00:10In principio, le cicogne consegnavano i bambini.
00:25Yeah, actually the original idea came from Nick, and it came from difficulties he and
00:32his wife had conceiving their second child, and he wanted to write a story about not taking
00:37that for granted, you know, when suddenly it's really difficult to have a kid.
00:41Suddenly, to him and his wife, all of the then difficulties of raising a kid seemed like
00:47a gift.
00:49So this, you know, this movie ends up being a real love letter to parenthood.
00:54And you know, the rest of us then who got to hop onto the story just kind of basically
00:58helped shape that into the movie that it is over the course of three to four years.
01:13Oh, totally.
01:14Yeah, I'm a father of two, and you know, I'm constantly, my kids now are ten and six.
01:21And you know, in a way very similar to, I imagine how the parents feel in the movie with, I
01:26mean,
01:26you know, Nate very much has a life of his own, obviously.
01:29He has his own imagination and goals.
01:31And, you know, thankfully, I'm constantly surprised by my own kids at the life that they have and
01:40the life they give me.
01:41I mean, and I think all of the leads on the film have kids.
01:48And, and so that theme of balancing work, putting work, putting work aside for the important
01:56things in life is something that, you know, we, we all are putting into the movie from a
02:01first person perspective.
02:18Some of that, I mean, I, I, you know, a lot of that comes out of Nick's approach to writing.
02:24He needs actors and improv actors to help, to help with the material.
02:29So we had actors come on very early, much earlier than, professional actors, earlier
02:33than you normally would.
02:35Not that they were cast necessarily.
02:37So some actors like Andy Samberg, we had in mind because he, he does the type of character
02:46that Junior is so very well.
02:48And then some characters or actors just became the character in workshop.
02:54And even though we were, they were in the, just like the rough version of the film, they
02:57ended up carrying over and doing the finished, the finished version.
03:01Katie Crown for Tulip, Steven Glickman for Pigeon Toadie, who's very weird.
03:06You know, this very hard to replace someone like him or, or Nate being voiced by Anton Starkman.
03:20I watched enough to know that Federico and Alicia and Vincenzo and the rest of the cast were very funny.
03:27You know, they're, I, I was actually really impressed, um, the great dynamic range.
03:32I mean, they obviously, I did, I think it's wonderful that, uh, basically they can interpret
03:38the film and give it an Italian voice for an Italian audience.
03:43Orfana Tulip.
03:44Tulip is sufficient, Orfana Mia Dolora.
03:56Mmm, let's see, most challenging.
03:57The most, I don't know, my, the, my favorite because he cracks me up the most is Pigeon Toadie.
04:02There are scenes, that scene in the, in the Saunavator, we call it Saunavator, the sauna, that's an elevator.
04:07Uh, I laugh, I always laugh all the way through that little scene.
04:13He's amazing.
04:14He's so genuinely weird.
04:16There's, he's not like any other character I've seen, so I love him.
04:20He was very fun to animate.
04:22Animators loved working on, animators loved working on the wolves.
04:25The wolves are interesting because they're, they're very, they're very hard.
04:27It's not easy, obviously, to make, turn them into a submarine, but, um, you know, the animators,
04:34so many animators are just waiting to go all, full cartoon.
04:39You know, go as cartoony as you can go, push it as far as you can go.
04:41So, um, I know that it was a challenge, but the animators loved, like, Glass Factory.
04:48They loved Silent Fight.
04:50They loved Wolf, anything wolf, they loved, even though a lot of that stuff can be very hard.
04:56They just, they, you know, they embraced the style of it.
05:05I think it's hard to tell because they, they know that their dad worked on the movie, but
05:09I think they genuinely love it.
05:10I mean, they've seen it now, they've seen it probably four or five times, and they, but
05:17they haven't seen it on video, they haven't seen it on TV, but they still quote full scenes
05:22from the movie.
05:22movie.
05:22They've completely memorized the movie, so I don't think you can fake that.
05:38Yeah, it's, um, I think there's a security working at Pixar.
05:43and there's a sense of, um, I mean, there's an obvious sense of what a Pixar movie is, which,
05:50uh, I think, you know, it helps.
05:55Outside, you know, especially at a brand new division, like, Warner Animation is, is essentially
06:01new.
06:01Um, part of what's, uh, I don't know, maybe difficult about it is also exciting, which
06:11is, it's like, well, we don't, what is a WAG movie?
06:13There's Lego, but we know we're not, we're not, we're not that much like Lego.
06:17We have our own tone too.
06:18And so, honestly, it's, um, what's kind of scary about it is also the great opportunity.
06:23It's like, well, let's, let's see what this, we're going to make a brand new kind of a movie.
06:27What's that movie going to be?
06:35That's a good question, I don't know, it's, uh, the movie's just been out for a month
06:39or so, and so, um, uh, I feel lucky that I get to travel for the movie, I love it,
06:45um,
06:45it's great to be here, and when I go back to the United States, I'll, I'll have to, I'll
06:50have to, uh, I'm looking at some projects, I'll have to make some decisions.
07:01Uh.
07:02.
07:02.
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07:03.
07:03.
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07:05.
07:05Grazie a tutti
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