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00:01They killed my brother.
00:02So I killed one of theirs.
00:04When the killer pulled out his gun,
00:06an inch of his wrist was uncovered,
00:08his skin was black.
00:09We're interested in a man who lives in the Wapping Wall.
00:12The fighter.
00:13Mr. Moscow!
00:14This is Prince Albert Victor.
00:16Second in line to the British throne.
00:18He said you have an offer for me.
00:19I have land.
00:20A sugar plantation in Jamaica.
00:22It's a place called Morant Bay.
00:24If you lead me to victory, then it's yours.
00:26A job's come through from New York.
00:27We have an associate on the way.
00:29She's a very smart woman.
00:30You want me to run?
00:32Well, if you don't,
00:33there'll be a war.
00:35Hezekiah Moscow,
00:36the day of judgment is upon you.
00:43I can't handle this.
00:44You take care of the girls.
01:12On thisä»» and to a queen's connectivity.
01:12He's even there,
01:13a girl who've got to know you.
01:13They don't.
01:13I'm great.
01:13What about you?
01:13I'm doing it.
01:20This is a baby.
01:20...we're not kas and the childrenbluh.
01:28... efforts to control hope for us.
01:28...to tell us the children.
01:58Listen, the Jeremy family and the fighting men of Bellefue Castle demand that vile murdery beast be handed over to
02:08our custody here and now, or I will burn the blue coat boy to the ground with all the souls
02:15contained therein.
02:17Jesus.
02:25Last chance, sugar.
02:27I will talk to you, and you only, Bull.
02:32Oh, Mary. Is that your pretty voice I can hear?
02:38I should have known you had a hand in this.
02:42Right, sugar. We could hand her over and all.
02:45We'd take both of them, we'd be on our way.
02:49My answer is fucking no.
02:55We don't give up souls on Goodson territory.
03:03Fuck it.
03:07So, get in this!
03:09I am the man you seek.
03:12Ezekiah Moscow.
03:14Nice to put a voice to the name.
03:16There's only one honourable way of ending this.
03:20You and I fight.
03:22One to one.
03:25Oyate.
03:26What, say you got a deal?
03:32They will kill you.
03:34Get in there, get married.
03:35Take that fucking bitch out here.
04:05There's a guy at Moscow.
04:07A man himself.
04:26I'm tough to have fight.
04:31I love it all about you, boy.
04:33I think, I think this helps even up the odds, boys.
04:36What do you think, eh?
04:38This makes it fair.
04:53What the fuck are we supposed to do now, Mary?
04:55Listen, I had Indigo done in.
04:58For us.
04:59Now you can cower here like lambs to the fucking slaughter.
05:01Or you can back me all the way and finish this.
05:07Well, looks like the savages won the day.
05:12But the day's not over yet.
05:36There she is.
05:38Murdering fucking whore.
05:40Come on, come on!
05:47Come on!
05:52Shit.
05:53They're coming inside.
05:53What'll it be, then?
05:54Well, come on, girl!
06:06Don't play!
06:13Don't play!
06:14Come on!
06:15Come on, boy!
06:16What do you think, harm?
06:17Not the way.
06:17Come on!
06:18Good job!
06:22You're coming!
06:37Buddy.
06:40Josh!
06:44No!
06:55Oi!
07:09No!
07:09No!
07:11No!
07:13No!
07:19No!
07:23No!
07:25No!
07:27No!
07:28No!
07:29We're wrong.
07:30No!
07:34No!
07:36No!
07:37No!
07:39No!
07:40No!
07:41No!
07:44Come on.
07:46Come on.
07:46Come on.
08:03Your kings are dead.
08:05You are a disgrace to the elephant name.
08:09Come on.
08:11Take your wounded back home with this message.
08:15The forty elephants have risen.
08:20I am queen.
08:22Now fuck up!
08:48Now fuck up!
08:53If we live.
08:55If we live.
08:55We live for the Lord.
08:57And if we die.
08:59We die for the Lord.
09:03In a time where life hangs in the balance.
09:06It can be difficult to find solace.
09:09But it can be found.
09:11When we understand the nature of God.
09:13Oh, come on.
09:15We don't need you, God.
09:17She's a fighter.
09:20She's gonna live.
09:21The house of God is always open to you, Mr. Goodson.
09:24For we are all his children.
09:26Don't ask you to come, you fucking ghoul.
09:31I understand your anger.
09:33I'm sorry, Father. I'll show you out.
09:53You're bleeding.
09:55It's nothing.
10:16How is she?
10:19She'll survive.
10:32So are you still planning to go back to Jamaica?
10:36I have something that keeps me here a little longer.
10:40What kind of something?
10:43Business.
10:47Well, talking of business.
10:49I could do with some of your rooms.
10:59You should go back to Elephant and Castle.
11:02I don't feel at home south of the river.
11:05A queen with no palace?
11:07A boxer with no ring.
11:09A man and woman with no kind words to say to each other.
11:21You can take rooms at the Green Dolphin.
11:26But I don't want no trouble.
11:31How?
11:35That's all.
11:37That's all.
11:38That's all.
11:39That's all.
11:58Mary. I received word that the journeys marched on Wapping Wall, and you came out on top.
12:05No thanks to you.
12:08You don't know what you're talking about.
12:12You knew they were coming, and you didn't warn me.
12:16I tried, but there wasn't time.
12:19I don't think you did.
12:20What would I have to gain from having my daughter killed?
12:23To kill a creature that crawled out of you and ruined you? I don't know. I don't know what goes
12:26through your head.
12:29I built the 40 elephants. Wretched women who find means to survive in a world that hated us.
12:36I had to make sure we survived, even if it meant putting you in harm's way.
12:41You had to show them that you were worthy of the crown you now were.
12:46Why are you saying all this?
12:55Because my days are numbered, there is a growth inside my belly.
13:00another face saving lie.
13:05You can feel it.
13:13A notch.
13:18It's a strange thing.
13:21Very strange.
13:25But I've gotten what I wanted.
13:29You are queen again.
13:32Stronger than ever.
13:34I will die, Abby.
13:37You always look to me for something I can't give.
13:44I gave you something much more precious instead.
13:47I gave you the tools to survive.
13:50I gave you a family.
13:55Don't you see it?
13:58Oh, Lord.
14:02Come on.
14:06Oh.
14:25I gave you a huge touch.
14:26Hey.
15:26I can't tell you how much I've been looking forward to today's session.
15:35Have you been boxing, Mr Mosker?
15:38You could say that.
15:41An unsanctioned boat.
15:43Right, well.
15:45I want to inquire further.
15:49Well, I'm not going to box today.
15:53I'm going to talk.
15:57All right.
16:01And what is it that we'll be talking about?
16:06The man you'll be facing.
16:09And the fundamental question.
16:11Why do you want to fight, Your Highness?
16:15It is a vendetta.
16:17I want satisfaction.
16:21A petting goods.
16:22No, no.
16:26Look, you might not understand, but as an English royal, I am bound by an ancient code of honor.
16:31And tell me.
16:34I was a naval cadet for three years.
16:37Now, you might assume that someone of my standing would be shielded from the brutish mess deck culture, yes?
16:45But you'd be wrong.
16:47There was an older boy.
16:49Well, he made my life a living nightmare.
16:53But I am a man now.
16:55And one day, I shall be king.
16:58And when I finally beat him,
17:01I shall be worthy.
17:10There are plenty, plenty trainers.
17:12A West London Boxing Club.
17:16Better suited to this type of fight.
17:19No, but you're different.
17:21I wasn't talking about your skin color.
17:24I meant your style.
17:25It's evidently different.
17:27The fruits of it.
17:29I don't follow.
17:30Look, I want the best trainer.
17:33I want someone with that deadly touch.
17:39What?
17:46Vaccine is an art and a science.
17:50One thing it is not,
17:51is the pursuit of another man's death.
17:57And I hope I'm clear.
18:02Yeah.
18:06And if you want to talk about killing,
18:09look closer to home, hmm?
18:13Look around you,
18:14and remember where all the disc came from.
18:16Listen here.
18:17I am more than aware
18:19of the blood that has been spilt
18:21on my family's behalf.
18:22But what I can do about it
18:24is another matter entirely.
18:26One thing I can do,
18:27Mr. Moscoe,
18:28is have you train me.
18:29That way I will surely win.
18:31And then you will get your reward.
18:48Wait, here's a car.
18:51Here's a car.
18:54Here's a car.
18:57I know the arrangement is unjust,
18:59but I encourage you
19:00to continue with it.
19:01Why should I let an English royal dangle
19:03stole a land in front of me?
19:04No.
19:05He thinks I'm a savage
19:05and he wants to learn my way.
19:06How low do you want me to stoop,
19:09Lady Victoria?
19:11How low?
19:24How low?
19:25I also understand my position.
19:28It tells me that for all
19:29that is wrong with my life,
19:30it is better for me to stay.
19:34Maybe you've been lying to yourself
19:36this entire time.
19:39I imagine your recollection
19:41of the Buster Williams fight
19:42is tainted.
19:43But for me,
19:45I saw someone in total command
19:46of their art.
19:48Grace,
19:49poise,
19:51elegance,
19:52and the most profound dignity
19:53in the face
19:54of a hostile crowd,
19:56a hostile country.
20:00I hope you know
20:01that this arrangement
20:02was never solely about
20:04land and boxing.
20:08I hope you know that.
20:42you can't tell Israel,
20:45that I will continue to train,
20:48but not here.
20:50He can come to weapon,
20:53if he dare.
20:55I want to shatter his delusions.
20:57I want him to see men
20:59fighting not for honor,
21:01but for the next meal.
21:03Only them can he understand.
21:16Jane's sick.
21:18She's dying.
21:33It was going to happen one day.
21:35She deserves what's coming to her.
21:37You let God be her judge.
21:39Be thankful for what
21:41your mother leaves you with.
21:42Your mother?
21:45We're talking to a woman
21:46who loves stray birds
21:47more than me.
21:49They stuck me in a workhouse
21:50because she saw
21:50my father in my eyes.
21:58You calling with me
21:59to Whop-in-Wall
22:00or are you just going to
22:01sit all day
22:01and inquire into my emotions?
22:04We've got a lot to celebrate.
22:10I can't come with you.
22:17I'm Queen again
22:18and I need my Eliza.
22:21Oh, Mary.
22:24I'll always be loyal to you.
22:27But the women in the factory,
22:29they need me.
22:30You're choosing working women
22:31over your elephants?
22:32We're all working women.
22:33in the cold light of day.
22:35What's the difference, really?
22:38Don't they hate me?
22:46I could never hate you.
22:51Come on.
22:53You've got to be strong.
22:58Go find Verity.
23:01You're going to need her.
23:03You'll be fine,
23:04Queen Mary.
23:33I'm sorry.
23:37Bothered, sir.
23:42Is that him? Is that Charles Duval?
23:49It is. At least something good came of this street battle.
23:53What about the dynamite?
23:56We haven't found it yet.
24:00Anarchists, criminals, they're running amok.
24:04This city, it's on the verge of chaos.
24:13We've launched search operations on all commercial properties across Warkham Docks.
24:18We're pulling people in for questioning around the clock,
24:21and we've arrested the man that we suspect smuggled the Val in.
24:24The veteran by the name of Jack Mack.
24:27If he knows anything about the dynamite, we'll get it out of him.
24:31Who was it between?
24:33What?
24:33The street battle.
24:35Those were Elephant and Castle men.
24:37The Goodsons got wrapped up in it somehow.
24:39Some say the whole thing was puppeteered by Mary Carr.
24:44Are you sure?
24:45Witness heard her declaring herself as Queen again.
24:48Not just of her women. The whole Elephant gang.
24:50So we have a stash of dynamite, unaccounted for.
24:55And a Jezebel running loose, declaring herself as Queen in the same city Her Majesty lives and rules from.
25:04If I were you, I would find that dynamite before Mary Carr does.
25:09Let's go.
25:26Let's go.
25:30Let's go.
25:32Let's go.
25:35Let's go.
25:36Let's go.
25:36Let's go.
25:38I'd like to import a fuck-tonne of good luck.
25:41Treat yourself to some while you're at it.
25:44Mary.
25:45Ah, she remembers my name at least.
25:48You can't stay long I'm afraid.
25:50I'm very busy.
25:52The chairman is in today.
25:54I won't keep you too long.
25:57You're not planning on turning the place over are you?
26:00I'm just here to see how my verity is getting on in life.
26:04What's the nature of your employment anyway?
26:08Correspondence mainly.
26:10The chairman is American shipments coming to Liverpool.
26:14Look, it's an honest living.
26:16A normal life.
26:19No one wants to kill you here which makes a change.
26:22I have a salary, 20 quid a year.
26:25I'm off the drink.
26:26My kids are looked after.
26:28And it's a satisfying job.
26:30Looks pretty fucking dull.
26:32From where I'm standing.
26:34And lonely.
26:37I'm on the straight and narrow.
26:38That's what matters.
26:40There you go.
26:41You found work in one of the dirtiest businesses on God's green earth
26:44and you ain't no fucking saint.
26:45So come on.
26:46What's your angle here?
26:49You log a shipment.
26:51Do a bit of magic.
26:52Something pulls off the back of the ship.
26:53For fuck's sake.
26:5840 elephants are back.
27:02The trumpet went over the rooftops.
27:05It went...
27:05We need our very rough space for the biggest of jobs.
27:11We need our...
27:13Fulturer.
27:14Fulturer.
27:23Besides the last one you came looking for.
27:27I wasn't going to come to you unless I had everyone.
27:29That's good.
27:29It's true.
27:37You can find me at the Green Dolphin.
27:45You look good.
27:46It's very nice.
27:46I'm a parent.
27:47I'm a parent.
27:48I'm a parent.
27:49It's done.
27:51I'm a parent.
28:27Walking back to the scene of your crimes, Mary Carr.
28:31I heard an elephant's civil war unfolded here,
28:34and you've arisen as the victim.
28:37Congratulations.
28:44And I offer you my commiserations.
28:46It seems you're still stuck in the depraved east end
28:49when you'd much rather be bowing and curtsying in Her Majesty's court.
28:54You always have something in the works.
28:57So what's next for you?
28:59We're a retirement to the countryside with six great fanes.
29:03I think I know why I rubbed you up the wrong way.
29:06Oh, do enlighten me.
29:07I proved the old lie is wrong,
29:09that common people are thick and should know their place.
29:12Now, at some point in your life, you realised you'd been told a lie,
29:16but you'd spent a lifetime protecting it.
29:19So your only option is to suppress the truth.
29:25Mary.
29:27You may lack morality and refinement,
29:29but you clearly have an instinct for survival.
29:31Right now, your survival depends on you leaving London.
29:37That's your future.
29:40This?
29:41It's just a courtesy call.
29:43Oh, well, thank you for your concern.
29:47I have done terrible things to protect this country.
29:54And I will do them again.
29:58In a heartbeat.
30:04All I see is a foot soldier.
30:11A man.
30:12A man.
30:13The room to wander the dead-end streets
30:16and walk in for all eternity.
30:20That's Biblical, that is.
30:27Now, if you'll excuse me, I have a dinner to a den.
30:46It's your foot.
30:47Yes.
30:48Don't take the ring.
30:49I wasn't.
30:49I wasn't.
30:50I wasn't.
30:50You see the room.
30:51I wasn't getting you.
30:52Bloody hell, look who it is.
30:55Verity!
30:56Sit yourself down.
30:57Can we do any a glass?
30:59Actually, no thanks.
31:00Bloody fucking dardy, she really did go straight, didn't she?
31:04With a drink, as straight as an arrow.
31:07You're my professional work, what do you think?
31:09What a lovely sight this is.
31:12It warms me to see it.
31:15We've had our scraps, we've done our time in the wilderness,
31:17but we are still fucking here.
31:20I'd like to propose a toast.
31:22Come on.
31:23Verity fucking Ross, ladies and gentlemen.
31:26SHE CHEERS
31:26She's back in the room.
31:33My apologies for the interruption.
31:36I wasn't expecting quite so many of you.
31:40Ladies, this is Sophie Lyons.
31:43Friend from New York.
31:45Make some room.
31:47I don't need pickpockets, sorry.
31:49Who does she think she is?
31:50The neck.
31:51Well, my father should have told you, I don't work in isolation.
31:54I am these women, these women are me.
31:56Well, if you want to cut your friends in and shrink your end,
31:59that's your prorative.
31:59But the plan remains the same.
32:05Does anyone have a light?
32:07No.
32:12I do.
32:30And what's your name?
32:33Alice.
32:36Alice.
32:40Maybe now's a good time to explain why you sear this table with us.
32:49There's a dying oil man in New York.
32:52Rich.
32:53And I don't mean moneyed.
32:55I mean richer than royalty.
32:57He lives out his days in an empty white marble mansion on a street called Fifth Avenue.
33:05There's a painting.
33:07There's a painting, and he will have it at any cost.
33:12You fine women will help me procure the work, and you will be rewarded.
33:16It better be a special fucking painting.
33:20Well, it hasn't been seen in three centuries.
33:23I'm talking about the most coveted work in New York High Society.
33:28Martha and Mary Magdalene by Caravaggio.
33:31Is... is that all right with you?
33:37Until recently, no one knew where it was.
33:40But then came a rumor, which became a whisper, which became a name.
33:45An Englishman by the name of Grafton.
33:48I have it on good authority that he is the one in possession of the Caravaggio.
33:58Have you made contact with his friend yet?
34:01As a matter of fact, I have been sitting for Sir Frederick Leighton.
34:04He's painting me.
34:06I put in a word for you.
34:08Well, he'd gladly enjoy your special skills at his soiree,
34:11where Grafton will be in attendance.
34:13Well, he's likely are those special fucking skills, and...
34:18Perhaps I can perform a demonstration for you.
34:37This is my peacemaker.
34:40I carry it for personal protection.
34:43This is a .45 Colt cartridge.
34:49I'm gonna ask one of you to shoot me.
34:51Watch.
34:52What the point is wrong?
34:58Alice.
35:04I need you to do something important for me.
35:07I need you to shoot me in the heart.
35:10Kill me.
35:13You will do it on the count of three.
35:25One.
35:27Two.
35:29Three.
35:32One.
35:33Two.
35:33One.
35:35Three.
35:35One.
35:37Two.
35:46One.
35:48One.
35:50One.
35:51Cut the bullets of life.
36:07You're a mesmerist.
36:11People crave belonging.
36:14It's like I see holes in their heads.
36:18So I burrow into them.
36:21Once inside, I have the power.
36:54Do you intend to pay custom on that tobacco?
36:57Would you say?
36:59I said, do you intend to be a good citizen and pay what's owed on your ill-gotten goods?
37:08Who the fuck are you?
37:10The loyal servant of Her Majesty the Queen.
37:13A minute of your time.
37:16The body of a woman was found not two miles from here.
37:20A whore who drowned in the London docks just days ago.
37:25A rough man came to identify her.
37:27You were...
37:29It's guilt, I assume.
37:31You can see his name here.
37:36My apologies.
37:39You're not literate, are you?
37:42Well, the name written here says Edward Goodson.
37:49And there are some that say Edward is a changed man.
37:53And I have witnesses who claim he was with her on the shore, quarrelling loudly the night she disappeared.
38:02My brother...
38:06He's a good man.
38:08He's a publican and a father.
38:12No one in this city will believe you.
38:15No.
38:16He will hang for it, sugar.
38:20Unless I have your full cooperation.
38:23All I want you to do is watch Mary Carr.
38:26Where she goes, who she's speaking to, and report your observations to me.
38:34You see, a time will come when she is tried, sentenced, imprisoned in Holloway.
38:37And I will be the one to make sure it's until the end of her natural life.
38:47You're all fucking deluded.
38:51I'll be on my way, then.
38:53Send my regards to your brother.
38:57What?
39:14Mummy, Mummy, Mummy!
39:21Oh, my girls, look at you. You're crying so much.
39:27Marianne.
39:36Come on. Come on. Let's go.
40:10I'm here now. I'm here now, my sweet, sweet baby.
40:15Mum.
40:16It's all right. Don't worry.
40:19It's all gonna be fine.
40:23I'm here.
40:24What use are you if you can't protect your own children?
40:26Marianne, I'll let you die. I don't know.
40:27I'm sorry. Please.
40:29Marianne, please.
40:29The one thing that was different between you and Sugar was that you had a family.
40:32You should have protected her.
40:34Marianne, please. Please just listen to me.
40:36I'm leaving you and I'm taking them with me.
40:37Marianne, think about what you're doing, Marianne.
40:38You stay out with us.
40:39Please. Marianne, please.
40:41Please.
40:42Sarah.
40:42Please.
40:43No.
40:43Sarah.
40:44No, please.
40:44Sarah, get a few bags together. We're leaving for Dublin, all right?
40:47Good girl. Go on now.
40:48Help your sister, Thomas.
40:50You'll carry Rosie when we're ready.
40:51I'm not leaving.
40:52You're coming with me and your sisters and that's the end of it, do you understand?
40:55I don't want to, though. I want to stay here and help Daddy. He needs us.
40:59Thomas, you're a good boy.
41:01A big heart and a good head.
41:04I'm telling you, if you stay here, it's only a matter of time.
41:06You'll wind up dead on those cobbles, or worse, you'll waste away like him or Sugar.
41:10I'm not letting that happen, Thomas.
41:14I'm not leaving, Mum.
41:19Stupid boy, you're a good son, all right?
41:26What do you think you're doing?
41:29You're hurting me.
41:35You're many things to be good, but I never took you for a wife, Pierre.
41:42I never took you for a wife.
42:06Dad.
42:31I'm lost. I'm fucking lost.
42:42I'll leave it there.
43:30Go. Get him out.
43:32Waste of fucking time.
43:34I'll leave it there.
43:46I'll leave it there.
43:48I'll leave it there.
43:58I'll leave it there.
44:02I'll leave it there.
44:23I'll leave it there.
44:23I'll leave it there.
44:52I'll leave it there.
44:53No god.
44:56No master.
45:25I'll leave it there.
45:56I'll leave it there.
45:56I'll leave it there.
45:57I'll leave it there.
46:00You
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