- 26 minutes ago
Category
📺
TVTranscript
00:04this is prince albert victor second in line to the british throne victoria has told me a lot
00:08about you mr moscow this unfortunate business about your band i used to run here my friend
00:14i am training and teach me everything you know you know someone crossed my path the other day
00:18a certain mr lao there's a dying oil man in new york there's a painting and he will have it
00:24at
00:24any cast mysterious can't have had you and now he keeps it locked away me or american heiress
00:30are you up to this house jane's sick she's dying if you care about your brother you will tell me
00:36precisely what mary khan is up to
01:02as promised ladies forged documents for our american heiress bond coupons travel papers and
01:11even a letter from her darling father silas drake jesus what a name and he wouldn't mind a daughter
01:17with a questionable accent turned up out of the blue no alice would get the hang of it wouldn't
01:21y'all of course i will all right ladies just focus on the job in hand we've got work to
01:26do
01:28you're okay well the hell have you been what's wrong i'm so sorry mary it's your mother
01:39she's dead
02:08she's dead
03:44Hmm.
03:46Now I'll find me.
03:59Wood.
04:04We're done.
04:07Now, where on earth did you learn a training technique like that?
04:12My friend was the first man I saw who boxed the bears.
04:19He would hang them around him in the booth, close him eye and seek the loudest.
04:27This friend, was his name Alec Monroe?
04:35Let's concentrate on you.
04:39I read about what happened to him.
04:42Is that why you're returning to Jamaica?
04:46Do you want to put this awful memory to bed?
04:51Maybe I'm just ready to go home.
04:52Hmm.
04:53I mean, surely there's a future for you in London.
04:56I mean, I saw you the other night, Mr. Moscow, and you, you possess a unique gift.
05:01It doesn't matter anymore.
05:02The carriage has arrived, your royal highness.
05:07Yes, I'll be right there.
05:17Be honest then, with this fight looming, do I stand a chance?
05:31But I'd be here if you didn't.
05:35Well, that's all I needed to hear.
05:38And then the land will be yours.
06:00Hey, hey, Sugar.
06:03Someone told me you might be down here.
06:08Fuck off.
06:09Aye.
06:10I've been looking for you for days.
06:13Before you might have done something stupid.
06:16I'm not in the mood, Sugar.
06:20What's this?
06:24This is business, Sugar.
06:27Remember that.
06:30Well, I've had to handle it while you've been away.
06:33Well, what's the one thing we've got left?
06:35It's your name above the door.
06:38I know.
06:41That place has cost me so much.
06:45I came down here to...
06:47to fight.
06:49You know, to see if all stood up to him.
06:54Do you know what happened?
06:56I froze.
06:59That's when I realised that...
07:01I've got nothing left.
07:05There's no fight in me no more.
07:08Cutting ties...
07:10with a blue coat ain't the answer.
07:13You're giving up a future for your family.
07:16Family?
07:20And I'm supposed to trust in that, because...
07:24What do you say?
07:26No.
07:27No, because you're only your brother.
07:30And we're all we've got left.
07:38So let me...
07:40fight for the both of us.
07:43Yeah?
07:46Yeah?
07:49Yeah?
08:11It's a good suit.
08:14You almost gave me a bloody art attack.
08:16We wouldn't want to do that.
08:20We like a word, Mr. Rees.
08:23Take a seat.
08:28I, er...
08:29I wasn't scheduled to see you so soon, Mr. Goodson.
08:34I'm gonna say to the blue-coat boy.
08:39He ain't gonna end.
08:41We have a deal in place, Mr. Goodson.
08:46The deed is signed.
08:48Well, there's been a change of plans.
08:51You don't just renege on a deal with the Metropolitan Board of Works.
08:56That's sad that I got for it.
08:58Merely advice.
09:00That area has been marked for regeneration.
09:04We're on a march for progress.
09:06That can't be stopped.
09:08That march...
09:10just stops at whopping.
09:13Do you understand?
09:16Yes.
09:17Do you understand?
09:19Yes.
09:29The deal's off.
09:45I'm glad you could join us, Miss Downer.
09:52Now, as you ladies have been left without a queen, there'll be a change of command today.
09:55She'll never know from Mary.
09:57She'll be found when she wants to be.
09:59You know what she's like.
09:59Yeah, Alice is right.
10:00And this job remains our focus.
10:02Today, while I'm working on the Grafton's, the rest of you work with Alice.
10:06She's got a plan how you can walk in and out the front door without a second glance.
10:09We shouldn't be doing this without Mary.
10:10We've got a job to do.
10:12Mary isn't your problem.
10:16Right.
10:18Follow me, ladies.
10:23How can you all act so normal about all this?
10:25It's not right.
10:26Maybe this is what Mary would want, Belle.
10:29This is what she taught us.
10:37I'm curious, Miss Bridges, where did you learn such knowledge of the esoteric?
10:43I descend from a family of Bavarian witches.
10:46The knowledge is in my blood.
10:54That was a joke, sir.
10:57They were Romanian.
11:02Sit down, Nicholas.
11:06So, you're shortly to be leaving us.
11:10I have to, I'm afraid.
11:12A generous old clan of mine from Boston has written to me, requesting my services.
11:17They must be offering you something interesting to draw you away.
11:22Silas Drake is a very persuasive man.
11:25Drake.
11:26As in, I'm shipping magnate to Drake.
11:29You know him?
11:31By name only, I'm afraid.
11:33I shouldn't really be sharing, but his daughter Lucinda has been in London
11:37on a whirlwind tour of the art galleries.
11:40She requires a companion for her European travels over Christmas.
11:44She loves a soiree or two.
11:47Huh.
11:48Well, it's a shame that she's leaving so soon, isn't it, Father?
11:52We could have thrown open the vaults.
11:57Miss Drake is in London.
12:00Perhaps we could persuade her to visit us here at the house before she leaves.
12:04Perhaps a Christmas ball.
12:08As of now, you three are part of the Whitechapel Workhouse Choir.
12:14Verity will help with the lyrics.
12:16Right.
12:18So, who's this get us into Grafton Manor?
12:21Well, Silas Drake is known for his charity.
12:23He sponsors church choirs across Boston.
12:25So, to show his own charitable side,
12:27Lord Grafton will invite a choir of God's
12:30less fortunate creatures in on the day of my visit.
12:34Sophie's planting the seeds today.
12:36And that, ladies, is your way in.
12:38I'm not fucking singing.
12:42You'll cry like a rooster if I say this job needs you to, Belle.
12:45Any questions?
12:49Just make sure you don't cock this up or they'll be hell to pay.
12:52Mary would think this is smart.
12:54I'm not talking about Mary, I meant me.
12:56They'll be hell to pay with me.
13:00Do not cock it up this time, Alice.
13:09Yes.
13:09Everything clear with you three?
13:10Yes.
13:12Good.
13:13I'll go get us a carriage.
13:14I'm going out west.
13:17Lucinda Drake needs some pearls for a ball gun, I think.
13:30Miss Lucinda Drake, you are cordially invited to a ball at Grafton Manor.
13:35Perfect.
13:39Any news on Mary?
13:42None at all.
13:44You know what I think?
13:46Fuck Mary.
13:48Forty elephants died the other night with her mother.
13:52You're a big picture girl, Alice, you know I'm talking sense.
13:56Loyalty gets you far in these parts.
13:58Ambition gets you further everywhere.
14:04Look, we don't need to stick around here after the heist is done.
14:07We could take it all and go.
14:10The painting, Mary's cut.
14:13It could all be yours.
14:16There's a big world we can disappear into with that kind of go.
14:22Where would we go?
14:23New York.
14:25You can be an ambitious woman out there.
14:27Take what the world won't give you.
14:35Look, I was part of a wolf pack like you once, Alice.
14:38We fell apart.
14:40There's only so far you can go in this world with people who lack the vision you do.
14:45New York is the place to be.
14:49And if you're smart as I think you are, that could be your future.
14:54Mary's sinking. Don't go down with her.
14:59No, no.
15:02No, no, no.
15:28Are we nearly finished?
15:32Not long now, Ms. Crane.
15:35Perfection is an art in itself.
15:37I don't need perfection. I just need it done.
15:43Is there a reason for your sudden urgency?
15:50What do you see when you're painting it?
15:53I see Polly Crane, the swan-necked beauty.
15:58I see proof.
16:02Proof I was here.
16:06Proof I was real.
16:14That's all that really matters.
16:17Most would say it's who you are to others in life that matters.
16:23And...immortality is a vain pursuit.
16:26I never said I wanted that. I just want proof.
16:30Then that is what you shall have. And soon, I promise.
16:37I recently had a visit from a gentleman named Myrta.
16:42Asking about my models.
16:47Is trouble on the way?
16:49I certainly hope not.
16:51I tend not to ask about the personal affairs of my models.
16:56Whatever this business is, I hope it's sorted out quickly.
17:02Proof I will be.
17:19Thank you, Mr. Therese.
17:20Thank you very much.
17:20I shall see you soon.
17:21It was an honor.
17:25Hey.
17:27You didn't have to buy me a suit.
17:29I was trying to find a way to express my gratitude to you, Mr. Mosca.
17:33We shall wait till you win.
17:36Those are usually the conditions, eh?
17:38Not for something like this.
17:40You see, I learned of Miss Davis' investigation into Buster Williams' death.
17:46How it wasn't your fault.
17:48How a blow from any man would have killed him.
17:51And that is why I simply had to fight this unjust ban on your behalf.
17:55They did what?
17:57I'm pleased to inform you that your ban from the West End Rings has been lifted.
18:03You can hold your head high now, my friend.
18:05This fight will put you back where you belong.
18:18That's it, the hands, that's it.
18:20Keep those hands up.
18:22Yeah, keep moving.
18:23Come on.
18:24Get your toes on your toes.
18:28Can I see?
18:31You don't stink of whiskey, so I'll take it your car when he's sober.
18:37I heard about you, mother.
18:43I know how you're feeling.
18:46You know me so well, don't you?
18:49Better most.
18:55Well, you got me back on my feet.
18:59So if there's anything I can do for you, nah.
19:03You say the word.
19:06There's people after me.
19:07Sugar.
19:10Powerful people.
19:13I have no idea how, but they're closing in.
19:17Lay low.
19:20Go out where the foot and castle.
19:24See you, mama.
19:28Grieve.
19:30Work out your next steps.
19:32I'll keep an eye out for you.
19:49Okay.
19:54Hey.
19:55Say it.
20:03Please join me.
20:05See you today.
20:34Hey!
20:36Well,
20:39they look good, brother.
20:41Not true?
20:51No, I can't say anything.
20:55No, they look good.
21:05Yeah, yeah, yeah.
21:31So good to see you back.
21:34Mr. Moscow, sir.
21:35Great pleasure to meet you.
21:37We heard about that dreadful ban.
21:39Will you be boxing again now? It's been lifted.
21:41Terribly unfair.
21:45And a great deal more skilful than people present.
21:49Mr. Moscow.
21:50Yes?
21:51Mr. Moscow, I've been asked to fetch you urgently.
21:54Well, what is it?
21:56It's the Prince, sir.
21:58He needs your help.
22:00Go on.
22:10What?
22:11Just nerves and too much Dutch courage.
22:14Will you give the Prince some words of encouragement?
22:17We now have time for this.
22:18Fight starts in 20 minutes.
22:21He's not the first to seek courage in a buckle.
22:24Dr. Randall.
22:24Dr. Randall is asking after you.
22:26Ah, yes.
22:26Just tell him I'll be right there.
22:28Another tell?
22:28Of course he's wrong.
22:29Dr. Randall.
22:31Yes.
22:32It's not official, but...
22:35Dr. Randall's a good match.
22:36A suitable man.
22:38Ah, I see.
22:41It's okay, sir.
22:43Albert.
22:45You've risked too much for this fight.
22:48Don't let it all be for nothing.
22:49Stop your fussing, will you?
22:51Don't worry about the Prince.
22:52I will look after you.
22:53Okay.
22:55Good luck, Your Highness.
22:57Remember what this is all for.
22:59Mr. Moscow is relying on you.
23:01Yep.
23:04Good luck.
23:09Harold.
23:10You're not gonna lose this fight without entering the ring.
23:16And making his ring debut tonight,
23:19a graduate of Trinity College, Cambridge,
23:22please welcome James Eade,
23:24Earl of Lanleybury.
23:27And making his own ring debut tonight,
23:30His Royal Highness,
23:32and second in line for the crown,
23:36the Queen of Albert, Victor of Clare!
23:52Very good.
23:53Relax.
23:54Second's out.
24:00Gentlemen, you'd approach the scratch for me.
24:03You'll make touch gloves if you wish.
24:05All right, then.
24:06Yes, sir.
24:07Bye.
24:08Hard, sir.
24:11Good luck.
24:12Drop.
24:12Keep going.
24:13Keep going.
24:13That's it.
24:15That's it.
24:15That's it.
24:16That's it.
24:16That's it.
24:20That's it.
24:21Right.
24:25If this is the next line to the British monarchy,
24:28they should castrate you to prevent further shake.
24:31No!
24:32It's the end of the round.
24:33No fighting, Jack.
24:36Back to your corners.
24:37No.
24:39Focus, Albert.
24:40He's not your bully.
24:41He's simply your opponent.
24:43Hmm?
24:44Oh.
24:44Next row,
24:45his confidence will be high.
24:48Use that against him.
24:49Okay.
24:51Ready?
25:00Control. Control.
25:01Come on.
25:07Oh, it's locked!
25:10Hey, hey, hey, hey!
25:20Break?
25:20Good.
25:21To your corner.
25:26Good?
25:27Yes.
25:27See what I see?
25:29Keep the guard up.
25:30Hmm.
25:31So you know what you have if you do?
25:32Mm-hmm.
25:34All right.
25:35Check it out.
25:37Check it out!
25:44My good time.
25:49Have a look!
25:54Yes!
26:01Good boy!
26:02That's it!
26:03Good boy!
26:05That's it!
26:06Keep going!
26:06Come on!
26:07Here we go!
26:08Oh, Jay!
26:09Yes!
26:11Good boy!
26:12Good boy!
26:12That's it!
26:13That's it!
26:15That's it!
26:15Yes!
26:16One!
26:18Two!
26:18Three!
26:19Four!
26:20Two!
26:21Four!
26:22Four!
26:24Four!
26:25Three!
26:26Six!
26:27Six!
26:29His royal highness!
26:31He's done it, ladies and gentlemen!
26:34His royal highness!
26:36It's royal highness!
26:37Go!
26:46You
28:15So this is what you got to show for it.
28:22All them years of being queen and this is what you're left with.
28:50All them years of being queen and this is what you're left with.
28:55All them years of being queen and this is what you're left with.
29:43All them years of being queen and this is what you're left with.
29:45All them years of being queen and this is what you're left with.
30:15All them years of being queen and this is what you're left with.
30:40All them years of being queen and this is what you're left with.
31:26All them years of being queen and this is what you're left with.
31:33All them years of being queen and this is what you're left with.
31:43All them years of being queen and this is what you're left with.
31:46All them years of being queen and this is what you're left with.
32:15All them years of being queen and this is what you're left with.
32:40All them years of being queen and this is what you're left with.
32:41All them years of being queen and this is what you're left with.
32:42I just wish I'd have been there sooner.
32:46You was there when you needed to be, that's all them as.
32:51Looking at her was like looking into the future.
32:56She worked so hard for her empire and for what?
33:02Fucking flowers.
33:06Cold bed, empty house.
33:09Mary, look at me. Look at me.
33:13You are not your mother.
33:17You know what love is.
33:21No.
33:25I should get going.
33:27By the sounds of things, the factory girls need you more than me.
33:29With men like that after you, you're not safe on your own.
33:33I don't need a bodyguard. I just need another fucking drink.
33:35And the truth.
33:38They didn't look like elephant men.
33:40Because they weren't, Eliza.
33:43I've seen men like that before and I know who sent them.
33:48Mary.
34:02Sugar.
34:05What have you done?
34:09All this talk of grieve.
34:10See your mother, was it just a set up?
34:13What happened?
34:14Two men tried to kill me tonight, Sugar.
34:16In my mother's home.
34:17And the only person who knew about my movements was you.
34:19So who the fuck have you been talking to?
34:24Who the fuck have you been talking to, Sugar?
34:29Murder.
34:30What the fuck are you doing with a man like that?
34:34He'll have us both killed.
34:37How long have you been passing information to him?
34:40Because that...
34:41Fucking hell.
34:42That's why you've been asking all the questions.
34:45Oh, fucking hell.
34:46The heist.
34:47Does he know about that?
34:47How long has he been following me, Sugar?
34:49I don't know.
34:50Don't.
34:51You don't know what you have done.
34:53He threatened me.
34:56Said I had to give him information on you.
34:59And if I didn't give him it then...
35:02Treacle would hang.
35:04I had no choice.
35:06But I didn't set you up tonight.
35:08And...
35:09I didn't think they tried to kill you.
35:14Why'd it have to be you?
35:21I trusted you.
35:24I'll fix it.
35:26No, you just stay away from me.
35:29You fucking scum.
35:36I can see the punches coming.
35:38I moved out the way and I administered the final work.
35:40Get ready.
35:41Well come on then Charles.
35:45You're very bad for this.
35:47You're leaving!
35:48Mr Moscow!
35:50You must be so proud of your team.
35:52It's nothing to meet you.
35:54Yes, yes, all right chaps.
35:55Leave the poor man alone!
35:58Right, yes, yes, yes, yes, yes.
35:59Leave the poor man alone!
36:00Right, yes, yes.
36:01Now you have your victory.
36:04I hope you remember your promise to me.
36:08My good man, of course.
36:10Someone will be in touch with you shortly.
36:14Don't forget what you learn.
36:18Never.
36:22Look after yourself, Mr. Moscow.
36:30I'll meet you by the carriage.
36:36Congratulations.
36:39Yeah, because you are fair to know.
36:43You were right, weren't you?
36:48Of course.
36:53You love him?
36:56This man?
37:02In my world, you don't have to love someone to marry them.
37:08I want to thank you, Miss Davies.
37:13For reminding me of my purpose.
37:19For reminding me that I still have my own.
37:22You have your land now.
37:24But don't forget where your heart is, Hezekiah.
37:28Victoria!
37:52What are you doing?
37:56Sugar.
38:02I fucked up, Trey Hall.
38:05Why?
38:06What's happened?
38:09Mary almost got killed tonight.
38:14It was all my fault.
38:19What the fuck do you mean?
38:21I mean, I had a choice.
38:24Between you and her.
38:26And I chose you.
38:28No, I've seen the police reports about the body found by the river.
38:32So I need to know.
38:35Did you kill that woman?
38:40It's not how hard it is to even remember what day it is.
38:46It's fucking dark in here, sugar, and...
38:51I can't remember.
38:59Um...
39:00I can't.
39:03But I know what kind of man I am, man.
39:08Sugar.
39:08I couldn't.
39:12I would never.
39:19I have.
39:22Right now.
39:24We're in danger.
39:26And we can't afford to doubt each other.
39:28Sugar.
39:34Will you ask to see me, sugar?
39:43Mr. Larr.
39:50Get him a drink.
40:20Mr. Larr.
40:27Mary...
40:28Mary, what happened to you? I need to leave.
40:31Who did this?
40:32It's...
40:34It's not your concern, Hez. This is on sugar.
40:37Sugar? It don't matter.
40:41So what are you planning to go?
40:46I don't know how you do it.
40:49Do what? Care.
40:54After everything that happened.
41:00I learnt what it's like to be let down by someone that you put your trust in,
41:03and I don't know if I have it in me to forgive.
41:08And I know you probably can't either, but...
41:13I am so sorry.
41:17About Alec.
41:20Because it was my fault.
41:26I...
41:27I...
41:27I was just too...
41:28too scared to tell you the truth.
41:34Alec is resting Mary.
41:38We should leave him to rest.
41:49I'm here about your mother.
41:53I'm sorry about that.
41:59I understand...
42:01what you might be feeling.
42:09I just want you to know that.
42:15You're both here?
42:16Good.
42:18What are you, Juan and Thomas?
42:19Sugar wants to speak to you both.
42:21Fuck that!
42:22He has a proposition for you.
42:25You gotta hear him out at least.
42:47What?
42:53You're probably wondering why I've gathered you all here.
42:58I understand.
43:00Some of you may wish me dead.
43:04And I don't blame you.
43:08But we have a common enemy.
43:14It's why I brought you here tonight.
43:19And thus they gathered.
43:22Scheming.
43:24Plotting.
43:26Planning.
43:28Black hearts and blacker souls.
43:35Sugar Goodson.
43:37And his mother of Cruz.
43:54Environment.
44:03They gave you attention the sky.
44:04The night as men were 1500 and blacker Она.
44:13It used to beů.сл
44:16cold went away. And
44:16protect the kings andgehors. To
44:16protect the kings and reallyIDE. I
44:16want you to pass соп to America. Repeat
44:16this while theDITA 쓰 $25. It's
Comments