#Bridgerton #Netflix #Romance #PeriodDrama #LoveSeries #Romantic #TVSeries #RegencyEra #StreamingShow #Historical
#love
watch bridgerton season 4 webseries 2026
#love
watch bridgerton season 4 webseries 2026
Category
🎥
Short filmTranscript
00:00I am yours, Daphne. I have always been yours.
00:04Welcome to Ms. Mojo.
00:06And today, we're counting down our picks for the most swoon-worthy scenes
00:10from our favorite period drama, Bridgerton, and its spin-off.
00:13This author shall tell all, and with spoilers.
00:17What if I did have feelings for you?
00:20What?
00:23Number 30. Colin and Penelope's Dance
00:26Before Season 3, there was this dance.
00:30Penn.
00:30Colin. I did not know you would be here.
00:35Sorry to disappoint.
00:36In the first two seasons, Penelope's love for Colin has been an unrequited one.
00:41Or has it?
00:43Colin's obvious soft spot for Penelope reared itself as early as Season 1,
00:47when Penelope was still a wallflower subject to the other society girls' cruel mistreatment.
00:52Mr. Bridgerton, I believe you owe me a dance this evening.
00:56And I have only one more space remaining on my card at the precipice.
01:00How convenient.
01:02Penelope, I did not see you there.
01:04Colin's response to their disrespect is to ask Penelope for a dance.
01:08It's heartwarming to see Colin's chivalric protectiveness,
01:11even if it is only still on the friendship level.
01:14It also showcases their bond and establishes a firm foundation for their eventual love story in Season 3.
01:20Now, will you please do me the honor of joining me on the dance floor?
01:26This is Bridgerton.
01:28Number 29. Violet and Marcus.
01:31This Bridgerton mama definitely needs more love.
01:35Violet's marriage to Edmund was clearly a love match,
01:38one cut tragically short with Edmund's unexpected death.
01:41But this is Bridgerton, and love is all around.
01:45I believe this is yours.
01:55In Season 3, Violet makes friends with Lady Danbury's brother, Marcus.
01:59A widower as well, Marcus and Violet instantly connect over their grown children,
02:04and their attraction is undeniable.
02:07Save a dance for me at the next ball?
02:10Uh, the, uh, Doug with Finchball?
02:15I, uh, well, uh, yes.
02:20That, that would be most adequate.
02:22Also, it's beyond cute when Violet starts stumbling over her own words,
02:26especially since she also got tongue-tied the first time she met her husband.
02:30Her garden is blooming alright.
02:32Let's hope Violet found a new gardener to take care of it.
02:35That is something I myself have not given up on finding in my second act.
02:40Number 28.
02:41Will and Alice make their own rules.
02:44Must we attend tonight's ball?
02:47What is the rule?
02:49We can do whatever we want.
02:52Hard-working tavern keeper and boxer Will Mondrich was introduced in Season 1
02:56as a friend of Simon, Duke of Hastings.
02:59Happily married to his wife Alice,
03:01Will's fortune takes an unexpected turn for the better in Season 3,
03:04when a departed aunt leaves her entire estate to their son.
03:09We've made use of our advantages, but everything up until now we have worked for.
03:13And I cannot stop thinking, what have we done to earn this?
03:19Nothing.
03:20The same as every Viscount and Earl and Baron out there.
03:24Absolutely nothing.
03:26But it is ours, so let us enjoy it.
03:29Seeing this handsome couple navigate the windfall and change in social status together
03:34has been inspiring.
03:35Seeing them finally grow comfortable with their status as lords and ladies
03:39and forge their own path together is even more satisfying.
03:43Everything about their relationship is hashtag goals.
03:46No more old Lady Kent clothes.
03:48Away with Lady Kent's clothes.
03:52Away with clothes.
04:00But I am keeping all the jewelry.
04:03There you go.
04:04Number 27.
04:05Daphne tends to Simon's wounds.
04:08Hurt and comfort is a beloved trope for good reason.
04:11Bridgerton puts it to good use in finally reconciling Daphne and Simon after their falling out.
04:16While Daphne tends to Simon's wounds,
04:19Simon finally confesses why he is so opposed to having an heir.
04:23My father cared more about the continuation of the Hastings line
04:31than anything in the world.
04:35More than my mother.
04:38More than me.
04:41And so I made a vow that his efforts would be in vain.
04:45The vulnerability and open communication between them is heartwarming,
04:49especially when Simon is laying out his tragic backstory about his brutal father.
04:53Their subsequent argument and negotiation is filled with romantic tension.
04:57It cannot be undone.
05:03Then I thank you for your elucidation, Your Grace.
05:07If your hatred for your father outweighs any
05:10affection that you might bear towards me,
05:13then you are right.
05:16It cannot be undone.
05:18Daphne and Simon still have some ways to go before their happily ever after,
05:22but this conversation is a great start.
05:25Number 26.
05:26Charlotte and George's bathtub scene.
05:29Reynolds, get up.
05:37Just get in.
05:38It's amazing that Charlotte and George's relationship ever began so rocky.
05:42I'm curious.
05:43What are you doing?
05:44Nothing.
05:45You're doing something.
05:46I am not.
05:47You are.
05:47I am not.
05:48You are.
05:48When Charlotte is betrothed to King George III,
05:52Charlotte's response is to climb over the garden wall and hope no one finds out.
05:56Instead, she is caught by George himself, and the rest is meet-cute history,
06:00albeit one with several bumps along the road to marital bliss.
06:04Charlotte is overjoyed.
06:06No, she's still deciding.
06:08She might go over the wall instead.
06:13Either way, the choice is entirely up to her.
06:16This scene where Charlotte joins her husband in the bathtub is filled with passion and intimacy.
06:21It also showcases this couple's rule-defying bond.
06:25Also, the fact that Charlotte is still in her nightgown when she gets in makes the scene even more steamy.
06:34Number 25.
06:36Colin dreams of Penelope.
06:39Colin.
06:41Colin.
06:43Colin.
06:46It was about time this Bridgerton sibling woke up, literally, to the fact that he's been in love with his
06:51best friend.
06:52When Penelope begs him for a kiss in a moment of desperation,
06:55it ironically affects Colin much more than it does Penelope.
06:59He begins to dream of Penelope and their kiss,
07:02struggling with the newfound knowledge of his attraction.
07:15Is there nothing better than a man pining for his friend?
07:18In any case, the dynamic is irrevocably changed,
07:21and he and Penelope can never go back to being just friends,
07:25which is how we like it.
07:27Do I have sugar on my face?
07:30No.
07:31Um, you removed it.
07:33Number 24.
07:35Brimsley and Reynolds' Secret Dance.
07:37Perhaps this is good.
07:39Perhaps.
07:41Perhaps it is bad.
07:44Would you like to step indoors while we wait to find out?
07:48Warm up a bit.
07:49It is a cool night.
07:50Thank you, sir.
07:51That is very kind and generous of you to offer.
07:53Historical dramas and LGBTQIA plus people are a potent,
07:57if often depressing, combination.
08:00Even in the idealized Bridgerton universe,
08:02heteronormative pressures and prejudices still exist.
08:06But this is also the Bridgerton universe,
08:08which means love is love for everyone and anyone.
08:11Truly possible?
08:14I do not know.
08:18Perhaps.
08:23Great love can make miracles.
08:26When Queen Charlotte's secretary, Brimsley,
08:28meets King George III's secretary, Reynolds,
08:31sparks fly as they bicker like an old married couple.
08:34Though their love can't be as open as their king and queen's,
08:37this dance they share is no less romantic.
08:39This fleeting moment is one to cherish in the years to come.
08:57Number 23, Kate and Antony in the Garden.
09:01You have to stop.
09:01I have to stop.
09:02There is no other course of action to be concluded.
09:04You must stop.
09:05It has been you.
09:06It has been you this entire time,
09:08spinning my world off its axis,
09:10making me reconsider everything I've ever told myself.
09:12The sexual tension between these two could set a stone on fire.
09:16Although Antony is determined to marry Edwina,
09:19the fierce attraction between him and her sister Kate cannot be denied.
09:23So much so that Edwina herself realizes it and calls off the wedding.
09:28Kate and Antony finally have a chance to be honest with each other and their affections.
09:32In the aftermath of the Bridgertons' failed ball,
09:35they finally consummate their will-they-won't-they relationship.
09:38I will stop.
09:41Do not stop.
09:42I will stop.
09:43Do not.
09:44Thank goodness.
09:46The fact that they still try to resist,
09:48only to return to each other like magnets,
09:51only makes this love scene all the lovelier.
09:54All I find myself thinking about,
09:55all I find myself being able to breathe for,
10:01is you.
10:07Speaking of consummation,
10:09this one was two seasons long in the making.
10:11You must tell me to stop.
10:13You do not wish for this.
10:14I do not wish for you to stop.
10:16Colin,
10:17finally realizing he is in love with Penelope,
10:20has proposed to her,
10:21and she has accepted.
10:22But the former wallflower still has her insecurities to overcome,
10:26and boy does Colin do an excellent job in overcoming them.
10:30You are the cleverest,
10:33bravest woman I've ever known.
10:37You make me feel seen in ways I've never felt seen before.
10:43And then there is
10:45the way your hair
10:47cascades down your shoulder.
10:49Sometimes we find our strength and self-confidence
10:51with the help of a loved one,
10:52and this scene exemplifies this.
10:54The cherry on the sundae
10:56is the fact that this scene comes
10:57right after Colin has facedown Portia
10:59on Penelope's behalf.
11:01Now that is true lover behavior.
11:04You do not realize how much that meant to me.
11:07What you said to my mother.
11:10No one has ever stood up for me like that.
11:12I will always stand up for you.
11:17Because I love you.
11:18Number 21.
11:19Kate and Antony kiss in the church.
11:22Sometimes a kiss is better
11:23than the steamiest sex scene.
11:25Kate and Antony's first kiss is just perfect.
11:28Do you love him?
11:29What?
11:30You told me you hated him.
11:33That only meant your feelings.
11:37Your feelings were strong.
11:40Do you love him?
11:42Edwina has finally cottoned on to Kate and Antony
11:45and left the altar,
11:46confronting her sister about this connection.
11:48With the rest departing,
11:50it is only Kate and Antony in the church.
11:52Neither of them can deny
11:54their magnetic attraction to each other.
11:56And at this moment,
11:57they finally give in to their desire.
11:59So forgive me
12:01if it is now my wish
12:05to suspend time,
12:08to delay the inevitable,
12:10to for a mere moment
12:11not think of what comes next.
12:14Their kiss is the result
12:16of many episodes worth
12:17of suppressed emotion
12:18and it shows.
12:19It is one of the best kisses in Bridgerton
12:22and one of the most romantic.
12:34Number 20.
12:35Penelope and Colin
12:36Penelope Featherington joins
12:38the grand tradition of girls
12:40who just adore the boy next door.
12:42It's obvious from the very beginning
12:44that she's completely smitten
12:46with Colin Bridgerton.
12:47Unfortunately,
12:48Colin spends most of the season
12:50with eyes only for her cousin Marina,
12:52but the two do still get
12:54some heartwarming moments
12:55for themselves.
12:56In the first episode,
12:57we understand exactly
12:58why Penelope is crushing on Colin
13:00when he gallantly shows up
13:02the society mean girls
13:04on her behalf.
13:05I'm afraid I cannot offer you
13:06that dance, Miss Calcutt.
13:07I am to escort Miss Featherington
13:09to the floor.
13:11Throughout the season,
13:12he also appreciates her compassion
13:13and unexpectedly savage wit.
13:16But do you not think the boy
13:17bears a part of resemblance
13:18Lady Traybridge's footman?
13:20Penelope?
13:21Yeah.
13:22That's a bob.
13:23However, it's not until the finale
13:25when he really seems to see
13:27his old friend in a new light.
13:29If you really believe yourself
13:30in love,
13:30one should never apologize for that.
13:33One finds oneself
13:34in such an incredible position
13:35and, well,
13:37one should declare it
13:39assuredly,
13:40fervently,
13:43loudly.
13:45Number 19.
13:46Simon educates Daphne.
13:48Sex ed for Regency ladies
13:49left a lot to be desired.
13:51No, I'm not laughing at you.
13:53I'm laughing at the absurdity
13:54of how little mothers
13:55tell their daughters.
13:56You tell us nothing.
13:57When a conversation
13:58between Simon and Daphne
13:59steers into decidedly
14:01unladylike territory,
14:03Simon is initially reluctant
14:04to fill in the gaps.
14:06Daphne is insistent, though.
14:08We can't blame her
14:09for wanting to know more.
14:10And apparently,
14:11Simon can't either.
14:12It is a natural continuation
14:14of what happens at night.
14:15At night?
14:17What happens at night?
14:19When you are alone.
14:21When I am sleeping.
14:22Not when you are sleeping.
14:24Seeing his hint
14:25has caused confusion,
14:26Simon urges Daphne
14:28to experiment on her own.
14:30When you find a feeling
14:31you particularly enjoy,
14:33you can carry on with that.
14:35Between the smoldering eye contact
14:37and the forbidden subject matter,
14:39this moment is unmistakably hot.
14:41However, it offers us
14:43a glimpse of more.
14:44In his openness to helping her,
14:46we see Simon's genuine respect
14:48for Daphne's experience
14:49as a human being.
14:51It's a modern aspect of romance
14:53that we were happy
14:55to see included.
14:56Number 18.
14:57Antony returns to Sienna
14:59Antony and Sienna's passion
15:01for each other
15:01is one of the first plot points
15:03established on Bridgerton.
15:05Their different social statuses
15:06soon separate them, however,
15:08as Antony is encouraged
15:09to prioritize his duty
15:11to his family.
15:12Are you to return
15:13to your battle of lodgings
15:14across the square?
15:15Or will you pay a visit
15:16to a certain soprano
15:17that you tend to
15:18in an apartment
15:18that you pay for
15:19on the other side of town?
15:21Relying on your younger brothers
15:23to one day do the job
15:24that you cannot?
15:25Of course,
15:26feelings can't be turned off
15:28that easily.
15:29When Antony challenges Simon
15:30on behalf of his sister's honor,
15:32his heart takes him
15:33running right back to Sienna.
15:34If we cannot be together,
15:36I know that now
15:36this world shall not permit it.
15:38But what if we were
15:39to find ourselves
15:39in another situation?
15:40In a place where you and I
15:42might be accepted
15:42with none of the shame
15:44nor recriminations
15:44that this society grants us.
15:46Would you have me then?
15:47Facing the reality
15:48of what the next morning
15:49could mean for his life,
15:50he makes her
15:51an impulsive proposal.
15:52If I live to see sunrise,
15:54I am free.
15:56I'm free of society,
15:58free of these rules,
15:59the very ones
15:59that keep us apart.
16:00We could go together
16:01away from all this, Sienna.
16:02In that moment,
16:03even pragmatic Sienna
16:05can't deny her love
16:06for Antony.
16:07Though we know
16:08that they're probably
16:09both destined for heartbreak,
16:11in that instant,
16:12it's easy to get swept up,
16:13just as Antony and Sienna do.
16:16Number 17.
16:17Kate and Antony dance.
16:19Lord Bridgerton.
16:22Hisham.
16:23After already turning down
16:24one offer to be
16:25the next Viscountess Bridgerton,
16:27Kate finally listens to Edwina
16:29telling her that it's alright
16:30to act on her feelings
16:31for Antony.
16:32Perhaps the spectators
16:34might take pity on me.
16:36I was on the dance floor
16:38days after a terrible injury
16:39to the head.
16:42Perhaps I needed someone
16:43to steady me.
16:44Kate ultimately arrives
16:46at the final ball
16:47of the season
16:47and decides that she's
16:48done denying her feelings,
16:50approaching Antony
16:51as he asks her to dance.
16:53Are you going to ask me
16:54to dance?
16:56One last time.
16:58Are you going to say yes?
17:00She gives him a few excuses
17:01for why them dancing together
17:03after such a huge scandal
17:04is entirely plausible
17:06and the pair take to the floor
17:07as a very apt string cover
17:09of wrecking ball plays.
17:10Hearts around the world
17:11melted when Antony proposed
17:13to Kate for the second time,
17:15calling her by her full name.
17:16You do know
17:17there'll never be a day
17:18where you do not vex me.
17:24Is that a promise,
17:26Chthane, shall we?
17:27Number 16.
17:29The Beginning
17:30In one of many parallels
17:32to the works of Jane Austen,
17:34Daphne and Simon's first meeting
17:35sends sparks flying in vexation
17:37more than attraction.
17:39If you desire an introduction,
17:40madam, I do believe
17:41accosting me to be
17:42the least civilized of ways.
17:43Accosting you?
17:44Surely they will try anything.
17:46Sir, that is not...
17:48This is not...
17:50What is your name?
17:51That changes
17:51once they have a common goal.
17:54Both hounded by the writings
17:55of Lady Whistledown,
17:57the pair decides to solve
17:58their separate problems
17:59by forming a very public
18:00and very false attachment.
18:03You presume Lady Whistledown?
18:05I presume Sheldin
18:05must be precisely what we are.
18:07Me, unavailable.
18:09You, desirable.
18:11The arrangement might be fake,
18:12but as we soon see,
18:14the chemistry between them
18:15is anything but.
18:16Here.
18:18Closer.
18:22If this is to work,
18:24we must appear madly in love.
18:26It will take Daphne and Simon
18:28a while to realize
18:29that they're destined
18:30to be more than partners
18:31in their plot.
18:32However, to everyone else watching,
18:34it couldn't be more clear
18:36that what these two already have
18:37is nothing short of fireworks.
18:40Number 15.
18:41Quiet Moments
18:42Forgive me, I was simply...
18:43In need of some quiet.
18:45I've been in search of it all night.
18:49Readers of the books will know
18:51that Francesca's story
18:52details her falling
18:53for her second husband, Michael,
18:54not her first,
18:55whom we see very little of.
18:57That's not the case
18:58in the show, however,
19:00as we're also seeing
19:01Francesca fall for
19:02Lord John Sterling,
19:03the Earl of Kilmartin,
19:04after the two
19:04encounter each other
19:05at a party.
19:06Miss Francesca.
19:08John Sterling.
19:10Earl of Kilmartin.
19:11It is a pleasure to meet you.
19:13Pleasure is mine.
19:14Francesca had spent
19:15the season so far
19:16wanting a practical husband
19:18who will let her
19:18pursue her passion for music
19:20and doesn't feel compelled
19:21to make conversation
19:22when none is necessary.
19:24She does not speak to him.
19:26I am in awe.
19:27I thought one had to use wit
19:29or banter
19:30to dissuade a suitor,
19:31but simple silence.
19:32It's radically more effective.
19:33Though everybody else
19:34in the taunt
19:35thinks they're an odd couple,
19:36they're an ideal match,
19:38proving that a great romance
19:39looks and feels different
19:40to everybody.
19:42Number 14.
19:43Call Me By My Name.
19:44Simon and Daphne
19:46might be on the same team,
19:47but they are not
19:48initially on the same page.
19:50After some early bumps
19:52in their fake relationship,
19:53Daphne lays her cards
19:55on the table.
19:55This is about a life,
19:57Your Grace.
19:58My life.
20:00I must finally
20:01take charge of it.
20:03I cannot afford
20:04to do otherwise,
20:05so I shall not
20:06have this go wrong.
20:07This kind of blunt honesty
20:09does not come up much
20:10in Regency ballrooms.
20:12Going with the new theme
20:13of transparency,
20:14Simon decides that
20:15they might as well
20:16drop all the social
20:17formality between them.
20:19If we are truly
20:19to seem to be caught,
20:20if this is to be a match
20:22like no other,
20:23then you should call me
20:23by my name.
20:24The newfound familiarity
20:25is amusing to Daphne at first,
20:27until Simon uses
20:29her own name in return.
20:31She's perfectly fine.
20:33You're perfectly fine.
20:34You're very well.
20:35Daphne.
20:36The impact of this intimacy
20:38is immediately apparent
20:39in the change of mood
20:40between the two,
20:41especially as we see
20:42a token act
20:43of physical intimacy as well.
20:45Though the ruse goes on,
20:47something has obviously
20:48taken root between them.
20:50Number 13.
20:51Feasting.
20:52Season 2 introduced us
20:53to Anthony's trauma
20:54after witnessing
20:55his father die
20:56of a bee sting.
20:57Content.
20:57Do not tell me
20:59what you do.
21:03While bickering with Kate
21:04yet again after their
21:06contentious game of pall mall,
21:07Anthony loses all of his
21:09composure when a bee
21:10lands on her.
21:11No, no, do not do it.
21:11This is only a bee.
21:12Ow.
21:16He has a full-blown
21:17panic attack
21:18when the bee stings her,
21:19fearing that she might die
21:21the same way Edmund did.
21:22I am unhaughed.
21:24I am unhaughed.
21:30She's able to calm him down
21:31in a very charged moment
21:33as they yet again
21:34try to resist
21:35the all-consuming urge
21:36to kiss.
21:37It was just
21:39a bee.
21:41They're interrupted
21:42and return to themselves,
21:44but this scene
21:45of extreme vulnerability
21:46is a cornerstone
21:47of their relationship
21:48going forwards.
21:51Sometimes the most
21:53significant moments
21:54are the most subtle.
21:55Bridgerton takes
21:56pleasure in reminding us
21:58of that fact
21:58in a scene that brings
21:59to mind Pride and Prejudice.
22:01With their ruse
22:02going exactly
22:03according to plan,
22:04Daphne and Simon
22:05are pleased with themselves
22:06when they meet
22:07at a society art exhibition.
22:09We are awfully clever.
22:11Indeed we are.
22:13Excessive pride
22:14suits you,
22:16Miss Bridgerton.
22:17Pride is a sin,
22:18your grace.
22:19One of the lesser sins,
22:20but do not worry.
22:21It must all start somewhere.
22:23Their flirtatious banter
22:25gradually takes a turn,
22:26though.
22:27As they contemplate a painting,
22:29Daphne seems to recognize
22:30an emotional quality
22:31in the work,
22:32one that clearly speaks
22:33to Simon as well.
22:34It's if I could be
22:35the only person left
22:37in the world
22:37and yet somehow
22:39I am not lonely.
22:41I am comforted
22:42at peace.
22:44Watching their hands
22:45reach for each other
22:46almost as if
22:46they're magnetically drawn,
22:48we realize that
22:49their connection
22:49is already deeper
22:50than just physical chemistry.
23:01It's an all-too-brief moment
23:03that tells us
23:04everything about
23:05their true feelings.
23:07Number 11.
23:08Cracking the Case
23:09I couldn't tell you.
23:11Not when she was
23:12still watching me.
23:14Why do you think
23:14I ended things
23:15the way I did with you
23:16despite wanting
23:16to do the very opposite?
23:17Though she'd previously
23:18vowed to never marry a man,
23:20Eloise finally got
23:21a taste of romance
23:22in season two
23:23when she met
23:24the handsome printing
23:24apprentice Theo Sharp.
23:26Unlike the gentlemen
23:27of the tawn,
23:28Theo not only listens
23:29to Eloise's ideas
23:30but challenges them,
23:32something she thrives on.
23:33I must know
23:34everything you know.
23:35The manuscripts came
23:37early mornings,
23:39twice a week usually.
23:40Do you have the wrapping
23:40they came in?
23:41They never came in wrapping.
23:42They came sewn into silks.
23:44Through him,
23:45she begins to learn
23:46about the world
23:47beyond Mayfair
23:48and how privileged
23:49she really is.
23:50At the end of the season,
23:51they very nearly kiss
23:52while trying to solve
23:53Lady Whistledown's identity.
23:57Oh,
23:58not on the hands.
24:06It was devastating
24:08when Eloise,
24:09paranoid by Penelope
24:10warning her away from Theo,
24:12all to protect her identity,
24:13called it off
24:14because they were
24:15a great match.
24:16Their investigation
24:16was fun
24:17while it lasted.
24:18People are already
24:19talking about us here.
24:22And no,
24:22I do not normally care
24:23what other people think
24:24but yes,
24:25I care about you.
24:27Number 10.
24:28Kiss me.
24:29Do you kiss me?
24:33Penelope.
24:34It would not have
24:35to mean anything.
24:36After Colin decides
24:37to teach Penelope
24:37how to be charming
24:38in order to snare a husband,
24:40he soon finds himself
24:41falling for her.
24:42But he doesn't even start
24:43to put two and two together
24:44properly until,
24:46late in the Featherington Garden
24:47one night,
24:48Penelope asks Colin
24:49to kiss her.
24:50But I am nearly
24:50on the shelf
24:51and I have never been kissed
24:52and I am not certain
24:53I ever will be.
24:54I could die tomorrow.
24:56Terrified she's going
24:57to remain a spinster forever
24:58and that no man
24:59will ever kiss her,
25:00she persuades him
25:01to do just that.
25:02Although, of course,
25:03he doesn't take
25:04much persuading.
25:13In that moment,
25:14sparks fly.
25:15Though she expects
25:16nothing more from Colin
25:18for the time being,
25:19Penelope still speaks
25:20for all of us
25:21when she takes her leave.
25:28Number 9.
25:30Hunting Trip
25:30Never before has a glimpse
25:32of thigh caused
25:33so much pain.
25:34You're still convinced
25:35we've lost our prey?
25:37I'm convinced
25:38that deer
25:40prefer the edge
25:41of the forest.
25:42This is much
25:42too open out here.
25:43In this classic scene,
25:45Kate ends up
25:46joining the men
25:47as they go hunting
25:47in the grounds
25:48of Aubrey Hall
25:49but abandons
25:50the main group
25:50because she's convinced
25:51that they're on
25:52the wrong track.
25:53Anthony follows,
25:54pursuing her deeper
25:55into the woods,
25:56after all but losing
25:57his mind when Kate
25:58lifts her dress
25:59a little too high
26:00to step over a log.
26:09When he then teaches
26:10her how to hold
26:11and shoot the gun,
26:12things heat up
26:13even more.
26:21It's no surprise
26:23that they very nearly
26:24kiss again
26:24later in the same episode.
26:26Number 8.
26:27The First Kiss
26:28It may have only
26:29taken four episodes
26:31but by the time
26:32Simon and Daphne
26:33finally kissed,
26:34we felt like
26:35we were dying
26:35with anticipation.
26:37In an attempt
26:37to avoid
26:38the increasingly
26:39potent emotions
26:40between him
26:40and Daphne,
26:41Simon decides
26:42to leave London.
26:43Love,
26:44your grace,
26:47conquers all.
26:50I believe
26:51that remains
26:52to be seen.
26:52He finds
26:53he can't go
26:54without one
26:54last goodbye though.
26:56Hurt by his
26:57emotional whiplash,
26:58Daphne does not
26:59receive him warmly.
27:00I shall not be led
27:01once more by you
27:02from this direction
27:03to that.
27:04You are my friend,
27:05you are not my friend,
27:06you are a rake,
27:07you are not a rake,
27:08you are sorry.
27:09I am sorry.
27:10That is very well.
27:11The conversation
27:11quickly turns
27:12into an argument
27:13leading to a chase
27:14through the gardens
27:15where anger
27:16gives way
27:16to other passions.
27:18Listen!
27:19Listen!
27:29By this point,
27:30we were already
27:31well aware
27:32that Simon and Daphne
27:33were incapable
27:33of staying apart,
27:35but seeing them
27:35throw all caution
27:36out the window
27:37and give in
27:38to each other
27:38was an epic moment
27:40of romantic fantasy.
27:41Number 7.
27:42Chase Through the Rain
27:44One of the horses
27:45is gone too.
27:48With his wedding
27:49to Edwina called off
27:50and he and Kate
27:51finally giving in
27:52to their intense
27:52attraction to each other,
27:54it seems that nothing
27:55is standing in the way
27:56of Anthony proposing,
27:57but Kate leaves
27:58early the next morning
27:59to ride through the rain
28:00and collect her thoughts.
28:11Tragedy strikes,
28:12however,
28:12as she falls
28:13from the horse
28:13and hits her head
28:14on a rock.
28:25Anthony heroically
28:26rescues her,
28:27carrying her
28:27through the rain
28:28back to safety
28:29so that she can
28:30make a full recovery.
28:35It was a shocking
28:36cliffhanger
28:36to leave season 2's
28:37penultimate episode on,
28:39made worse by the fact
28:40that Kate still refused
28:41his first proposal
28:42when she awoke,
28:43but who wouldn't
28:44want to be rescued
28:45by the Viscount?
28:46Number 6.
28:47The Royal Audience
28:48Simon tried and tried,
28:51but in the end
28:51he couldn't escape
28:52his love for Daphne.
28:54He may not have been
28:55pleased to marry her,
28:56but if there were
28:57any doubts left
28:58about the sincerity
28:58of his feelings,
29:00he removes them all
29:01when the couple
29:02requires the Queen's help
29:03for their expedited wedding.
29:05And so romance
29:06was entirely out
29:06of the question
29:07for both of us.
29:08But in so removing it,
29:09we found something
29:10far greater.
29:13We found friendship.
29:14In confessing the truth
29:15about their ruse,
29:16Simon finally opens
29:17his heart.
29:18Namely,
29:19he reveals what was
29:20so strongly implied
29:21previously.
29:22We have fooled them
29:23into thinking
29:23we are courting.
29:25And really,
29:26all along,
29:28we simply enjoyed
29:29each other's company
29:29so much we could not
29:30stay away from one another.
29:31To hear Simon describe
29:33how he fell in love
29:34with Daphne
29:34for her personality
29:35is almost more effective
29:37than their many
29:38sexually charged
29:39physical scenes.
29:40To meet a beautiful woman
29:41is one thing,
29:43but to meet your best friend
29:44in the most beautiful
29:45of women
29:45is something
29:46entirely apart.
29:47We get a couple
29:48who like each other
29:49as much as they
29:50want each other.
29:51It's an expression
29:52of what lasting love
29:54is really built on.
29:56Number 5.
29:57The King Remembers
29:58Fans of The Notebook
30:00will be primed
30:00to deal with
30:01this heartbreaking moment
30:02that comes at the very
30:03end of Queen Charlotte.
30:04As the succession crisis
30:05looms in the present,
30:07the Queen reminisces
30:07about her early relationship
30:09with King George III.
30:10He's rarely lucid
30:11in the show
30:12and is often kept away
30:13from the Queen
30:14and other members
30:15of society.
30:25But in this beautiful,
30:27gut-wrenching moment,
30:28the King briefly remembers
30:29who Charlotte is
30:30and that they're in love.
30:32Fancy meeting you here.
30:38We see their younger selves
30:39and their older selves together.
30:41And if this didn't bring
30:42a tear to your eye,
30:43you must have
30:44a heart of stone.
30:56number 4.
30:58The Carriage Scene
31:00Penelope!
31:03I do not wish to speak with you.
31:05Please!
31:06Finally,
31:06Colin has worked out
31:07what he wants
31:08and goes to the ball
31:09to try and persuade Penelope
31:10not to accept a proposal
31:12from the eligible Lord Debling.
31:13Feelings like dreaming of you
31:15when I'm asleep
31:16and in fact,
31:17preferring sleep
31:18because that is where
31:18I might find you.
31:19After Debling realizes
31:20something is afoot
31:21and calls things off with Pen,
31:23Colin and Penelope
31:24ride home together
31:25and he confesses
31:26that he has feelings for her.
31:27A feeling
31:28that is like torture,
31:31but one which I cannot,
31:34will not,
31:35do not want to,
31:37give up.
31:38She initially isn't sure
31:39he's being honest
31:40and who can blame her,
31:42but they quickly give in
31:43to the passion
31:44that's been building
31:45all season
31:45when Colin makes
31:46a declaration of love
31:47for the ages.
31:48I don't very much like
31:49to be more than friends.
31:54So much more.
31:56This scene is ripped
31:57straight from the books
31:58as they also nearly
31:59lose their honor
32:00during a carriage ride
32:01and in both versions
32:03it ends with Colin proposing.
32:04It only took him a lifetime.
32:06For God's sake,
32:07Penelope Featherington,
32:08are you going to marry me
32:09or not?
32:11Number 3.
32:12I burn for you.
32:14The allure between
32:15Simon and Daphne
32:16is almost unbearably powerful.
32:18Despite this,
32:19their wedding night
32:20gets off to an awkward start
32:21when Simon makes it clear
32:23he plans to sleep
32:24in a separate room.
32:25I understand that
32:26you do not wish to see me.
32:28That you would prefer
32:28to stay in your separate room
32:30and endure a wordless dinner
32:32together on our wedding night.
32:34That is not what I would prefer.
32:35Though the audience
32:35knows about his previous
32:37vow never to marry,
32:38it's a surprise to everyone
32:40when Daphne confronts him
32:41and the real reason
32:42for his behavior
32:43is made clear.
32:44I am not angry.
32:45You look angry.
32:46I'm bothered.
32:47Look at you.
32:48You're downright flush.
32:49Yes, that is what happens.
32:50When one is angry.
32:51When one burns
32:51for someone
32:52who does not feel the same.
32:53Given the events
32:54that have led up
32:55to this moment,
32:55it's amazing to think
32:57Simon could believe
32:58Daphne does not want him.
33:00She doesn't hesitate
33:01to set the record straight though.
33:03It is you I cannot sacrifice.
33:07I burn for you.
33:10While the bedroom scene
33:12that follows is on fire,
33:14seeing this couple's
33:15earnest love confessed freely
33:16is what gets our hearts racing.
33:19Number two,
33:20you are the bane
33:21of my existence.
33:22So tell me,
33:23what has she done?
33:23She has done nothing.
33:24It is you.
33:25You have made this match impossible.
33:27But I am leaving for India.
33:28And it is not far enough.
33:30Anthony is still set
33:31on marrying Edwina
33:32while grappling
33:32with his uncontrollable
33:34feelings for Kate.
33:35She tells him
33:36that none of this matters
33:37because she will go back
33:38to India
33:38at the end of the season.
33:40Cue this iconic confession.
33:42You are the bane
33:43of my existence.
33:49And the object
33:51of all my desires.
33:52It became an instant classic,
33:54one of the most quoted
33:56moments of the show,
33:57and a personal favorite
33:58of viewers worldwide.
33:59Night and day,
34:01I dream of you.
34:03And what I...
34:07Do you even know
34:08all the ways
34:08a lady can be seduced?
34:10The scene almost results
34:12in Anthony calling off
34:13the wedding early,
34:14with Edwina's lack
34:15of dowry as an excuse.
34:17We can't believe
34:18that they were still able
34:19to control themselves,
34:20at least partially,
34:21for multiple episodes
34:22after this happened.
34:24Before we continue,
34:25be sure to subscribe
34:26to our channel
34:27and ring the bell
34:28to get notified
34:28about our latest videos.
34:30You have the option
34:31to be notified
34:32for occasional videos
34:33or all of them.
34:35If you're on your phone,
34:36make sure you go
34:37into your settings
34:38and switch on notifications.
34:40Number 1.
34:41The Hastings Ball
34:42The course of true love
34:43never did run smooth,
34:45but Daphne, for one,
34:46is not easily scared.
34:48I love all of you.
34:50Even the parts
34:51that you believe
34:52are too dark
34:53and too shameful.
34:56Every scar,
34:57every flaw,
34:59every imperfection.
35:01I love you.
35:02Though the pair
35:03started their London Ball
35:04poised to walk away
35:05from each other forever,
35:06time slows during
35:08what is meant to be
35:09their last dance.
35:10As the unexpected rain
35:12drives their guests away,
35:14Daphne goes right
35:14to the crux
35:15of all of Simon's insecurities.
35:17Just because something
35:18is not perfect
35:21does not make it
35:22any less worthy of love.
35:24Her heartfelt speech
35:25isn't demanding
35:26or grandiose,
35:27just a simple statement
35:28of genuine love.
35:30It seems to finally
35:31convince Simon
35:32he is worthy
35:33of the happiness
35:34he has denied himself.
35:36By the time
35:36they fully reconcile,
35:38he understands
35:38that life may never
35:40be simple,
35:40but it will always
35:41be better with his
35:42true love and best friend.
35:44You stay
35:46when we get through this
35:48together.
35:51If you do this,
35:52if we do this,
35:54then nothing else will matter.
35:55Now that
35:56is worth swooning for.
35:58Which other
35:59Great Bridgerton moment
36:00has you reaching
36:01for the smelling salts?
36:02Let us know
36:03in the comments
36:04down below.
36:14Do you agree
36:15with our picks?
36:16Check out this
36:17other recent clip
36:17from Ms. Mojo.
36:19And be sure
36:19to subscribe
36:20and ring the bell
36:21to be notified
36:22about our latest videos.
36:27We'll see you next time.
36:27We'll see you next time.
36:28We'll see you next time.
36:32We'll see you next time.
36:33We'll see you next time.
36:33We'll see you next time.
Comments