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00:28Transcription by CastingWords
00:36Ah, there you are.
00:41It looks so beautiful today.
00:44You look so beautiful today.
00:47Yes, please, stop it.
00:50I told Mum you'd pick her up from the station today.
00:52Daddy said I can stay over at Claire's.
00:54Check with your mother's what I actually said.
00:58Time to get in there?
00:59Mum? Yes, fine.
01:01One o'clock, I think.
01:02I'll be there.
01:04See ya.
01:05Love you.
01:06Bye-bye.
01:07Bye-bye.
01:19Bye-bye.
01:24Bye-bye.
01:24Bye-bye.
01:24Bye-bye.
01:25Bye-bye.
01:26Bye-bye.
01:29Bye-bye.
01:32Bye-bye.
01:44you should always keep your front door closed
01:48you never know what might get in
01:56I wanted to have this conversation in Portugal
02:00but you left in such a hurry
02:03my family my husband and my daughter
02:09they don't know
02:11you mentioned that in your letter
02:13and what did you tell them
02:14about why you were cutting your holidays short
02:17I lied
02:19I've got very good at that
02:22I expect you have too
02:23hmm
02:26hasn't been easy
02:28tracking you down
02:32I even found myself back there
02:37heavens vale
02:38it's a ghost town now
02:44afterwards everyone left
02:46well not everyone
02:50your mother's still there
02:52what
02:53well
02:54there about
02:56she's very ill
02:57now
02:58there's this place on the outskirts
03:01I thought you might
03:02what
03:03visit her
03:04yeah
03:06maybe not
03:11we were just two little broken dolls weren't we
03:19I want you to have something
03:23I've got one too
03:25it's a
03:26it's a friendship bracelet
03:30we were friends once
03:34you didn't come all this way to give me a friendship bracelet
03:40I have the most wonderful news
03:45when I saw you in Portugal after all this time I knew it was a message I knew it was
03:51him
03:51I knew he'd
03:53brought you back to me
03:55who
03:57please tell me you're not talking about God
03:59after everything that happened
04:01the signs they were
04:04strange
04:05at first
04:06especially the photographs
04:08and not just photographs
04:10he comes to me in my dreams
04:12appears in the faces of strangers
04:14who
04:15Charles Sampson
04:21you look frightened
04:24this is fucking terrifying
04:25it's beautiful
04:26it's
04:27it's
04:27God's will
04:28what is
04:29what does he want
04:30for Charles to be at peace
04:33for
04:34us
04:34to seek redemption
04:36and
04:36for his son to have the answers he deserves
04:39he had a son
04:41did you know that
04:44I shut it out completely
04:46the idea that Charles was a person with a past
04:49and when the vision started I got curious
04:53he's studying journalism
04:55the son
04:56Andrew
04:59his name's
05:00Andrea
05:03we need to tell him what happened
05:12I'd like you to leave
05:29we're being given an opportunity
05:30here
05:32a gift
05:33great
05:34you take it
05:35keep me out of it
05:37but I don't know what happened to him
05:38afterwards
05:39his
05:40body
05:41I mean
05:41because I dealt with it
05:43for you
05:44yeah
05:45to protect you
05:46you've felt guilty
05:49because you were clever
05:51and interesting
05:52you were worth saving
05:54and I wasn't
05:56but
05:57it's okay
05:58it's all okay
05:59now
05:59get out
06:02I'm not going anywhere
06:06I'm calling my husband
06:09it's too late
06:11I rang his son
06:12I told him to come here
06:16I'll deny it
06:19I'll deny everything
06:20I still have the tape
06:24what?
06:25I kept it
06:27locked it away in a little box
06:28are you blackmailing me?
06:30I'm guiding you
06:31guiding you
06:33into the light
06:34as God wants me to
06:35you need help
06:37for everyone practicing evil
06:38hates the light
06:39lest his deeds
06:40should be exposed
06:41but he who comes
06:42into the light
06:43his deeds
06:44may be clearly seen
06:46and they have been done
06:48in God's name
06:49fuck
06:50Andrea
06:51I'm not there
06:53I'm not her
06:54I'm somebody else
06:56oh my god
07:03fuck
07:26heřík
07:54heřík
08:01Oh, my God.
08:22Fuck!
08:24We know who killed him. We can describe her.
08:26Yeah, and they'll ask why she killed him.
08:28Well, to get to us. Because we had something she wanted.
08:31Well, that's my concern. The whole how we came to be in possession of that something question.
08:35Nothing any like being thrown in the general fuckery we've involved ourselves in lately.
08:39We haven't actually done anything wrong. Anything that wrong.
08:43Oh, I just want to get out of Donegal. Weird things happen in Donegal.
08:49Donegal is weird. No offence.
08:55We need to get to Belfast. But we can't pay you.
08:58Well, aren't you a trio of charmers?
09:00Or something to get our cards, our phones.
09:02But you can have my jewellery.
09:03Why the hell would I want your jewellery?
09:05I'm a bus driver, not a thickin' highway man.
09:10On you get.
09:13Are you sure we should do this?
09:15We'll have to do this.
09:17For Liam.
09:20Nora O'Hara gave a child a daughter up for adoption in 1997.
09:24Greta?
09:24Has to be.
09:25Though the child's name doesn't appear on any of the paperwork,
09:27which means something really messed up happened.
09:30And it would explain why Nora wasn't allowed any contact?
09:32Whatever it was, it was big enough, insane enough,
09:36to make any information about Greta's life with Nora just disappear.
09:41Perhaps that's what your father was circling.
09:43And maybe he got too close to something.
09:45We know he was meeting someone on the school grounds that night.
09:48Then there's the symbol you saw in the caretaker's cottage,
09:50the one from the notebook.
09:52Liam, is this really the way to go about it?
09:55Feels quite risky.
09:57For you, I mean.
10:00Well, I was shot in the chest yesterday, so...
10:03You know, fuck it.
10:08Welcome to South Belfast River 4 police station.
10:12For all inquiries, please report to the front desk.
10:28Christ!
10:32Surprise!
10:36Yeah, babes.
10:38This finally happened.
10:39We lost one.
10:41Ah, fuck.
10:42It's quite the conundrum.
10:43Ross has called a meeting.
10:44Fuck!
10:45In Derry?
10:46In Derry?
10:47It's very much a headquarter situation, I'm afraid, babes.
10:50Fuck!
10:54There's PhDs that are more straightforward.
10:56Ah, it's the same with any cross-border request.
10:58They make it so complicated.
11:00Ah, but you're happy to use our lads.
11:02That makes it easier.
11:03The guard's poking around up here at, um...
11:06They can get some people's backs up.
11:07They're bad.
11:08Yeah.
11:09And if anything kicks off, you guys don't even carry guns.
11:11Which is weird.
11:12Or is it weird that you guys do?
11:14Do you have the pencil?
11:16Sorry?
11:17Do you have the iPad pencil, sir?
11:18God, I must have left it at the, uh...
11:20I'll go get it.
11:21If you wouldn't mind, sir.
11:25Oh, my God.
11:32Hey.
11:35You forgot this?
11:36Yeah.
11:38You remember Andrew?
11:41I think we need to talk.
11:43Don't you?
11:45We thought you were dead.
11:48We thought she killed you.
11:50And we couldn't do anything, because that mad bitch locked us in a tower.
11:54Like Rapunzel.
11:55Why are you guys here?
11:57In Belfast.
11:58We'll get to that.
11:59Who is she?
12:01I don't know.
12:02Honestly, we don't.
12:03She just started following us.
12:04Did you have a vest on?
12:06What?
12:06Like a bulletproof vest.
12:07No.
12:08The box stopped it.
12:10That's insane.
12:11How lucky was that?
12:12Would have been luckier just to, you know, not have got a shot.
12:15We think that's what she wanted, the tape.
12:17That makes sense.
12:18Someone took her from the hospital that was being treated in.
12:20Did you listen to it?
12:24No.
12:26Did you?
12:27It wasn't time.
12:29How did she come to have it?
12:31We found it.
12:33In Portugal.
12:35In Jodie Prior's place.
12:36She wasn't there.
12:38But it was with her stuff.
12:39The box.
12:40We thought it might have been a clue.
12:43That it might have been worth holding on to.
12:45Big fucking mistake.
12:50We were just so desperate to find out what really happened to Greta.
12:54Did you know she was adopted?
12:58No.
13:00Do you recognise this woman?
13:09Nora O'Hara.
13:13You're sure?
13:15That book there?
13:16Where'd you get that book?
13:18I left you a message about this.
13:20Yeah.
13:20Yeah, my phone got...
13:22Look, we only came here to report the fact that you've been killed would feel sort of redundant now.
13:26So, are we free to go or what's a crack here?
13:29You've nothing to hide, have you?
13:30I don't like your tone.
13:31I don't like getting shot.
13:33Would you ever fucking give over your grand, aren't you?
13:34Pardon, please.
13:35No.
13:36What right does he have to question us anyway?
13:38Like this here?
13:39We're in a PSNI station.
13:41He's a guard.
13:42You've no authority here.
13:43This is Northern Ireland.
13:44It's an entirely different country.
13:46Well, that was a swift abandonment of your nationalist ideology.
13:48You know, sack this.
13:50Sit down.
13:51Ain't no will not, you fucking fetus.
13:53Let's go.
13:54Please don't.
13:55Please.
13:56Just trying to find out what happened to my father.
13:58Well, you'd have to ask Greta.
14:00I can't, can I?
14:00She's dead.
14:01Okay, fine.
14:02You want to hear something wild, Andrew?
14:05I need a cigarette.
14:09Do you have a cigarette?
14:12I'm sure I could find you one.
14:15Why don't you just grab some coffees?
14:20I can't.
14:34We need to lose the car.
14:37What's wrong with the car?
14:38It's fucking ridiculous.
14:40There's nothing wrong with the car.
14:42The car's class.
14:43You blame me, don't you?
14:44Of course I blame you.
14:45It's your fault.
14:48She syringed me, babes.
14:51She syringed the both of us.
14:53What could I have done?
14:54Not left your syringes lying about.
14:56You don't expect the threat to come from inside the house.
14:59Expect anything and everything?
15:01I thought I taught you that.
15:02Left the landline connected, for Christ's sake.
15:04I didn't know what it was.
15:06I thought it was some kind of Portuguese ornament.
15:08There was no need to get annoyed.
15:09Christ!
15:10You get hoist by your own syringe one time.
15:13Let's drop it.
15:14I don't understand why she did it.
15:16It's not like her problem's going anywhere.
15:18It doesn't make sense.
15:19People don't make sense.
15:21She's got her new ID, her new bank cards,
15:25and I was setting up a phone for her.
15:28She's easily traceable.
15:30She's not stupid.
15:32She won't use them.
15:38The window's closing, and Rossa decides to call us to Derry.
15:42Well, there's no precedent.
15:44Yeah, this is a first, babes.
15:45Not an achievement.
15:46Rossa's priority should be getting that gear back
15:48and shutting this down quickly.
15:50She's the boss.
15:51I'm aware.
15:52Christ.
15:53Just such bad timing.
15:55On the back of that whole other hollow balloon.
15:58What are you on about?
16:00One of the delivery guys disappeared.
16:02Who, Jackson?
16:03Yeah, that's right.
16:04I blew Jackson up.
16:07Okay.
16:08Maybe you should have, like, told someone that babes.
16:11He backchatted me.
16:12You blew him up because he backchatted you.
16:14I blew him up because I didn't trust him.
16:16The backchatting just fast-tracked things.
16:18Why didn't you trust him?
16:19Remember that client we had?
16:21That young heir?
16:22She was trying to get away from that older guy.
16:24Real nasty prick.
16:25Do I remember?
16:27I was the one that had to wipe him out.
16:30I always wondered how he found her.
16:33Everything led back to Jackson.
16:36Why would he do that?
16:37Moni!
16:38We should never have started working with men.
16:40We needed to.
16:41The operation's growing, babes.
16:43When it started, we were all volunteers.
16:46You remember?
16:47Well, those days are gone.
16:50Soon we'll all have to wear work uniforms.
16:52What?
16:54Rosa is talking about introducing a dress code.
16:58Apparently, some of our operators are, like, drawing attention to themselves.
17:05I can't thank who she means.
17:07My ether, babes.
17:24Hello?
17:28Hello?
17:30Who is this?
17:34Hello?
17:35Hello?
17:43Mom?
17:46I love you.
17:51Mommy?
17:53I love you.
18:10Cold?
18:11Hmm.
18:12No, I'm fine.
18:14Oh, no, please don't do that.
18:15It's...
18:16It's fine.
18:17Fine.
18:18It's fine.
18:25Why didn't you tell me about Andrew?
18:30I don't know.
18:31I didn't give it much thought or it didn't seem relevant.
18:34Which?
18:35I don't know.
18:37Before I found you in Dublin, I went to the set of your show.
18:41Spoke to Seb.
18:42You spoke to Seb?
18:43It's such a big machine.
18:46But it all starts in your head, doesn't it?
18:49I suppose.
18:50I was thinking about what you told me the first time I was there.
18:53About how you take bits and pieces from real life.
18:57Most haters do.
18:58You never worry.
18:58The lines might get blurred.
19:00The line?
19:00Between reality and story.
19:04Not really, no.
19:07If there's anything else you haven't told me, I'd do it now, Saoirse.
19:20I see you in there.
19:33I see you in there.
19:36Hello, Garda.
19:37Sorry?
19:38Oh.
19:39No, I'm not actually...
19:40Is Inspector O'Neill about?
19:42He borrowed the letter and we need it back.
19:44Mervyn's birthday.
19:46How you made Inspector so young with own memory?
19:48Inspector O'Neill, did you say?
19:50Owen, tell him the proposals with the superintendent now.
19:54What?
19:55The excavation proposal for the school grounds.
19:57With the boss now.
19:59It'll take him a while to go through it though, so we shouldn't hang about.
20:01Shall I give him a call?
20:09What's keeping them?
20:13Dunno.
20:37What the fuck?
20:40Why would he pretend to be Owen?
20:43It's the only way he'd get permission to do it.
20:44Did he what?
20:46Excavate the school grounds.
20:47What the fuck?
20:48Keep moving.
20:49How does he know?
20:50Maybe.
20:51Those notebooks Andrew had.
20:54His father's notebooks.
20:55Maybe there was something in there.
20:56They could have found the boy.
20:57Yes, that is now quite a real possibility.
20:59We're fucked.
20:59We didn't kill him.
21:00It doesn't matter.
21:01We were there.
21:01We moved him.
21:03We buried him.
21:03Our DNA's probably all fucking over him.
21:06Oh, but it's been so long.
21:07It's been 20 years.
21:08Well, DNA doesn't wash off.
21:10It's like Catholicism.
21:11Yeah, but we didn't do it granted it.
21:13They're not going to believe us.
21:15They're going to think we're trying to blame it on a dead woman.
21:17She's not dead though.
21:18I was just about to tell them that.
21:19We can't tell them that.
21:20Not now.
21:21Don't you see?
21:21If we tell them that now, it's going to make us sound cornered and desperate and...
21:24Taxi!
21:25We can't tell them we didn't do it.
21:27We have to prove it.
21:29I'll be back soon.
21:30Meet you by the bridge in an hour.
21:31Jesus Christ!
21:33Where's she going?
21:54Oh, sweetheart.
21:59Mom's alive.
22:04What happened, Dad?
22:07Who died?
22:08What did you do?
22:10Your mother has secrets.
22:20I didn't want this person I was to infect the people I love.
22:25What are we doing now, Margo?
22:26I know someone who can help us.
22:29I represent an organization that helps women that have nowhere else to turn.
22:38Allow me to explain the process.
22:43I was just trying to protect you.
22:45You think I didn't know something was wrong?
22:49I was going insane.
22:52I knew you were all lying to me.
22:56I knew you were all lying to me.
22:57I thought you did something to her, Daddy.
23:00I didn't know who I could trust.
23:06That's why I traced those friends first.
23:10That's why I sent that message.
23:16You sent the email.
23:19I'm sorry.
23:22Hey.
23:24It's okay.
23:37Can you wait here?
23:39Car!
23:42I need to talk to Seb.
23:44Me too.
23:45Cal won't play ball at all.
23:46It's been a fucking asshole.
23:47Excellent!
23:55You're back!
23:58Where the hell have you been?
24:00Hello!
24:07What are you two doing here?
24:08We're looking for you.
24:09We were worried sick.
24:11Yeah, you seem beside yourself.
24:12Like nobody could get a hold of you.
24:13We lost our phones.
24:15You lost your phones?
24:16How?
24:16What's going on, girls?
24:17Nothing's going on.
24:18Something's going on.
24:19The disappearing acts.
24:20The secrecy.
24:21I'm going to ask you a question, girls.
24:23And I want an honest answer.
24:25Yeah?
24:26Have you joined the IRA?
24:28Nobody does the IRA anymore, mammy.
24:30Your cousin Mary did only last month.
24:31Mary joined ISIS, mammy.
24:33What?
24:34Oh, no, sorry.
24:35Not ISIS.
24:36Bupa.
24:36How can Mary afford that?
24:38Look, I had Saoirse's parents on the phone.
24:40They're going to ring the police.
24:41Look, Saoirse is fine.
24:42We'll call them.
24:42We'll tell them she's fine.
24:44And we will make some tea.
24:45We have tea.
24:46We'll make more.
24:49What is going on, Robin?
24:50What is the plan, exactly?
24:52Yes, who gave her that number?
24:53The number from the lighthouse, didn't she?
24:55She'll meet.
24:56I'm going to find out who Greta was calling.
25:02Knock to your nursing home.
25:04Oh, hello.
25:05It's a nursing home.
25:06Oh, a nursing home.
25:07Hello, are you still there?
25:08What should I ask?
25:10I think there's a problem.
25:11The mother's name?
25:12The mother's name?
25:13What was it?
25:14Nora O'Hara.
25:15As for Nora O'Hara.
25:17Hello?
25:17I'm very sorry.
25:19I don't know what happened there.
25:20Could you put me through to Nora O'Hara, please?
25:23Oh, I'm afraid Mrs. O'Hara is in terribly well at the moment.
25:26Can I help with anything?
25:27I'm just trying to get in touch with her daughter.
25:30Oh, I see.
25:30Well, I can pass on a message when she arrives if you like.
25:36Could a fox have dug up the body?
25:38Can they do that?
25:39Is that asking too much?
25:41Oh, God, baby.
25:42Where have you been?
25:43Have you got a...
25:44I don't want to talk about the fucking cow.
25:46Who are these guys?
25:47They're the writers.
25:48What?
25:49I'm the writers.
25:50The writer.
25:50I'm the writer.
25:51He asked us to hire them.
25:52Who didn't?
25:53He sent us an email.
25:54When?
25:58Hi there.
25:58This series is so fucking annoying.
26:01I just almost fucked my laptop out a window.
26:03I can't do it on my own anymore.
26:05Hire some fucking writers.
26:06Not shit ones.
26:07Saoirse.
26:08Kiss.
26:11Yes, I see.
26:12Well, I was obviously a few margaritas down at that point.
26:15It is such a pleasure to meet you.
26:18I have been...
26:19You don't have to do the thing.
26:20Yep, okay.
26:21That's just like Jesse.
26:22He can't handle praise either.
26:24Eva's just been on Jesse Armstrong's new show.
26:26Has she?
26:27He's such a genius.
26:28Yeah, so I hear.
26:29Anyway, we need to change the story strand.
26:31Like, quickly.
26:32Like, immediately.
26:33What?
26:34Which one?
26:34Yes, yes.
26:35This here.
26:36When the kids bury a body in the school crimes.
26:39We're filming this soon.
26:41We should have filmed it already, but we had to push it down the show.
26:43Oh no, it's getting pushed all the way out of the show.
26:45That will have a huge knock on.
26:47The entire second half of the series will need to be replotted.
26:50We put our lunch order in 45 minutes ago, but there's still no sign.
26:54What?
26:54What's that got to do with anything?
26:56Sorry, I thought we were talking about things that were worrying us.
26:58This is why Jesse maps everything out in such intricate detail.
27:01I hear his catering's amazing.
27:03Oh, he curates the menus himself.
27:04He's across everything.
27:05It's actually really tough to be that much of a perfectionist.
27:08Yeah, poor old Jesse fucking Armstrong.
27:10Look, we need a new idea.
27:12Any new idea.
27:13We need to make this work.
27:15Otherwise...
27:18What? What is it?
27:23Otherwise it's never going to go away.
27:27Session.
27:29What are you doing?
27:30Borrowing the card.
27:31You're leaving?
27:32Just come up with a new idea.
27:34Me?
27:35It'll be great.
27:36I trust you.
27:41Jesse would have stayed.
27:45This isn't really my vibe.
27:46Well, obviously it's like fashionable.
27:48All right then.
27:49Look, you do well to dress a bit more like me, Dara.
27:52Lesbians love me.
27:53I'm going to have to object to that statement on behalf of my people.
27:56Remember that big gay street party thing we went to?
27:59Pride.
28:00That woman, that barrister, she proposed to me.
28:02She was quite drunk, Robin.
28:03She didn't propose to you.
28:04I am not wearing this.
28:06Fine, I'll get you something at Jim's.
28:15Dear Jodie, I'm truly sorry for how things turned out.
28:19Don't look for me again.
28:21Don't contact me again.
28:22I want to move on.
28:24Please, let me.
28:26This might explain things better.
28:29Greta.
28:30Of course.
28:34Stop here.
28:35Pull over.
28:38Cheers.
28:41Oh!
28:42Girls, stop!
28:44Hello!
28:45Come on, get in, get in, get in, get in.
28:47Quick sticks.
28:49Let's go, let's go, let's go.
28:51She's headed there now.
28:53Are you sure?
28:53That's what the woman in the nursing home said.
28:55We finally smoked the bitch out.
28:57She'll not know what's hit her.
28:58I'm not taking the fall for something she did.
29:00No, sir fucking re.
29:01I'm not going down for no one.
29:03Time to face the music, asshole.
29:05She's had about 17 coffees.
29:07I remember where I saw this book.
29:08In Jodie's apartment.
29:11And that letter we found with the box, the one Greta sent Jodie,
29:14it says, this might explain things better.
29:16Okay, so you think Greta sent it?
29:18Shit, Jim.
29:20Where the hell have you gone now?
29:22Oh, calm down, Jim.
29:23You took my iPhone.
29:25How do you know that?
29:25Because I'm calling you on it.
29:27Oh, and thanks for ringing Saoirse's parents.
29:29Oh, no wait, you didn't.
29:31You're out.
29:31No, daddy.
29:33Because they're here.
29:35My parents are there.
29:37Ah, it's the woman herself.
29:38Aye, Saoirse, love.
29:39I hear you and the girls have joined the IRA.
29:42So we didn't even know they were still in action.
29:45Listen, Robin.
29:46I don't know if you're having some sort of breakdown.
29:48I'm not having a fucking breakdown.
29:50Jesus, I take a few days away at my friends.
29:52Aren't you always sailing off to London?
29:54To make the money, we need to keep our family.
29:57Who's looked after the kids for the best part of a decade?
29:59Nice and the road, Robin.
30:00I keep our fucking family.
30:01Run, run, run.
30:03Look, I know that, love.
30:06And I appreciate that.
30:07All I'm asking is for one more day.
30:09The nursing home's near Cork.
30:11Two more days?
30:12Do you think you could mind your own children for two days, James?
30:15Of course.
30:16All I'm asking.
30:17I will be taking no further questions at this time.
30:20Ball bag.
30:26The excavation request is being processed.
30:28Well, even if we do get permission and nobody up here found out on...
30:32What, but you're not actually Inspector O'Neill?
30:34Right.
30:34The area we're looking at, well, it's vast.
30:37The skill grounds.
30:37Well, we're thinking the caretaker's cottage, though.
30:39It's surrounded by woodland, Andrew.
30:42We might...
30:43Might get one shot at doing this.
30:45We need to be more specific.
30:49I have so little, Liam.
30:53I spent my whole life trying to shape what little I have.
30:59Trying to understand who he was.
31:01I mean, that's the only reason I'm studying journalism, for Christ's sake.
31:04I don't even know if I'm any good at it.
31:07It feels like he's a character in a story.
31:10Everything about him is just so vague and fragile.
31:15I always thought that if I could just find him...
31:21I don't know, then I could make him real.
31:26But that sounds so mad, right?
31:29We're all trying to make sense of something.
31:32To find light...
31:34In the dark.
31:38Hoping a right might balance out a wrong.
31:42Just that way you're helping me, Liam.
31:45Not just a good deed that...
31:47That might undo a bad one.
31:52What made you move to knock Dora?
31:55Something happened when you were working in Dublin.
32:00You know what, Andrew?
32:01I think you'll make an excellent journalist.
32:11Now I've got a cousin called Kevin.
32:14Sure to go to heaven.
32:17Always spotless, clean and neat.
32:20As smooth as you'll get him.
32:23He's got a fur...
32:25Welcome to Metamorphosis.
32:29If yous need any assistance, just ring the wee princess bell.
32:32No, we won't be doing that.
32:34We have an appointment.
32:36At names, please.
32:38No, sorry. We're in the other book.
32:40The other book?
32:42The other book.
32:43Of course. Right.
32:47I am so, so sorry.
32:49I'll sign this in.
32:50Of course.
32:54It's such an honour to meet you.
33:04Come on. We've been driving for ages.
33:07I'm starving.
33:08This story is fascinating.
33:09So it's this young girl and she's trying to move on from this very traumatic event
33:13that's... well, it's just referred to as the big bad.
33:17Where the hell are we?
33:19The big bad?
33:20No signal, no road signs.
33:22Are we lost?
33:22I'm not even sure what Clyde we're in anymore.
33:24Perfect.
33:26Let's ask here.
33:41Excuse me.
33:42We were wondering if there was a hotel or a B&B nearby that you might recommend.
33:48Do I look like the tourist board?
33:50I'm sorry?
33:51Do I look like a frackin' tourist board?
33:54Well, no.
33:56You buy something and then we talk.
34:01We were gonna buy something.
34:06Cheeky wee shit.
34:07Yeah.
34:08Anyway.
34:09She, the writer, she doesn't ever reveal what happened.
34:13What the big bad actually was.
34:18The, the argument that she seems to be making is, it's not relevant.
34:24Which is sort of the opposite of what you'd expect the thinking around trauma to be.
34:27And this seems to be about making a distant, dreamlike, disassociating from it.
34:46That's a, a motel down the road from here.
34:49I didn't even know we had motels.
34:51Cars or card?
34:54Card, please.
34:59Ah, no shit.
35:00Wrong one.
35:18He hits us.
35:53Ladies.
35:54Ladies.
35:56Ladies.
35:59I think that's all of us.
36:04So, as some of you probably already know, we've had an incident with one of our clients.
36:13They left before we'd completed the operation.
36:18There's a first for everything, I suppose.
36:21Rosa, before we get into that, there's another issue I'd like to discuss.
36:25But I'm sure it couldn't be quite as present.
36:28Oh, it is.
36:36Jackson?
36:37Yeah, Jackson.
36:39Jackson?
36:40Jackson's left the building, I'm afraid.
36:42Apologies to anyone who was searching for him.
36:44I didn't mean to waste your time.
36:46I had a lot going on.
36:49Didn't get the chance to circle back, as they say.
36:54Why?
36:56He'd been exchanging confidential information for money.
37:00Putting clients at risk.
37:02Are you sure?
37:03I'm sure.
37:04I'm sure.
37:04She has receipts, babes.
37:06I see.
37:07We just need to make sure that he was the only one.
37:10Well, of course.
37:11We consider it a priority.
37:14And look, our AWOL client, I just want to reassure everyone that we will find her quickly and pull her
37:20into line.
37:21Toads, babes.
37:22No, it's not a matter of pulling her into line, Booker.
37:42Oh, good evening.
37:45My name is Norman.
37:48Can I help you?
37:49Norman.
37:50You own a motel and your name is Norman.
37:53I don't own it.
37:54My father owns that.
37:55What's his name?
37:57Norman.
37:58Do either of you practice taxidermy?
38:02We just need a couple of rooms for the night.
38:08Do you know Heavens Vale?
38:10Kyle and Yao.
38:11I mean, that's a good bit further west.
38:13You made direct calls stopping here.
38:15I'm starting to question that.
38:17So you've heard the story then?
38:19What story?
38:20Beautiful place by all accounts.
38:22But sure no one's lived there for decades.
38:25It's a ghost town.
38:26Why's that?
38:27Because they all got spooked.
38:29Spooked?
38:30A group of kids gathered in a little church one night.
38:34Then there was a fire.
38:36Most of them died.
38:39Eight of the poor little souls.
38:41Just doesn't bear thinking about.
38:44I mean, it destroyed that community.
38:46It wasn't deliberate.
38:48Oh, it was deliberate, alright, yeah.
38:51You started?
38:52They say it was the devil himself.
39:01Here we are.
39:03Now, will you be wanting the minibar stocked?
39:05I think we're okay.
39:06We're very tired.
39:16Oh, I think the fuck's not.
39:18On Second Thoughts, we absolutely will be needing all the alcohol.
39:25She is out in the wild.
39:28With sensitive information.
39:30What kind of message does that send to our other clients?
39:34Our more lucrative clients?
39:35This is a business.
39:37Rossa, when we started it wasn't.
39:40It was a calling.
39:42We wanted to help vulnerable women.
39:45We wanted to help them escape from horrific circumstances.
39:49Now, we'll help anybody escape if they've enough money.
39:55Help abusive men escape justice if they have enough fucking money.
40:02Christ.
40:04The erosion.
40:07The erosion.
40:09You are so obsessed with the past.
40:14Times have changed.
40:20What fella's a fucking weirdo?
40:22I can't see anything about a fire in Heaven's Vale.
40:24No, you have to search the Irish name.
40:26What is it?
40:27Call you now. She's done that.
40:29Have you spelled it right?
40:30C-A-I.
40:32I've got the right place.
40:33It says, a small Irish-speaking community lived there to the late 90s.
40:37Jesus Christ.
40:38What is it?
40:39The book.
40:42Do you want to tell us what the fuck you're talking about?
40:48Come here, look at this.
40:53Okay, right. So, the first one.
40:56Heaven's Vale.
40:58Look at the second half of the author's name.
41:00Can Calier, Calier. That's so similar.
41:03Calier means Vale. What does Can Calier mean?
41:09Unveiled.
41:11Greta Unveiled.
41:14This book's by Greta Girls?
41:19I made a contract with this woman.
41:22I promised to help her.
41:25Now you're telling me that I have to kill her?
41:29It is but harsh, babes.
41:33Who brought the case to you?
41:35No, Rossa.
41:37I can't.
41:38You can't?
41:40This person helped me in the past in a professional capacity.
41:45Are they, uh, are they one of us?
41:48Well...
41:50No.
41:51Oh, I see.
41:53Uh, the adoptive mother.
41:56It's complicated.
41:57Yeah, it always is.
41:59Was she the only family member who saw you?
42:05No.
42:06Oh dear.
42:08Oh...
42:10Oh dear.
42:15There must be another way.
42:17Booker.
42:19We need to erase the line completely.
42:25Anyone who knew about the case.
42:28Anyone who can identify you.
42:30Anyone who knows we exist.
42:33I have to protect the society.
42:37You cannot leave the process.
42:42Yes.
42:43So...
42:46Is there anyone else we need to manage?
42:49So, the psychiatrist who wrote The Doll Complex, we're saying that's Margot Heaney?
42:53Mm-hmm. Yeah, I think so.
42:55And I think that is what Liam is circling as well.
42:58Oh, that means Greta was Margot's patient.
43:01Well, she adopted a patient.
43:02Sure, isn't that lovely and healthy?
43:04So the big bad, it happened to Greta.
43:06Well, could it be connected to the fire in the church?
43:09So, we know that Jodie and Greta grew up in Heavensville.
43:15Jodie's body had burn marks.
43:16Did they both survive the fire?
43:18Did they know what happened?
43:19Or who caused it?
43:20Still thinking.
43:21Probably not the devil.
43:22Okay.
43:22We need to try and lay this out chronologically.
43:28This is such a good idea.
43:29It's a screenwriting trick.
43:31It's how we plan everything out.
43:32And all writers do this, even the big ones.
43:34Big ones?
43:35You know, like your man, Jesse Armstrong.
43:38Why, he is so classy.
43:40Do you pass me some more paper?
43:46Heavensville is our inciting incident.
43:48What the fuck is this?
43:51Oh, God.
43:52Okay.
43:53You wrote about it?
43:54What?
43:55Us burying the body in the school grounds.
43:57She used it in her stupid show.
43:58I wrote it ages ago, before any of this started.
44:01It's not even what happened.
44:03It's inspired by...
44:05Oh, my God.
44:06I've asked for it to be taken out.
44:07This is why they want to take up the grounds.
44:11Liam saw this.
44:11Seb sent those messages.
44:14About the scripts.
44:28What are you doing?
44:29Leaving.
44:30I can't.
44:31You can't leave.
44:34You stupid, selfish bitch.
44:38This is what you do.
44:40You like chaos.
44:42You surround yourself with it, but...
44:45I'm done.
44:47We're done.
44:53Dara.
44:55Dara.
44:57What did you expect, Saoirse?
45:09Shit.
45:13First the envelopes.
45:14Those letters and now this.
45:16Fuck knows what else she's done.
45:17She's been manipulating this whole thing all along.
45:20She's like a puppet on a string.
45:22Well, I think that would be us, the puppets on strings.
45:24I think she's more the puppet master.
45:31Hello?
45:33Robin?
45:36Who's there?
45:45Can I come in?
45:48Sure.
45:58The guy at the garage saw my ID.
46:00He called the local station.
46:02Look, I know what you think.
46:03I don't even know what I think.
46:05You think we killed Charles Sampson?
46:08We didn't.
46:09Innocent people don't run.
46:11It's complicated.
46:12It'd be less complicated when we find his body.
46:15And I'm not gonna rest until we find his body.
46:20Maybe you slow down a wee bit.
46:22She's fucking insane, Dara.
46:24You know, we need to start protecting ourselves here.
46:27Me and you.
46:28We need to start distancing ourselves.
46:32Fuck!
46:34Oh my God.
46:37What was that?
46:39I don't know.
46:44He was dead when we got there that night.
46:46At the caretaker's cottage.
46:48Greta told us he attacked her.
46:50He'd been hanging around for weeks.
46:52She said he was an ex.
46:55She said his name was Jason Meadows.
46:57It was all lies.
47:00Everything she told us was a lie.
47:03And I think I sorta knew that.
47:06Wait.
47:07Come here.
47:10Come here.
47:16Turn around.
47:29I knew I'd seen it before.
47:32Charles Sampson drew that in his notebook,
47:34yet you'd never even spoken to him.
47:36We were kids when we got them.
47:38Greta convinced us to.
47:41Greta again?
47:42Yes.
47:42She's taken a lot of responsibility for a woman who wasn't here to defend herself.
47:49Greta's alive.
47:54What did you say?
47:55I know what it sounds like.
47:56Her body was in the morgue.
47:57Judy Pryor's body was.
48:03I can't see anything.
48:04We hit something, Robin.
48:05Well then where is it?
48:13We're trying to find her.
48:15Greta.
48:18Trying to find out who the hell she actually was
48:20and what exactly we are caught up in here.
48:24Liam.
48:25I'm so sorry I've dragged you into all this.
48:27I really am.
48:29But all I was doing was trying to find out the truth.
48:37What do I do with this?
48:49What should I do now?
49:00Do whatever you want.
49:09What you do now?
49:12What do you do?
49:24What do you do now?
49:31What?
49:32The world is a vast majority.
49:35What do you do?
49:36What do you do now?
49:36What do you do now?
49:36What do you do now?
49:37I'm so sorry.
49:38What do you do now?
49:51Open my eyes
49:54To hold your breath
49:58Let's go
50:01Let's go
50:02Let's go
50:06Let's go
50:07Let's go
50:18Let's go
50:27Let's go
50:30Let's go
50:31Let's go
50:34Let's go
50:45Let's go
50:54You
51:46You
52:02You
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