's just another target Buck
15:16There
15:17Yeah, but no Buck here
15:18But no Buck here at the end
15:19Right
15:21Set
15:26And action
15:31What do you think that's about?
15:33A week after we shot Travis
15:35We actually got Nathan into the studio
15:38To redo the entire scene with Mike Holter
15:42Within these blue lines
15:43I'm attached to a camera inside of our actual scene
15:47So I can follow people around
15:48As kind of a natural cameraman would
15:51It's as if Nathan Fillion and Buck are standing right here
15:58It's okay
16:02700 bucks in 17 days
16:03It's crazy
16:04What?
16:05Oh!
16:05We have a lot of weapons
16:07So we have a lot of different designs
16:22Yeah, we can't come back across this line
16:24Why do you think?
16:25That's fine
16:25I don't know
16:25Ahaha
16:27That's fine
16:27I just want to make it
16:29Yeah, you are
16:30Oh, God
16:30Yeah, that's fine
16:30Yeah, that's fine
16:31I'm not
16:31Oh, God
16:31Yeah, that's fine
16:31You're right
16:32You're right
Commenti