00:00Vieni a vedere. Ragazzi, ma cos'è? Dai, entriamo. Steve, aspetta. Max, guarda qui. Porca.
00:54La camera è sicuramente un caratterista nel film. E' un punto di vista, soprattutto, in
00:59the beginning of the movie, but Josh has found really inventive ways of getting the camera
01:04out from just this, and now all of a sudden we are controlling it with our telekinesis.
01:10So you are seeing it through Andrew's point of view at first, and then you're seeing it
01:16through how Andrew wants you to view his point of view, because he's in complete control of
01:20the camera.
01:25I think most of the things I know I would do are things that are in the movie, which
01:29I think is what's so great about the movie is because I'm like, yes, thank you, finally,
01:34that is what you would do if you got superpowers.
01:42If you're a teenager that goes to school and oftentimes feels misunderstood, that you will
01:50completely identify with Andrew. If you're the really popular kid, you'll really identify
01:54with Steve. I think these are characters that are fully fleshed out. I don't think they're
01:58two-dimensional characters, and I think there's an everyman quality, although a different
02:04everyman quality, but something that goes along with each one of us that I think everyone will
02:09be able to identify with.
02:12I don't think they'll be able to identify with.
02:13I don't think they'll be able to identify with.
02:18they're not really like they want to identify with.
02:20They're not.
02:20They're not.
02:20They're not.
02:21They're not.
02:22They're not.
02:23They're not.
02:23Grazie a tutti
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