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00:08Oh, she's never going to retire.
00:10We'd have to take her out and shoot her.
00:14Mother and her bloody determination.
00:17Hot enterprises needs new leadership.
00:19Swami's time is over.
00:21It's our time.
00:23Right, right.
00:24I was wondering what'll hit her hardest.
00:26The business losses or all her children hating her.
00:30But I suspect she'll be so busy checking share prices, she'll barely remember any of our names.
00:37This is off the record, Mr. Curley.
00:41I've waited years for my children to show any kind of initiative or ambition.
00:47A coup. I'm almost impressed.
00:50I hope you know.
00:51I didn't try to entrap them, but when I realised they were planning a takeover.
00:57That take a report you wanted?
00:59Oh, thank you, my love.
01:00It's starting to stabilise, at least.
01:02We're reassuring the markets.
01:04Well, you've a lot on your plates, so...
01:06Oh, Paula, this is Mr. Jim Fairley.
01:08He runs a magazine nobody's heard of.
01:10Actually, lots of people have heard of it.
01:11And he's the grandson of a person I once knew.
01:15I'm the grandson of Edwin Fairley.
01:17My granddaughter, Paula, head of operations.
01:20Pleased to meet you.
01:20Yes, well, thank you, Mr. Fairley.
01:22I shall make arrangements for the reopening of your magazine.
01:26Really?
01:28That's not why I brought you.
01:38Fairley and a journalist.
01:39Brandy, surely you haven't given him an interview?
01:41Of course not.
01:43Betrayal is in his blood.
01:44And betrayal can creep up on you.
01:48I'll go and make sure he's escorted out of the building.
01:54Mr. Fairley?
01:55Mr. Fairley?
01:56Turn down.
01:57Can I have a word?
01:59Excuse me.
02:00Hold.
02:10We're in the middle of a crisis.
02:12What the hell are you doing here?
02:14I was listening back to an interview and some information fell into my lab.
02:17I'm hoping that sharing it might encourage your grandmother to trust me.
02:22What are you up to?
02:23Anything I can do to get her to accept us.
02:25A fat chance.
02:27She hates you.
02:28How do you feel about me?
02:30Don't be needy.
02:31I am needy when it comes to you.
02:34It's pathetic.
02:36Do you love me?
02:37Stop it.
02:38I love you.
02:39Say it.
02:41I love you.
02:42You know I do.
02:44And I will tell her.
02:45Just not today.
02:47She's hated you for half a century.
02:49Hating your entire family runs through our heads.
02:51Fuck my whole family.
02:53Fuck everything.
02:55And you're not here.
02:56June.
03:03Go.
03:12Everyone's running around talking about share prices.
03:15I thought today called for biscuits.
03:19You know, Jerry, the older I get, the fewer people I can trust.
03:24But you're at the top of the list.
03:26In fact, at this rate, the list may only be you and Paula.
03:32Mrs. Harden.
03:33Thanks, Jerry.
03:38Emma!
03:40Emma, wait for me.
03:41Emma!
03:43Emma!
03:46It's all sick.
03:48Everyone's asleep.
03:55Get ready for work.
04:02I don't know.
04:46I'm still back in my heart.
05:20Where have you been?
05:22I'm so sorry.
05:23I'll clear this up.
05:24My breakfast tray needs clearing.
05:27Of course.
05:28Where are you going?
05:30I thought...
05:30Have you seen my hair?
05:34It looks...
05:35Shall I fix the bins for you?
05:36Do you think it needs fixing?
05:38No, I think it looks beautiful.
05:40Why aren't you tidying?
05:41Look at this place.
05:43My husband will be here any moment, I expect.
05:56I went down a storm at the party, didn't I?
05:59You were a triumph.
06:00Everyone said so.
06:02I wonder how Adam will thank me.
06:07Perhaps you could try on some of those dresses you asked me to alter for you.
06:10So you looked your absolute best if...
06:14Do you remember that clever idea you had?
06:16To get me to alter them?
06:17I could get them now, if you like.
06:19A chile in a gown, I think you said.
06:21You go.
06:23Yes, you did say that.
06:24Emma!
06:25All of this ambition, you ought to be careful.
06:28No man wants to be worried about a woman with thoughts in her head.
06:31They're much more interested in necks.
06:33And you have the kind of neck that drives men wild.
06:37You should show it off.
06:38There must be some boy that you want to make positively feral, is there?
06:44Tell me.
06:46The only thing I cannot make in this dress is Mrs. Fairley.
06:49Shall I fetch those?
06:50You want to take advantage of me, do you?
06:53You think I'm stupid.
06:55Of course not.
06:56Why is my breakfast tray still here?
06:59I'm sorry, Mrs. Fairley.
07:06I'm sorry.
07:07He doesn't know what he's talking about.
07:08Trust me, father.
07:09The rumours of a strike are nonsense.
07:10They can't afford one.
07:12What do you think, Olivia?
07:16Well, I, um...
07:18We can't allow relations with the workers to deteriorate any further.
07:21I fear mediation may not be one of your strengths, Gerald.
07:25You have an idea?
07:28I wonder if maybe Edwin's sensibilities lend themselves more to a delicate situation like this.
07:32I don't think that Edwin's weak-minded sentimentalism is going to happen.
07:36Olivia's quite right.
07:37As usual.
07:39We need a different approach, and it's important that Edwin learns the ropes.
07:43But what about finishing university?
07:44You are the summer.
07:46And unless I'm mistaken, Edwin, you failed to make any plans with Sir Vikram's daughter.
07:52Oh, yes.
07:54As Pierre seems utterly uninterested in Gerald here, it falls to you.
07:59The mill will be half yours one day, Edwin.
08:02It's time you started...
08:04God's sake!
08:05I'm so sorry, Squire Fairley.
08:07What are you doing?
08:09Helping.
08:10We're in the middle of a conversation.
08:11Sit down!
08:15Sorry, Master Edwin.
08:20Helping.
08:21Honestly, you're not a child anymore, Edwin.
08:24You'll head over to the mill this afternoon, and Gerald will show you the ropes.
08:27Understood?
08:28Yes, Father.
08:29Good. Gerald?
08:30Yes, Father.
08:49What happened?
08:50I tripped.
08:51In front of Squire Fair?
08:53It was an accident.
08:55Hey!
09:01You touch her again, and I will string you up.
09:04Do you hear me?
09:06Same goes for Mary.
09:34Oh, sorry. I'll get out of your way of just...
09:36No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
09:38no, no.
09:38I don't want you out of my way.
09:40I can't bear this. You won't even look at me.
09:42Well, I have no right to look...
09:45Just as I had no right to...
09:47God, I'm so ashamed.
09:49I'm not.
09:51It's you I want to be with.
09:53We can't do this to Adele.
09:55What about what she's doing to us?
09:56She's unwell.
09:57Yes.
09:58Always.
10:00Constantly.
10:01For God's sake, is it not an illness of her own making?
10:03Do doctors tell me so all the time?
10:06I've tried.
10:07But she is determined to live a life of misery.
10:09And I used to think that was my only choice, too.
10:11But last night she was...
10:14Perhaps she'll be back to her old self.
10:17She always gives me just enough.
10:18Just enough for me to keep believing that she is still the woman that I fell in love with.
10:21And I used to think that was hope, but it's not.
10:25It's insanity.
10:28Last night.
10:29With you.
10:31That was hope.
10:34Well, then I am afraid I am as bad as my sister because I cannot give you what you are
10:38hoping for.
10:42Why should all three of us be miserable?
10:44Who does it help?
10:56Bit of a bruise coming true.
11:00But anything that keeps people weary of it must be a good thing.
11:03I'm so sick of this.
11:04He won't touch you again.
11:05I mean this life.
11:06Working like a dog and being treated worse.
11:13How's home?
11:15Silent.
11:17The funeral.
11:19When is it?
11:21Won't be a proper one.
11:23Gave me dad what I'd saved from the sewing and that.
11:25But still won't get us so much as a pebble to mark with.
11:30We'll do our own.
11:31At top of the world.
11:32That was the place.
11:36You'll get out, Emma.
11:38You'll do whatever you like.
11:41And make your fortune too.
11:43Like I will.
11:44I saw it in you the moment I met you.
11:47We're climbers, you and me.
11:48And we won't give up until we reach the top.
11:50And then, when we do, we'll have earned it.
11:54Not like them up there.
11:57I just happened to be born in the right house.
11:59It's not their fault they're rich any more than it's ours for being par.
12:02No.
12:03Don't you go making that mistake.
12:05Of thinking we're all the same.
12:10Emma.
12:11Could you...
12:12There's a problem with the fireplaces?
12:16Of course.
12:20Mr. O'Neill.
12:21Sir.
12:25I'm so sorry.
12:26I wanted to help but...
12:27Masters of the arse don't help.
12:28Emma.
12:30Emma.
12:32What happened to your face?
12:34Who hurt you?
12:36If it's someone who works here, I'll have them punished.
12:38What if it were Gerald?
12:41Was it Gerald?
12:44Huh?
12:46I'm confused.
12:47Never mind.
12:48You can't be seen favoring me and I can't risk getting fired over troublemaking.
12:51I wouldn't worry about...
12:52This is not just about me.
12:54I have a family to support and barely enough food on the table as it is.
12:56I won't see him starve over a measly slap of the bed.
13:00Last night, it should never have happened.
13:10Await.
13:12Yeah.
13:30No, no, no, no, no, no, no, that's what I'm so glad.
13:31I was like, oh, I'm so glad he's so glad I'm so glad.
13:51Emma, let's see. Even Master Edwin can't beat me.
14:03What do you know about skyscrapers? What are you doing here?
14:08Well, they were sitting at Skittles, apparently. But I hear you normally do the same.
14:14Emma is quite good, to be fair. Here, a girl.
14:18I think you'll find me and a girl has got nothing to do with it. I'm just good.
14:27I let her beat me sometimes. She's next in a right mood if I don't.
14:36Look, that will work, let's be honest.
14:49Oh no, what's happened to that mirror?
14:52You've got tired of looking at me, I expect.
14:54Well, don't say things like that. Your mind will believe it.
15:02Last night it went rather well, don't you think?
15:06Adam was delighted, did you see?
15:09When I got the Chandras up to dance, I turned the whole thing around.
15:17And now that I'm better, you can finally go home, can't you?
15:22Well, you're perfectly well now, are you? All fixed.
15:25Why don't you join us at breakfast then?
15:27I don't eat breakfast. I see what it does to your hips.
15:32Ow!
15:34It's just a joke, darling.
15:38I do understand why you've stayed so long, Olivia.
15:42I must be desperately lonely in that empty grey house of yours,
15:45and here you have a ready-made family to play with.
15:47But it's not real, darling. You know that, don't you?
15:51That's not why I'm here.
15:52It's too late for children, of course, but there are plenty of men.
15:56Just stop it.
15:57What?
15:58You don't look that old.
16:00Not like me.
16:03I'm ravaged.
16:06You know you're beautiful.
16:08Yes.
16:11But not irresistible.
16:15Do you know, men never used to be able to control themselves around me.
16:20Adam wanted me every minute.
16:23His hands were never off me.
16:26You know, you're lucky, Olivia.
16:29Your worth has never been determined by a man's desire for you.
16:33Your main thing is your mind, always has been.
16:36Not like me.
16:37I've lost mine, but yours is intact.
16:41You should rest.
16:44I know how much Adam values your mind.
16:52I can tell by the way he looks at you.
16:57I'll send someone up about the mirror.
17:15What's wrong?
17:17I've spent my whole life applauding my sister.
17:21And taking care of her.
17:24Putting her needs before mine.
17:25And she's never once thanked me.
17:27Or even noticed.
17:29I'm not conceited enough or grand enough to think that I deserve happiness.
17:35It's certainly not like this.
17:37But I would like to know how happiness feels.
17:45What do you say?
17:49Kiss me.
17:51Kiss me again.
17:56Kiss me again.
17:59Kiss me again.
18:02Kiss me again.
18:05Kiss me again.
18:09Kiss me again.
18:10Kiss me again.
18:10Kiss me again.
18:10Kiss me again.
18:10Kiss me again.
18:13Kiss me again.
18:15Kiss me again.
18:24I'm sorry I was rushing into things and it's not what you deserve this isn't some sordid
18:32affair this is uh you should take our time yes do you need me to oh yes oh my butterfly
18:50the opera yes it's playing in Leeds we should go you and I tomorrow you love the theater don't you
18:56yes um but do your plans no of course not it's settled then theater well I have uh some work
19:06to do tonight and I shall see you for breakfast
19:10some work
19:10I
19:10I
19:11I
19:12I
19:12I
19:25I
19:26I
19:29I
19:30I
19:32I
19:33Yeah.
19:49What are you doing now?
19:51I don't know if you're going to come by the wind.
19:54Oi-o!
19:56That's the red wind.
19:58Didn't you?
19:59That's right.
20:01Mr Hart.
20:03Good to meet you.
20:05What are you doing here?
20:07Well, you look skilled.
20:09He was just passing.
20:11I came to speak to you, actually.
20:12Mr Hart.
20:14Alright.
20:15What can I do for you?
20:17I'm looking to fill a position at the mill.
20:21I've got no experience in operating that gun machinery.
20:23It's a new role I'm creating.
20:25More supervisory.
20:27A sort of bridge between the management and the workforce.
20:29There have been escalating tensions recently,
20:32and I need someone who's well respected in the community
20:34to mediate and rally the troops, essentially.
20:38Sir, I asked around.
20:39Your name kept coming up.
20:42I've got no experience in that kind of thing either, so...
20:44How much is your pay?
20:45Frank.
20:46What?
20:46We could offer 40 shillings a week.
20:48A week?
20:50Party.
20:51You see?
21:00What's, uh...
21:02Oh, well, well, well.
21:02Man can't say no to that, can he?
21:06Thank you, sir.
21:07Very generous.
21:07It's you doing me the favour.
21:12Sir, if you come by the mill tomorrow, we'll talk to us.
21:15Aye, I'll be there.
21:16Excellent.
21:19Well, I'll leave you all to your evening.
21:26What was that all about?
21:28I had no idea.
21:30Emma, what have you been saying?
21:32In that house?
21:33I can't take care of this family.
21:34No.
21:35Dad, you don't have to do it.
21:36I know you'll hate it.
21:37I can't turn down that wage.
21:39It's done now.
21:40Leave it, Emma.
21:41No.
22:19Right.
22:21Are we ready?
22:22Say goodbye to your mum.
22:26Where'd you find that?
22:27In mum's box under the bed.
22:29You know, it must have cost you a lot.
22:31But she kept it so special.
22:33Thought she wanted it.
22:35It's not to do with me.
22:37Didn't know if she still had it.
22:38Then who gave it to her?
22:39Don't bring it.
22:41Don't bring it.
22:41Okay, but...
22:42Emma.
22:43Just leave it.
22:44Please.
23:02Well shot then.
23:11Who did this?
23:15I think my friend.
23:18It must have been Mark.
23:32She loved this up with you.
23:39Thanks, love.
23:42Hi.
23:43Here you go.
24:07I wrote something down that I wanted to...
24:09I wanted to say to her.
24:14I put it, Mum.
24:17It was in here.
24:18It was here.
24:20I thought some things to say to her.
24:23Some words and that.
24:24And, um...
24:25I can't...
24:26I can't find it.
24:28It's alright.
24:29I've left them.
24:31I wanted...
24:32to tell Mum.
24:34I wanted to tell her that I love her.
24:38She knows.
24:40She knows.
24:42She knows.
24:50She knows.
24:52It's alright, Thor.
24:54It's not too bad.
24:58I think she knows.
25:00There is no reason.
25:00She knows.
25:20I think he knows.
25:20I think he's wrong.
25:32Oh, my God.
26:03Thank you, Emma. I know it's very short notice.
26:07I was nearly done with them anyway.
26:08Was. I was nearly done. Or finished, you could say.
26:12I was nearly finished. Thank you, Miss.
26:17You're really talented, Emma.
26:20You must keep at this.
26:22You could really make something of yourself.
26:29I was thinking, Miss, these uniforms, they look nice and all,
26:33but it'd make working in them easier if there were pockets and more room in the skirts.
26:37If I had cloth, I could make new ones for cheaper than you usually pay.
26:41Three shillings per uniform, half up front.
26:43Yes, it's a good idea. You could use off-carts from the mill.
26:48Oh, I don't remember this one.
26:50Oh, I'm ever so sorry. That belongs to Mrs Fairley. I've been doing some sewing for her, too.
26:55Oh, right, yes. You know that it is much more her.
27:00It would fit you, though. I can make sure of it. I could do it now, from a usual rate.
27:04I work fast.
27:04Oh, no.
27:06I think you look lovely in it, Miss. It's just the sort of thing when people wear to operas, I
27:10would think, anyway.
27:16I shouldn't.
27:18Mrs Fairley won't miss it. There's just so many. Why not try it on?
27:43What's that?
27:47One of the girls.
27:48Oh, yes. I borrowed it. Do you like it?
27:52It's not for you.
27:58I like change.
28:00No time now. It'll do.
28:03Shall we?
28:04Okay.
28:09Okay.
28:38I should have asked you for offering your father that job. I'm an insensitive idiot.
28:42I'm just saying things that are obvious.
28:47I'm so sorry. It was never meant to feel like charity.
28:50You'll hate it. Being outside in the sun, the wind, the rain. That's what keeps him sane. That's what my
28:55mum used to say.
28:57I got overexcited, which can happen when you're an idiot.
29:02Emma, I know I've had it easier than most, but my life's not perfect.
29:05Why? Has Daddy given you a mill that you don't want? My dad can't pay for a proper funeral for
29:10my mum, so stop distracting me with flights of fancy about a life I can never have and let me
29:14work for one that's actually in reach.
29:16Our future is in reach, Emma. It's all I think about. I wish I could have walked in and asked
29:22your father for your hand.
29:23Now, one day I will. I promise you, Emma, it will happen. Till then, this was all I could think
29:32of to help.
29:35If you want me to say the job's not there anymore.
29:37No.
29:46I won't break my promise to my mum. I have to stick to the plan and keep my hours up.
29:51The sewing. She doesn't leave much time for us.
29:53I'll take any second that I can get.
30:06Oh.
30:07Master Edwin.
30:10Just checking all's in order.
30:12Yeah.
30:13Yeah.
30:14Seems to be good.
30:16Good.
30:21Mrs. Fairley's calling for you.
30:25You're in demand.
30:27Mm-hmm.
30:41You know, I am feeling much better.
30:44Glad to hear it, Mrs. Fairley.
30:46I think I will try on those dresses you've been tailoring for me.
30:51Yes, of course.
30:52I'm still working my way through, but I'll fetch a few.
30:56There's a red one.
30:58Satin.
30:59Lowered the neck.
31:02Adam loves me in it.
31:04That one's not quite finished yet.
31:07Perfect time to try it on, then.
31:08There's pins all over it.
31:09I don't care.
31:12That's the one I want.
31:14Is there any reason, Emma?
31:16I can't have what I want.
31:20Good.
31:23Then I'll wait here until you bring it.
31:32I'm going to get fired.
31:33I will.
31:33I won't let that happen.
31:35I'll speak to my mother.
31:35Explain.
31:36How?
31:36How are you going to explain why you even care?
31:43It's Emma.
31:44Back out of it.
31:46Thank God.
31:48It's a miracle.
31:55Have I done something wrong?
31:57Unless you gave me this headache.
31:58I know it's not that.
32:01Why am I here?
32:03You said you wanted to turn back, so...
32:05No.
32:08Oh, God, this is so humiliating.
32:10What is?
32:11I'll leave.
32:12I'll go back home.
32:13I've outstayed my welcome.
32:14But I need you.
32:16What part of me exactly do you so badly need?
32:19Every part.
32:20You don't desire me.
32:21Of course I...
32:22Olivia, you are beautiful.
32:24Why am I here?
32:25My sister doesn't want me here.
32:27You claim you wish I was your wife, but I'm not.
32:29Who am I?
32:30I'm not even your mistress.
32:31I'm nothing but an embarrassment.
32:32That is not true.
32:33Don't follow me.
32:36Miss Swainwright, I'm ever so sorry, but Mrs. Fairley has asked for the dress.
32:40That dress.
32:41I didn't know what to say, but I've already kept her waiting.
32:43And I'm afraid she'll find me.
32:45Yeah, she can have it.
32:47Really?
32:48Oh, thank you so much.
32:49It's hers.
32:51It's all hers.
33:08It's hers.
33:08What are you doing to my life?
33:17Do you know that you are my greatest aggravation?
33:20The source of all my misery.
33:22Why, Squire Fairley, you flatter me.
33:24You've quite literally trapped me in this limbo of a marriage.
33:27How dare you?
33:29You and I are either heaven or hell.
33:30We are never so tedious as to be in between.
33:32This isn't a game, Adele.
33:34This is my life.
33:35And you're stopping me from living it.
33:37You may have confined yourself to these four walls,
33:40but I'm the one you're keeping in a prison.
33:42I don't have a wife, and yet I am not free to find one.
33:44Even if I wanted to.
33:45Even if there was someone, anyone, who would be good for me.
33:49Adam.
33:51You don't want good.
33:52Who wants good?
33:55Neither of us.
33:58We've always wanted bad.
34:04I'm so sorry for keeping you waiting, Mrs Fairley.
34:07I had a few bits to finish off, but hopefully it's worth the wait.
34:13I think I need to see it on.
34:14Of course.
34:15Yeah, well, yeah.
34:16Not on me.
34:18On you?
34:24I'm not sure how that would approach me.
34:32Well, take off what you're wearing.
34:38Now, Emma.
34:39How are you doing today?
34:45I don't know.
34:46No, don't know.
34:47I don't know.
34:55You know.
34:56I don't know.
34:57You know I don't know.
35:21I need to speak to the boys.
35:22Well, not about...
35:25No, no.
35:26It's just some real business.
35:28Do you need me?
35:31I do.
35:33For you must so.
35:35But not right now.
35:37You must.
36:18If you want anything changing, I can do it tonight.
36:20Mm.
36:22I do think you'd have a better idea if you tried it on yourself, though.
36:27My decanter needs filling.
36:29Will you, darling, run downstairs?
36:32Yes, of course.
36:33No, no.
36:34No.
36:36Leave that on.
36:38I can't go downstairs wearing this.
36:40Why?
36:41It wouldn't be appropriate.
36:42But it suits you.
36:44Mrs Fairley, I'm supposed to be working, which is exactly why I asked you to get me a drink.
36:50It'll take me ten seconds.
36:51My decanter needs filling.
36:52Now.
36:59Right away, Mrs Fairley.
37:19Who's that out there?
37:22It's Emma, sir.
37:24Come in, please.
37:25Our drinks need refreshing.
37:27I'll be there in a moment, sir.
37:30I'm fetching something for Mrs Fairley.
37:31Mrs Fairley can wait.
37:34Get in here.
37:39Now.
37:59What the hell are you wearing?
38:01I'm so sorry, sir.
38:03Have you stolen that?
38:04No.
38:05Mrs Fairley insisted.
38:11Take it off.
38:12Take it off.
38:18Who do you think you are?
38:21Hmm?
38:23I think I'm no one, sir.
38:28I'm sorry.
38:30I'm sorry.
38:40That wasn't called form.
38:42Completely unacceptable.
38:43I meant you.
38:44Well, there's no need to speak to Emma or any of the staff like that.
38:47Especially when it's clearly one of Mother's little gates.
38:52Edwin.
38:53I can speak to her however I want.
38:56I pay her.
38:57Ben!
39:01I just think.
39:02Did I ask you to think?
39:07It would appear Emma Hart is not the only one who has forgotten her place in this house.
39:14It's all right, father.
39:21Sir Vickram offered that you visit them in London.
39:25You are spending more time with Sir Vickram's daughter.
39:28Could prove most beneficial for both families.
39:30You should leave first thing.
39:31I'll send a telegram ahead and let them know that you are coming, I'm sure.
39:35Priya will want to pick out her best dress.
40:05I'll send a telegram ahead and let them know that you are coming.
40:21I'll send a telegram ahead and let them know that you are coming.
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