00:00作詞・作曲・編曲 初音ミク
00:20水晶のような朝靄が降りてくる
00:30そよ風が運ぶ 誰かが弾く ビバルディ
00:44合わせ方に映す 迷路の中 見つめれば
00:56不思議ね今中 時のミラ中 もう一人の私が
01:17心の奥に生きているの そんな夢のように
01:34一人じゃないよと ささやいてミュンヘンから駆けつけた
01:37お母さんとルイーゼのおかげで
01:39ロッテの病気は みるみるよくなりましたまたとないチャンス
01:52お父さんたちを絶対仲直りさせなきゃと ルイーゼたちは決意するのでした一方
02:02お父さんとお母さんも昔の気持ちの行き違いに気づきましたあと一息
02:03ところが 思いもかけないことが起こったのです
02:14さよならなんて いや今日は
02:17お聞きしたいことが あってまわりましたのああ
02:21そうですか それでは えっと大変です
02:26ハルイー様ベッカー君
02:27どうした 慌てて実は 主役のイボンヌヤノビッツさんが
02:32急病で入院されたそうです何だって
02:33すぐに 支配日室へ来てほしいそうですああ
02:38分かった すぐ行こうああ
02:40すいません イレーネさん また後で連絡しますパルフィさんも
02:43あ パルフィ様まあうーん
02:50仕方がない
02:53公演は中止か延期にしよういやいや パルフィさん
02:55中止や延期はあなたにとって 得策じゃないと思いますよどうかね ベッカー君
03:01はあ確かに
03:04ここのところ ベルリンミューヘンと 中止が相次いでおりますから今回も中止ということになれば
03:14マスコミの連中が何と言うかマスコミなんて 何にも分かっちゃいないいかがですか
03:17ここは一つ思い切って 大役でいきませんかん?
03:21レンツ君かね
03:22ふーん 確かに 彼女はいいものを持ってるだが
03:28明日というのは大事にしてやらないと
03:30かえって かわいそうなことになりかねない大丈夫ですよ 彼女なら私は信じていますあなたがいるからふーんやりましょう
03:44パルフィさんやってみましょうよし
03:47みんなを舞台に集めてくれはい
03:51あらあ
03:53いかん 忘れてたあ
03:55ベッカ君 すまないがカフェシューベルトに
03:59行ってきてくれないかそこにいる ケルナーという女性に
04:02伝えてくれたまえ今日は こんな事情で いけないとねわかりました ミスケルナーですねああ
04:09頼んだよパルフィさん
04:15お願いしますケルナー
04:25もしかしてマネージャーの
04:26ベッカーさん でしたかねはい伝言でしたら 私が
04:31その方
04:32存じてますの
04:33あっ そうですかじゃあ
04:35お願いします今
04:37ゴタゴタしているもので助かりました
04:52助かりました遅いわね
04:57うふっ昔だったら
05:04どっくに帰ってたわねお母さん 遅いねきっと
05:07お父さんと お話ししてるのよ私たちおいて
05:11そう 2人だけで 大事なお話があるのよ きっとじゃあ
05:16もしかして そうよ ルイーゼうはっ
05:19ああうう あ
05:25ああ夢が叶うのねええ
05:31五日後は私たちのお誕生日四人でお祝いできるわそう
05:32四人で
05:34I'm sorry.
05:44Is it Kellner?
05:46Yes.
05:49I'm a Yirene-Gellraha.
05:52My father, Yirene-Gellraha is a woman with a woman.
06:01She's a woman.
06:02Is it possible?
06:04Yes, please.
06:10Welcome.
06:12Shelly.
06:13Yes.
06:16I was here to introduce you to Palfi's house to you.
06:22But it was suddenly a woman's house.
06:32She's a woman.
06:39She's a woman.
06:40It was a woman.
06:43She's a woman.
06:45And she's a woman.
06:49Propose?
06:59Sorry, I was waiting for you.
07:01If you were a musician,
07:03you'd have to forget everything else.
07:07That's a problem.
07:11But...
07:13I would like to give you a chance.
07:18He's a genius.
07:20He's a genius.
07:22He's a genius.
07:23He's a genius.
07:24He's a genius.
07:27I would like to work with Palfi.
07:30I would like to work with Palfi.
07:32He has many people who have influence on the people.
07:36He has many people.
07:50But...
07:53...
07:54...
07:55...
07:56...
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08:35...
08:43You're crazy, I don't know what kind of mistake you are.
09:10Oh
09:11Oh, sain
09:13Oh, kai ni na sai, oto san wa?
09:18Lotté, dou shite oshite kurena katta no?
09:22Oto san ga geel-raha san to konjak shite ta ta koto
09:26If... chigau, arre wa nanika no manchiga i, oto san honki zha nai wa!
09:31Anato mo shite ta no ne, leynse
09:34Ah...
09:37So I'll tell you what I'm going to say about you.
09:40I'll tell you what I'm going to say about you.
09:43I'm against you.
09:48My mother is my mother.
09:52My mother is平気.
09:54If you want to get married,
09:58If you want to be happy,
10:01If you want to be happy,
10:02I'll tell you what I'm going to say about you.
10:08My mother,
10:09I don't want to see a happy father.
10:13A happy father?
10:16I knew I was going to tell you how to get married.
10:23I was going to tell you how to get married.
10:26I was going to tell you how to get married.
10:29I still love you, right?
10:31I still love you, right?
10:33I love you, right?
10:39It's too late.
10:42It's too late.
11:08It's too late.
11:10It's too late.
11:11It's too late.
11:12I can't do it.
11:17I can't do it.
11:18I can't do it.
11:32I can't do it.
11:37How are you?
11:39How are you?
11:39Nice to meet you.
11:41How are you?
11:43How are you?
11:44I have a letter.
11:50How are you?
11:52I thought I was going to go home.
11:54I'm going to go home.
11:56I'll come back to my father.
11:58I'll come back to my father.
12:00How are you?
12:02I didn't say anything.
12:04It's weird.
12:06What's your father?
12:07I don't know.
12:10It's an atelier.
12:12Let's go.
12:31I can't.
12:32I can't.
12:33So, I think,
12:35I'm going to go home.
12:36I can't.
12:41I can't.
12:44I'm not sure.
12:44I'm not sure.
12:47I'm not sure.
12:49I'm not sure.
12:50It's a matter of time.
12:51I can't do this.
12:53It's a matter of time.
12:54She's stupid to say nothing about me.
12:57You're good.
12:58I'll send my notes later.
13:02I'll send you home.
13:03No, sir.
13:05I want to talk directly Richard.
13:08I just want John?
13:09What can I do?
13:09It doesn't matter?
13:10It's not bad.
13:12So, I'm fine.
13:26Oh, just, O嬢さん, I'm not going to get into this place.
13:32I'm not going to get into this place. I'm not going to get into this place.
13:36Oh, just, I'm going to get into this place.
13:42Okay, let's go.
13:43Okay, please.
13:44Please, take a look.
13:47I'll do it.
13:48I'll do it.
13:49I won't wait.
13:51Yeah.
13:56What?
14:05I'm sorry.
14:28大事なようですよベッカー君支配人シュワルツくんを呼んでくれないかねバルフィさまレンツくんの有り也に伴走をわかりました
14:30すぐに用意ようバルフィさま
14:32婚約発表 wa t noご相談をベッカー君はいこれかの話だぞよりこえお前
14:36It's time to work.
14:37I see you now.
14:38I feel like I'm doing a break.
14:39Yes?
14:41I don't need to look at it.
14:47Marfi-bizumi, you be able to wait for me.
14:49The line is...
14:51I don't need to wait for you.
14:52What does it do you want?
14:53Yes, I think.
14:55I don't need to wait for you.
14:57Marfi-bizumi, you have to start with your dress.
15:00Put your hands up for your rehearsal.
15:03Okay.
15:06That's so gross, Palfi.
15:08How much is it important to me and me?
15:14The most important thing is to understand him.
15:18Even if he's looking for him.
15:24That's what I understand.
15:34Are you not?
15:45I'm sorry.
15:49If you're listening to me, my mother will cry.
15:53How about you?
16:00How about you?
16:01Yes.
16:02If you're listening to me, I'll tell you.
16:09Yes.
16:10Hello.
16:13Hello.
16:14How are you?
16:18How are you?
16:20No.
16:23I'm looking for you.
16:25Don't worry about it.
16:28I'm sorry.
16:28Hey, I'm sorry.
16:32You're welcome.
16:33You're welcome.
16:35I'm so sorry.
16:44You're welcome.
16:46I'll tell you what your name is.
16:48I'm sorry.
16:49It's hard to say. I don't want to say anything.
16:57If you want to talk about this show,
17:00it will be another one.
17:03Yes.
17:05I think it was a failure.
17:07I thought it was a failure.
17:08But at the rehearsal time,
17:11there was a lot of pressure.
17:15Yes, indeed.
17:17Yes, it was so.
17:17He had a friend of Gellera.
17:19He had no idea.
17:23No, no, no.
17:25The time of Palfi, he had no idea.
17:28He had no idea.
17:34He had no idea.
17:37The most important thing is to understand and understand.
17:41I hope he can be able to make me happy in the world of music.
17:47Maybe he doesn't want to be here.
17:53That's the best.
17:55He will be able to achieve his best.
18:00I am a master of the Palfi.
18:27Hey, how are you?
18:31How are you?
18:33I don't think I'm going to eat alone, but I don't know if you want to meet me.
18:40Those girls are so cute.
18:44I don't have to worry about these cute girls.
18:46Let's go first, let's hear the story.
23:27That's how I want to go home.
23:31I wanna go home.
23:33I'll be back home and I'll be back home.
23:35Oh God.
23:36I don't get apart from you.
23:38I don't want to get apart from you.
23:38I don't want to get apart from you.
23:41Next time,
23:43we're only two more goals.
23:46We'll be back again.
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