00:00La mia moglie mi dice che non ho mai avuto più oltre 14th Street.
00:13Matteo, sei uno dei caratteri principali di The Painkiller.
00:16Come considera una chiesa così?
00:18Juste artistica o anche politica?
00:21Penso che sia sia sia sia sia sia sia sia sia sia sia sia sia sia sia sia sia sia
00:24sia sia sia sia sia sia sia sia sia sia sia sia.
00:24Ma for my job is just the artistic.
00:27I just want to make it feel real and interesting.
00:35I treat it if I'm playing it like a fictional character just because I want to be alive and interesting.
00:45But the result of watching it and the facts that you learn is political I think.
00:51And it certainly affected me.
00:55I learned a great deal about that issue about addiction and opioids.
01:01And I think it's important that stories that people learn about what happened.
01:10And hopefully it inspires you to read more and to watch other versions.
01:18But it's an important subject that we should all know about because it's been a huge effect on the world.
01:27Enormous.
01:29You are a real New Yorker.
01:31How much did the energy of the city inspires you?
01:34Oh, you know, I was born in New York.
01:39My first, I first lived on Ninth Street.
01:42Then I moved to Eighth Street.
01:43Now I live on Eleventh Street.
01:47So, for a little while I lived down on like the equivalent of Third Street.
01:53That's the farthest that I've been from home.
01:57My wife tells me that I've never lived above, I've almost never been above Fourteenth Street.
02:03So, I don't know why I never figured out how to get anywhere else.
02:10I'm trapped.
02:13But I love New York.
02:16And I guess it does inspire me.
02:18I like to walk.
02:19I like to run into people.
02:23You know, if you're in California, you're mostly in your car or your home.
02:27But I love cities.
02:29I can't wait to walk around Tora and I, which I've not had a chance to do yet.
02:34I like to…
02:35I just worked in Washington, D.C., in America.
02:39And for me to wake up and take a hour walk around a new city is just…
02:46I love it, you know?
02:49You've been in the film industry for so many years.
02:52How have you seen change for the better and for the worse?
02:57Yeah.
03:00Well, it's always changing, you know.
03:05You know, I don't do as many movies as I used to.
03:07I do a lot of theater.
03:10But when I do them, I think one…
03:15Storytelling is different now.
03:17I notice with my children, when I try to make them watch a movie from my childhood or even an
03:24older movie.
03:24I like movies from the golden age.
03:29They can sometimes seem very slow to modern people, you know.
03:34They have their phones.
03:35They're used to very short.
03:37So sometimes it's hard to get them to slow down.
03:43So I think a lot of storytelling has gone faster and there's more self-awareness in storytelling.
03:54Or people are aware of being manipulated more easily.
04:00And the act of making a movie is very different.
04:07Digital has made it possible to fix things that you can make mistakes now that can be fixed later, you
04:15know.
04:15Oh, I left my glasses on.
04:18We can take your glasses off.
04:23And then for me, it sounds minor, but with digital, where you turn the camera on and you don't have
04:31to change film, means that you can keep going and try that line again.
04:40And there's no rush to, it used to be once the switch went and the film rolled, you've got to
04:48get it and not waste too much film.
04:52And then if you want to try again, you have to take that box off, put another one on and
04:56start again.
04:56But now they just sort of turn it on.
04:59And so that's a very different feeling for an actor as opposed to like one, two, three, go.
05:04You know, it doesn't feel like that anymore.
05:06So that's very different.
05:08Thank you so much for your time.
05:09Yeah.
05:10Thank you.
05:10Thank you.
05:10Bye bye.
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