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A small act – a big impact. Thank you all so much! ❤️"
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Short filmTranscript
00:16Previously on American Classic.
00:19The Millersburg Festival Theatre used to be a destination.
00:21Everything I loved is gone.
00:23You are such a pompous ass.
00:27We're just trying to make sure this theatre survives.
00:30What does the mayor have to say about this?
00:32I'm the mayor.
00:33You take my money, and you take it, and you rebuild this town.
00:38Ooh, look at all they.
00:41And now I'm told this theatre might close.
00:44But I'm not going to let that happen.
00:46We will restore the soul of this town
00:51by producing the greatest production this country has ever seen of our town.
00:57Thank you, John.
01:15John?
01:17John?
01:18Hey, listen to me.
01:19Cover your ears!
01:20No, you have to tell him.
01:22You have to tell him that if he goes through with that theatre, it closes forever.
01:28John!
01:28You don't want coffee?
01:29No, I'm already seeing noises.
01:32You have to talk to him.
01:34Right?
01:34Now, this morning.
01:36Okay, it might work better if we do it together.
01:38I have Boyle in half an hour, and then I have the concerned parents' book-burning summit.
01:43And besides, I might kill him.
01:44So you have to do it.
01:46Okay, okay, okay.
01:46But just for the sake of discussion.
01:48I mean, it is our town, right?
01:49There's no sets.
01:50There's no props.
01:51It's the mime, right?
01:53It's the cheapest show in the world.
01:54It's the greatest our town.
01:57But that's what he said.
01:58This is going to be some crazy Richard Bean shit that's going to just bankrupt all of us.
02:03Well, we don't know that.
02:04Yes, we do, because I know him.
02:06Sir, we do not have the money for original productions of any kind.
02:11We don't have any money at all.
02:13Look, you have to talk to him.
02:14You have to just get him to go away.
02:17I made bagels.
02:18From scratch?
02:19Uh-huh.
02:20Take him for lunch.
02:21I'll talk to him.
02:22I'll talk to him.
02:24You know, he's probably forgotten about it already.
02:27You know, he gets swept up in the moment.
02:28I mean, has he ever followed through with anything?
02:40What, uh, what are you doing?
02:43Uh, I made a great deal on some new theories.
02:47Seats?
02:49221 upholstered flip-up seats, uh, from an old movie house in New Jersey.
02:54And, uh, he said if I bought the whole lot, I could get them for like, uh, $95 per unit.
03:00Per u- per seat?
03:01And free delivery.
03:03Hold on.
03:03Wait, hold on.
03:04That's...
03:05That's more than $20,000.
03:07You can't...
03:07Jesus Christ.
03:08Richard.
03:09We gotta talk.
03:11Listen.
03:11I made a vow over our mother's cold, dead body...
03:15Okay, stop saying that.
03:16...that I would restore this theater to its former glory.
03:20Yes, okay.
03:20But this is a working theater.
03:22We have another week of nonsense.
03:23You can't just come in here and tear it all apart.
03:26I'm not tearing anything apart.
03:27Help me move these tables.
03:28I'm just making a plan.
03:29I'm helping you.
03:30I'm keeping you comfortable.
03:31You're not helping me at all.
03:32Yeah, I feel weak.
03:33Oh, you feel...
03:34Hang on.
03:34I know what this is.
03:35This is your low blood sugar thing, right?
03:38Low blood sugar.
03:40Okay, I'm gonna make you a sandwich.
03:42Yeah.
03:43I love you, brother.
03:55The matinee special.
03:57That's fantastic.
03:58My take on a Reuben with a spicy pickle put in there.
04:03No, but there's something in the bread.
04:05Juniper berries.
04:06I fold them in instead of caraway seeds.
04:09You made the bread?
04:10Yes, I made the bread.
04:12You could've gone to Subway.
04:13On Main Street, there's...
04:14Yeah, you're not gonna do that.
04:15No.
04:16No, you're not.
04:17And why?
04:18Because this sandwich is a sandwich of a certain standard.
04:22This is the Thornton Wilder sandwiches.
04:27People who abide into this sandwich are never gonna be satisfied with Subway.
04:31Again, you see where I'm going with this?
04:33Maybe.
04:34I see in our town.
04:36It's completely new.
04:39It'll have a real soda fountain.
04:42It'll have a horse crossing the stage.
04:45It'll have rain falling through the sky like the sky is weeping.
04:50Sounds very expensive.
04:52It's my juniper berries.
04:54See?
04:55Okay?
04:57Dad can play the stage manager.
04:59He can't do it.
05:00Yes, he can.
05:00He did it for me this morning.
05:01Richard, Richard, you haven't been here.
05:02He can do it.
05:03You know, two weeks ago, we found Dad walking down Third Street in his slippers in one of Mom's hats.
05:09He had no idea where he was.
05:11Doesn't matter.
05:12The play is locked in there.
05:14Trust me.
05:15It will be all of us, as a family, telling great stories.
05:20Yeah, that's what we do.
05:24And the people who are lucky enough to be sitting in our new seats, they're gonna remember it for a
05:31long time.
05:36I'm so, so sorry.
05:38I'm late.
05:39I'm dealing with this small family thing, and it's not really small.
05:42It's suffocatingly large.
05:45Actually, it's enormous, but, you know, I'm getting a rash.
05:48You wanted to talk about your payment?
05:52Yes.
05:54I know we're already behind, but we had to cancel several shows because of the funeral,
06:00and there's this famous actor in the family, and he has to make everything about a show, so it's...
06:04So you're defaulting on the loan?
06:06No.
06:07No, no, no.
06:08No, no, no, no, no, no, no, no.
06:11It's just about this month.
06:17Don't worry, pulling your leg.
06:20I know you're good for it.
06:22Yeah, forget about this month.
06:24We'll call it a payment holiday.
06:26Oh, God.
06:29Thank you, thank you.
06:31I promise we'll make it up next month.
06:33Yes.
06:34Uh, can we keep this between us?
06:37Yeah, dead on.
06:38Oh, and in return...
06:40Connor, I cannot give you a quid pro quo.
06:43I've told you that.
06:44I've made it quite clear.
06:45No, no, you're signed.
06:46It's not about permits.
06:48It's about dinner.
06:53What?
06:55Yeah, would you mind inviting Nadia and Mia over for dinner?
07:01Oh, that's it?
07:02She's obsessed with the, uh, actor fella.
07:05I mean, she said she used to watch him back in Russia, you know, I don't know.
07:08She said she wants to ask him some questions, and, you know, her heart's all a flutter with his theater
07:11shite,
07:12so a dinner with him would make her happy.
07:15I mean, if that's not a problem...
07:17No, no.
07:18Getting Richard Bean to talk about himself is not a problem.
07:21Just don't count on an early night.
07:24What is your obsession with fog?
07:27Fog?
07:27What do you mean?
07:28You wanted it at the funeral, too?
07:30No, no, this is gonna be a heavy fog that will drift off of the stage, into the audience,
07:35nestle at their feet, and kind of invite them to be part of the action.
07:39Okay, but it's a small space, so you have to be careful, right?
07:42You're worried about the CO2, are you?
07:43Well, yes, it is lethal, but that's only if the audience gets down on their hands and knees and tries
07:49to huff it.
07:50Lethal.
07:50Well, hi, boys.
07:51Hello.
07:52How's it going?
07:53Three quarters full, Miranda's doing drinks.
07:56Hello, Richard. How are you?
07:59Well, I'm fine.
08:02Well, what have you beans been up to?
08:05Well, Richard has been walking me through production design.
08:09It's ambitious, but it's very cool, and I was about to tell him what you'd said.
08:15What did you say?
08:16Well, I was gonna say that I know whatever you come up with will be ambitious, but very cool.
08:26Really?
08:27Yeah.
08:27High praise coming from you.
08:29I'll take that.
08:30So, how ambitious?
08:32Just out of curiosity.
08:34You want to know the cost?
08:35Well, I based my budget on a typical Broadway budget.
08:41Why would you start there?
08:42I mean, this is Millersburg.
08:46No, I know that. I know that.
08:47Yeah?
08:47Polly's going to oversee the whole design for free, and she told me that if we don't use
08:52the union crew for the load-in, that's $400,000 right there.
08:56I beg your pardon?
08:57The $400,000 that we save.
08:59Okay.
09:00They're all ship-faced.
09:01We can start.
09:02Good.
09:05What's that?
09:06Oh, this is, uh, my, our tone.
09:09Just drawings and, uh, sketches, just thoughts, you know.
09:13Oh, I'm so excited.
09:14You know, I'm casting it with local actors, and, uh, I think I have something very nice
09:20for you.
09:22You don't mean...
09:23I do.
09:25Seriously?
09:27Yeah.
09:30Okay.
09:30Okay.
09:31Enough.
09:31Back to serving.
09:32Thank you. I love you.
09:33Is this a good go?
09:34Yes.
09:35There we go.
09:35Bye.
09:37Don't you think she'll make a wonderful Emily?
09:40I mean, she could be as good as... she could be better than you.
09:43Cut to the chase.
09:44How much?
09:45All in.
09:47If we pay the actors equity minimum, uh, ballpark figure, uh, it'd be $250,000 a week.
09:55For our town?
09:57That's our operating budget for the entire year.
09:59Yeah, I-I've got some wiggle room.
10:01I-I can give up my waterfall.
10:04I can just get rid of the cornfield.
10:06It's our town!
10:08There-there is no waterfall or cornfield.
10:11Okay.
10:11Up front, it-it's-it's more like $200,000.
10:14But, and once we cover the-the nut, then, uh, the, uh, the production pays for itself.
10:19Oh, speaking of which, I bought 212 theater seats.
10:25And I thought, uh, since they're a permanent addition to the theater,
10:29that maybe you could expense it for me and get the tax right out.
10:32But you-you bought?
10:32You didn't buy the seats?
10:33Yes.
10:34The-the guy told me I'd be an idiot not to buy them.
10:37Those were his exact words.
10:38No, but you didn't buy them.
10:40Yes, I did.
10:40I told you I did.
10:41No, you didn't tell me that.
10:42You told me you found them online.
10:43I told you not to buy them.
10:44I told you to slow down.
10:46I told-
10:46Oh, my God.
10:47No, no, see this?
10:48No, I didn't-I understand.
10:49There's $15,000.
10:50I didn't know he bought them.
10:51He told me he found them online.
10:53What do you think?
10:53Your seats are free?
10:54Take the tables up.
10:55I didn't know.
10:56I had a great deal.
10:57I don't know what you're talking about.
10:58Okay, just do me a favor.
10:58Go give those nuns their 15-minute call, please.
11:02Okay.
11:02Okay.
11:02New seats.
11:03You lie.
11:03Okay.
11:04You have to sit somewhere.
11:05So.
11:06This is a problem.
11:07So.
11:08What a worrier.
11:09Uh, why don't you keep this?
11:11Just in case there's a problem, and you might-you might have to return them.
11:15Well, no, no.
11:16This was a kind of final sale sort of deal.
11:19Just in case.
11:20You don't actually think I expect you to pay for the whole thing yourself, do you?
11:25What?
11:26I mean, my vision of our town, my rain and horse-
11:32Rain?
11:33Horse?
11:33Because, you know, I do have access to angels, super angels, friends.
11:38That is, in fact, very good to hear.
11:41Now, I-I need you to do something for me.
11:48I come to the house Thursday night.
11:51I am-I'm having a dinner for a developer who is literally the only person in the world
11:57who is putting money back into this town, and-and for his wife, or girlfriend, or God only knows what
12:05she is.
12:06But she is a big fan.
12:10Oh.
12:11Oh, a fan.
12:12Yeah.
12:13So, you'll come?
12:15No.
12:16I'm kidding.
12:16Of course I'll come.
12:19And you'll-you'll act normal.
12:23I'll give it a shot for you.
12:27For the town.
12:31Anything to help.
12:33I'm gonna make a phone call or two.
12:36Yeah.
12:37Is Richard Bean calling with a proposal I'd like to make to James Davis?
12:43Oh, I'd say it's business and pleasure.
12:46Yeah.
12:47It-it's about-it's about a show.
12:50Bean, B-E-A-N.
12:52Like the legume.
12:55Oh, she's not there.
12:57Okay.
12:58Uh.
13:00If you let me speak to him, I think I can plead my case a little more, um, directly.
13:06You know what I'm saying?
13:07He just went to lunch.
13:08It's extraordinary.
13:09What time is it where you are?
13:11Tell her it's the Beano.
13:12That was her nickname for me, you see?
13:14Yeah.
13:15Oh, she-oh, she did.
13:17I see.
13:18Yeah, well, I-I wouldn't really call it a-a rampage.
13:21I think that's-that's a bit severe.
13:23Yeah.
13:23No.
13:23My name is Bean.
13:26Yeah.
13:26As in has been.
13:31As a thought experiment, what would it take for me to finance this whole endeavor myself?
13:39Uh, a miracle?
13:41Why?
13:41Could you explain?
13:43Well, there's a lack of incoming funds, but you've still got your expenses, your mortgage,
13:47your maintenance fees, the alimony.
13:49Yeah, I get all that.
13:51What-what-what can I put my hands on right now?
13:52What's liquid?
13:53I mean, I-I could mortgage the apartment?
13:55Couldn't I?
13:56Yeah.
13:57Are you familiar with the term upside down?
14:00Upside down?
14:01Of course I am.
14:01Yeah, but I-I suspect you're using it in some arcane financial context.
14:10I can't do it.
14:11I can't make-I can't make the show happen.
14:13No.
14:15I've let everyone down.
14:17Yeah.
14:21You saw their faces at the funeral.
14:24They were all aglow, their eyes filled with tears.
14:27You know, some of those tears were for Mom.
14:31Well, yeah.
14:33Even the standing ovation was partially for Mom, I'm sure.
14:37What?
14:37Well, are you gonna say something?
14:39It was a good idea.
14:41Maybe this is just not the right time.
14:43You know, maybe we plan this for some time in the future.
14:47The distant future, when you're back at work, or-
14:49It must be someplace I can crawl to.
14:53What are you doing tonight?
14:54Well, I'll probably be here drinking myself into a stupor.
14:57No.
14:58We're going to a show.
15:00Oh, please, John.
15:02Not tonight.
15:03I'm not in the mood for nonsense.
15:05No, it's Monday night.
15:06No nonsense.
15:08You're gonna love this.
15:10Trust me.
15:11Just can I have one more of these?
15:13Just to get me through the afternoon.
15:17As long as it's with you,
15:22You can take the light away.
15:26You can turn the sky to grey.
15:32You can turn the sky to grey.
15:34Give us time to look and find a place where we can feel alive.
16:04Even in the cold.
16:10There's a miracle.
16:19You can turn the sky to grey.
16:19All right.
16:23Thanks, Mr.
16:29I want to say a quick word about my favorite uncle, Richard Bean.
16:35He made a crazy promise, which some of you might have heard about,
16:38and it inspired all of us.
16:41And, well, it's not a big surprise because he's been inspiring me for most of my life.
16:47He's here, sitting there in the back.
16:51I swear this wasn't planned, but maybe we could get him to sing something.
16:56Oh, he's going all shy.
16:58No, I couldn't. I couldn't now. I haven't prepared any.
17:02Oh, come on.
17:03He's actually sung on Broadway.
17:05Come on, you're never here.
17:07Uncle! Uncle! Uncle!
17:09Come on, man.
17:10That does it every time.
17:11Uncle! Uncle! Uncle! Uncle!
17:15Very well.
17:23I'm warmed up. I wasn't expecting this, brother.
17:33I am I Don Quixote, the Lord of La Mancha.
17:38My destiny calls and I go onward to glory.
17:47Oh, come on. No, I can't.
17:49Don't stop. You sound brave.
17:50No, I...
17:51You're very kind. Thank you.
17:52I am...
17:53You're not being kind. Come on, please.
17:54Keep going.
17:55No. You sound...
17:56No.
17:56...great.
17:56To dream, the impossible dream, to fight the unbeatable foe, to bear with unbearable sorrow, to run where the brave
18:19dare not go, to ride the unrightable wrong.
18:26To love your own chase from afar, to try, when your arms are too weary, to reach the unreachable star.
18:41Sing it, brother!
18:42This is my quest.
18:44This is my quest.
18:46This is my quest.
18:46To follow that star.
18:48To follow that star.
18:50No matter how hopeless.
18:52No matter how far.
18:54And I know, if I'll only be true, to this glorious quest, that my heart will lie peaceful and calm
19:12when I'm laid to my rest.
19:17And the world will be better for this, that one man, scorn and covered with scars, still strove with his
19:35last ounce of courage, to reach the unreachable star.
19:48To the star.
19:50To the star.
20:00You have got to stay.
20:03Ah, Kornel, Kornel, stay.
20:04Bad, perfect and cool.
20:09I wasn't sure about this Our Town thing, but last night, Miranda was so happy.
20:16I hadn't seen those kids.
20:19They, they were excited.
20:21I, I haven't seen so much happiness in years.
20:24Yes, the fat faces all aglow.
20:26No, not that these kids were fat.
20:27What does this fat thing?
20:29I don't know, it's just how I picture them.
20:32The beauty is that by investing in the show, we increase the value of the property.
20:37So, you see, Jeff, the, uh, loan pays for itself.
20:42It's just not possible.
20:43The MFT sits on two and a half acres of the most beautiful land in Millersburg.
20:48It has to be worth a fortune.
20:49It's not about the value of the property.
20:50I know what it's about.
20:51It's about the value that we bring to it.
20:53It's, it's about what, what the theater can provide to the town.
20:57You, you simply have to embrace the power of the art form itself.
21:02Show him.
21:05Show him.
21:06All right.
21:07I, I'll give you an excerpt.
21:11I have of late, but wherefore I know not, lost all my mirth, forgotten all custom of exercises.
21:26Indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory.
21:37This most excellent canopy, the air.
21:42Look you, this brave o'erhanging firmament, this majestical roof, fretted with golden fire.
21:51Why, it appears nothing to me but a foul and pestilent congregation of vapors.
22:01What a piece of work is a man.
22:06How noble in reason.
22:10How infinite in faculties.
22:12In form and moving, how express and admirable.
22:18In action, how like an angel.
22:22In apprehension, how like a god.
22:25The beauty of the world.
22:27The paragon of animals.
22:32And yet, to me, what is this quintessence of dust?
22:48Man delights not me.
22:53Anyway, that's, that's the gist of it.
23:03That's the sort of thing the theatre can provide. What do you think?
23:08I want to help. I do.
23:10But we don't control the mortgage on the theatre anymore.
23:12Kristen refinanced a few years ago. You must know this, John. You do the books.
23:16Well, I, I write the checks every month. But, you know, sometimes the names on the checks don't always match
23:22the payee.
23:24No. I don't know that.
23:26Well, but you know what I'm talking about. I mean, sometimes it's a numbered corporation.
23:30Or, uh, Bernie who sells us our meat. He likes the checks made out to cash.
23:34Wow. That is just terrible accounting. Not knowing who you're paying is just...
23:38So tell me, who, who, who owns the mortgage now?
23:40I don't know.
23:42Yeah, well, uh, we're artists. We know nothing. We're idiots.
23:48It must be Chase. It must be Chase. No, I do remember.
23:51Kristen, she was looking for a better rate. And she's very smart about that stuff. I'm sorry.
23:57Fine. It's just the way it is. You can't compete with the megabanks.
24:00No, no, no. We understand. Thank you.
24:03Thank you for your time.
24:04Thank you for the show. I don't really know Shakespeare. That was Shakespeare, right?
24:08It was just...
24:10It was very moving.
24:13Aww.
24:13Well, thank you. Yes. I'm so, I'm so glad.
24:16Yeah, good luck.
24:17Sure. Thank you.
24:18You just need a theater.
24:20Thank you. Uh, listen, I'm gonna ask Kristen.
24:25Uh, there's more where that came from, folks. Just come to the theater.
24:29The Millersburg Festival Theater. Eight times a week. I hope we'll be there.
24:33Oh, for a muse of fire.
24:36I know, I know. I'm late.
24:40As long as you have time to work your magic.
24:42Alakazam.
24:44Hey, so, uh, I saw Jeff today.
24:47Jeff?
24:48Yeah, Jeff at the bank. Bank Jeff.
24:51Oh, Jeff.
24:52Yeah, I haven't seen him in forever.
24:54You know, that's what he said.
24:57He said they're not servicing the mortgage anymore.
25:00You know, they're here in an hour, and I have to shower, so can we just talk about this later?
25:04Well, I was talking to Richard and Jeff, and, uh...
25:06Why were you at the bank with Richard?
25:10You know, you're right. Let's talk after dinner. I gotta get... I love you.
25:14Yeah, love you too.
25:22Mmm.
25:24Oh.
25:25Cucumber and crab vichyssoise with roasted chili oil and radish.
25:30That's just the start? Tell them what's coming.
25:32Oh, it's just my take on Flounder Meuniere.
25:35I dusted an almond flour and I finished it off with a brown butter thyme reduction
25:39and some boiled new potatoes with parsley and chive butter
25:42and then some asparagus with a lemon parmesan sauce.
25:45And a simple little endive and, uh, tomato salad.
25:49Bon appétit.
25:51Oh, my God.
25:53That is what they must eat in heaven.
25:59What's it like kissing a man?
26:03I'm sorry?
26:03What's it like kissing a man in a play when you are not gay?
26:08Because I see you in the normal heart, and I know you are not a gay man
26:12because I read everything. I read everything.
26:15But then I see him kissing Richard Thomas.
26:17I think, he is being gay so well.
26:21How is he doing that?
26:23How do you do that?
26:25It's not that hard, really. You know, kissing a man, it's like kissing a woman,
26:30only... she's a man.
26:32Listen to our honoured chef, uh, enough of you slaving away in the bowels of that jerk joint.
26:39A man of your gifts deserves his own restaurant and a chance at his Michelin star.
26:45Sláinte, chef.
26:45Uh, excuse me, uh, uh, jerk joint? The MFT.
26:52Look, your brother is a wonderful cook.
26:55Well, he is. And the food at the theater is wonderful. It's...
26:58We can't afford to do this every night, obviously.
27:01Do you do your own wigs?
27:05Uh, no, no. Someone else does my wigs. They have a mould of my head.
27:11So, Mr. Boyle...
27:13Uh, Connor.
27:13Connor.
27:14Kristen tells me that you're the saviour of the town.
27:18No saviour, Richard. Just a businessman.
27:21Well, honestly, there's an opportunity here for redevelopment.
27:25I can make a wee bit of money as we go along.
27:27And, uh, you know, the town gets jobs in return.
27:29You know, capitalism.
27:31Have you heard of capitalism?
27:33Rings a bell?
27:34Of course, Richard. Being now is capitalism.
27:36Did you once, not on Broadway, do Willy Loman?
27:39I did?
27:40Yes, you see, I am doing the homework.
27:44In Russia, we love this Willy play because we see the truth of this country,
27:50Great America, to throw out workers like Olshu, Piu, you know?
27:55My Nadia, she has a heart like an artist.
27:59She's a dreamer.
28:00You must be a dreamer, too.
28:01I mean, you must have a plan, a vision for this whole town.
28:05Let's just all enjoy this wonderful soup, hmm? Shall we?
28:08He is wanting to build a casino.
28:13A casino?
28:14I wasn't ready to talk about it.
28:15Yes, but you are these days. You are talking of nothing else.
28:18This is casino, this casino.
28:19Well, that is pretty much the truth.
28:21Yes.
28:21Well, Connor, tell us about it.
28:23Well, it's more of an entertainment complex, you know,
28:28with a shopping center and a four-star hotel and three swimming pools.
28:34Oh, I hope it's going to have one of those spouting fountains
28:38where the lights and the music are all synchronized to the spurts.
28:43Why not?
28:43And a five-star restaurant for John to do his cooker.
28:47Really?
28:47Right here in Millersburg.
28:48You know, that came to me when I tasted this fucking soup.
28:51So we're going to become a casino town.
28:53With a restaurant for me.
28:54It's the perfect location.
28:55It will have a theater. It will have a big theater for you.
28:59But also, celebrity acts, right?
29:01Big draws, you know, like, uh...
29:05I don't know.
29:06You know, someone people will actually pay money to see.
29:09Did you know about this dream of commerce?
29:12I did not.
29:13But it's still, it's intriguing.
29:16Why not make Millersburg a destination for thousands of tourists
29:19to spend money and have a good time?
29:21I mean, everyone wins.
29:23Except most people, most people lose.
29:25Miranda?
29:26What?
29:26She's right. I mean, that is how we make money.
29:29I'm not gonna lie to you.
29:30I fucking love craps.
29:31Hey!
29:32Who wants more wine?
29:33Where are you thinking about building this?
29:35Where are you building it?
29:35Well, I've looked at several, you know, possible locations.
29:39Oh yeah, and I just bought that old hotel up in, uh, Berryhill?
29:43The Morrison.
29:44That has a big enough footprint for the main building.
29:47The Morrison is a heritage building. It's a landmark.
29:50Mom?
29:52Do you have a name for this in mind?
29:54No. Not yet.
29:55Might I suggest the Golden Boil?
30:00Okay.
30:01That's, that, that, that's very funny.
30:03You know, I could build it right in the heart of things.
30:06I mean, the MFT site might just be big enough.
30:09I got some surveying done when I took over the loan.
30:12Oh!
30:12Wait, what?
30:13What the fuck, Miranda?
30:15What?
30:16You control the loan?
30:18We refinanced around two years ago, and Mr. Boyle was kind enough to give us a...
30:24This theater is our family's legacy, and you sold it to a developer?
30:28I did not sell it. I renegotiated for a very good rate.
30:34I mean, we have to make payments, but...
30:37Forget about the payments. Just forget about them. Let them go.
30:41Listen, why are you all killing yourselves, you know?
30:44I mean, why don't you let me build us a complex, a theater for you, and a restaurant for John?
30:51Let me make this as clear as I possibly can.
30:54We're not letting anything go. The theater is not for sale.
31:00It is not Kristen's theater to sell. It's our family's theater. We own it.
31:08Okay? Kristen is an employee.
31:11I am not an employee.
31:12You can't say that. How dare you?
31:14You didn't mean that, but why didn't you tell me this?
31:17What? Why did I...
31:20It was when we were putting in the kitchen.
31:21Did you not think I could handle this? Is that what you thought?
31:23No, it was when we were putting in the kitchen.
31:26Our family's theater.
31:27Oh, my God! I have been killing myself.
31:30I know you have. That's not what I'm saying.
31:33I'm really sorry.
31:34Listen to me. Can you talk to me for a second?
31:35No, I'm not going to talk. You talk...
31:37Listen, no one can have to talk to me for a second.
31:39I don't want to talk.
31:41Serve the fucking flowers.
31:42Tell me, Richard, how are you remembering all those lines?
31:50Great question. Great question.
31:53Where's the flounder?
32:13I don't know.
32:16I don't know.
32:16I don't know.
32:18I don't know.
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