- 2 weeks ago
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00:00The End
00:00The End
00:01The End
00:06What's your name, madam?
00:07Mon ami?
00:09He's gone?
00:11Alice, I've heard so much about you from Tom.
00:14How's he been since the incident?
00:16What incident?
00:18Bandits raided the camp.
00:20They took women and children.
00:21No one knew who had survived.
00:24Alice, I don't think he ever really came back.
00:26Does the name Orly mean anything to you?
00:28How do you know it's a boat?
00:30It's a hunch.
00:33Is it his?
00:34We met her, actually.
00:35He may be useless with cars, but he could talk a dog of a meat truck.
00:40I went to see the conductor, the one from Tom's train,
00:41and when I got there, he was dead.
00:43I'm coming now!
00:44She saw you. Go there, now.
00:51Seriously, what is going on?
00:52I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
00:58We're actively looking for the suspect number one,
01:01an American named Alice Monroe.
01:03If you have the least information about this person...
01:05You have nowhere to go.
01:09It's been an American named Alice,
01:10I don't know.
01:10I never saw that experience as a man.
01:12I don't know.
01:20He's missing the picture.
01:23I've lost my mind, I know.
01:26I'm from the other side here.
01:26I've lost my mind, and I'll see you.
01:27I'm going to see you later...
01:28At this point behind me.
01:28I'm going to see you now,
01:31I'm going to see you.
01:32I'm going to see you later.
01:36I'm going to hear you later on the night.
01:39Hi, Alice.
01:40Hi, Anna.
01:41It's His Majesty, and I'd like to pay him a surprise visit.
01:46Hi, beauty.
01:55Tom, I've come to brighten your day.
01:59Hi.
02:02Hi.
02:04Saved by the cavalry.
02:11Hello.
02:12Hi.
02:14Hmm.
02:15How do you always manage to look so wonderful in this godforsaken heat?
02:19Hmm.
02:20Mm-hmm.
02:21Very sweet.
02:23Um, Mira and I were just having a lively debate about one of our refugees.
02:30Yeah, we still need to finalize plans for tomorrow.
02:32To be continued.
02:34It's not like she's going anywhere fast.
02:38Yeah.
02:41Glib doesn't suit you.
02:45Alice.
02:45Oh.
02:53Oh.
02:59Oh.
03:01Oh, my God.
03:06Oh, my God.
03:07Oh.
03:07It's not right.
03:07Oh.
03:14Oh.
06:43Good.
07:06Why are you doing this?
07:08Because I need this story.
07:11And frankly, you don't have a choice.
07:37What?
07:38Nothing.
07:40You want to take a picture?
07:42Share with your friends?
07:44What?
07:45What?
07:46You're more an avocado toast kind of girl?
07:48Hmm?
07:50Hot sugar?
07:51Mimosa's at brunch?
07:53No, I just think that maybe...
07:54You think what?
07:56Oh!
08:06Okay, never mind.
08:10There he is.
08:15There he is.
08:19There he is.
08:28There he is.
08:38There he is.
08:40Who?
08:42Who?
08:48Who?
08:51Who?
08:52Who?
08:56Who?
09:00Who?
09:06Who?
09:07Who?
09:08Aren't we going to follow him?
09:09Not now.
09:10What, after everything you said?
09:12Well, what about them?
09:15Just a couple of guards.
09:17I mean, it's a port.
09:18It's not like it's the Pentagon.
09:21Camera.
09:23Camera.
09:24Camera.
09:26If he's involved in something bad,
09:29he may be smart enough to check who comes in and out.
09:32Don't you think?
09:33Yeah, but we're not doing anything wrong.
09:34No, but we're losing the advantage we have.
09:37Right now, we are invisible.
09:41Hmm?
09:43Okay, so what are we just gonna...
09:48Let me know when it comes out.
10:07Okay.
10:28Let me know when it comes out.
10:28I can't see my horse.
10:28I can't see my horse.
10:29Let me know when I take!
10:33Let me know when I take my horse.
10:34Let me know if I took my horse.
10:34I can't see, let me know when I could live.
10:37I know, why should I leave.
11:02Hey, wake up, wake up, look, look, look, this serial number, this has to belong to a
11:07container, right? I mean, it's, it's, for how long have you had this? Um, I had it. You must share
11:16everything with me, okay? Okay, I just thought that maybe. Wait.
11:42Oh, my God.
12:08What's he doing?
12:17Waiting for someone.
12:24What will you do if Tom is involved?
12:34Oh, my God. Is that? Inspector Drax.
12:43They're both in on it.
12:45No, no, no, no. At this point, it's just two people talking. We don't have anything.
12:50Yes, of course. They're just chatting about good wine, their wives, football, maybe?
12:59If the police is in on this, it's huge.
13:04Oh, please don't let my life get in the way of your career redemption.
13:11Hey, hey.
13:13Hmm, looks like the party's over.
13:20Hmm.
13:41Looks like the party's over.
13:42Oh, my God.
13:43Oh, my God.
13:50Everybody's in on this one.
13:51What the party's over.
13:57Oh, my God.
14:02Oh, my God.
14:02Oh, my God.
14:05Oh, my God.
14:06Oh, my God.
14:08Hey, hey, hey.
14:13Let's go.
14:40Let's go.
15:11Let's go.
15:38Let's go.
15:41Let's go.
15:54Let's go.
16:04Let's go.
16:38Hey, what are you doing?
16:41He's in the cab.
16:44Who?
16:45Tom!
16:46Tom!
16:51We're going to lose him.
16:52Come on.
16:59That's him.
17:00That's him.
17:01That's him.
17:02That's him.
17:06That's him.
17:08That's him.
17:13That's him.
17:14That's him.
17:21That's him.
17:22That's him.
17:23Go! We're going to lose him!
17:24Just go! Go!
17:33There he is! There he is! There he is! Stop! Stop!
17:36Hey! Hey! Alice!
17:39Tom! Tom!
18:12Tom!
18:14Tom!
18:23Tom!
18:25Where did... that man? Where did he...
18:27Why? He left there!
18:53Oh!
18:55Excuse me.
19:26What the hell is going on?
19:30I'm sorry. I should have... I should have...
19:33Where did you go, Tom? Where the fuck did you go?
19:36Did you lower your voice?
19:37I have been looking all over Marseille for you. Do you understand me?
19:40I know the way I left wasn't fair on you.
19:43I've been going through a lot of personal stuff recently,
19:46and I should have dealt with our situation.
19:47Our situation?
19:49Our... our situation?
19:50Alice, I'm sorry for everything.
19:55But you should go.
19:58You know, I know about Malik.
20:00I know about that little boy and what happened.
20:02Why didn't you just tell me? I would have understood.
20:04Who's... who's Malik?
20:05Don't fucking lie to me, Tom.
20:07I know everything.
20:08You could have just told me and it would...
20:11We have to go.
20:12It's starting.
20:17Alice...
20:17I'm sorry, but it's... it's over.
20:24I have to go.
20:26Go look, Alice.
20:31I have to go.
21:04Can I see a little bit of a bit?
21:06I'll fall off, baby!
21:08Oh, it's alright.
21:10Oh, I'll give ya.
21:13I'll give you a little bit of a bit.
21:17Life of前 in the temple.
21:18Can I see a little bit of a bit?
21:18It's fine, you can see.
21:19I'm not having to, you can see a little bit of a bit.
21:20Madam, I'm not too clear.
21:59I'm not too clear.
22:30I'm not too clear.
23:16I'm not too clear.
23:20I'm not too clear.
23:50Why didn't you talk to him?
23:52It wasn't the plan.
23:54Okay, don't be so callous.
23:56Don't be so foolish.
23:57Now he knows about us because of you.
24:00There is no us, okay?
24:02There's me, his girlfriend, then there's you.
24:06The conspiracy theorist desperately trying to resustain her career.
24:10Yes, I looked you up.
24:12Let's see.
24:13Um, disgraced reporter, uh, fired for twisting all the facts.
24:20Maybe you're right.
24:23Maybe I'm not made for this job anymore.
24:26God, spare me this sad drunk routine.
24:29Please.
24:30Cheerleader at school, were you?
24:32Actually, yeah, I was really good with the pom-poms.
24:34You want to see my dance moves?
24:35Not my thing.
24:38Shit.
24:40I can't believe this is happening.
24:42Blame Cagney and Lacey in a French dive bar.
24:47I'm out.
24:48Fuck it.
24:49Fuck Tom.
24:50I'm going home.
24:51Yes, go.
24:52Bye.
24:52Yeah, bye.
24:53Have fun.
24:57What can I do to get to me?
24:59That's not true.
25:30What can I do to get to you to get to you to get to you to get to you
25:38to get to you to get to you to get to you to get to you to get to you
25:38to get to you to get to you to get to you to get to you to get to you
25:38to get to you to get to you to get to you to get to you to get to you
25:38to get to you to get to you to get to you to get to you to get to you
25:38to get to you to get to you to get to you to get to you to get to you
25:38to get to you to get to you to get to you to get to you to get to you
25:38to get to you to get to you to get to you to get to you to get to you
25:38to get to get to you to get to you to get to get to you to get to you
25:38to get to get to you to get to get to you to get to get to you to get
25:38to get to you to get to get to you to get to get to you to get to get
25:48to
26:08¶¶
26:26¶¶
26:50¶¶
26:50I was a damn good journalist.
26:54I am a damn good journalist.
26:57Oh, don't be too hard on yourself.
26:59I've been planning a future with a man
27:00who apparently has a woman on every continent.
27:06I got offered a job
27:09at Princeton.
27:11Yeah, I've worked really hard for this.
27:14And I...
27:15You know, I really thought it was the next step.
27:17Tom said he'd come with me, and then we'd...
27:25Let me tell you a story.
27:29Edouard.
27:32We met in Courchevel. You know the ski station?
27:36At first I wasn't sure about him.
27:39I don't give my trust easily, especially to men.
27:43But he made me laugh.
27:45And on the snow, the way he turned his hips made me crazy.
27:52A mix of elegance and so hot.
27:57By the end of the week I was totally in love.
28:01So, we move in together.
28:04And yes, he's away a lot, and yes, he often works abroad,
28:11but we are really happy.
28:14We talk about marriage, children.
28:18Children doesn't work out, but we don't really mind.
28:22Life's good together.
28:23And like a promise, every year, for ten years, we go back to that same hotel, that same week.
28:33The hotel staff knew us and treated us like family.
28:39Then one year, there's a new boy working there.
28:44And suddenly he says,
28:46Oh, your niece and nephew, they're really nice, hmm?
28:52My niece? My nephew? What do you mean?
28:57He said, your...
28:59Your brother? His wife, they're kids.
29:03My brother? But I don't have a brother.
29:07At this point, Edouard walks in.
29:11This is your brother, right?
29:14My brother? No.
29:17It's my boyfriend, Edouard.
29:19The manager comes, and quietly, with a smile, he pulled the boy away.
29:27Then I knew he had another family.
29:33And the entire hotel was in on it.
29:37Can you imagine?
29:39That prick brought his other family there, every year, the week before me.
29:47Every year.
29:49And like you, I thought it was all mine.
29:57I am so, so sorry.
30:00So, yes, I started drinking before lunch.
30:07And yes, I missed some deadlines.
30:12I made some mistakes.
30:17But not this.
30:20Not Tom.
30:28Alice?
30:30Why didn't you go on to Al?
30:33Or back home to America?
30:36Why do you think you're still here?
30:39Well, to be fair, you know, Tom was...
30:41No, no.
30:42I'm not talking about Tom.
30:44I couldn't give a shit how you feel about him.
30:48I'm talking about...
30:51The pursuit of the truth.
30:53It's what you do.
30:55It's what I do.
30:56Better to accept it.
30:58Pretending to walk away every five minutes.
31:02It's just exhausting for everyone.
31:06Hmm?
31:15I think it's time I show you something.
31:21I think it's time I show you something.
31:40I think it's time to take a while.
31:52I think it's time to take a while.
32:02I think I'm going to work all the time.
32:04Yeah, I think it's time to take a while.
32:05I think it's time to take a while.
32:18They don't show you this on Lonely Planets.
32:21Oops.
32:22Do you want to work with us this evening?
32:28Ah, Ebe, hello.
32:36How are you, Ebe?
32:38I'm your friend Alice.
32:42Hey.
32:43Alice, let me introduce Ebe.
32:46She's from Syria.
32:47She was trafficked into France last year.
32:52Maybe you can show her a picture of your friend.
32:55Maybe they have met before in Jordan.
33:01She will show you the pictures of a man,
33:05and if you know it, you'll be hucked his head, okay?
33:10Okay, show you.
33:13Look.
33:16Do you...
33:19Hey, hey, hey, hey.
33:21Do you want to work with me?
33:23Do you want to work with police?
33:26Do you want to work with police?
33:28Please, please, please.
33:29Let's go!
33:29Let's go!
33:30Let's go!
33:32Let's go!
33:33Let's go!
33:34Let's go!
33:35Let's go!
33:36Let's go!
33:36Let's go!
33:38Let's go!
33:40Oh my God.
33:42What the fuck, John?
33:45What the...
33:46What the...
33:47Poor girl.
33:48I'm sorry, but I had to show you.
33:58What the fuck?
34:13Well...?
34:15No.
34:28Well, what do you think?
34:31I think even Tom would not recognize you now.
34:42Okay, so what do we know we know?
34:44He lied about the phone call, but he only called the office, so why lie?
34:48Because something is going on at SOS, or maybe he was calling his girlfriend?
34:55His girlfriend?
34:56It's okay, you can say his girlfriend.
34:58All right, then he disappeared off the train.
35:00Was he running away from me?
35:02Was he running away from you?
35:03They must have got Giroud to help stop the train.
35:08You're right about the bubble gum, by the way.
35:14All right, next, we have the Durand and Drax meeting.
35:18And don't forget your friend at the hotel.
35:21Yes.
35:22Jesus, what a cast of characters.
35:25All right, then, Calco.
35:27Calco, it doesn't get us anywhere.
35:29It's an empty office building in the middle of nowhere.
35:34How about the receipt for the container?
35:42What if we found the container?
35:58Yes.
36:02Hello, sir.
36:03Hello.
36:04Hello.
36:05Excuse me.
36:06Yes, yes.
36:08Well, we wanted to know what boat is coming from.
36:16You should see it with your carrier.
36:18Yes, of course, I imagine.
36:20But the problem is that it's been several days that I call it without a delay.
36:24And he never replied.
36:25Yes, ma'am, I'm sorry, but I can't do anything for you.
36:30But if he never replied, how can I have this information?
36:34I'm sorry, but I can't give you this kind of information.
36:39Can I talk?
36:40Yeah, yeah, of course.
36:41Of course.
36:42Hi.
36:44Do you speak English?
36:46A little.
36:47Okay.
36:47My husband and I actually just moved to Marseille.
36:51So beautiful.
36:52And I would love if our apartment was just, you know, parfait for his arrival.
36:58Do you understand?
37:00If I could get our belongings out as soon as possible, I could make that happen for...
37:06Sorry.
37:08Just, no, just...
37:11Can I take one of these bonbons?
37:13These are my favorite.
37:14Yes, yes, yes.
37:15Thank you very much.
37:18Honestly, there's...
37:19There's important things in the box.
37:23My...
37:24My...
37:24My Grammy's...
37:26Ashes.
37:27You know...
37:31Are you okay?
37:33Are you...
37:35Huh?
37:36Qu'est-ce que...
37:38Help her!
37:39Help her!
37:40Hurry!
37:41Qu'est-ce que...
37:44Qu'est-ce que...
37:48Oh...
37:49Oh...
37:50Oh...
37:52Yeah...
37:53Ah...
37:54Ma-ma-ma-ma-madame!
37:55Ma-ma-dame, aides-nous là!
37:56Ah ma-ma-ma-ma-madame, aidez-nous là.
37:59Non...
38:00Eh, recracez-le, recracez-le là.
38:03No...
38:15Oh.
38:19Oh.
38:20Are you OK?
38:21Oh.
38:22Eh, ben, je viens de la vallée.
38:24Ah!
38:25Ah!
38:25Je veux ça vraiment, vraiment beaucoup mieux, hein?
38:27Wow.
38:30Merci, hein?
38:30Vraiment sans vous.
38:31Sorry.
38:32Ah!
38:33Ah!
38:34Merci encore, hein?
38:36Ah!
38:36J'ai vraiment...
38:37J'ai vraiment...
38:37J'ai vraiment...
38:37Ah!
38:44Est-ce que c'est Montmartre?
38:46Yeah, I had arrived last night.
38:48Oh.
38:50So?
38:52I have to know who he is.
39:22I have no idea how to get him.
39:25I have no idea how to get him.
39:34Oh.
39:34Oh.
39:37Wait, what?
39:42Come with me.
39:43Hey!
39:43Elise!
39:44No!
39:50Oh!
39:52Elise!
39:55Are you crazy?
39:56The truck covers the cameras.
40:01Hold on, hold on.
40:04Hold on.
40:11Hold on.
40:12Hold on!
40:16Hold on.
40:29Hold on, hold on.
40:50It's the boat.
41:05It should be right here.
41:15Alice.
41:1946.38.
41:22Come on.
41:2446.50.
41:33Oh, my God.
41:34We found it.
41:35Come on.
41:37Shit.
41:38Okay.
41:38Okay.
41:44Come on.
41:45Come on.
41:48Yeah.
41:49Oh.
41:52Oh.
41:53Oh.
41:54Oh.
42:21Oh, my God.
42:23Oh, my God.
42:23Oh, my God.
42:35Oh, my God.
42:38Oh, my God.
42:38Oh, my God.
42:40Oh, my God.
42:40Oh, my God.
42:40Oh, my God.
42:41Oh, my God.
42:41Oh, my God.
42:41Oh, my God.
42:41Oh, my God.
42:42Oh, my God.
42:42Oh, my God.
42:43Oh, my God.
42:44Oh, my God.
42:45Oh, my God.
42:46Oh, my God.
42:48Oh, my God.
42:52Oh, my God.
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