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00:01No one else!
00:02When I look at you, I see an image of a man that I loved and lost.
00:05The past is done.
00:06Not for everyone.
00:07You've been drunk for months.
00:09I need you back as the man you once was.
00:12You've been on a couple for one or 12 months more, once I can.
00:15I have a proposition for you.
00:18All you have to do, Hezekiah in Moscow, is the thing you were born to do.
00:23I have a plan.
00:25And if you're in, then and only then will I tell you everything.
00:30I've had an idea.
00:31About you and me.
00:33I need you to get below me.
00:35Barak!
00:39One last gin.
00:41Then I can go home, brother.
00:52It's okay.
00:52Go home.
00:54Arrrrrgh!
00:56Arrrgh.
00:57Arrrgh, the cantinas!
01:00Arrrgh!
01:02Arrrgh!
01:05Arrrgh!
01:07Arrrgh!
01:07Do herd him.
01:08Gain alive!
01:08Let's look!
01:09Arrrgh!
01:11Arrrgh!
01:15Whoa!
02:00Edward Gianni Air.
02:02Edward Gianni Air.
02:09Edward Gianni Air.
02:17I read that the Queen awarded you for your contributions to the Empire.
02:24Did that open an old wound?
02:28That wound never healed.
02:35He'd argue a place to you as soon as you spoke.
02:40Many years I spent on that island.
02:45The voices of each region...
02:47What do you remember of Moran, dear?
02:53I remember a great storm,
02:56followed by the most punishing sun I've ever felt on my skin.
03:01Memory is a funny thing, Mr. Hare.
03:05He still remembers your words more than our screams.
03:12But not at this altar.
03:15Not before God.
03:19I remember duty...
03:24and chaos.
03:26We were slipping our grasp on civilization.
03:30So I used a language that people never forget.
03:35False.
03:37Shall I tell you what I recall?
03:42Stories of a man...
03:45a white man...
03:47who governed my country.
03:52Stories of my people rising up against sickness and poverty.
03:57And this same man...
04:01Edward John here...
04:05sending militia with rifles when all we had was caught on rock.
04:12First time I ever saw fear in my father's eye.
04:17He begged me to run.
04:20And I did.
04:23Bullets running behind me.
04:26And when I reached home...
04:30my mother was gone...
04:34Shucked down and swallowed by a flame.
04:41I was a child...
04:45watching my world burn.
04:55My name...
04:56is Hezekiah Moscow.
05:00And the world may not remember...
05:03but I do.
05:04And today you will answer to God.
05:06Everything I have done, I have done in service to him.
05:10Is that the lie you tell his own?
05:23I've seen you in this moment...
05:25many times in my dreams.
05:26God, please.
05:28But you are just a man.
05:34A man who can't escape his cruel deeds.
05:40Let the screams haunt you.
05:43And the spirit of the innocent grab you at night.
05:47Until the day you are called.
06:00God won't be there at your end.
06:07God bless you.
06:08God bless you.
06:21From thought to his son...
06:22Oh.
06:22God bless you.
06:28God bless you.
06:29little children with him...
06:31Oh!
06:32Oh!
06:32Ah!
06:34Oh!
06:35Oh!
06:35Oh!
06:36Oh!
08:08Hey, where are those barrels?
08:39Just come back tomorrow or the day after.
08:42Don't you give me that shit.
08:43I'm asking nicely and I've been polite.
08:46Sugar is busy at the moment.
08:51Oh, look what the cat dragged in.
08:59At fucking last.
09:01The proprietor.
09:03I told them there's been a change of hands,
09:05but they didn't want to hear it.
09:06I assume the Jeremy family have come up east to wish us well.
09:11And my condolences about Indigo.
09:14Yeah, well, that's just it.
09:16We're here because there are a lot of rumours.
09:19I told you we don't care about rumours.
09:22So take your investigation back to Elephant and fucking Castle.
09:25We're here because there are a lot of rumours.
09:28Just repeating myself for Sugar's benefit.
09:31Can any of your Elephant boys read?
09:35If you came, you'd see it's my brother's name above the door.
09:39So that's enough.
09:41Our brother's funeral was maybe two miles long.
09:45Everybody came.
09:47But you didn't.
09:49None of you from around here.
09:51Yeah.
09:51I was busy and he was drunk.
09:52What about the man who did the killing?
09:55We don't know.
10:01It's a funny thing, that.
10:04Because after our brother's murder,
10:07whispers varied.
10:11But...
10:16One detail will stay the same.
10:19That when the killer pulled out his gun,
10:22an inch of his wrist was uncovered.
10:25And they saw his skin.
10:33Your skin was black.
10:35There are black men living all over the ducks.
10:38We're interested in the man who lives in the whopping wall.
10:41The fighter.
10:42Who?
10:43Hezekiah?
10:50I'll need to hear it again.
10:52Hezekiah Moscow?
10:55I can't be sure.
10:56Oh, come on.
10:57Fuck off.
10:58What kind of man would hide behind their sister's veil?
11:00You'll respect her gifts, Treacle.
11:02Behold, the mighty elephant boy is now reduced to a travelling mystery show.
11:05My sister is touched by the angels.
11:07She hears her name and the truth follows.
11:10Or is it the truth you're afraid of?
11:11I'm starting to run out of patience.
11:12Just fuck off, Treacle.
11:14I see a raven.
11:16And a rose.
11:17What does that mean?
11:19Fuck knows.
11:21But I get a chill with it.
11:23Joanna, can you séance past lives?
11:27I'd like to speak to my old mama.
11:29Is she yours now, Treacle?
11:31If so, she's overdue for some head you fucking case.
11:34Yeah, fuck you, bull.
11:36You're not indigo.
11:36You never will be.
11:37That's right.
11:38Not indigo.
11:38Never was.
11:39Never fucking will be.
11:40Alright, I'm giving you just about a minute.
11:42Or what?
11:43It's a feather.
11:43The show's over!
11:52A conversation with the fighter.
11:55That's all I ask.
11:58My brother.
11:59What you've done?
12:01That's all, Prince Trigger.
12:04I'll give you two days.
12:07This is your jurisdiction.
12:09You fucking talk to me.
12:14Why don't you go fuck yourself?
12:30You've always served the line with him.
12:32That was with indigo.
12:33This is just a fucking comedy act.
12:35You may notice that I ain't laughing.
12:43Come on, get this tidied up.
13:00Good afternoon, comrade.
13:02I got a message.
13:03You wanted to see me?
13:05It feels as if everyone in this place has already lost their battles.
13:10I've been sitting here and thinking.
13:12Why do I sense danger?
13:17Comrade, I've been focused on returning the fight to France.
13:21But the people here need the victory now.
13:23And we have the means to provide it.
13:37Nitro-clycerin.
13:39Take this chance.
13:41When you grind them up fine enough,
13:43you can combine them with natuoglycerin,
13:47turning the content of that crate into dynamite.
13:50The poor man's food
13:53is also his savior.
13:57Boom.
13:58Let me begin.
14:27This way.
14:38Miss Polly Crane, here for the afternoon sitting.
14:43Mr. Layton.
14:49Excuse me, I think there must be some confusion.
14:52Miss Crane, today's sitting is with...
14:59Oh, forget me.
15:01There's the problem.
15:03No joy in painting a woman so easy to forget.
15:25Huitre à la Charles, close from the market.
15:28Have a seat.
15:38So, where have you been?
15:42On our journey to find truth.
15:44Well, some would say there are many truths.
15:49Did the one you find bring you peace?
15:52I don't know.
15:53When the river withdraws, it leaves many things behind.
15:58This, my friend, this is the working man's jewel.
16:06See you, Mommy.
16:18Enticed by the unknown, it seems our past were meant to cross as a Kaia.
16:35Is this a pastime of yours, Miss Crane, barging into places unannounced and using charm to get your way?
16:44You can say that.
16:46I can see why you might be successful.
16:51Enchanting as you are, I shan't paint you.
16:56You came in here with a very clear plan.
16:59And choice matters to an artist, Polly.
17:03I have to choose you.
17:06Did she wait to be chosen?
17:09She did?
17:11Perhaps that's why she isn't smiling.
17:15I've met people from all walks of life, many of whom claim to have a passion for the arts.
17:20Most of it's about feeling superior.
17:24When I look at an image, I focus on the only thing that matters.
17:28And what might that be?
17:30The story.
17:34The questions that linger in your head as you walk away.
17:38Why this moment?
17:40Why this person?
17:42Why should I remember you?
17:49I have a story worth telling, Sir Frederick, and if you paint me, I think you will agree.
18:00I've come in here with Paris for two months, from March to May 1871, the people, as a collective, peacefully
18:08took control.
18:09The separated church from states, abolished child labor, allowed the workers to take control of their workshops.
18:17So the poor were finally free from the ownership of the rich.
18:20Of course.
18:21But then...
18:25Then came less than ensanglant.
18:30The week of blood.
18:34French soldiers came in blue uniforms that would soon be red.
18:40They burned our homes.
18:42Our homes?
18:43They opened fire on men, women and children.
18:50But...
18:52I fear I'm boring you with my emotional stories.
18:56No.
18:57No, no, no.
18:59You do not fear that.
19:01You know very well that my story and your story are similar.
19:05You believe all men are equal and yet you underestimate me.
19:09So give me the respect of speaking honestly.
19:16What is it you want?
19:20Same thing as you.
19:25We are men that have no misery.
19:29But what if we could feed our oppressors justice?
19:33And send them back to hell?
19:35I have tried revenge.
19:39And it did not bring me freedom.
19:41I want to look forward.
19:43Not back.
19:45Well it's a sin to wish the fire inside you my friend.
19:49But you fight your way and I will fight mine.
19:54But what is your fight?
19:57Hezekiah.
20:00What is it you want?
20:22He gets fired.
20:25He is sorry.
20:25He is so smart, but he doesn't let you know.
20:26We've had.
20:26We are careful.
20:26It's like the two-year-old-old men.
20:26The sea-old can be a flower.
20:27I feelative.
20:28We are to hide.
20:28You are to hide in the jungle.
20:30We are to hide.
21:11Can I help you, sir?
21:13Hezekiah, Musco.
21:15Mia from Miss Davis.
21:39Mr. Musco.
21:43Please don't judge my worth on the strength of my grip.
21:46I was taught that a tight handshake is vulgar.
21:50Mr. Musco, this is Prince Albert Victor.
21:53His grace is second in line to the British throne.
21:55He has an offer for you.
21:57It might be worth your while to consider.
21:59Come.
22:00We have everything prepared.
22:08I assure you, Mr. Musco, you've never seen anything like this before.
22:12We've had men working day and night, all days that we would just be all alive.
22:18Now, it's been built to the specifications of the Marcus of Queensbury.
22:23The exact dimensions.
22:27I assume you've fought according to the Queensbury rules, Mr. Musco?
22:33I'm familiar.
22:36Come, please.
22:38Gloves.
22:40Pick a pair, Mr. Musco.
22:48He said you have an offer for me.
22:50That's right.
22:52Victoria has told me a lot about you, Mr. Musco.
22:55This unfortunate business about your band.
22:58Not being able to fight in the ring anymore.
23:00That must be crushing.
23:02I have an offer that I think is best aligned with your interests.
23:06You see, as a boy, I toured the Empire with my father, and I share a passion for what lies
23:14beyond these walls.
23:15Passion and belonging, and I know the same thing.
23:19I have land.
23:22A sugar plantation in Jamaica.
23:26Now, if you go home to that, you'll be a very rich man indeed.
23:31But I do have to win.
23:33My name rests in this defeat.
23:37So, if you lead me to victory, then it's yours.
23:42Hm.
23:44Now, where exactly in Jamaica is this plantation?
23:47Your Royal Highness.
23:49Well, it's on the coast.
23:51It's a beautiful inlet.
23:54It's a place called Morant Bay.
23:59So that's the offer.
24:03It's a place called Morant Bay.
24:03You want me with land that should have always belonged to my people?
24:08Yes.
24:08This way it's returned to you.
24:23Well, why don't you think on it?
24:29This is your chance to go home with something.
24:31This is your chance to go home with something.
24:44Okay.
25:04Mary.
25:06Can I come in?
25:23Pick your face up.
25:27I didn't know that...
25:30Jesus.
25:38What happened?
25:39After the heist, I came out here to lay low.
25:42Times were hard.
25:44So, I got a job in the match factory.
25:47It kept me fed.
25:50Before long, we noticed the girls getting sick.
25:54Turns out it's the chemicals needed for the flame.
25:57It's rotting our teeth from the root.
26:00Swelling our faces.
26:02And you still work there?
26:03The pain is still better than watching my back.
26:08Well, you need a doctor.
26:10I'm on the list for the factory one.
26:11All I can do is wait.
26:12I am sick of everyone taking life lying down.
26:17You can look at me with disappointment,
26:20but I am not ashamed.
26:25You come down here and have the nerve to judge me
26:28after what you did.
26:30Eliza.
26:32I'm sorry for what happened,
26:34but we don't get to quit.
26:36I'm bringing the 40 elephants back together again.
26:41What if I'm no good?
26:43I'm not like I used to be.
26:47Well, you work with what you have.
26:50Eliza.
26:53We're meeting at the Blue Coat tomorrow.
26:56You should come.
27:09You know, it's going to be like the rest of your life.
27:12You can't pick a face like you do your suits.
27:15These gloves, paper they're deprived.
27:20I need a foundation.
27:21Perhaps a quick rundown of the rules.
27:22Instinct is a foundation.
27:24And right now your instincts tell me you're lazy,
27:26spoiled.
27:27And we'd rather quit than lose.
27:28Watch your work.
27:29And if that's true,
27:29I won't waste my time.
27:37All right, good now.
27:39More important than your fists are your feet.
27:41More important than your feet is the fire.
27:44The fire here.
27:56The only way I can stop into this ring with me
27:59is if you leave a title at the door.
28:23The fire here.
28:31the fire here.
28:46Fucking deafwish.
29:06There's a train heading west which leaves from Paddington Station at midnight tonight.
29:12By the morning, you'll be in Bristol Docks, where you'll be wise and blend with men of your colour.
29:19You want me to run? Why should I do that?
29:22Well, if you don't, there'll be a war.
29:26War with who?
29:28The Jeremy's are looking for you.
29:31Be on the train, or you'll be food for the hills.
29:35But you saved me that night in the square, and I consider us even.
30:03You're taking on a lot around here?
30:06Just fill the gaps.
30:09Yeah, I see nothing but gaps. You know what this place meant to the east end.
30:13Yeah, well, the past is the past.
30:18It's more than bad business, Thomas.
30:21It's darkness, innit?
30:24What's going on?
30:26It's Mum. Conanda's outburst.
30:30She said she wouldn't go for long.
30:32Am I interrupting something?
30:36I asked you a question.
30:37It's nothing. There's no need to start, Dad.
30:40It's okay. I asked about the pub. That's all.
30:45The only thing that happens in these walls...
30:50...come to see me.
31:00I'm seeing Esme.
31:08Bedding.
31:10Handmade.
31:11Fine silk and cotton.
31:12The note came from a Miss Sophie Lyons asking you to prepare for her arrival.
31:16Yeah, she's an American associate of mine.
31:19She's very particular.
31:21Seems she's already on her way.
31:23Treacle would prefer if you sent your communications elsewhere.
31:27Esme.
31:28Oh, don't.
31:28I understand survival, but you can still have more than crumbs.
31:32Treacle's a different man.
31:33Oh, I know.
31:33I'm hearing things. What if he turns on you?
31:35I need protection, Mary.
31:37Right now he feels like a safer bet than you.
31:40Esme.
31:43Esme.
31:46I'm sorry.
31:48I can't change the past, but please give me a chance to fix right now.
31:58I've got something in motion, could be huge, but we all need to get together fast.
32:07Just let me make my case, and then you can decide for yourselves.
32:20Madam?
32:26Madam!
32:27Madam!
32:31Can I help you?
32:32You haven't paid.
32:34Well, of course not.
32:36Excuse me?
32:37Richard never allows family to pay at his hotel.
32:41Mr. Hudson is your...
32:42My cousin.
32:43And he assured me that everything had been arranged.
32:46Well, this is the first I'm hearing.
32:48Oh, well, it has been a very difficult time for Richard with the death of his mother.
32:53My... my aunt.
32:55That's...
32:56That's...
32:57That's why I'm here, you see.
32:59For the funeral.
33:05Between us, how has he been?
33:09Distracted.
33:10Understandably.
33:12Yes, well...
33:13It was very...
33:17Very sudden.
33:23Richard told me how you've all stepped up, practically running the show while he mourns.
33:30I'm so grateful.
33:35And... impressed.
33:38I bet your wife worries about you working so hard.
33:43Well...
33:43You must...
33:45Barely be sleeping.
33:47Try not to...
33:49Complaint.
33:50Oh, you poor, poor thing.
33:56Perhaps Richard mentioned it and you forgot.
34:02He... he must have...
34:03I'm... really...
34:04No, no, don't...
34:06Don't even think that.
34:09You're doing your job better than most.
34:12Here.
34:16A little tip for your efforts.
34:20No, thank you.
34:53Thank you, Eliza, for coming.
34:56I appreciate you all being here.
34:58It's been a long road.
35:01Tough on some of us than others.
35:03Look, I'm sorry about the Lonsdale job and I know I owe you.
35:07I know I made mistakes.
35:11But I'm here to put us back on top.
35:14I'll fight.
35:17I will fucking fight and I will prove myself.
35:22If you let me.
35:27But I won't beg.
35:38Stussy.
35:39That's your big plea.
35:42Promising nothing and half an apology.
35:44I mean, the journey was hardly worth it.
35:46Though it is not even here.
35:48We're working on it.
35:49Not hard enough.
35:49Would you want blood?
35:50Maybe.
35:53If there's a plan.
35:54Lay it on the table.
35:56If we like it, we'll stay.
35:59But the rest still needs to be discussed.
36:06A job's come through from New York.
36:08Things are moving fast.
36:10We have an associate on the way.
36:11She's a very smart woman.
36:13Respected in her line of work.
36:14But we're smarter.
36:15Lucky for us.
36:16She has no idea.
36:18Now, I wasn't straight in the past.
36:20So...
36:21Let me tell you now.
36:23This will be complicated.
36:25It's a long game.
36:27But at the end, we enter a new world.
36:44We win.
36:46We win big.
36:47And all the take-ins are ours.
36:49Really?
36:50What about the elephant boys?
36:51For God's sake, Mary.
36:53Tell them why.
36:53What are you talking about?
36:55There's a reason we don't answer to men anymore.
36:59Tell them.
37:00Tell them.
37:00Tell them what you did.
37:01I took the noose from around our fucking necks.
37:06That's the first Nico Bailey's son words Roth!
37:14The man who execates his φ ?
37:18I guess not that's not that's not a Дляfell.
37:20But a loved one who ребятman says something about it.
37:20And they give us four stars...
37:24Don't go.
37:25Don't go.
37:26Don't go.
37:27Don't go.
37:27We're going to go.
37:32wypукut.
37:33Go, show yourself!
37:35What did you do?
37:37They killed my brother.
37:40So I killed one of dears.
37:43There you go, come on, move.
37:45Thomas, get a girl's.
37:47Rose, come in.
37:49David.
37:50We will grant you mercy.
37:53Oh!
37:54Marta and the Green Dolphin.
37:56Smoking the hour of his hair.
37:58Oh!
37:59I got a snivelling coward.
38:01We will find you.
38:03Yes, we will.
38:04And we will tear you limb from fucking limb.
38:10I shouldn't be here.
38:11You should go.
38:17Thomas, close your blinds.
38:19Come on, pull in.
38:27I'll handle this.
38:29You take care of the girls.
38:33Yeah?
38:35Yeah.
38:46Sugar?
38:48Wait.
38:53So this is why you needed me.
38:55Eh?
38:57To clean up your fucking mess.
39:04Show your face.
39:05Give us the fiber.
39:06And this will end.
39:08We will rip your fucking home apart.
39:10Until we find it.
39:11excuse my wine.
39:30Hold on.
39:31oof!
39:32What a!"
39:40Aaaaaaaah!
39:41aaaaaahhhh!
39:41Let's go.
40:14Hey, what do I mean?
40:32Oh, fuck.
40:34Take a look.
40:41Come here.
40:42Come here.
40:43Come here.
41:11Huh?
41:11He's out of the way!
41:15This is it! Here!
41:17I'm going upstairs!
41:18Keep him there!
41:41Get him!
41:45I'm right here!
41:52Go down!
42:02Yes!
42:04Get him!
42:05Get him!
42:11Get him!
42:18Help me!
42:24Get down!
42:42Fucking crazy shit!
42:45There they go!
42:47That's them!
42:48The fucking rats!
42:50Open the door!
42:53Where is it?
43:08I'll fucking warn you!
43:19I'll fucking warn you!
43:33I'm sorry!
43:59I'll be right back!
44:00I'll be right back!
44:01I'll be right back!
44:01I'll be right back!
44:01I'll be right back!
44:06Sugar good sir?
44:09The Jeremy family and the fighting men of Ellipop Castle
44:14demand that vile murdering beast
44:18be handed over to our custody here and now!
44:23Or I will burn the blue coat point to the ground
44:27with all the souls contained therein!
44:31That's cut sugar!
44:54The Jeremy family and the way.
45:08And it's very it!
45:08The Jeremy family and the 2018
45:09The Jeremy family has a virgin
45:15Your friend!
45:19You're right!
45:20So we're the campeonation of the people
45:21on my next trip!
45:21That was crazy!
45:21So we're all we're here!
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