00:04Il suo padre di San Gio, che ha un nervoso che ha morto,
00:11ha matato la mia figlia, e ha preso i bambini.
00:16E poi, dopo, si non si è avuto.
00:19E poi, dopo, abbiamo avuto il mio figlio di Luca e il mio figlio di Luca,
00:26Annabelle
00:27Luca's been looking for him
00:29spent all his money
00:30hiring private detectives
00:32to search for
00:34his brother and his nieces
00:36they've just disappeared
00:39and of course
00:40everybody seems to
00:42I mean there's this big fear
00:44that he killed him
00:45and they're just looking for
00:47to find the bodies
00:49but they find them
00:50suddenly he's about to give up
00:52and then they find the girls
00:53and apparently the girls
00:55have been living on their own
00:57surviving on their own
00:58for five years
01:00in this cabin
01:01in the middle of nowhere
01:02and of course they're very
01:05traumatized
01:06and we then take them in
01:08and we try to
01:09nurse them back to some kind of
01:13normal life
01:15there's also this psychologist
01:17Dreyfus
01:18who realizes for him
01:20it's like a unique case
01:21like he's going to write a book
01:22about these kids
01:23because it's like unheard
01:26and suddenly he realizes
01:28that there must be someone else
01:30like they keep talking about mama
01:34and he believes that there's a person out there
01:37who must have taken care of these kids
01:40it turns out that he's right
01:43it seems like she doesn't really
01:46as long as there's no emotional connection
01:48between the kids
01:49and whoever they meet
01:51she's fine
01:52but as soon as there's a threat
01:54an emotional threat
01:56she kind of goes in
01:57and gets a little aggressive
02:04he's done
02:05I think his career
02:06has been very successful
02:09shooting commercials
02:11so he has this
02:13amazing eye for detail
02:15and he has some great ideas
02:18for the camera
02:20and then he's
02:22a very nice guy
02:23which is great
02:25there's a really good atmosphere
02:27also the whole crew
02:28there's just a really
02:30relaxed and cool atmosphere
02:33on the set
02:33which always
02:34it always starts
02:35with the director
02:37you know
02:37and he has that
02:38the good energy
02:44you know
02:45the guys
02:46doing
02:48the mama prosthetics
02:50all
02:50you know
02:51they work
02:51I think they won the Oscar
02:53for Pan's Labyrinth
02:54these are like
02:55very very good
02:57very very creative people
02:59it's so stupid
03:01to talk about
03:01a brand
03:03in a way
03:03but he has
03:04it's almost a brand
03:05it's like a very
03:06it's a you know
03:07brand of quality
03:09but first and foremost
03:10it's a you know
03:12it's Andy's movie
03:13with Giuliamo
03:15who found him
03:16and with his backing
03:19which
03:19and without Giuliamo
03:21this wouldn't have happened
03:22we are all very grateful
03:29the best
03:31horror movies
03:32or the most intense
03:33thrillers
03:33thrillers
03:33I always show
03:33any movie in a way
03:34is when you
03:35when you kind of connect
03:36with the characters
03:37and when you identify
03:37with them
03:39and because then
03:40it all takes on
03:41a whole different
03:42and then becomes interesting
03:44and I think
03:45what we're hoping for here
03:46is of course
03:46that people will really care
03:49about this
03:50but also that we're giving
03:52and Andy
03:54are giving
03:55the ghost
03:58the opponent
03:59the baddie
04:01or whatever
04:02gives that
04:04a soul
04:06and an emotional depth
04:07that is not just about
04:10scaring the shit out of us
04:12which she will
04:13but also
04:14like you kind of understand
04:15that it's
04:16it's
04:18it's
04:18it's
04:18it's
04:18it's driven out of
04:19a
04:21a place of
04:22of you know
04:23sorrow
04:24of you know
04:25there's a tragedy there
04:26which is
04:27I think is interesting
04:28you
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