- 2 days ago
Noćna mora Željka Malnara ili Nightmare Stage by Željko Malnar bio je noćni talk show autora Željka Malnara koji se od 3. listopada 1992. subotom navečer uživo emitirao od 22:00 do jutarnjih sati (ponekad čak 6:00 ili 8:00) na televizijskoj postaji OTV, a od 2005. godine na Z1 Televiziji. Emitiranje Noćne more službeno je završilo 26. lipnja 2010. S vremenom je emisija zbog svoje jedinstvene originalnosti i rušenja tabua stekla kultni status i veliku gledanost. Željko Malnar često je isticao kako je Noćna mora antitelevizijska emisija, drugim riječima sve suprotno od onoga što jedna televizijska emisija predstavlja.
Zagrebački odbor Gradske skupštine za javna priznanja na prijedlog zastupnika zagrebačke skupštine političke stranke HSP, 2004. godine nominirao je Noćnu moru za dodjelu Plakete Grada Zagreba, i to "za njezinu autentičnost, hrabro suprotstavljanje umjetnom virtualnom svijetu, lažnim veličinama i društvenoj hipokriziji". Međutim, navedena nominacija nije prihvaćena nakon što je Hrvatski helsinški odbor, tada na čelu sa Žarkom Puhovskim, ustvrdio da se u toj emisiji "beskrupulozno koriste hendikepirane osobe i širi rasizam".
Ekipu Noćne more činili su ljudi koji su bili potpuni anonimni, osebujni i neobični prijatelji i susjedi Željka Malnara. Jedinstvenost emisije i primamljivost velikom broja gledatelja bila je u tome što je Malnar pred televizijskim kamerama rušio tabue na način da je dovodio svoje prijatelje čudnovatih i duhovitih nadimaka koji su u stvarnom životu ljudi s margine društva nižih intelektualnih sposobnosti, siromasi, alkoholičari s ulice te socijalni slučajevi, a o kojima je on privatno skrbio i brinuo. Tijekom trajanja emisije, zahvaljujući Malnaru, članovi ekipe od potpunih anonimaca postaju javno poznate ličnosti koje ljudi zaustavljaju na ulici kako bi se uslikali sa njima.
Željko Malnar je zagrebačko naselje Pešćenica proglasio "Republikom", sebe doživotnim "predsjednikom", a svoje prijatelje iz emisije imenovao je "ministrima". Sve to zapravo je Malnar koristio kao satiričku platformu kako bi kroz vlastitu emisiju ismijao političku scenu i prikazao pravo stanje društva u kojem se nalazio. Pa su tako popularne likove Noćne more činili:
Zvonimir Levačić "Ševa" – ministar obrane Republike Peščenice
Vladimir "Vlado" Matijević "Jaran"/"Jajan" – obični novinar
Remzo Krak-Sirotković – urednik vijesti i narodni pjesnik
Sead Hasanović "Braco" CroRom – zastupnik romske nacionalne manjine
Nediljko Alagušić "Tarzan" – ministar ćudoređa Republike Peščenice
Stanislav Hrenović "Stankec" – narodni tribun Republike Pešćenice
Nenad Blatnik "Cezar" – pjevač i bivši boksački prvak
Ivica Lako "Laki" – plesač i ovisnik o marihuani
Siniša Polovina "Gibo iz Kutine" – pjevač
Emir Ilijaš – erotski pjesnik
Ivan Plehan "Ivek" – najbolji harmonikaš svih vremena
Darko Đugumović – pjevač-imitator
Ljubomir Đomešić "Ljubo" – filozof i mudrac...
Zagrebački odbor Gradske skupštine za javna priznanja na prijedlog zastupnika zagrebačke skupštine političke stranke HSP, 2004. godine nominirao je Noćnu moru za dodjelu Plakete Grada Zagreba, i to "za njezinu autentičnost, hrabro suprotstavljanje umjetnom virtualnom svijetu, lažnim veličinama i društvenoj hipokriziji". Međutim, navedena nominacija nije prihvaćena nakon što je Hrvatski helsinški odbor, tada na čelu sa Žarkom Puhovskim, ustvrdio da se u toj emisiji "beskrupulozno koriste hendikepirane osobe i širi rasizam".
Ekipu Noćne more činili su ljudi koji su bili potpuni anonimni, osebujni i neobični prijatelji i susjedi Željka Malnara. Jedinstvenost emisije i primamljivost velikom broja gledatelja bila je u tome što je Malnar pred televizijskim kamerama rušio tabue na način da je dovodio svoje prijatelje čudnovatih i duhovitih nadimaka koji su u stvarnom životu ljudi s margine društva nižih intelektualnih sposobnosti, siromasi, alkoholičari s ulice te socijalni slučajevi, a o kojima je on privatno skrbio i brinuo. Tijekom trajanja emisije, zahvaljujući Malnaru, članovi ekipe od potpunih anonimaca postaju javno poznate ličnosti koje ljudi zaustavljaju na ulici kako bi se uslikali sa njima.
Željko Malnar je zagrebačko naselje Pešćenica proglasio "Republikom", sebe doživotnim "predsjednikom", a svoje prijatelje iz emisije imenovao je "ministrima". Sve to zapravo je Malnar koristio kao satiričku platformu kako bi kroz vlastitu emisiju ismijao političku scenu i prikazao pravo stanje društva u kojem se nalazio. Pa su tako popularne likove Noćne more činili:
Zvonimir Levačić "Ševa" – ministar obrane Republike Peščenice
Vladimir "Vlado" Matijević "Jaran"/"Jajan" – obični novinar
Remzo Krak-Sirotković – urednik vijesti i narodni pjesnik
Sead Hasanović "Braco" CroRom – zastupnik romske nacionalne manjine
Nediljko Alagušić "Tarzan" – ministar ćudoređa Republike Peščenice
Stanislav Hrenović "Stankec" – narodni tribun Republike Pešćenice
Nenad Blatnik "Cezar" – pjevač i bivši boksački prvak
Ivica Lako "Laki" – plesač i ovisnik o marihuani
Siniša Polovina "Gibo iz Kutine" – pjevač
Emir Ilijaš – erotski pjesnik
Ivan Plehan "Ivek" – najbolji harmonikaš svih vremena
Darko Đugumović – pjevač-imitator
Ljubomir Đomešić "Ljubo" – filozof i mudrac...
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FunTranscript
00:00Here, Remzom, how did you like the episode?
00:05You were there, you see, a team from Bosne.
00:09They were wonderful, they were playing the old Sevdalink.
00:14Did you feel good?
00:17You know what, Mr. Malar, can I first say this?
00:22I really opened the door in the whole Hrvatsk,
00:26not only in Hrvatsk, but in the world.
00:28I thank you very much.
00:29What does it mean to me and this Dorin,
00:33I don't remember anything.
00:34Thank you for watching from the beginning of the episode until today.
00:39Do you believe that now God gave me something,
00:42that I can improve the world,
00:46so I can live a little better.
00:48Yes, Remzom, it's nice to be.
00:50Yes, it's nice to be humanistic.
00:52I mean, I'm old.
00:54The last thing is to be old.
00:55Yes, it's time to put the record.
01:01It's time to put it on the table on the table.
01:05And you put it on the table,
01:07and you put it on the table before me,
01:08and you put it on the table,
01:09and you put it on the table as an individual.
01:12You know what I mean?
01:43Došlo je vrijeme, Remzo moj, nemoj se sada prepasti.
01:50Ne daj Bože, da.
01:51Da, sada pokašeš da si čovjek.
01:54Neću, nemoj mi slađenu slađi, sigurno ne, jer oni si mene govareli u nome u kombiju.
02:01Nemoj mi je slađi gotovo, ne i ne.
02:04Dobro, veće, Remzo.
02:06Svako već je, a Remzo nije smeće, da me...
02:09Boga nije, a Remzo?
02:11Ne i ne.
02:12Ne i ne i ne i ni bi o komani, gotovo.
02:15Ne sjejite.
02:16A če mi se radi?
02:17Remzo, Remzo.
02:19Ne i ne omano ali gotovo, ja sam u biterni bil.
02:21Ne možda.
02:23Ja sam u biterni bil djogi.
02:25A šta?
02:27Ja sam tu samo imala.
02:29Ništa, neću da ona oko me ne eseruva ni ništo.
02:33I gotovo.
02:33Sada ka smo govarali.
02:35I told you, if you come to the tree, I will go to the tree.
02:42What do you have to do with this man?
02:44This man is thinking about it.
02:46It's called a horseman, just to show you the horse.
02:50Let me show you the horseman.
02:54My horseman.
02:54My horseman.
02:56My horseman.
02:56My horseman.
02:57My horseman.
03:03If it's not, it's not like that.
03:06Please tell me.
03:08Please tell me.
03:10What is that?
03:13It's not a problem.
03:14Look at this woman.
03:14This is a horseman.
03:18This is a horseman.
03:19Yes.
03:24If there are some of them,
03:2710 cm is not enough.
03:3012 cm.
03:3214 cm.
03:3314 cm.
03:3417 cm.
03:3519 cm.
03:3822 cm.
03:4022 cm.
03:4412 cm.
03:4513 cm.
03:45Daly Big Association.
03:4824 cm.
03:4915 cm.
03:5125 cm.
03:5225 mai 19 cm.
03:5615 cm.
03:5755 cm.
04:0125 cm.
04:0811 cm.
04:1125 cm.
04:1225 cm.
04:1325 cm.
04:15I have a suggestion that if I am a woman who is a woman, I will be able to measure
04:20someone else.
04:22What is it?
04:23From your name, from your brother and your brother.
04:26What are you doing?
04:29Wait, Renzo, come and ask me.
04:31What are you doing?
04:34I'm not going to go.
04:36I'm not going to go.
04:36I'm going to give you a seat.
04:39Wait, wait, wait.
04:42Wait, wait.
04:43There is not the bed.
04:45The guy is pushing you.
04:47He's pushing you.
04:47I'm going to go.
04:47I'm going to go.
04:48I'm going to go.
04:50I'm going to go.
04:50I'm going to go.
04:51So, how can I go?
04:55I'm going to go.
04:57I'm going to go.
04:57You can't go.
04:58How can I sit with him, and Renzo is pushing you.
05:02I'm going to go.
05:02I'm going to go.
05:03Where is he going?
05:05No, he's not going to go.
05:06He's just like a fish here.
05:08Listen, do you do this with him?
05:13Oh brother, brother.
05:15And you ask me about it.
05:18You've got a cup of coffee.
05:20You've got a cup of coffee.
05:21You've got a cup of coffee.
05:24Please, please.
05:25Please, please.
05:28Okay, what are we going to do now?
05:30Nothing. Remzu.
05:31Let's go, Remzu.
05:34I'm capable of you.
05:37No, no, no, no.
05:40Why do we do this?
05:42I have a suggestion.
05:45If you wanted him to be the first one,
05:47if you wanted him to be the rest of the team,
05:50one by one, then Remzu.
05:53Listen to my song.
05:57I'll go to the song.
05:59Wait, wait.
06:01Maybe we can do it on another way.
06:02Remzu.
06:03I'll go.
06:04Come on, I'll go for the last one.
06:06I'll go for the last one.
06:08I'll go for the first one.
06:12But look at this one.
06:17I'll go for it.
06:19I'll go for it.
06:20I'll be the first one.
06:21You know what Remzu is?
06:23Because he is Remzo, he is like a small one, he said to him, Remzo, Remzo, let us measure him.
06:29So he is out of the way.
06:30No, no, no, no. I see you on the news.
06:35Listen, Remzo, tell me how many centimeters you have.
06:39There is no, there is no, there is no, there is no, there is no, there is no, there is
06:45no, there is no, there is no, there is no.
06:49I can't wait.
06:51Wait, what is it?
06:53No, wait.
06:54I am not a man for a little bit.
06:57I am a man, I am a man, I am a man, I am a man, no, I am a
07:00man, without lips, those lips.
07:03And that one is a man.
07:04They are cut and they are cut and they are cut.
07:08It is normal to be better and digest.
07:13If they are cut and they are cut, then they are cut.
07:16What do you measure, the men?
07:18Remzo, they are cut and cut and cut until they are small.
07:21But he could only come to the fear.
07:25Please, please, let's see the men.
07:29Yes, it is.
07:46I am not a man.
07:53Where are you, my dear son?
07:55Where is the world of old?
07:56When you are such a beautiful woman, you cannot go out or cruel.
08:01It is when they are not going out!
08:03Mr. Stanket, please, sit and sit.
08:05Do Mr. Stanket now.
08:07Nothing, nothing.
08:09I have to be estas because I have not to be in charge of this.
08:13Wait a minute, let's talk a little bit about this.
08:17Did you hear about this guy?
08:20Yes, he is 25.
08:22I saw you 25.
08:27When he was 25, I wanted to...
08:30Now I'm going to get him.
08:31Now I'm going to get him to get him to get him to get him to get him to get
08:36him to get him to get him.
08:37Look at that.
08:39It's uppity right now.
08:42Except you, he should touch it.
08:43I used to be still이다.
08:45Never know him.
08:48I'm not sure if he is.
08:51This guy is 25.
08:51This guy is like a muchinhof.
08:53Whatever.
08:54I went over 80% from zero to 25.
08:59You see him still too?
09:00Even though it is still here.
09:02Really?
09:02What?
09:04What?
09:05It's a meter.
09:07It's a meter.
09:07It's a meter.
09:08It's a meter.
09:09It's a meter.
09:10It's a meter.
09:11Now it's the end.
09:13Now I'm there to be a meter.
09:16You can see it in the car and you can see it.
09:18It's impossible to be a meter.
09:20It's not like this.
09:23There are people who are seeing it.
09:25There are people.
09:26There are people, only we, the camera.
09:28How many people are watching?
09:30Stop it.
09:31It's all a photo.
09:32Stanket.
09:33Please.
09:34Let's walk around the camera and see how it is.
09:37Don't say it.
09:40Let's walk around.
09:41Let's walk around.
09:41When we are seeing it, we are seeing it.
09:43No.
09:44Stanket.
09:45It's not enough.
09:48It's not enough.
09:50It's not enough.
09:50It's not enough.
09:51It's not enough.
09:51It's not enough.
09:52It's not enough.
09:52Let's go.
09:53Now you're in the car and you're 25.
09:55What are you doing?
09:56I have a feeling that your nose is bigger.
09:58Yes.
09:59What are you doing?
10:01Let's start.
10:02How do you stand inside?
10:04I'm not measured.
10:05There are no more pictures.
10:08But when it comes, I'll start it.
10:09We have to turn the phone out.
10:12We have to turn the phone out.
10:13Because you, Stanket, don't start to measure.
10:16Wait until I go back to the pictures.
10:18Then I'll measure the pictures.
10:20I'm going back to the pictures.
10:21I'm first here with the soj.
10:22I will show you.
10:23I'll show you the pictures.
10:25I'm going back to the pictures.
10:27You are the pictures.
10:28We will ask the viewers that they will decide how much you will be on the short-term measure.
10:38We will see if the viewers think about it.
10:43That's how you think about it.
10:46Hello?
10:49Hello, good evening.
10:50Please.
10:51Show the guy.
10:53You are so good.
10:54You are so good.
10:55You don't need to show you, but to measure it.
10:57As soon as you move, we don't have to look at it.
10:59The short-term measure is a big one.
11:04The big one is a big one.
11:06How is this?
11:08It's a big one.
11:10We ask the viewers, what do you think about the length of the short-term measure?
11:14How much of the short-term measure would be a centimeter of the stock?
11:18He is going to measure it.
11:19Hello?
11:22Hello, let me tell you.
11:25Let's go over here.
11:26This is the weak one.
11:27It's a little bit of a knife.
11:29It's a little knife.
11:35Yes.
11:35I'll give him a minute.
11:37Yes.
11:38Hey, let me tell you.
11:39What is the stock?
11:40Let me tell you.
11:40Hello.
11:41Good evening.
11:44How much would you be the stock?
11:47How much would you be the stock?
11:49No stock.
11:51What are you doing?
11:53What are you doing?
11:55Maybe you're right.
11:56Because all those who fight,
11:58Remzo Jadni, he's on the trap,
12:00in young days,
12:02what would you be, Stankets?
12:04No, no.
12:05You're crazy.
12:05You're crazy.
12:08Hello.
12:11Good evening, say it.
12:12Good evening.
12:16Stankets?
12:16I'll tell you.
12:18Stanket, I'm here.
12:21Here, a little bit.
12:22You have a little bit.
12:25I've seen it.
12:26I've seen it.
12:27Are you married?
12:29How are you?
12:31How are you talking about?
12:33Are you married?
12:35No.
12:39You have a little bit.
12:41Mika told me.
12:43I'm married.
12:44I'm married.
12:45I'm married.
12:45I'm married.
12:48I'm married.
12:50You've been married.
12:53If you're married.
12:56In a wrong camera,
12:57you're looking at Stankets.
12:59If you're married,
13:00you're looking at your wife.
13:01You're looking at Stankets.
13:03You're looking at Stankets.
13:04Here, in this camera.
13:06I've seen it.
13:09Stankets, look at this camera.
13:11Here, in this camera.
13:12Stankets.
13:13I've seen it.
13:15I've seen it.
13:15I've seen it.
13:21I've seen it.
13:22We were good.
13:25Yes.
13:27What are you looking at?
13:28Where are you looking at Stankets?
13:30In the camera.
13:31No.
13:34You can see that you have a little girl.
13:36Here you go.
13:37I told you that when I was with a woman,
13:41it would be nice to me.
13:43Because you're a man.
13:46Yes.
13:47You're a little girl, Stankets.
13:50What?
13:51No.
13:53A little guy.
13:54Yes.
13:59No.
14:09No.
14:11No.
14:14No.
14:16Yes.
14:17No.
14:18No.
14:18I will buy babies in the Vrapchu.
14:25You can buy babies in Vrapchu.
14:27You can buy babies in the car and show them a little.
14:31What did you say?
14:33No, I don't care.
14:38Why don't you say that you are going to buy babies in Vrapchu?
14:43You're stupid, Vrapchu.
14:44I can't put them in the car.
14:47When it's not.
14:49How do you talk about it?
14:50Do you know what I'm talking about?
14:52I'll come to you.
14:54I'll come to you.
14:56I'll come to you and see that I have 25.
14:59Show me.
15:00Show me.
15:02Where are you looking?
15:04In the camera.
15:05Where are you?
15:07Look at me.
15:11You're not normal.
15:13You're the same.
15:14I'll tell you to get to you.
15:18Who?
15:19You know who you are.
15:20I don't know.
15:23Show me.
15:24Show me.
15:28That's for you.
15:29Show me.
15:32Come to me.
15:35I'm a car for you.
15:38I am.
15:41I'm.
15:42I'm.
15:44I'm.
15:46I'm.
15:48I'm.
15:58I'm.
16:01I'm.
16:03I'm.
16:03I'm.
16:04I'm.
16:04I'm.
16:05I'm.
16:05I'm.
16:06I'm.
16:12I'm.
16:23I'm.
16:32I'm.
16:37I'm.
16:40I'm.
16:43I'm.
16:45I'm.
16:46I'm.
16:49I'm.
16:58I'm.
16:59I'm.
17:14I'm.
17:23I'm.
17:27I'm.
17:28I'm.
17:36I'm.
17:41I'm.
17:42I'm.
17:49I'm.
17:54I'm.
17:55I'm.
17:57I'm.
18:00I'm.
18:01I'm.
18:03I'm.
18:10I'm.
18:13I'm.
18:15I'm.
18:24I'm.
18:26I'm.
18:37I'm.
18:41I'm.
18:41I'm.
18:43I'm.
18:43I'm.
18:54I'm.
18:55I don't know what the fuck is.
18:59I don't know what the fuck is.
19:01I don't know what the fuck is.
19:02If I do it, you want to do it.
19:04I want to.
19:06I want to, and you.
19:08I want to.
19:10But listen to the thing.
19:11When you hear that,
19:13when you hear that,
19:14when you hear that,
19:16you don't have a father's face.
19:18Even father the fuck.
19:22Just hold on to him and he is too young.
19:25You died of two fingers,
19:28and you have two fingers.
19:30Did you know him,
19:31called my fingers?
19:34That's good,
19:35and this is your girlfriend.
19:37I'm sorry.
19:37Okay, thank you.
19:38We have our phones.
19:40Yes, we have an iPhone.
19:41What do you think about our dick?
19:46How do you think about our dick?
19:47Do you want to give him a little bit of sex?
19:57Why do you think women don't want to know how long it was to kill them?
20:14That's the question.
20:18Why do you want to know how long it was to kill them?
20:21Why?
20:22Why do you want to know how long it was to kill them?
20:25We're going to tell you. We're going to tell you.
20:28Why do you want to kill them?
20:30He's going to tell you.
20:31He's going to tell you.
20:32He's going to tell you.
20:34You're afraid that the phone would really fall asleep at the end.
20:38It's not true.
20:41I've been telling you.
20:42It's a shame.
20:43Tell me.
20:46There's no chance.
20:48I'm not pregnant.
20:51You're pregnant.
20:53I'm pregnant.
20:57I've got pregnant.
20:59I live with a woman. I don't live with a woman.
21:04But this is the usual test.
21:06Don't fuck me.
21:08Let me give you someone else.
21:13I didn't have a bitch.
21:16She said that she didn't have a woman.
21:19Don't lie.
21:20Don't lie.
21:22Don't lie.
21:27Don't lie.
21:30I'm a woman.
21:32I'm a woman.
21:33I'll start with you.
21:35In my way.
21:38You're a woman.
21:40You're a woman.
21:40You're a woman.
21:43I'm a woman.
21:44I'm a woman.
21:44I'm a woman.
21:46He's a woman.
21:48Shut up.
21:52His woman is a really amazing.
21:53Let's go to the table.
21:57What do you think?
21:59Why do you not want to know how many people are about?
22:04Hello.
22:05Hello.
22:06Hello.
22:07Good evening.
22:09Hello.
22:10Please.
22:11Please.
22:12Please.
22:13Yes.
22:13Please.
22:15Please.
22:17Yes.
22:22Please.
22:24Do you have a headache?
22:26Yes.
22:27Yes, you have a headache.
22:28Yes, you have a headache.
22:32Why do you change the headache?
22:33I don't change it.
22:35Because I have a headache.
22:36Thank God.
22:38I have a headache.
22:41How much is it?
22:42How much is it?
22:44Put the water in the water and everything will go.
22:48How much is it?
22:49Put the water in the water.
22:52I feel the water.
22:55Why are you taking it?
22:56Don't give me a headache.
22:57What is it?
22:58Do you need to leave the water in the water?
23:01And then you have to get up?
23:02I have to leave the water and stay in the water.
23:06You are not left and left for me.
23:08Not enough.
23:10My daughter is not left and left for me.
23:13You are not left for me.
23:14You have to leave the water.
23:15That is the water.
23:18I have to help the water.
23:20I'm gonna read it!
23:21I'll help you all.
23:24Nobody can read it!
23:26Because you're the king!
23:28Because you haven't weighed down!
23:31But why don't you have it?
23:33I have a secret!
23:35But you have to be king's for it!
23:39Then she said to me to find another one.
23:41She is able to give you a bitch!
23:45I'm going to re-he-he-he.
23:47I can't.
23:48I can't.
23:52Don't worry about this.
23:54Let me see.
23:56Let me see.
23:57I'll have one thing to put it up.
23:58Wait, wait, I'm thinking...
24:00I mean, what do you think?
24:02I'm going to get a little bit here.
24:04I'm in the evening.
24:06What do you think?
24:08You can see!
24:10What is it?
24:12What is it?
24:12What is it?
24:15Because we got the formula from OTV.
24:18Roman Bolković is shared with all the directors
24:21the formula
24:24where they have to write
24:26that the host of the mission
24:27has to look at
24:30and how much time it is.
24:32OTV is looking for
24:33and I have to do it.
24:36Who asked me to write
24:39not me, I have to do it.
24:42Then I will not be able to do it.
24:44A little bit.
24:46I have to do it.
24:48Roman Bolković
24:49I have to do it.
24:50I will be able to do it to you.
24:53I will take it.
24:56When you are coming
24:58I will be able to do it.
25:00Let me hear you.
25:02Listen to me.
25:03This is not for Ebancija. We have obtained formulations from the Ministry of Health.
25:09That is according to Hebranga.
25:12He will not be social help anymore.
25:16Those who have a knife and are a pig.
25:22Here, I have a pig.
25:26Then you call me Hebranga and protest.
25:29And you don't call me.
25:30You call me!
25:33No, no, no, no!
25:34What do you call me?
25:39Give me a card!
25:42Give me a card!
25:42I have to write!
25:43Give me a card!
25:46And with the name of Mr. Henbaka!
25:50Don't call me!
25:52Why do you call me?
25:54What do you call me, man?
25:55You don't want to be able to measure your asses.
25:59I just want to keep my job.
26:04Give me your asses.
26:09Let's talk about your asses.
26:11Don't fuck me.
26:13I'm not going to fuck you.
26:15I'm not going to fuck you.
26:16I'm not going to fuck you.
26:18I'm not going to fuck you.
26:20Let's go.
26:21I'm not going to fuck you.
26:25But I don't want to fuck you.
26:27No!
26:28I don't want to fuck you.
26:30Just because the public person needs to change what they have.
26:34I don't want to fuck you.
26:38You're a public person.
26:39You're a public person.
26:40It will be seen when you're married.
26:44If you're married in another situation,
26:45you have 80-80 people in America.
26:5184 years old.
26:52I have a different situation.
26:53If you're a man,
26:55if you're a man with your brother,
26:57then you're yours.
26:58If you're not, then you're mine.
26:59I would have killed myself when my wife would have left and left.
27:05I would have killed myself.
27:08I would have killed myself.
27:11Don't let me just tell you.
27:14Do you want me to tell you that you would have killed me?
27:18No.
27:20You would have killed me?
27:20I don't know.
27:24I know that it is hard to tell you.
27:26I know, Željko, but they told me that if I don't change it, I will stay out of work.
27:31I don't have to do anything else.
27:32And they won't help me.
27:36I won't.
27:37Let me show you.
27:38Let me show you.
27:40Let me show you.
27:41I have no chance.
27:43I will go to the street.
27:44Come to me.
27:47Come to me.
27:48Let me say hello.
27:52Hello.
27:52Hello.
27:53Good morning.
27:54Good morning.
27:56Let me show what you have.
27:59Show me!
28:00Let me show you!
28:01Let me tell you the rest!
28:04I am so Beauté and I hundreds of Butler habe.
28:08Let me show you!
28:09Eller what you do you do!
28:10Show me!
28:12Let me tell you!
28:14Come ge Let me tell you once in the case.
28:20Don't be a kid! Show me the guy!
28:25Show me the guy!
28:28Then we'll fuck you in the guy!
28:32Just fuck me!
28:37Hello? I don't have any phone yet.
28:41I don't have any phone yet.
28:43Hello?
28:44Hello?
28:45Good evening.
28:47Good evening.
28:49Tell me when I'm in the question.
28:52Yes?
28:54Tell me who is measured.
28:56If he is measured, he can be 20-20 cm.
29:03Who is measured?
29:05If he is measured, he can be 18-19 cm.
29:10If he is measured, he can be 17 cm.
29:17If he is measured, he can be 20-20 cm.
29:21That's why I measure him.
29:23I have a friend, a friend, a friend.
29:25We know him.
29:26Yes, yes.
29:26Who measure?
29:27I don't know why you are measured.
29:33It depends on who he takes.
29:34Who are the staffers?
29:36They are so many.
29:37What are you?
29:38You are...
29:39And the woman who knows who is Diana Bechirević, she takes her hand.
29:44Who says, how old are you?
30:01Who knows who he is?
30:04What does he say?
30:06Who knows how he is a man of the family.
30:06Who knows who is a man of the ability to assist?
30:07Hello, good evening.
30:10Dear, hello?
30:14Hello?
30:14No, don't give me the principle!
30:15Don't give me the fool!
30:17Don't give me the fool!
30:18Don't give me the fool!
30:23Who eats you?
30:25Bulldog!
30:28Come on!
30:31Don't be angry!
30:33No!
30:36No!
30:37Come on!
30:40Thank you!
30:41Thank you!
30:43Don't give me the fool!
30:46It's a fool!
30:48It's a fool!
30:49It's not a fool!
30:51If you're honest...
30:53It's a new administration of the Ministry of Health.
30:57It's Hebran.
30:58I don't know anything about it.
31:01Especially news.
31:03And you, Arana, are you a normal news.
31:05And a public person.
31:06I don't know anything about it.
31:09And you, Arana.
31:12I'm a public person.
31:13I'm a public person.
31:15I'm a public person.
31:16I know, but you're a public person.
31:18But he's a public person.
31:19I don't know anything about it.
31:21I'm a public person.
31:22Hello, good evening.
31:24Hello, good evening.
31:26Hello, good evening.
31:28How are you?
31:30Let's take this.
31:32How are you, it's a question.
31:35Good evening.
31:46You're a public person.
31:48You're a public person.
31:48Please, come on.
31:49I don't know anything about it.
31:51Go look, Arana.
31:51Go look, Arana.
31:53Go look, Arana.
31:55Go look, Arana.
31:58Let me stay in the middle.
32:00Let me tell you that you are in Big Brother.
32:04Yes, yes, yes, yes.
32:09But in the house.
32:12I am...
32:13In Big Brother, all the men say to me,
32:16they say to me.
32:16Let me tell you.
32:19Let me tell you.
32:20Let me tell you.
32:22Let me tell you.
32:22Let me tell you.
32:23Let me tell you.
32:28Get her shot.
32:32Let me tell you.
32:36Let me help you.
32:39Let me help you.
32:40Let me help you.
32:44Let me show you.
32:47I should show you.
32:48Let me help you.
32:50Let.
32:51You will show you.
32:52I won't support you.
32:53Honestly, I will show you.
32:55Let me show you.
32:57Evo gledaj.
32:58Evo gledaj.
32:59Evo vidiš, ona je vidla, ona sad zna koliko ja imam.
33:02Da, da, vidi ga.
33:04Aj ti pokaz.
33:05Nema šanse.
33:06A nisi fair ni malo.
33:08Hvala Bogu.
33:09Ej, jebi ga.
33:10Za to nisam.
33:11Ma za šta si onda?
33:12Ni za šta.
33:13Ma za ništa si, baš za ništa.
33:15Pa hvala Bogu.
33:16Pa nikad ti nije bolja pička dožala u kuracu.
33:18A jeva te sunce.
33:21Ej, jebi ga.
33:22Pa daj, nemoj, neću vjeđat nikog ali...
33:25Jarane, može jedno pitanje.
33:27Ne može.
33:28Jarane.
33:28Ti si gotova za...
33:29Te bi možda kurac nije nastradao kad je fiče te lupio.
33:32Je.
33:33Je.
33:36Slađa, na dobrom si putu.
33:40Da nije fičo...
33:42Fičo nije pregazio samo noge.
33:45Nije, si kujac.
33:49Oso je samo pokojni pišak.
33:52Ajmo da tog pokojnog piša.
33:54Ne može.
33:56Halo.
33:59Jajene.
34:00Slušaj.
34:01Nekako si mi postao dasa u zadnje vrijeme.
34:04Izgleda si u moću i sad si tu glavni.
34:06Samo sereš, a ništa ne radiš.
34:08Pa hvala Bogu.
34:09Šta hvala Bogu.
34:10Kad te kujac boli šta ja jadim?
34:13U pivatovi.
34:14Pa ti ne radiš ništa samo sereš u zadnje vrijeme.
34:16Ima pravo čovjek, Jarane.
34:18Praviš se važno u zadnje vrijeme.
34:19Sereš u zadnje vrijeme.
34:20Pa ne zumiš neku dasu, samo odgovaraš kratko i jasno, a ništa ne radiš tu.
34:26Pa daj izlazi taj kurac i pokaži se.
34:28Pa ako si mogo tamo šabiti i sad da ti puši tu, onda ćeš ga izlazi.
34:32Pa šta je šta?
34:33Pa daj ga pokaži ga.
34:34Pokaži ga.
34:35Pa pokaži ka ti.
34:36Pa evo pokazujem ga pa ga ne vidiš.
34:38Da, da, da.
34:39Evo stavljam ti ga tu pred facu pa ga ne vidiš.
34:42Stavljika ti sebi u facu, majbuna.
34:45Evo aj zini, evo zini, zini.
34:48Zini tu ti ispred maca.
34:53Jajem.
34:53Jesi glupo pečko.
34:55A jebe mu mater, pa pokaži ga nemoj samo sereš, odgovaraš kratko i jasno, ništa ne pričaš.
35:01Sad je on zvijezda, jebe ga.
35:02Da, da, postoje faca, faca.
35:04E pa onda moraš pod nas.
35:06Nema šanse.
35:08Nema šanse.
35:09Nema šanse.
35:09Ha, nema.
35:09Pa vidim ja da nema šanse u tebe.
35:10Pa nemojete mene ispio vočijat večajas.
35:13Ne, pa ja tebe ne želim.
35:14Hoću ti samo kazat kak se se, malo si se obukosti mi su široke gaće, znaš.
35:19Da.
35:20Ha, da.
35:21Nek' si ti.
35:23Ne znam.
35:24Nek' ti nisi.
35:25Kažeš bilo bi dobro kad bi ona to ustima mjerila, a ne tim kurom mjerom, onda bi ti, jel?
35:30Ne bi.
35:31Ne bi.
35:32Ha, čuj.
35:33Nema ona ni usta kako teba.
35:35Ej, vidio sam kako nebi, ej.
35:37Vidio sam.
35:38Nema ona usta kako teba.
35:41Pa dobro.
35:49Jarane, ajde da izmjerimo.
35:51Samo ti izmjeri.
35:53Mogu.
35:54Nekom drugom meni ne.
35:57Stankec, mogu tebi.
35:59Neki govram.
36:00Jesu neki u tamno?
36:02Halo.
36:03Halo.
36:04Dobro večer.
36:05Dobro večer.
36:06E pa jaranu, po dužinu napišite MAJI.
36:10MAJI, da.
36:12Mališa.
36:12Moje.
36:14Mališa.
36:17No ti več tvoj.
36:20Pa i moj je.
36:22Halo.
36:23Dobro večer.
36:25Dobro večer.
36:25Evo i vi svoje mišljenje iznesite.
36:28Jel bi mogo pozdraviti kamermana, jel, ipak, ono, da se zahvalim čovjeku, da sve ovo što gledamo...
36:34Ne može, zato što se...
36:36Zato što se kamerman upravo sprejma za mjerenje.
36:46Može svaka čast njemu, ali njegovom baš ne.
36:50Glupa će ovo.
36:51Nije, nije, čovjek ne zna što govori, ono.
36:54Stajte, sad, ajde pokazi kurac, jebote, spaci nas tve muske, ono, kaj briješ, jebote, da sam tu, kurac bi već
37:00bio davno tu.
37:02Ništa?
37:04A koga pokaže, jebote, ono je moj midla.
37:07E, kolega, ništa ništa ništa.
37:09Pokaže, ono je moj midla.
37:10Hvala?
37:11I jao, ljepotice.
37:13Zekjemo na tebe!
37:18Kako sam lijepo.
37:20Večeras ti su izašli doma, le, sjedi i gledaju mene.
37:23Hvala?
37:24Jarane, molim te, napravi to, da me i dalje gledamo.
37:27Jani.
37:28Hvala, dobro več.
37:29Ja sam znanstvenik Sasavice i ja znam zašto Jaran ima mali kurac.
37:34Sad ću vam objasniti, naime.
37:36Evo, recite.
37:37Jaran imao šest godina, otišao je kod bake na selo, vidio je prvi put buču ili bundevu.
37:45Rekli su mu kolege sa polja da održe malu rupicu.
37:50Jaran je gurno kurac u tu rupicu i unutra su bile buhe i grinje.
37:54Te bakterije su mu zgrižile kurac.
37:58A je to možda tvoje...
38:00Jaran imao mali kurac.
38:01Jelo Jarane.
38:02Je to možda tvoja guzica bila.
38:06Grinje ti je kurac odrizlo.
38:08Je to možda tvoja guzica bila.
38:14Stanket se dira, znači pripremaš se za vjerenje.
38:17Ja, po malo.
38:18Dobro, dobro.
38:19Evo, on će pristat, ajde i Tijarane.
38:21Nema šest.
38:22Timo malo reklame.
38:23Mož.
38:24Timo malo reklame.
38:24Timo malo reklame.
38:24Timo malo reklame.
38:24Timo malo reklame.
38:25Timo malo reklame.
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