- 9 hours ago
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00:24Hey, one slippery navel, one sex on the beach, oh, my personal favorite.
00:30Pink panty pull-down.
00:31Sounds tasty.
00:32You know, I was thinking, Lex, maybe you and I could go for a moment when this is over.
00:35Well, it's a date.
00:37What's happening down here?
00:38Okay.
00:39Uh, you got two guards between you and the painting.
00:44Yeah, not to mention four surveillance cameras and a motion sensor system.
00:47Just like we expected.
00:49The games begin.
01:05Okay, guys, making my way over.
01:09Let's move.
01:12What do you think you're doing?
01:13Um, excuse me?
01:14You touched me.
01:15Did you see that?
01:16He touched me.
01:17Hey, I didn't.
01:18You pig!
01:18Keep your hands off.
01:21Can somebody help me?
01:22This guy's a pervert.
01:23I didn't touch her, I swear.
01:24Yeah, that's what they all say.
01:31I didn't, I didn't touch her.
01:32Yeah, sure.
01:38I'm in.
01:40Okay, take your next right.
01:42The door should be right in front of you.
01:43Yeah, look up for a guard that's heading your way.
01:54Whoa, Lex, something's wrong.
01:55You got company.
01:56Hurry, Jess, give me the code.
01:59Four, four, seven, nine, eight, two.
02:06I'm in.
02:07I'm in.
02:15Bad idea.
02:17That's mine.
02:28Lexa, talk to me.
02:29You okay?
02:34Nothing I can't handle.
02:37No.
02:41No.
02:44I'm in.
03:15Calvary's on the way, Lexa. Get out of there.
03:51This was fun. But you cross me again and you won't walk away.
04:09Scientist Adam Kane was a pioneer of genetic research.
04:14Manipulating DNA to save human lives.
04:17But in many, their genes unexpectedly mutated and they developed superhuman abilities.
04:54Together, four of the most powerful fight to protect a world that doesn't even know they exist.
05:01They are Mutant X.
05:08I don't know. Whoever he was, he was a mutant.
05:10He threw out some kind of dark matter like anti-energy.
05:13His presence was unexpected, even by us.
05:16Yeah. Well, because of him, I couldn't get to the painting.
05:19Then you try again.
05:21That painting conceals a secret that must remain hidden to the outside world.
05:25Excuse me, but after the first try, their security's gonna be all over it.
05:29Your presence was not observed.
05:30We wiped the security surveillance so the gallery believes your intrusion was simply a false alarm.
05:35Yeah, but still, without a party is a distraction.
05:38You'll find a way.
05:43That's not bad. It's got definite echoes of the Byzantine Empire.
05:47It's not the artwork we're after. It's what's coded within the canvas.
05:50And that would be?
05:53The key to an undiscovered technology that could threaten the world's security.
05:57See, when the scientist who owned the painting died, his family liquidated the estate.
06:02Now, we gotta get to this painting before our party crasher gets to it first.
06:06So what have we found out about our rival thief?
06:09Nothing so far.
06:10I mean, whatever his power is, he seems to be able to counteract energy.
06:17The dialogue's pretty smooth.
06:21Very smooth.
06:23Looks like you're having a hard time fighting him off, Lexa.
06:28I'll get him next time.
06:29What next time?
06:31Look, he's gonna make a move for the painting again.
06:34I plan on beating him to it.
06:37I'll have Brennan run our Romeo through the mutant database.
06:41I'm gonna start monitoring the security system of the gallery.
06:44Okay, let's go.
06:56Hold on.
06:59Hello, Shalimar.
07:01Who are you?
07:03A friend.
07:04Friends show themselves.
07:06In time.
07:10What do you want?
07:12There's more to the painting than you've been told.
07:17So why don't you tell me about it?
07:19The scientist who owned it was named Ilik Sevcek.
07:23Find out who he was.
07:25He represents the key to understanding what's really going on.
07:31Nice try.
07:33But it will take Sanctuary's system at least 30 more seconds to triangulate my signal.
07:41Goodbye, Shalimar.
07:42Wait!
07:44Why are you doing this?
07:473-8-0-7-3-5.
07:50Remember that?
08:01Brennan, we're in.
08:10Okay, I've hacked into the gallery's security system.
08:13Well, just in case you're wondering, I have an update on your, uh, mystery mutant.
08:16Turns out he's an international thief specializing in high-end art.
08:20Take a look, guys. I'm throwing him at ya.
08:22His name's Randall Blake.
08:24Yeah, and according to his dossier, he's, uh, quite the lady killer.
08:28He's made a career out of selling paintings and hearts.
08:31Well, that's good to know, isn't it, Lex?
08:35I don't know.
08:37Blake's already here.
08:38Where?
08:39Right there.
08:40I've gotta get in there before he does.
08:42Well, how?
08:51Guys, give me Blake's location.
08:54He's heading up the back staircase right towards you.
08:56You better hurry, Lex. It's gonna be tight.
09:17I think it's time for your break.
09:27I think it's time for your break.
09:29Uh, they must have changed it.
09:31Feed me the new one.
09:32Look, it could take me hours to break into security database again.
09:35Well, I can't stay invisible forever.
09:39Try 380735.
09:40Where'd you get that?
09:42Just do it.
09:47That's it. I'm in.
09:49Come on, you've only got a few seconds.
10:08I believe that belongs to me.
10:11Possession is nine-tenths of the law.
10:13You're not out of here yet.
10:19Besides, there are three paintings to the set, and I already have one of them.
10:23Won't do much good without this then, will it?
10:26I warned you not to get in my way.
10:29You know, if you didn't want me around, you could have just said so.
10:40No.
10:57Give up now.
11:00You can't hold out as long as I can.
11:09Why don't you be a good girl and just handle the painting?
11:12Because I'm not a good girl.
11:15Even better.
11:21You just had to do it alone, didn't you?
11:23Did you get the painting?
11:25Yeah, one of them.
11:31Why weren't we told there were three paintings to begin with?
11:33Well, maybe the guy's bluffing.
11:35At this point, I wouldn't put anything past him.
11:37Yeah, that's what I said.
11:38But Lexa seems to feel this guy's on the level.
11:41Well, we'll find out soon enough.
11:44I'm running an infrared image of the picture.
11:47See what we get.
11:54There it is.
11:55What do you think?
11:56Well, it's a code.
11:59Looks like it's some kind of formula, but...
12:01No, the code's incomplete.
12:04I'd guess that each painting represents another layer to the formula.
12:07Separately, they're worthless.
12:08We need all three.
12:09Well, Blake says he has one of the paintings.
12:11And he knows where the third one is.
12:12Well, according to my math, that means we're right back to square one, doesn't it?
12:16No, not necessarily.
12:18I mean, this buyer's gonna need all three as much as we do.
12:20Anybody's game right now.
12:22He needs us as much as we need him.
12:25Wait a minute.
12:27He thinks I'm a rival thief, right?
12:31What if I convince him to partner up and split the profits of the three paintings?
12:34Oh, we're not just gonna jump into bed with this guy.
12:38Speak for yourself.
12:40Aww.
12:45What, are we all taking crazy pills here?
12:57Well, it looks like Blake's got a place here in town.
13:00What, is he listed in the yellow pages?
13:02No.
13:03He owns a bar downtown under one of his aliases, the Brasserie de Boheme.
13:09I guess his love of art goes deeper than cat burglary.
13:14Alexa, why are you so eager to face this guy again?
13:18When he tried to kill you, you remember that?
13:20Listen, if he wanted me dead, he would have tried a lot harder.
13:35What you working on?
13:40Aleksevchek.
13:42Who did?
13:43Not sure.
13:45Hmm.
13:47Well, first you pulled the code for getting into the gallery out of thin air,
13:51and now you're looking up Russian scientists.
13:55What, can I buy a clue?
13:59Okay.
14:01I didn't know whether to believe it or not, but I got a call from someone on our internal line.
14:07Didn't give a name.
14:09Just gave me the code.
14:11Just like that?
14:11Well, he said there was more to the story of the paintings than we were being told.
14:16Said I should look up this guy, Sevchek.
14:19You tried tracing the call?
14:20Of course.
14:21But he must have known beforehand because he kept bouncing the signal all across the country.
14:26Well, sounds like this guy's kinda got you freaked out.
14:29Well, I don't know what to think.
14:32I mean, he said he was a friend. He spoke like he knew me.
14:35Don't worry.
14:36Next time this guy calls, we'll be the ones messing with his head.
14:57That could be you.
15:01What, you were expecting me?
15:02I know you couldn't stay away.
15:05So you like it?
15:07Yeah.
15:08Who's the artist?
15:11Me.
15:15It's an early piece, but it lacks in courage.
15:18It's funny.
15:19It never took you to be the modest type.
15:24Only when it comes to my heart.
15:28Let's just keep his business.
15:31I'm listening.
15:33You have one painting.
15:34I have one.
15:37Third one's still up for grabs.
15:39And your point is?
15:44It doesn't take a rocket scientist to realize the real deal here is by delivering up the complete set.
15:51Yeah, well, my buyer is willing to pay north of five million.
15:57I want in.
15:58I want in.
16:01And just, why would I do that?
16:04Because you'll never get your hands on the complete set without me.
16:12Let's do it.
16:14Good.
16:15Oh, but first, I want to see your painting, just to verify it.
16:22Okay.
16:23You show me yours.
16:26I'll show you mine.
16:33Brennan!
16:34Here.
16:35It's him.
16:37Hello, Shalimar.
16:38What did you find out about the lead I gave you?
16:42He's a chemical engineer specializing in environmental research.
16:46Exactly.
16:47And the painting?
16:49What did you get from the scans?
16:51Well, we're not sure yet.
16:53The paintings are the key to the whole puzzle.
16:56It's imperative we find out what they're hiding.
17:00Look, why don't you just tell me what this is all about?
17:02Why don't you ask Brennan?
17:04I'm sure he's full of bright ideas.
17:07What the hell?
17:10He's in our system.
17:16What'd he get?
17:17He's trying to access the scan of the painting.
17:19I have no idea how much of the file he was able to download.
17:21How the hell did he get into our system in the first place?
17:24How does he know so much about us?
17:28Damn it.
17:32Tell me that we are not just going to hand this painting over to him.
17:35It'll never leave my sight, okay?
17:37And once I get in there, I can get a look at his painting.
17:40That way, we can get information from both.
17:42Yeah, but once he gets his hands on our painting, he's not going to need you anymore.
17:45I told you I can handle this.
17:47I heard you.
17:50Look, I'm coming along this time.
17:52No arguments.
17:59The paintings are the key to the whole puzzle.
18:03I'm going to remove the vocal pattern.
18:06Let's see what else we can hear.
18:10What is that?
18:12Sounds like the call came from a restaurant.
18:15You narrow it down a little further?
18:17I'm trying.
18:22Nice.
18:23Sounds like our secret admirer has a penchant for Chinese food.
18:26You in the mood for takeout?
18:37Not the kind of party I had in mind.
18:39This is Jesse.
18:41He's my backup.
18:42Yeah.
18:46Come with me.
18:48I have a digital scanner in the back.
18:49We could verify my painting first.
18:52If you like.
18:58Here we go.
19:04Be my guest.
19:17Now your turn.
19:20Now your turn.
19:55It's true.
19:56What we have represents two thirds of the puzzle.
20:04So when do we move on the last painter?
20:06We don't move on anything.
20:08I'm working here with Lexa alone.
20:11Don't need any more baggage.
20:13Listen buddy.
20:14Hey Jesse.
20:15Jess.
20:16Just take the painting.
20:18I'll contact you when we're ready to move.
20:20Okay?
20:22Yeah.
20:25Uh, don't worry Jess.
20:29I'll be gentle with it.
20:37Uh, what'd you think Sal?
20:38That he's just gonna sit around and wait until he got the itch to call again?
20:41I don't know.
20:42I guess I was hoping I'd at least find some clue to his identity.
20:57Hello?
20:58You've managed to get close.
21:01Where are you?
21:02He must be watching us.
21:03Are you any closer to recovering the other two paintings?
21:07We're working on it.
21:08The information can't get into the wrong hands.
21:25What would an environmental scientist have that would be a risk to national security?
21:28Are you ready for the answer?
21:30Yeah, why don't you tell me what the hell's going on?
21:33Call's coming from that window.
22:08Well unless you and your fine feathered friend here go way back.
22:12Our informant knew we were gonna be here.
22:14I didn't know, but how?
22:17The only way I found him was through my feral hearing.
22:20You anticipated it?
22:22He definitely knows our moves.
22:23I was able to stay three steps ahead of us.
22:30Let's see if you go check out these little door prizes
22:32they had left for us.
22:41A bar owner, a cat burglar, and an artist.
22:46Tell me, who's the real Randall Blake?
22:50All three.
22:52The bar keeps me legit,
22:54the burglary keeps the doors open,
22:55and the painting.
22:58Ah, the painting feeds my soul.
23:01And that's important to you?
23:03The rest of it is just surviving.
23:05Art is life.
23:07Oh, I didn't realize I'd be getting a free lesson in philosophy.
23:11Are you always this cocky?
23:14No.
23:14I'm worse on the job.
23:17Yeah, well, I hope you're as good as you think you are.
23:20The last painting of the trilogy is the hardest of all.
23:23Okay.
23:24What are we looking at here?
23:26A bank?
23:27State-of-the-art security?
23:28What?
23:28Worse.
23:30It's part of someone's private collection.
23:33Have you ever heard of Slava Chekhov?
23:36Should I have?
23:37Slava's a major player in a Russian mob.
23:39Painting's stored in his mansion.
23:41Okay.
23:42How hard's it gonna be to break in?
23:44He's got a small army protecting him and his toys.
23:47Cockroach couldn't get in.
23:52Is this making a dent with you at all?
23:54I mean, this job is about as deadly as it...
23:57as it gets.
23:59You say that like it's a bad thing.
24:08Does this make any sense to you?
24:10Well, in a minute, as soon as the computer finishes translating this into English.
24:15What is it?
24:17It looks like a proposal by the scientist to one of those paintings.
24:22He thought he could create an alternative to fossil fuel.
24:26A cost-efficient method of processing water into hydrogen power.
24:31Well, clean, safe, cheap fuel for the whole world.
24:34I don't know, am I stupid or is this the breakthrough we've been looking for for the last 50 years?
24:39Don't answer that.
24:42So this is what it's all about, huh?
24:45Think he actually made it work?
24:46Who knows?
24:47But I bet he hid that formula in those three paintings.
24:50Jess, you getting this?
24:51Oh, yeah.
24:52No wonder somebody's trying to suppress it.
24:54You know, I'd bet the helix that whoever's paying Blake
24:57has got tentacles connected to the oil industry in some way.
24:59Yeah, well, this information is way too valuable for us to let it slip through our fingers.
25:03The problem is you only have one third of the equation.
25:05I'm going to take another look at what we got.
25:08See if maybe I missed one that could lead us to the last painting.
25:11You know what I want to know is why did the Dominion lie to us in the first place, right?
25:15They said this technology could jeopardize world security.
25:19Well, everything always boils down to money.
25:23I don't know who to believe anymore.
25:26But I do plan on asking some questions.
25:28Hey, not so fast.
25:30Lex is the only one with an all-access pass to the Dominion.
25:33Well, maybe we add our name to the list.
25:34No, it's not that easy. We need access codes.
25:37I mean, calling the Dominion isn't like picking up the phone and dialing 9-1-1.
25:41Well, if we can't call them, maybe we should get them to call us.
25:49I thought you said this place was like getting into Fort Knox.
25:52It is.
25:53Fortunately, what we're here for is a lot easier to move than three tons of gold bullion.
25:58How many men do Slava keep on staff?
26:00I'm not sure.
26:01No one's ever made it out alive.
26:03Good.
26:05I'm looking forward to being the first.
26:13You really are, Phyllis.
26:15It's the only way to play it.
26:20What I would give to capture that passion on canvas.
26:26I'm sure you would.
26:35Lexa, we need to talk. Now.
26:40A little more wine, maybe?
26:43Yeah.
26:52This better be good, Jess. I'm working here.
26:54Yeah. Your boyfriend pulled a fast one on us.
26:57What are you talking about?
26:59Well, you switched the paintings. I'm looking at a counterfeit.
27:03It's not possible.
27:04Oh, it is. I just re-scanned it.
27:06Are you trying to tell me that he doesn't have your head all turned around?
27:09You're wrong.
27:09All right. Well, then you explain it.
27:10Because the Lexa that I know wouldn't drop her guard for a minute, but for some low-life, smooth-talking...
27:14Let it go, Jess. I'll get it back.
27:16How?
27:19I got it covered.
27:29Sure you know what you're doing down there, babe?
27:30I mean, we can call Jesse.
27:32Oh, Jesse, Jesse, Jesse. Man.
27:35You know, he's not the only one with a brain around here.
27:37I'm just saying you don't exactly have a degree in electronics.
27:41Ooh, hey. Look at that. That's my diploma, okay?
27:46Look, all I'm trying to do is trigger an alarm in the encryption device.
27:49It'll give him a reason to respond.
27:54Nice work.
27:59What exactly do you think you're doing?
28:02We need to talk. We want some answers.
28:04That's not how it works.
28:06Well, it is now, Chief. Unless you want whatever it is we find published in the Daily Times.
28:12What is it that you require?
28:14A face-to-face. We've got questions, you've got answers.
28:18Two hours.
28:19Two hours. The alley between division and third.
28:23Well, that wasn't so difficult.
28:25It's what worries me.
28:26You're gonna get an empty bill at the parking lot.
28:27Yeah.
28:41See you next time.
28:42I'm the secondário.
28:43I need to know.
28:51It's a really good question.
28:55But I think it's important.
28:57What's the matter? Don't you trust me?
29:09Yeah. It's all been.
29:15So, um, while we're on the subject of trust,
29:20when were you gonna tell me you stole my painting?
29:25I don't know what you're talking about.
29:29Let's try this once again.
29:31Or are you looking for some free laser surgery?
29:35Hey, you do it. You'll never see any of those paintings again.
29:52Are you taking my partners?
29:54That's right.
29:56Splitting everything right down the middle.
30:01That's what I want out of you.
30:27This was a very risky maneuver on your part.
30:30I assume Miss Pierce had no knowledge of your actions.
30:33We don't answer to her.
30:34Clearly.
30:35It was foolish to suggest you would reveal the formula to the world.
30:39We don't take kindly to blackmail.
30:41You lied to us.
30:43You said this was a threat to national security.
30:45We anticipated your response to the real nature of the technology
30:48and told you what you needed to do the job.
30:51At least you admit that you tried to play us.
30:53We directed you. That's our role.
30:57Do you have any idea what would happen if you released that formula?
31:00Oh, I don't know.
31:01The world would have an endless supply of pollution-free fuel.
31:04And the impact of that technology would cause a shift in the balance of world powers overnight.
31:09Whole economies collapsing.
31:12Decades of war and millions of lives lost before order would be restored.
31:16Would any of that fit into the category of threat to national security?
31:20So you are going to bury the formula?
31:22We will release it when the world is ready.
31:25These kinds of changes take careful planning.
31:27The Dominion has controlled the evolution of technology for hundreds of years.
31:32This conversation is over.
31:35Think again.
31:37I didn't sign on to be your puppet.
31:39So you're going to give us everything you know from now on.
31:42You're in no position to make demands.
31:45I'll advise you to back away slowly.
31:48There are ten weapons sighted on you right now.
32:00You think it was down the truth?
32:02Doesn't matter.
32:04First we gotta focus on finding those other paintings.
32:07Figure out what to do with them later.
32:15Took you long enough.
32:17I did what I had to do.
32:23Yeah.
32:24I know.
32:26So how are we gonna get the paintings?
32:28Right after the job tonight.
32:30I attached a tractor to the back of his earlobe.
32:32How'd you do that?
32:35I don't wanna know.
32:36Sure you don't.
32:37Just keep your eye on his every move, okay?
32:40Oh, I intend to.
32:41Here we go.
32:56Sure makes getting around easy, huh?
32:58Yeah.
32:59The painting is in a second level study.
33:02Yeah, we have to get past the guard station first.
33:05Exactly.
33:06You ready to move?
33:08Yeah.
33:09What's up?
33:17Tasha!
33:18What are you barking at?
33:19There's nothing there.
33:20Come on, there's nothing there.
33:23Come on!
33:28I didn't say anything about a dog.
33:31Is that a problem?
33:32Yeah.
33:33I don't do dog.
33:36All right, Lex.
33:37I've hacked the security system.
33:39You got a guard up ahead of you.
33:41Ten meters away.
33:43Second floor should be cleared.
33:45I'll guess again.
33:46There's a guard heading our way.
33:47You didn't know that.
33:48Girl's gotta have her little secrets.
33:50It's...
34:04What a hard part.
34:06The painting's protected by a high laser system.
34:08A Star Wars could trigger it.
34:09Look, just let me in.
34:10I'll take care of the rest.
34:36Can you handle it?
34:38Of course.
34:39Just stay with me.
34:40I'd love to.
34:55I'll get you.
35:01New...
35:04New...
35:06New...
35:08New...
35:09New...
35:10New...
35:18New...
35:20I don't trust this guy as far as I can see him.
35:22Hey, Harry, we're on it.
35:51What are you doing?
35:53Sorry, Angel.
35:55We're gonna miss you.
35:59Trust me, you'll be seeing me again.
36:11Guys, I need help here, quick.
36:28It's gone.
36:36What the hell?
36:45Guys, we gotta go.
37:15Did you get it?
37:17One down, two to go.
37:27Where's Blake?
37:29He's on his way to the train station.
37:31What do you say we make sure he has some company?
37:33Oh, yeah.
37:53Looks like the fourth one from the right.
37:55Top row.
38:01I'm sorry.
38:03I'm usually this clumsy.
38:06No problem.
38:27Would you mind giving me a hand?
38:28Of course.
38:37Thanks.
38:40We met?
38:43I don't think so.
38:51Maybe I'll bump into you again sometime.
39:13It's done.
39:22Decades of war and millions of deaths for a safe, non-polluting fuel.
39:28Well, what do we do with him?
39:31What do we do with him?
39:31Tough decision.
39:33No, Alexa's vote would be, though.
39:35Yeah.
39:37I say we hold on to it.
39:40Not enough information.
39:42Well, then we get it.
39:43Nope.
39:44We're gonna have to give it to the Dominion.
39:47Look, I talked to Shalimar.
39:48She agrees.
39:49Right now, we're just gonna have to trust them.
39:50But we will make a copy of it for here in Sanctuary, just in case.
40:10No hard feelings, I hope.
40:14Didn't expect to see you so soon.
40:16After you tried to kill me?
40:18Please.
40:19I knew you could take him in your sleep.
40:21I'd just try to slow you down, but I couldn't even manage that, could I?
40:28My buyer wasn't too pleased with the fake you gave me.
40:31Nice work.
40:33Lucky thing you got out alive.
40:35So were we even.
40:45Here.
40:46Little parting gift.
40:49It's how we found you.
40:54Maybe I'll keep it.
40:56In case you ever want to find me again.
40:59Well, I'll be back.
41:05Really?
41:07Yeah.
41:09There's a little painting over here I'm just dying to add to my collection.
41:19Well, we could always...
41:32Hello, Shalimar.
41:36You've chosen to trust the Dominion.
41:42Tell me that was the wrong thing to do?
41:44As far as I know at this point, it was the right choice.
41:49Then why didn't you tell me that to start with?
41:52I did not have all the answers.
41:54You needed to discover the truth on your own.
41:58Who the hell are you to tell me what I need?
42:00Patience, Shalimar.
42:02You'll find out soon enough.
42:03Well, next time we speak, it'll be in person.
42:12Fine.
42:15If that's the way you want it.
42:45I'll be right back.
43:02Transcription by CastingWords
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